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George Gustav Heye Center

The National Museum of the American Indian–New York, the George Gustav Heye Center, is a branch of the National Museum of the American Indian at the Alexander Hamilton U.S. Custom House in Manhattan, New York City.[1] The museum is part of the Smithsonian Institution. The center features contemporary and historical exhibits of art and artifacts by and about Native Americans.

George Gustav Heye Center
National Museum of the American Indian
Established1922
LocationAlexander Hamilton U.S. Custom House, 1 Bowling Green, Manhattan, New York, United States
Coordinates40°42′15″N 74°00′50″W / 40.70417°N 74.01389°W / 40.70417; -74.01389
Visitors239,435 (2022)
DirectorCynthia Chavez Lamar
Public transit accessNew York City Bus: M9, M15, M15 SBS, M20, M55
New York City Subway: trains at Bowling Green or trains at South Ferry – Whitehall Street
Websiteamericanindian.si.edu/visit/reopening-ny

The center has its origin in the Museum of the American Indian founded by George Heye in 1916. It became part of the national museum and Smithsonian in 1987.

History edit

The center is named for George Gustav Heye, who began collecting Native American artifacts in 1903. He founded and endowed the Museum of the American Indian in 1916, and it opened in 1922, in a building at 155th Street and Broadway, part of the Audubon Terrace complex, in the Sugar Hill neighborhood, just south of Washington Heights.[2] Frederick J. Dockstader was director of the Museum from 1960 to 1976.[3][4]

By early 1987, U.S. senator Daniel Patrick Moynihan was proposing legislation that would turn over the Alexander Hamilton U.S. Custom House, on Bowling Green in Lower Manhattan, to the Museum of the American Indian.[5] For the past ten years, the museum had wished to relocate because its Upper Manhattan facility was insufficient, and the Custom House was being offered as an alternative for the museum's possible relocation to Washington, D.C.[6][7] Mayor Ed Koch and U.S. senator Al D'Amato were initially opposed to Moynihan's plan, but dropped their opposition by August 1987.[8] U.S. senator Daniel Inouye introduced the National Museum of the American Indian Act the next month, which would have instead merged the museum's collection with that of the Smithsonian Institution in Washington, D.C.[9] A compromise was reached in 1988, in which the Smithsonian would build its own museum in Washington, D.C. The Smithsonian would also acquire the Heye collection, which it would continue to operate in New York City at the Custom House.[10][11] The act was passed in 1989.[12]

The George Gustav Heye Center opened in the Custom House in 1994.[13] The Beaux Arts-style building, designed by architect Cass Gilbert, was completed in 1907 and is both a National Historic Landmark[14] and a New York City designated landmark.[15][16] In 2006, a renovation project reworked space on the ground floor into the Diker Pavilion, adding approximately 6,000 square feet of space available for public display and events.[17] The center's exhibition and public access areas total about 20,000 square feet (1,900 m2). The Heye Center offers a range of exhibitions, film and video screenings, school group programs and living culture presentations throughout the year.

Galleries edit

The permanent collection of the Heye Center is called Infinity of Nations, and is designed to show the scope of the Smithsonian's collection. Organized by geographic regions (including Central and South America), the exhibit displays over 700 items and crosses the line from ethnology to art.[18][19] Multimedia interactions include audio and video, and feature commentary by historians on specific objects.

The rotunda on the second floor is frequently used as a performance space, and features murals reflecting the history of the building, done by Reginald Marsh.[20]

Other galleries include the Photography Gallery, Special Exhibit Galleries, Contemporary Galleries, the Haudenosaunee Discovery Room, the Resource Center Reference Library, a small theater (which screens daily films), and the museum store.

The ground floor of the building houses the Diker Pavilion for Native Arts and Culture[21] and the imagiNATIONS Activity Center,[22] opened in 2018. The former education center was colloquially known as "The Tipi Room".

