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Balkan music

April 11, 2024

Balkan music is a type of music found in the Balkan region of southeastern Europe. The music is characterised by complex rhythm. Famous bands in Balkan music include Taraf de Haïdouks, Fanfare Ciocărlia, and No Smoking Orchestra.

Historical musical influences edit

Byzantine medieval music edit

Main article: Byzantine music

Byzantine music (Greek: Βυζαντινή Μουσική) is associated with the medieval sacred chant of Christian Churches following the Constantinopolitan rite. Its modal system is based on the ancient Greek models. The development of large scale hymnographic forms begins in the fifth century with the rise of the kontakion, a long and elaborate metrical sermon, which finds its acme in the work of Romanos the Melodist (sixth century). Heirmoi in syllabic style are gathered in the Irmologion, a bulky volume which first appeared in the middle of the tenth century and contains over a thousand model troparia arranged into an octoechos (the eight-mode musical system) and the whole system of Byzantine music which is closely related to the music of ancient Greece.

Greek music edit

Main article: Greek music

Greek folk music includes Demotika, Cretan and Nisiotika, Pontian, Laiko and Rebetiko. Greek music developed around the Balkans as a synthesis of elements of the music of the various areas of the Greek mainland and the Greek islands, with Greek Orthodox ecclesiastical chant, and a reference to music of Crete and Byzantine music. The music of the Aegean Islands, are known for Nisiótika songs; Greek characteristics vary widely. Crete has a well known folk dance tradition; it includes swift dances like pentozalis. Most of the Greek folk songs are accompanied by Greek musical instruments like: lira, clarinet, guitar, violin and sometimes mandolin. Greek folk dances include Kalamatianos, Syrtos and Sousta.

Ottoman music edit

Main article: Ottoman music

Dimitrie Cantemir was a composer of Ottoman music. Many musical instruments were introduced to the Balkans during the time of Ottoman control, but many Ottoman instruments were borrowed by the locals.

"Balkan" is a Turkish word which means sharp mountains. As this the influence of Mehter and Turkish rhythms and melodies can be seen in Balkan Music. In the 19th century in imitation of the Turkish military bands which replaced the mehterhâne formations of Janissary Turks beginning in 1828. Apparently, as in Turkey, they dethroned the ancient traditional oboe (zurna, zurla, or mizmar) and double-membraned drum ensembles.

Pre-modern Balkan music edit

Traditional Bulgarian music edit

Traditional folk instruments in Bulgarian music include various kinds of bagpipes (gaida and kaba gaida); drums (tapan); tarambuka; bells; daire; clapper; zilmasha; praportsi. Woodwind diple: zurla; kaval; duduk; dvoyanka; ocarina; accordion. String instruments: gadulka; tambura; fiddle; mandolin; guitar and gusle.

Traditional Serbian music edit

During the Nemanjic dynasty, musicians played an important role in the royal court, and were known as sviralnici, glumci and praskavnici. Other rulers known for the musical patronage included Stefan Dušan, Stefan Lazarević, and Đurađ Branković. Medieval musical instruments included horns, trumpets, lutes, psalteries and cymbals.

Derivatives and world music edit

Romanian and Romani brass band edit

Fanfare Ciocărlia got many fans in Europe with their powerful brass sound appealing to rock and rave fans as well as the world music audience. In 1997 Ernst and Neumann took Fanfare Ciocărlia into Bucharest's Studio Electrecord to record their debut album. The album, Radio Pascani, was released on the Berlin record label Piranha Musik in 1998 and proved an instant success. Another popular band in Romania was Taraf de Haïdouks.[1]

Progressive Balkan folk edit

Progressive Balkan folk has seen rise in many western countries, particularly the United States. It has had its greatest success with progressive communities across the country. Younger American generations are discovering the possibilities of this genre and are bringing it to small clubs and festivals across the US.

The upbeat, dramatic tone of the music has also attracted a following in the Tribal Fusion bellydance community. Tribal Fusion does not claim to emulate traditional dances, costume or music styles strictly, but it does draw inspiration from Balkan traditions.

Balkan soul and funk edit

Bay Area, CA band Inspector Gadje plays mainly traditional and contemporary balkan dance tunes, but because of the varied background of its musicians, elements of jazz and experimental music can be heard.

