Neil Haddon

Neil Haddon is a British-Australian painter. His paintings display a wide variety of influences and styles, from hard edge geometric abstraction to looser expressive figurative painting. Haddon currently^[when?] lives and works in Hobart, Tasmania.

We Bring Our Own Fruit, Neil Haddon, 2017, oil, enamel and digital print on aluminium

Early life and education

Haddon was born in Epsom, England. He was born at "Eversleigh" in Worple Road – the former residence of the English writer George Gissing.^{[citation needed]}

He earned a B-TEC Diploma in Art and Design from the Epsom School of Art, Surrey, England (1985–1987) (now the University for the Creative Arts), where he studied alongside the painter Cecily Brown. He received an Honours degree from West Surrey College of Art and Design (1987–1990) (now the University for the Creative Arts) where he studied under Stephen Farthing.^{[citation needed]}

In 2020, he was awarded a Doctorate in Fine Art from the School of Creative Arts and Media, University of Tasmania (CAM).^[1]

Career

Haddon relocated to Barcelona, Spain, in 1990 and lived and worked there until 1996. He maintained a studio in Cornellá throughout this period. He held his first solo exhibition at Galería Carles Poy^[2][3] in 1992. In 1996 he moved to Tasmania, Australia. He has lived and worked there since then.^[4][5]

He has held a variety of part-time teaching posts at the School of Creative Arts and Media, University of Tasmania, is a post-graduate supervisor, and is^[when?] Head of Painting.^[1]

Other activities

In 2014 Haddon undertook a three-month residency in New York at the Australia Council for the Arts Greene Street Studio. Haddon was the Chair of Contemporary Art Tasmania from 2010 to 2016^[6] and was a board member of Salamanca Arts Centre^[7] from 2018 to 2022.

Work

Haddon's paintings combine a wide range of influences and styles, from geometric abstraction to figuration. He has become known for using a variety of materials and techniques, from flat high gloss enamel painting to expressive oil painting. The sources for Haddon's paintings come from an array of visual media that includes local newspaper images, archival photographs of Australia and the UK,^[8] and the paintings of earlier 'colonial' artists such as John Glover and Paul Gauguin.^[9] His paintings have been described as "a meta-landscape mash up of samples from John Glover and Paul Gaugin and the reflectiveness of your granny's ornamental biscuit tins".^[10] Kelly Gellatly, senior curator of contemporary art at the National Gallery of Victoria described Haddon's work as abstract painting that "doesn't depict a traditional landscape but is evocative in its use of darker aspects of landscape."^[11] Haddon describes working from these sources as "a process of razing an image to the ground and then building back up."^[8] Andrew Frost of The Guardian described Haddon's 2016 painting I Read Day of the Triffids When I Lived in England (and now I Live in Tasmania) as "a delightful post-painting nightmare."^[12]

Exhibitions

Haddon's paintings have been exhibited in Australia, the US, and Europe. Exhibitions include: Theatre of the World,^[13] MONA^[14] (and La Maison Rouge, Paris) curated by Jean-Hubert Martin, Platform Los Angeles, Strange Trees,^[15] Tasmanian Museum and Art Gallery, Hobart; This Is No Fantasy, Melbourne; and MOP Gallery, Sydney. His paintings were featured in Ten Days on the Island, 2003 and were described by Daniel Thomas as "a high-spirited meeting of Pop art and popular culture with austere reto-Futurist abstraction."^[16]

Collections

Haddon's work is held in private and public collections internationally and in Australia by the National Gallery of Victoria,^[17] Artbank; the Tasmanian Museum and Art Gallery; the University of Tasmania Fine Art Collection; Devonport Regional Gallery, and the Gold Coast Arts Centre.^{[citation needed]}

Awards

Haddon's painting "The Visit", inspired by his migration to Tasmania and H.G. Wells' novel The War of the Worlds was awarded the A$100,000 Hadley's Art Prize in 2018.^[18] Hadley's Prize judge and Tasmanian Museum and Art Gallery curator, Jane Stewart, described the painting as "a complex and accomplished painting that raises many questions about landscape, custodianship and contact history.”^[19]