Past exhibits edit

  • Beauty Surrounds Us (September 23, 2006 – March 31, 2011), the inaugural exhibit for Diker Pavilion.[23]
  • A Song for the Horse Nation (November 14, 2009 – July 7, 2011), addressed the importance of the horse since its introduction to the Western Hemisphere in 1493.
  • Hide: Skin as Material and Metaphor (September 4, 2010 – January 16, 2011), a multifaceted look at race and representation.
  • Grab (January 29, 2011 – July 31, 2011), A photo exhibit celebrating the Grab Day tradition in Laguna Pueblo, New Mexico.
  • Preston Singletary: Echoes, Fire, and Shadows (March 19, 2011 – September 5, 2011), Tlingit myths and legends represented in glass sculpture.
  • Carl Beam (October 29, 2011 – April 15, 2012) Contemporary culture and colonialism juxtaposed in the work of an Ojibwe master artist. Featured The North American Iceberg, which the National Gallery of Canada acquired to begin their collection of contemporary Native art.
  • Identity by Design (September 26, 2008 – February 7, 2010), Dresses and accessories which highlighted the traditions and identities of Native American women.[24]
  • Andrea Carlson (June 13, 2009 – January 10, 2010), Narrative story objects which reflected the cultural consumption that museum visitors engage in.
  • Annie Pootoogook (June 13, 2009 – January 10, 2010), 39 drawings from a 2006 Inuit Sobey Art Award winner depicting the Canadian North.
  • Ramp it Up: Skateboard Culture in Native America (December 11, 2009 – June 27, 2010), Celebrated the culture of skateboarding, graphic design, film-making, music, and Native entrepreneurship.
  • Fritz Scholder: Indian/Not Indian (November 1, 2008 – May 17, 2009), Paintings, drawings, and sculptures, focusing on the Luiseno artist's 1980s and 1990s work, when he pursued non-Indian subject matter; controversial pieces from his 1960s and 1970s work were exhibited in the Washington DC facility.
  • Listening to Our Ancestors (September 12, 2007 – July 20, 2008), Over 400 objects representing Native life, and the relationship between tradition and change, on the North Pacific coast.
  • Norval Morrisseau: Shaman Artist (October 20, 2007 – January 20, 2008), Overlapping themes of Shamanism and Catholicism were expressed in the contemporary living art of this highly influential Anishnaabe artist.
  • The museum created a virtual tour with the 4 Directions Project, engaging Native American youth with the exhibits Creation's Journey and All Roads Are Good, which is available online. Students selected items from the collection, created 3D panorama QuickTime objects, and wrote essays which were used as HTML tags.[25] The Washington DC facility later emulated what was done in New York with students from Weedon Island, creating a virtual tour of objects relevant to their interests and cultural heritage.[26]