Brooklyn-based Slavic Soul Party! is a virtuoso ensemble of brass musicians that infuse traditional balkan rhythms and beats with jazz, soul, funk and the energy of dance pop.

British based band Sam and the Womp have rooted their music in the Balkan funk style to create a modern feel along with catchy and energetic rhythm.

Oakland, CA based artist Balkan Bump mixes Eastern European diasporic music with Electronic Music and Hip Hop.

Flamenco Balkan crossover edit

Another popular exploration has been between Balkan music and other styles around the Mediterran like Flamenco, Jazz and Middle-Eastern music. Vancouver based act Ivan Tucakov and Tambura Rasa explores this style and beyond.

Balkan beats edit

Traditional Balkan music mixed with modern, electronic beats: this genre first appeared in the Berlin underground scene in the mid-1990s. The term was coined by Berlin DJ Robert Soko, whose BalkanBeats monthly parties still continue nowadays. It then spread to the European and world scene, to become an established genre nowadays.[2]

Music per country and ethnicity edit

Notable artists edit

See also edit

References edit

  1. ^ "Nonesuch Records Taraf de Haïdouks".
  2. ^ Rossig, Rüdiger (11 June 2006). "Punk den Balkan". Taz. Retrieved 10 October 2013.

Further reading edit

  • Mhlongo, Zinaida. «'Hopa!': exploring Balkanology in South African popular culture». Diss. 2014.
  • Lauseviâc, Mirjana. A Different Village: international folk dance and Balkan music and dance in the United States. UMI, 1999.
  • Marković, Aleksandra. "Goran Bregović, the Balkan Music Composer." Ethnologia Balkanica; 12 (2008): 9–23.
  • Dawe, Kevin. Regional Voices in a National Soundscape: Balkan music and dance in Greece. (2007): 175–192.
  • Buchanan, Donna A., ed. Balkan Popular Culture and the Ottoman Ecumene: Music, Image, and Regional Political Discourse. Scarecrow Press, 2007.
  • Kremenliev, Boris. "Social and Cultural Changes in Balkan Music." Western Folklore; 34.2 (1975): 117–136.
  • Samson, Jim. "Borders and bridges: Preliminary thoughts on Balkan music." Musicology (497)(5) (2005): 37–55.
  • Rice, Timothy. "Bulgaria or Chalgaria: the attenuation of Bulgarian nationalism in a mass-mediated popular music." Yearbook for Traditional Music; 34 (2002): 25–46.
  • Samson, Jim. Music in the Balkans. Brill, 2013.
  • Kurkela, Vesa. "Music media in the Eastern Balkans: Privatised, deregulated, and neo‐traditional." International Journal of Cultural Policy; 3.2 (1997): 177–205.
  • Archer, Rory. "Assessing turbofolk controversies: Popular music between the nation and the Balkans." Southeastern Europe; 36.2 (2012): 178–207.
  • Pennanen, Risto Pekka. "Lost in scales: Balkan folk music research and the Ottoman legacy." Muzikologija; 8 (2008): 127–147.
  • Kovaćić, Mojca. "The Music of the Other or the Music of Ours: Balkan Music among Slovenians." First Symposium of ICTM Study Group for Music and Dance in Southeastern Europe. 2008.