His painting "Portrait with Paperchains", featuring his brother-in-law Timothy Walker CBE, Chief Executive and Artistic Director of the London Philharmonic Orchestra, was awarded the A$25,000 City of Whyalla Art Prize in 2011.^[20][21] Haddon returned to judge the Whyalla Prize in 2013.^[22]

"Purblind (Opiate)" won the $25,000 Glover Prize (Tasmania) 2008.^[11]

"Survivor (del tink gyp flynn)" was awarded the City of Devonport Art Award in 2006.^[23]

His paintings have been selected for other significant art prizes, including both the Wynne Prize^[24] and the Sulman Prize, both at Art Gallery of New South Wales.^[25]

His work "It's Difficult (this Tasmanian landscape)" was also a finalist in the $50,000 Arthur Guy Memorial Painting Prize at the Bendigo Art Gallery in 2023.^[5]

References

1. "Neil Haddon - Art & Visual Communication". University of Tasmania. Retrieved 23 June 2016.
2. "Cierra la innovadora galería Carles Poy, situada en el Raval barcelonés". EL PAÍS (in Spanish). 28 December 1998. Retrieved 23 June 2016.
3. Marzo, Jorge-Luís (October 1992). "Neil Haddon". Lapiz Revista Internacional de Arte. MOLOC EDICIONES S.L.: 80–81. ISSN 0212-1700.
4. Kiely, Annemarie (2011). "Stop Press". Vogue Living Australia. News Magazines Pty.
5. "Arthur Guy Memorial Painting Prize Finalist". Bendigo Art Gallery. 25 November 2023. Retrieved 24 February 2024.
6. "Contemporary Art Tasmania". www.contemporaryarttasmania.org. Retrieved 23 June 2016.
7. "Salamanca Arts Centre Board".
8. O'Sullivan, Jane (2011). "What Now? Neil Haddon". Australian Art Collector (57): 118.
9. "Archibald Prize Wynne 2015 finalist: The first time again by Neil Haddon". www.artgallery.nsw.gov.au. Retrieved 23 June 2016.
10. Frost, Andrew (17 July 2015). "Archibald prize 2015 review – three worthy winners from an eclectic mix". the Guardian. Retrieved 1 June 2016.
11. Midgley, Ellena (8 March 2008). "Haddon the tall poppy of Glover". The Examiner. Launceston, Tasmania.
12. Frost, Andrew (15 July 2016). "Archibald Prize Review 2016". Retrieved 18 September 2016.
13. "MONA: New Exhibition Announcement - Theatre of the World, opening June 23 | Tasmanian Times". tasmaniantimes.com. Retrieved 23 June 2016.
14. Michael, Linda, ed. (2012). Theatre of the World. Contributions by David Walsh, Jean-Hubert Martin et al. Berriedale: Museum of Old and New Art. ISBN 9780980805833.
15. "Tasmanian Museum and Art Gallery".
16. Thomas, Daniel (May 2003). "Ten Days on the Island". Art Monthly Australia: 32–33.
17. "NGV Collection".
18. "ABC News". Australian Broadcasting Corporation.
19. "Hadley's Art Prize".
20. "Whyalla Art Prize Tasmania Win". Adelaide Advertiser. 17 October 2009. p. 2.
21. "Art Prize Winner Decided". Whyalla News. 20 October 2009. p. 7.
22. Hoffman, Daine (30 September 2013). "2013 art prize finalists announced". Whyalla News. Retrieved 23 June 2016.
23. "Tidal: City of Devonport Art Prize".
24. "Art Gallery of New South Wales, Wynne Prize".
25. "Sir John Sulman Prize finalists 2022". Art Gallery of NSW. 28 August 2022. Retrieved 24 February 2024.

External links

• Museum of Old and New Art
• Ocula
• Surrey Institute of Art & Design, University College