Image gallery edit

References edit

  1. ^ "National Museum of the American Indian". NY.com. from the original on July 5, 2011. Retrieved April 26, 2011.
  2. ^ Morgan, Thomas (April 13, 1988). "A Cramped Museum Filled With Indian History". The New York Times. from the original on August 5, 2020. Retrieved November 3, 2018.
  3. ^ Gille, Frank H., ed. (1999). Encyclopedia of Massachusetts Indians: Tribes, Nations and People of the Plains Eastern Woodlands. Somerset Publishers. p. 108. ISBN 0-403-09330-9.
  4. ^ Ferretti, Fred (November 7, 1976). "Cavett Returns Indian Museum Artifacts, New York Drops Suit". Lincoln Journal Star. Lincoln, Nebraska. p. 57. Retrieved January 12, 2023 – via Newspapers.com.
  5. ^ Martin, Douglas (February 5, 1987). "Indians Quarrel Over Custom House". The New York Times. ISSN 0362-4331. from the original on November 8, 2017. Retrieved April 15, 2020.
  6. ^ Morgan, Thomas (July 17, 1987). "Fast Action Urged for Indian Museum". The New York Times. ISSN 0362-4331. from the original on November 1, 2017. Retrieved April 19, 2020.
  7. ^ Carroll, Robert (July 17, 1940). "City losing its Indian museum?". New York Daily News. p. 139. Retrieved April 19, 2020 – via newspapers.com  .
  8. ^ Connelly, Mary; Douglas, Carlyle C. (August 16, 1987). "THE REGION; Switching Sides in The Indian Wars". The New York Times. ISSN 0362-4331. from the original on November 4, 2017. Retrieved April 19, 2020.
  9. ^ Molotsky, Irvin (September 30, 1987). "Inouye Seeks to Move Indian Museum to Capital". The New York Times. ISSN 0362-4331. from the original on November 1, 2017. Retrieved April 19, 2020.
  10. ^ Molotsky, Irvin (April 13, 1988). "Compromise Is Reached to Keep Indian Museum in New York City". The New York Times. ISSN 0362-4331. from the original on May 25, 2015. Retrieved April 19, 2020.
  11. ^ "Compromise would keep Indian Museum in NYC". White Plains Journal-News. April 13, 1988. p. 14. Retrieved April 17, 2020 – via newspapers.com  .
  12. ^ An act to establish the National Museum of the American Indian within the Smithsonian Institution, and for other purposes (PDF) (Public Law 101-185). 101st United States Congress. November 28, 1989. (PDF). Archived from the original on August 4, 2019. Retrieved April 19, 2020.{{cite web}}: CS1 maint: archived copy as title (link) CS1 maint: bot: original URL status unknown (link)
  13. ^ "POSTINGS: Museum of the American Indian to Open Next Sunday; Changing Roles for a Once-Empty Landmark". The New York Times. October 23, 1994. ISSN 0362-4331. from the original on May 26, 2015. Retrieved April 14, 2020.
  14. ^ . National Historic Landmark summary listing. National Park Service. September 13, 2007. Archived from the original on June 5, 2011.
  15. ^ "United States Custom House" (PDF). New York City Landmarks Preservation Commission. October 14, 1965. (PDF) from the original on December 26, 2016. Retrieved November 29, 2019.
  16. ^ "United States Custom House Interior" (PDF). New York City Landmarks Preservation Commission. January 9, 1979. (PDF) from the original on February 14, 2021. Retrieved November 29, 2019.
  17. ^ "Indian Museum Adds Space in the Round". The New York Times. from the original on June 15, 2021. Retrieved June 15, 2021.
  18. ^ Cotter, Holland (November 5, 2010). "Grace and Culture Intertwined". Art & Design. New York Times. from the original on May 19, 2015. Retrieved May 23, 2012.
  19. ^ "Infinity of Nations". National Museum of the American Indian. from the original on May 18, 2015. Retrieved May 7, 2015.
  20. ^ "U.S. Custom House Murals – New York NY". Living New Deal. Department of Geography, University of California, Berkeley. from the original on April 26, 2016. Retrieved April 25, 2016.
  21. ^ Dunlap, David W. (August 11, 2006). "Indian Museum Adds Space in the Round". The New York Times. ISSN 0362-4331. from the original on January 28, 2021. Retrieved April 17, 2020.
  22. ^ Institution, Smithsonian. "imagiNATIONS Activity Center". Smithsonian Institution. Retrieved March 9, 2023.
  23. ^ Finn, Robin (August 25, 2006). "A Return to Indian Origins, With a Flair for Design". The New York Times. from the original on June 15, 2021. Retrieved June 15, 2021.
  24. ^ Rosenberg, Karen (October 7, 2008). "In Tribal Dresses, Life Stories, Intricate Labor and Female Bonding". The New York Times. from the original on June 15, 2021. Retrieved June 15, 2021.
  25. ^ 4Directions (2000). "A Virtual Tour of the National Museum of the American Indian Exhibitions Creation's Journey and All Roads Are Good". Smithsonian Institution. from the original on April 23, 2012. Retrieved May 24, 2012.{{cite web}}: CS1 maint: numeric names: authors list (link)
  26. ^ Smithsonian National Museum of the American Indian. "Weedon Island Virtual Tour". Smithsonian Institution. from the original on April 29, 2012. Retrieved May 24, 2012.