  • Jakovljević, R. "The Fearless Vernacular: Reassessment of the Balkan Music Between Tradition and Dissolution." Muzičke prakse Balkana: etnomuzikološke perspektive : zbornik radova sa naučnog skupa održanog od 23. do 25. novembra 2011 : primljeno na X skupu Odeljenja likovne i muzičke umetnosti od 14.12.2-12, na osnovu referata akademika Dejana Despića i Aleksandra Lome = Musical practices in the Balkans : ethnomusicological perspectives : proceedings of the International Conference held November 23 to 25, 2011 : accepted at the X meeting of the Department of Fine Arts and Music of 14.12. 2012., on the basis of the review presented by Academicians Dejan Despić and Aleksandar Loma; eds.: Dejan Despić, Jelena Jovanović, Danka Lajić-Mihajlović. Beograd: Muzikološki institut SANU,2012.
  • Pennanen, Risto Pekka. "Balkan Music Between East and West—Some Problems in Analysis." Research paper, University of Tampere (1994).
  • Shehan, Patricia K. "Balkan women as preservers of traditional music and culture." Women and Music in Cross-Cultural Perspective (1987): 45–53.
  • Blom, Jan-Petter. "Principles of rhythmic structures in Balkan folk music." Antropologiska Studier 25.26 (1978): 2–11.
  • Volcic, Zala, and Karmen Erjavec. "Constructing transnational divas: Gendered production of Balkan Turbo-folk music." (2011): 35–52.
  • Muršič, Rajko. The Balkans and Ambivalence of its Perception in Slovenia: the Horror of “Balkanism” and Enthusiasm for its Music. na, 2007.
  • Pettan, Svanibor. "Balkan Popular Music? No, Thanks: The View from Croatia." Balkan Popular Music. 1996.
  • Baker, Catherine. "The politics of performance: Transnationalism and its limits in former Yugoslav popular music, 1999–2004." Ethnopolitics 5.3 (2006): 275–293.
  • Friedman, Victor A. "Codeswitching in Balkan Urban Music." Urban Music in the Balkans: Drop-out Ethnic Identities or a Historical Case of Tolerance and Global Thinking (2006): 40–54.
  • Kolar, Walter W. An Introduction to Meter and Rhythm in Balkan Folk Music. Duquesne University Tamburitzans Institute of Folk Arts, 1974.
  • Irwin, Frances Mary. A comparison of two methods for teaching irregular meter to elementary school students using Balkan folk music. Diss. Washington University, 1984.
  • Burton, Kim. "Balkan beats: Music and nationalism in the former Yugoslavia." World music: The rough guide (1994): 83–94.
  • Archer, R. "Western, eastern and modern: Balkan pop-folk music and (trans) nationalism." C. Leccardi et al.(eds.) (1989): 187–204.
  • Petrovic, Ankica. "The Eastern Roots of Ancient Yugoslav Music." Music\= Cultures in Contact: Convergences and Collisions (2014): 13.
  • Rasmussen, Ljerka Vidić. Bosnian and Serbian popular music in the 1990s: Divergent paths, conflicting meanings, and shared sentiments. na, 2007.


