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Musical isomorphism

In mathematics—more specifically, in differential geometry—the musical isomorphism (or canonical isomorphism) is an isomorphism between the tangent bundle and the cotangent bundle of a pseudo-Riemannian manifold induced by its metric tensor. There are similar isomorphisms on symplectic manifolds. The term musical refers to the use of the symbols (flat) and (sharp).[1][2]

In the notation of Ricci calculus, it is also known as raising and lowering indices.

Motivation Edit

In linear algebra, a finite-dimensional vector space is isomorphic to its dual space but not canonically isomorphic to it. On the other hand a finite-dimensional vector space   endowed with a non-degenerate bilinear form  , is canonically isomorphic to its dual, the isomorphism being given by:

 

An example is where   is a Euclidean space, and   is its inner product.

Musical isomorphisms are the global version of this isomorphism and its inverse, for the tangent bundle and cotangent bundle of a (pseudo-)Riemannian manifold  . They are isomorphisms of vector bundles which are at any point   the above isomorphism applied to the (pseudo-)Euclidean space   (the tangent space of M at point p) endowed with the inner product  . More generally, musical isomorphisms always exist between a vector bundle endowed with a bundle metric and its dual.

Because every paracompact manifold can be endowed with a Riemannian metric, the musical isomorphisms allow to show that on those spaces a vector bundle is always isomorphic to its dual (but not canonically unless a (pseudo-)Riemannian metric has been associated with the manifold).

Discussion Edit

Let (M, g) be a pseudo-Riemannian manifold. Suppose {ei} is a moving tangent frame (see also smooth frame) for the tangent bundle TM with, as dual frame (see also dual basis), the moving coframe (a moving tangent frame for the cotangent bundle  ; see also coframe) {ei}. Then, locally, we may express the pseudo-Riemannian metric (which is a 2-covariant tensor field that is symmetric and nondegenerate) as g = gij eiej (where we employ the Einstein summation convention).

Given a vector field X = Xi ei and denoting gij Xi = Xj, we define its flat by:

 

This is referred to as lowering an index. Using angle bracket notation for the bilinear form defined by g, we obtain the somewhat more transparent relation

 
for any vector fields X and Y.

In the same way, given a covector field ω = ωi ei and denoting gij ωi = ωj, we define its sharp by:

 

where gij are the components of the inverse metric tensor (given by the entries of the inverse matrix to gij). Taking the sharp of a covector field is referred to as raising an index. In angle bracket notation, this reads

 
for any covector field ω and any vector field Y.

Through this construction, we have two mutually inverse isomorphisms

 

These are isomorphisms of vector bundles and, hence, we have, for each p in M, mutually inverse vector space isomorphisms between Tp M and T
p
M
.

Extension to tensor products Edit

The musical isomorphisms may also be extended to the bundles

 

Which index is to be raised or lowered must be indicated. For instance, consider the (0, 2)-tensor field X = Xij eiej. Raising the second index, we get the (1, 1)-tensor field

 

Extension to k-vectors and k-forms Edit

In the context of exterior algebra, an extension of the musical operators may be defined on V and its dual
V
, which with minor abuse of notation may be denoted the same, and are again mutual inverses:[3]

 
defined by
 

In this extension, in which maps p-vectors to p-covectors and maps p-covectors to p-vectors, all the indices of a totally antisymmetric tensor are simultaneously raised or lowered, and so no index need be indicated:

 

Trace of a tensor through a metric tensor Edit

Given a type (0, 2) tensor field X = Xij eiej, we define the trace of X through the metric tensor g by

 

Observe that the definition of trace is independent of the choice of index to raise, since the metric tensor is symmetric.

See also Edit

Citations Edit

  1. ^ Lee 2003, Chapter 11.
  2. ^ Lee 1997, Chapter 3.
  3. ^ Vaz & da Rocha 2016, pp. 48, 50.

References Edit

  • Lee, J. M. (2003). Introduction to Smooth manifolds. Springer Graduate Texts in Mathematics. Vol. 218. ISBN 0-387-95448-1.
  • Lee, J. M. (1997). Riemannian Manifolds – An Introduction to Curvature. Springer Graduate Texts in Mathematics. Vol. 176. Springer Verlag. ISBN 978-0-387-98322-6.
  • Vaz, Jayme; da Rocha, Roldão (2016). An Introduction to Clifford Algebras and Spinors. Oxford University Press. ISBN 978-0-19-878-292-6.