External links edit

  • "George Gustav Heye Center". americanindian.si.edu.
  • "Infinity of Nations: Art and History in the Collections of the National Museum of the American Indian". nmai.si.edu.
  • . Archived from the original on March 17, 2022.

george, gustav, heye, center, national, museum, american, indian, york, branch, national, museum, american, indian, alexander, hamilton, custom, house, manhattan, york, city, museum, part, smithsonian, institution, center, features, contemporary, historical, e. The National Museum of the American Indian New York the George Gustav Heye Center is a branch of the National Museum of the American Indian at the Alexander Hamilton U S Custom House in Manhattan New York City 1 The museum is part of the Smithsonian Institution The center features contemporary and historical exhibits of art and artifacts by and about Native Americans George Gustav Heye CenterNational Museum of the American IndianEstablished1922LocationAlexander Hamilton U S Custom House 1 Bowling Green Manhattan New York United StatesCoordinates40 42 15 N 74 00 50 W 40 70417 N 74 01389 W 40 70417 74 01389Visitors239 435 2022 DirectorCynthia Chavez LamarPublic transit accessNew York City Bus M9 M15 M15 SBS M20 M55New York City Subway trains at Bowling Green or trains at South Ferry Whitehall StreetWebsiteamericanindian wbr si wbr edu wbr visit wbr reopening ny The center has its origin in the Museum of the American Indian founded by George Heye in 1916 It became part of the national museum and Smithsonian in 1987 Contents 1 History 2 Galleries 3 Past exhibits 4 Image gallery 5 References 6 External linksHistory editThe center is named for George Gustav Heye who began collecting Native American artifacts in 1903 He founded and endowed the Museum of the American Indian in 1916 and it opened in 1922 in a building at 155th Street and Broadway part of the Audubon Terrace complex in the Sugar Hill neighborhood just south of Washington Heights 2 Frederick J Dockstader was director of the Museum from 1960 to 1976 3 4 By early 1987 U S senator Daniel Patrick Moynihan was proposing legislation that would turn over the Alexander Hamilton U S Custom House on Bowling Green in Lower Manhattan to the Museum of the American Indian 5 For the past ten years the museum had wished to relocate because its Upper Manhattan facility was insufficient and the Custom House was being offered as an alternative for the museum s possible relocation to Washington D C 6 7 Mayor Ed Koch and U S senator Al D Amato were initially opposed to Moynihan s plan but dropped their opposition by August 1987 8 U S senator Daniel Inouye introduced the National Museum of the American Indian Act the next month which would have instead merged the museum s collection with that of the Smithsonian Institution in Washington D C 9 A compromise was reached in 1988 in which the Smithsonian would build its own museum in Washington D C The Smithsonian would also acquire the Heye collection which it would continue to operate in New York City at the Custom House 10 11 The act was passed in 1989 12 The George Gustav Heye Center opened in the Custom House in 1994 13 The Beaux Arts style building designed by architect Cass Gilbert was completed in 1907 and is both a National Historic Landmark 14 and a New York City designated landmark 15 16 In 2006 a renovation project reworked space on the ground floor into the Diker Pavilion adding approximately 6 000 square feet of space available for public display and events 17 The center s exhibition and public access areas total about 20 000 square feet 1 900 m2 The Heye Center offers a range of exhibitions film and video screenings school group programs and living culture presentations throughout the year Galleries editThe permanent collection of the Heye Center is called Infinity of Nations and is designed to show the scope of the Smithsonian s collection Organized by geographic regions including Central and South America the exhibit displays over 700 items and crosses the line from ethnology to art 18 19 Multimedia interactions include audio and video and feature commentary by historians on specific objects The rotunda on the second floor is frequently used as a performance space and features murals reflecting the history of the building done by Reginald