April 11, 2024
balkan, music, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, removed, find, sources, news, newspapers, books, scholar, jstor, december, 20. This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Balkan music news newspapers books scholar JSTOR December 2013 Learn how and when to remove this template message Balkan music is a type of music found in the Balkan region of southeastern Europe The music is characterised by complex rhythm Famous bands in Balkan music include Taraf de Haidouks Fanfare Ciocărlia and No Smoking Orchestra Contents 1 Historical musical influences 1 1 Byzantine medieval music 1 2 Greek music 1 3 Ottoman music 2 Pre modern Balkan music 2 1 Traditional Bulgarian music 2 2 Traditional Serbian music 3 Derivatives and world music 3 1 Romanian and Romani brass band 3 2 Progressive Balkan folk 3 3 Balkan soul and funk 3 4 Flamenco Balkan crossover 3 5 Balkan beats 4 Music per country and ethnicity 5 Notable artists 5 1 Albania 5 2 Bulgaria 5 3 Bosnia and Herzegovina 5 4 Greece 5 5 Kosovo 5 6 North Macedonia 5 7 Montenegro 5 8 Romania 5 9 Serbia 5 10 Turkey 5 11 Musical groups elsewhere 6 See also 7 References 8 Further readingHistorical musical influences editByzantine medieval music edit Main article Byzantine music Byzantine music Greek Byzantinh Moysikh is associated with the medieval sacred chant of Christian Churches following the Constantinopolitan rite Its modal system is based on the ancient Greek models The development of large scale hymnographic forms begins in the fifth century with the rise of the kontakion a long and elaborate metrical sermon which finds its acme in the work of Romanos the Melodist sixth century Heirmoi in syllabic style are gathered in the Irmologion a bulky volume which first appeared in the middle of the tenth century and contains over a thousand model troparia arranged into an octoechos the eight mode musical system and the whole system of Byzantine music which is closely related to the music of ancient Greece Greek music edit Main article Greek music Greek folk music includes Demotika Cretan and Nisiotika Pontian Laiko and Rebetiko Greek music developed around the Balkans as a synthesis of elements of the music of the various areas of the Greek mainland and the Greek islands with Greek Orthodox ecclesiastical chant and a reference to music of Crete and Byzantine music The music of the Aegean Islands are known for Nisiotika songs Greek characteristics vary widely Crete has a well known folk dance tradition it includes swift dances like pentozalis Most of the Greek folk songs are accompanied by Greek musical instruments like lira clarinet guitar violin and sometimes mandolin Greek folk dances include Kalamatianos Syrtos and Sousta Ottoman music edit Main article Ottoman music Dimitrie Cantemir was a composer of Ottoman music Many musical instruments were introduced to the Balkans during the time of Ottoman control but many Ottoman instruments were borrowed by the locals Balkan is a Turkish word which means sharp mountains As this the influence of Mehter and Turkish rhythms and melodies can be seen in Balkan Music In the 19th century in imitation of the Turkish military bands which replaced the mehterhane formations of Janissary Turks beginning in 1828 Apparently as in Turkey they dethroned the ancient traditional oboe zurna zurla or mizmar and double membraned drum ensembles Pre modern Balkan music editTraditional Bulgarian music edit Traditional folk instruments in Bulgarian music include various kinds of bagpipes gaida and kaba gaida drums tapan tarambuka bells daire clapper zilmasha praportsi Woodwind diple zurla kaval duduk dvoyanka ocarina accordion String instruments gadulka tambura fiddle mandolin guitar and gusle Traditional Serbian music edit During the Nemanjic dynasty musicians played an important role in the royal court and were known as sviralnici glumci and praskavnici Other rulers known for the musical patronage included Stefan Dusan Stefan Lazarevic and Đurađ Brankovic Medieval musical instruments included horns trumpets lutes psalteries and cymbals Derivatives and world music editThe examples and perspective in this article deal primarily with North America and do not represent a worldwide view of the subject You may improve