musical, isomorphism, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, removed, find, sources, news, newspapers, books, scholar, jstor, april. This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Musical isomorphism news newspapers books scholar JSTOR April 2015 Learn how and when to remove this template message In mathematics more specifically in differential geometry the musical isomorphism or canonical isomorphism is an isomorphism between the tangent bundle T M displaystyle mathrm T M and the cotangent bundle T M displaystyle mathrm T M of a pseudo Riemannian manifold induced by its metric tensor There are similar isomorphisms on symplectic manifolds The term musical refers to the use of the symbols displaystyle flat flat and displaystyle sharp sharp 1 2 In the notation of Ricci calculus it is also known as raising and lowering indices Contents 1 Motivation 2 Discussion 2 1 Extension to tensor products 2 2 Extension to k vectors and k forms 3 Trace of a tensor through a metric tensor 4 See also 5 Citations 6 ReferencesMotivation EditIn linear algebra a finite dimensional vector space is isomorphic to its dual space but not canonically isomorphic to it On the other hand a finite dimensional vector space V displaystyle V nbsp endowed with a non degenerate bilinear form displaystyle langle cdot cdot rangle nbsp is canonically isomorphic to its dual the isomorphism being given by V V v v displaystyle begin array rcl V amp rightarrow amp V v amp mapsto amp langle v cdot rangle end array nbsp An example is where V displaystyle V nbsp is a Euclidean space and displaystyle langle cdot cdot rangle nbsp is its inner product Musical isomorphisms are the global version of this isomorphism and its inverse for the tangent bundle and cotangent bundle of a pseudo Riemannian manifold M g displaystyle M g nbsp They are isomorphisms of vector bundles which are at any point x M displaystyle x in M nbsp the above isomorphism applied to the pseudo Euclidean space T p M displaystyle mathrm T p M nbsp the tangent space of M at point p endowed with the inner product g p displaystyle g p nbsp More generally musical isomorphisms always exist between a vector bundle endowed with a bundle metric and its dual Because every paracompact manifold can be endowed with a Riemannian metric the musical isomorphisms allow to show that on those spaces a vector bundle is always isomorphic to its dual but not canonically unless a pseudo Riemannian metric has been associated with the manifold Discussion EditLet M g be a pseudo Riemannian manifold Suppose ei is a moving tangent frame see also smooth frame for the tangent bundle TM with as dual frame see also dual basis the moving coframe a moving tangent frame for the cotangent bundle T M displaystyle mathrm T M nbsp see also coframe ei Then locally we may express the pseudo Riemannian metric which is a 2 covariant tensor field that is symmetric and nondegenerate as g gijei ej where we employ the Einstein summation convention Given a vector field X Xi ei and denoting gij Xi Xj we define its flat by T M T M X g i j X i e j X j e j displaystyle begin aligned flat mathrm T M amp longrightarrow mathrm T M X amp longmapsto g ij X i mathbf e j amp longmapsto X j mathbf e j end aligned nbsp This is referred to as lowering an index Using angle bracket notation for the bilinear form defined by g we obtain the somewhat more transparent relationX Y X Y displaystyle X flat Y langle X Y rangle nbsp for any vector fields X and Y In the same way given a covector field w wi ei and denoting gij wi wj we define its sharp by T M T M w g i j w i e j w j e j displaystyle begin aligned sharp mathrm T M amp longrightarrow mathrm T M omega amp longmapsto g ij omega i mathbf e j amp longmapsto omega j mathbf e j end aligned nbsp where gij are the components of the inverse metric tensor given by the entries of the inverse matrix to gij Taking the sharp of a covector field is referred to as raising an index In angle bracket notation this reads w Y w Y displaystyle bigl langle omega sharp Y bigr rangle omega Y nbsp for any covector field w and any vector field Y Through this construction we have two mutually inverse isomorphisms T M T M T M T M displaystyle flat rm T M to rm T M qquad sharp rm T M to rm T M nbsp These are isomorphisms of vector bundles and hence we have for each p in M mutually inverse vector space isomorphisms between TpM and T p M Extension to tensor products Edit The musical isomorphisms may also be extended to the bundles k T M k T M displaystyle bigotimes k rm T M qquad bigotimes k rm T M nbsp Which index is to be raised or lowered must be indicated For instance consider the 0 2 tensor field X Xijei ej Raising the second index we get the 1 1 tensor fieldX g j k X i j e i e k displaystyle X sharp g jk X ij rm e i otimes rm e k nbsp Extension to k vectors and k forms Edit In the context of exterior algebra an extension of the musical operators may be defined on V and its dual V which with minor abuse of notation may be denoted the same and are again mutual inverses 3 V V V V displaystyle flat bigwedge V to bigwedge V qquad sharp bigwedge V to bigwedge V nbsp defined by X Z X Z a g a g displaystyle X wedge ldots wedge Z flat X flat wedge ldots wedge Z flat qquad alpha wedge ldots wedge gamma sharp alpha sharp wedge ldots wedge gamma sharp nbsp In this extension in which maps p vectors to p covectors and maps p covectors to p vectors all the indices of a totally antisymmetric tensor are simultaneously raised or lowered and so no index need be indicated Y Y i k e i e k g i r g k t Y i k e r e t displaystyle Y sharp Y i dots k mathbf e i otimes dots otimes mathbf e k sharp g ir dots g kt Y i dots k mathbf e r otimes dots otimes mathbf e t nbsp Trace of a tensor through a metric tensor EditGiven a type 0 2 tensor field X Xijei ej we define the trace of X through the metric tensor g bytr g X tr X tr g j k X i j e i e k g i j X i j displaystyle operatorname tr g X operatorname tr X sharp operatorname tr g jk X ij bf e i otimes bf e k g ij X ij nbsp Observe that the definition of trace is independent of the choice of index to raise since the metric tensor is symmetric See also EditDuality mathematics Raising and lowering indices Dual space Bilinear products and dual spaces Hodge star operator Vector bundle Flat music and Sharp music about the signs and Citations Edit Lee 2003 Chapter 11 Lee 1997 Chapter 3 Vaz amp da Rocha 2016 pp 48 50 References EditLee J M 2003 Introduction to Smooth manifolds Springer Graduate Texts in Mathematics Vol 218 ISBN 0 387 95448 1 Lee J M 1997 Riemannian Manifolds An Introduction to Curvature Springer Graduate Texts in Mathematics Vol 176 Springer Verlag ISBN 978 0 387 98322 6 Vaz Jayme da Rocha Roldao 2016 An Introduction to Clifford Algebras and Spinors Oxford University Press ISBN 978 0 19 878 292 6 Retrieved from https en wikipedia org w index php title Musical isomorphism amp oldid 1153872361, wikipedia, wiki, book, books, library,

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