Marsh 20 Other galleries include the Photography Gallery Special Exhibit Galleries Contemporary Galleries the Haudenosaunee Discovery Room the Resource Center Reference Library a small theater which screens daily films and the museum store The ground floor of the building houses the Diker Pavilion for Native Arts and Culture 21 and the imagiNATIONS Activity Center 22 opened in 2018 The former education center was colloquially known as The Tipi Room Past exhibits editBeauty Surrounds Us September 23 2006 March 31 2011 the inaugural exhibit for Diker Pavilion 23 A Song for the Horse Nation November 14 2009 July 7 2011 addressed the importance of the horse since its introduction to the Western Hemisphere in 1493 Hide Skin as Material and Metaphor September 4 2010 January 16 2011 a multifaceted look at race and representation Grab January 29 2011 July 31 2011 A photo exhibit celebrating the Grab Day tradition in Laguna Pueblo New Mexico Preston Singletary Echoes Fire and Shadows March 19 2011 September 5 2011 Tlingit myths and legends represented in glass sculpture Carl Beam October 29 2011 April 15 2012 Contemporary culture and colonialism juxtaposed in the work of an Ojibwe master artist Featured The North American Iceberg which the National Gallery of Canada acquired to begin their collection of contemporary Native art Identity by Design September 26 2008 February 7 2010 Dresses and accessories which highlighted the traditions and identities of Native American women 24 Andrea Carlson June 13 2009 January 10 2010 Narrative story objects which reflected the cultural consumption that museum visitors engage in Annie Pootoogook June 13 2009 January 10 2010 39 drawings from a 2006 Inuit Sobey Art Award winner depicting the Canadian North Ramp it Up Skateboard Culture in Native America December 11 2009 June 27 2010 Celebrated the culture of skateboarding graphic design film making music and Native entrepreneurship Fritz Scholder Indian Not Indian November 1 2008 May 17 2009 Paintings drawings and sculptures focusing on the Luiseno artist s 1980s and 1990s work when he pursued non Indian subject matter controversial pieces from his 1960s and 1970s work were exhibited in the Washington DC facility Listening to Our Ancestors September 12 2007 July 20 2008 Over 400 objects representing Native life and the relationship between tradition and change on the North Pacific coast Norval Morrisseau Shaman Artist October 20 2007 January 20 2008 Overlapping themes of Shamanism and Catholicism were expressed in the contemporary living art of this highly influential Anishnaabe artist The museum created a virtual tour with the 4 Directions Project engaging Native American youth with the exhibits Creation s Journey and All Roads Are Good which is available online Students selected items from the collection created 3D panorama QuickTime objects and wrote essays which were used as HTML tags 25 The Washington DC facility later emulated what was done in New York with students from Weedon Island creating a virtual tour of objects relevant to their interests and cultural heritage 26 Image gallery edit nbsp Original building at Audubon Terrace photographed around the time of its opening in 1922 nbsp Rotunda of the current building the Alexander Hamilton U S Custom House during a live presentation 2012 nbsp Diker pavilion 2012 nbsp Infinity of Nations 2012 nbsp Photography Gallery 2012 nbsp The Tipi Room 2012 References edit National Museum of the American Indian NY com Archived from the original on July 5 2011 Retrieved April 26 2011 Morgan Thomas April 13 1988 A Cramped Museum Filled With Indian History The New York Times Archived from the original on August 5 2020 Retrieved November 3 2018 Gille Frank H ed 1999 Encyclopedia of Massachusetts Indians Tribes Nations and People of the Plains Eastern Woodlands Somerset Publishers p 108 ISBN 0 403 09330 9 Ferretti Fred November 7 1976 Cavett Returns Indian Museum Artifacts New York Drops Suit Lincoln Journal Star Lincoln Nebraska p 57 Retrieved January 12 2023 via Newspapers com Martin Douglas February 5 1987 Indians Quarrel Over Custom House The New York Times ISSN 0362 4331 Archived from the original on November 8 2017 Retrieved April 15 2020 Morgan Thomas July 17 1987 Fast Action Urged for Indian Museum The New York Times