this article discuss the issue on the talk page or create a new article as appropriate October 2011 Learn how and when to remove this template message Romanian and Romani brass band edit Fanfare Ciocărlia got many fans in Europe with their powerful brass sound appealing to rock and rave fans as well as the world music audience In 1997 Ernst and Neumann took Fanfare Ciocărlia into Bucharest s Studio Electrecord to record their debut album The album Radio Pascani was released on the Berlin record label Piranha Musik in 1998 and proved an instant success Another popular band in Romania was Taraf de Haidouks 1 Progressive Balkan folk edit Progressive Balkan folk has seen rise in many western countries particularly the United States It has had its greatest success with progressive communities across the country Younger American generations are discovering the possibilities of this genre and are bringing it to small clubs and festivals across the US The upbeat dramatic tone of the music has also attracted a following in the Tribal Fusion bellydance community Tribal Fusion does not claim to emulate traditional dances costume or music styles strictly but it does draw inspiration from Balkan traditions Balkan soul and funk edit Bay Area CA band Inspector Gadje plays mainly traditional and contemporary balkan dance tunes but because of the varied background of its musicians elements of jazz and experimental music can be heard Brooklyn based Slavic Soul Party is a virtuoso ensemble of brass musicians that infuse traditional balkan rhythms and beats with jazz soul funk and the energy of dance pop British based band Sam and the Womp have rooted their music in the Balkan funk style to create a modern feel along with catchy and energetic rhythm Oakland CA based artist Balkan Bump mixes Eastern European diasporic music with Electronic Music and Hip Hop Flamenco Balkan crossover edit Another popular exploration has been between Balkan music and other styles around the Mediterran like Flamenco Jazz and Middle Eastern music Vancouver based act Ivan Tucakov and Tambura Rasa explores this style and beyond Balkan beats edit Traditional Balkan music mixed with modern electronic beats this genre first appeared in the Berlin underground scene in the mid 1990s The term was coined by Berlin DJ Robert Soko whose BalkanBeats monthly parties still continue nowadays It then spread to the European and world scene to become an established genre nowadays 2 Music per country and ethnicity editMusic of Albania Aromanian music Music of Bosnia and Herzegovina Music of Bulgaria Music of Cyprus Music of Greece Music of Kosovo Music of Moldova Music of Montenegro Music of North Macedonia Romani music Music of Romania Music of Serbia Music of TurkeyNotable artists edit nbsp Albania edit Aleksander Peci Armaldo Kllogjeri Avni Mula Tish Daija Elhaida Dani Elvana Gjata Simon Gjoni Tonin Harapi Inva Mula Ermonela Jaho Akil Mark Koci Feim Ibrahimi Prenke Jakova Parashqevi Simaku Paloke Kurti Aleksander Peci Vasil Tole Cesk Zadeja Nikolla Zoraqi David Tukici Pirro Cako Vace Zela Tefta Tashko Koco nbsp Bulgaria edit Sofi Marinova Preslava Raina Kabaivanska Ivan Shopov Valya Balkanska Lyubka Rondova Ivo Papazov Theodosii Spassov Stoyan Yankoulov Elitsa Todorova Lili Ivanova Nicolai Ghiaurov Miro Maria Ilieva Poli Genova Papi Hans Gergana nbsp Bosnia and Herzegovina edit Adnan Babajic Al Dino Aldin Kuric Alen Islamovic Alma Cardzic Amir Kazic Leo Asim Brkan Azra Kolakovic Baja Mali Knindza Beba Selimovic Bijelo Dugme Boris Novkovic Crvena jabuka Dado Dzihan Davor Badrov Fuad Backovic Dejan Matic Dina Bajraktarevic Dino Merlin Disciplinska komisija Divlje jagode DJ Krmak Dubioza kolektiv Dusko Kulis Edo Mulahalilovic Edo Maajka Edin Osmic Eldin Huseinbegovic Elvidin Krilic Elvir Lakovic Laka Enes Begovic Erato Esad Plavi Frenkie Goran Bregovic Halid Beslic Halid Muslimovic Hamdija Custovic Hanka Paldum Haris Dzinovic Hari Mata Hari Himzo Polovina Indira Radic Jasmin Muharemovic Kemal Malovcic Kemal Monteno Lepa Brena Maja Sarihodzic Marinko Rokvic Marta Savic Mate Bulic Maya Berovic Meho Puzic Mile Kitic Milena Plavsic Milos Bojanic Mirjana Bajraktarevic Mitar Miric Mladen Vojicic Tifa Mostar Sevdah Reunion Nada Topcagic Nikola Amir Nino Resic Nedeljko Bajic