ISSN 0362 4331 Archived from the original on November 1 2017 Retrieved April 19 2020 Carroll Robert July 17 1940 City losing its Indian museum New York Daily News p 139 Retrieved April 19 2020 via newspapers com nbsp Connelly Mary Douglas Carlyle C August 16 1987 THE REGION Switching Sides in The Indian Wars The New York Times ISSN 0362 4331 Archived from the original on November 4 2017 Retrieved April 19 2020 Molotsky Irvin September 30 1987 Inouye Seeks to Move Indian Museum to Capital The New York Times ISSN 0362 4331 Archived from the original on November 1 2017 Retrieved April 19 2020 Molotsky Irvin April 13 1988 Compromise Is Reached to Keep Indian Museum in New York City The New York Times ISSN 0362 4331 Archived from the original on May 25 2015 Retrieved April 19 2020 Compromise would keep Indian Museum in NYC White Plains Journal News April 13 1988 p 14 Retrieved April 17 2020 via newspapers com nbsp An act to establish the National Museum of the American Indian within the Smithsonian Institution and for other purposes PDF Public Law 101 185 101st United States Congress November 28 1989 Archived copy PDF Archived from the original on August 4 2019 Retrieved April 19 2020 a href Template Cite web html title Template Cite web cite web a CS1 maint archived copy as title link CS1 maint bot original URL status unknown link POSTINGS Museum of the American Indian to Open Next Sunday Changing Roles for a Once Empty Landmark The New York Times October 23 1994 ISSN 0362 4331 Archived from the original on May 26 2015 Retrieved April 14 2020 United States Custom House New York National Historic Landmark summary listing National Park Service September 13 2007 Archived from the original on June 5 2011 United States Custom House PDF New York City Landmarks Preservation Commission October 14 1965 Archived PDF from the original on December 26 2016 Retrieved November 29 2019 United States Custom House Interior PDF New York City Landmarks Preservation Commission January 9 1979 Archived PDF from the original on February 14 2021 Retrieved November 29 2019 Indian Museum Adds Space in the Round The New York Times Archived from the original on June 15 2021 Retrieved June 15 2021 Cotter Holland November 5 2010 Grace and Culture Intertwined Art amp Design New York Times Archived from the original on May 19 2015 Retrieved May 23 2012 Infinity of Nations National Museum of the American Indian Archived from the original on May 18 2015 Retrieved May 7 2015 U S Custom House Murals New York NY Living New Deal Department of Geography University of California Berkeley Archived from the original on April 26 2016 Retrieved April 25 2016 Dunlap David W August 11 2006 Indian Museum Adds Space in the Round The New York Times ISSN 0362 4331 Archived from the original on January 28 2021 Retrieved April 17 2020 Institution Smithsonian imagiNATIONS Activity Center Smithsonian Institution Retrieved March 9 2023 Finn Robin August 25 2006 A Return to Indian Origins With a Flair for Design The New York Times Archived from the original on June 15 2021 Retrieved June 15 2021 Rosenberg Karen October 7 2008 In Tribal Dresses Life Stories Intricate Labor and Female Bonding The New York Times Archived from the original on June 15 2021 Retrieved June 15 2021 4Directions 2000 A Virtual Tour of the National Museum of the American Indian Exhibitions Creation s Journey and All Roads Are Good Smithsonian Institution Archived from the original on April 23 2012 Retrieved May 24 2012 a href Template Cite web html title Template Cite web cite web a CS1 maint numeric names authors list link Smithsonian National Museum of the American Indian Weedon Island Virtual Tour Smithsonian Institution Archived from the original on April 29 2012 Retrieved May 24 2012 External links edit nbsp Wikimedia Commons has media related to National Museum of the American Indian New York George Gustav Heye Center americanindian si edu Infinity of Nations Art and History in the Collections of the National Museum of the American Indian nmai si edu 4Directions NMAI Virtual Tour Archived from the original on March 17 2022 Retrieved from https en wikipedia org w index php title George Gustav Heye Center amp oldid 1199787189, wikipedia, wiki, book, books, library,

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