Baja Nervozni postar Nihad Alibegovic Nihad Kantic Sike Osman Hadzic Romana singer Safet Isovic Sanela Sijercic Sanja Maletic Sasa Matic Sateliti Seid Memic Sejo Boy Seka Aleksic Selma Bajrami Semsa Suljakovic Serif Konjevic Silvana Armenulic Tomo Milicevic Thirty Seconds to Mars Vukasin Brajic Zaim Imamovic Zdravko Colic Zehra Deovic Zeljko Bebek Zeljko Samardzic Sinan Sakic nbsp Greece edit Mikis Theodorakis Tolis Voskopoulos Marinella George Dalaras Maria Farantouri Mario Frangoulis Demis Roussos Helena Paparizou Eleftheria Eleftheriou Vicky Moscholiou Nana Mouskouri Argyris Nastopoulos Apostolos Nikolaidis Marika Ninou Anna Vissi Antique duo Apostolia Zoi Chryspa Despina Vandi Elli Kokkinou Giorgos Papadopoulos George Michael Loukas Daralas Hrysoula Stefanaki Chronis Aidonidis Peter Andre Annette Artani Eleftheria Arvanitaki Agnes Baltsa Haris Alexiou Dionysis Makris Kelly Kelekidou Nancy Alexiadi Notis Sfakianakis Katy Garbi Kostas Martakis Panos Tserpes Marianda Pieridi Konstantinos Christoforou Paschalis Terzis Maria Callas Panos Kiamos Nikos Vertis Giorgos Perris Sakis Rouvas Thanos Petrelis Vasilis Karras Thanos Kalliris Nektaria Karantzi Giorgos Mazonakis Dimitris Mitropanos Vicky Leandros Labis Livieratos Mando Lisa Andreas Marlen Angelidou Lindsay Armaou Lia Vissi Peggy Zina Marianna Zorba Theodosia Tsatsou Mariana Efstratiou Elpida Evridiki Loukas Giorkas Popi Maliotaki Aris Christofellis Constantinos Christoforou Cleopatra Natassa Theodoridou Marios Tokas Michalis Rakintzis Antonis Remos Babis Tsertos Prodromos Kathiniotis Stelios Kazantzidis Alex Varkatzas nbsp Kosovo edit Tingulli 3nt Unikkatil Lyrical Son Era Istrefi Majk rapper DJ Regard Dafina Zeqiri Adelina Ismajli Genta Ismajli Nora Istrefi Vedat Ademi Ardian Bujupi Capital T MC Kresha Leonora Jakupi Ermal Fejzullahu Nexhmije Pagarusha Lorenc Antoni Mark Marku Nevena Bozovic Kidda nbsp North Macedonia edit Aleksandar Belov Adrian Gaxha Andrijana Janevska Bobi Andonov Bojana Atanasovska Bravo Band Dani Dimitrovska Elena Petreska Elena Risteska Elvira Rahic Elvir Mekic Eva Nedinkovska Ipce Ahmedovski Jasar Ahmedovski Kaliopi Karolina Goceva Kristina Arnaudova Lambe Alabakoski Martin Vucic Muharem Serbezovski Riste Tevdoski Simon Kiselicki Tamara Todevska Tijana Dapcevic Tose Proeski Vaska Ilieva Vlado Janevski Vlatko Lozanoski Vrcak Zoran Vanev nbsp Montenegro edit Andrea Demirovic Bojan Marovic Boban Rajovic Dado Polumenta Daniel Montenegrin singer Ekrem Jevric Goga Sekulic Goran Vukosic Jadranka Barjaktarovic Kaja singer Knez singer Milomir Miljanic Sanja Đorđevic Sako Polumenta Sergej Cetkovic Vanja Radovanovic Vlado Georgiev Vesna Zmijanac Who See Zoran Kalezic nbsp Romania edit Adrian Enescu Alexandra Stan Alina Eremia Anna Lesko Antonia Iacobescu Connect R Dan Balan Dan Bittman Delia Matache Edward Maya Elena Gheorghe Fanfare Ciocărlia Gică Cristea Inna Ionica Minune Loredana Groza Luminiţa Anghel Mahala Rai Banda Marcel Pavel Mădălina Manole Monica Anghel Nico Romanian singer Octave Octavian Teodorescu Smiley Ștefan Bănică Jr Taraf de Haidouks Vlad Miriţă nbsp Serbia edit Aca Lukas Aco Pejovic Ana Nikolic Bajaga i Instruktori Belo Platno Beogradski Sindikat Bilja Krstic Boban Markovic Ceca Dalibor Andonov Gru Danijel Pavlovic Dara Bubamara Darko Lazic singer Dragan Kojic Keba Dragana Mirkovic Dzej Ramadanovski Dzenan Loncarevic Đani Đogani Đorđe Balasevic Đorđe Novkovic Emina Jahovic Era Ojdanic Felix Lajko Goca Trzan Hasan Dudic Ivana Selakov Jana singer Janika Balazs Jelena Karleusa Jelena Tomasevic Katarina Grujic Katarina Zivkovic Lepa Lukic Maja Marijana Maya Berovic Marija Serifovic Mia Borisavljevic Milan Stankovic Milica Pavlovic Milica Todorovic Mina Kostic Mira Skoric Miroslav Ilic Natasa Bekvalac Natasa Đorđevic Nemanja Nikolic singer Nikolija No Smoking Orchestra Novica Urosevic Novica Zdravkovic Olivera Katarina Olja Karleusa Predrag Cune Gojkovic Predrag Zivkovic Tozovac Rada Manojlovic Saban Bajramovic Saban Saulic Sanja Ilic Sasa Kovacevic Sejo Kalac Seka Aleksic Seki Bihorac Seki Turkovic Sinan Alimanovic Sinan Sakic Slobodan Trkulja Snezana Babic Stoja Suzana Jovanovic Svetlana Spajic Svetlana Tanasic Tanja Savic Toma Zdravkovic Predrag Zivkovic Tozovac Folk Vera Matovic Verica Serifovic Vesna Zmijanac Viki Miljkovic Zeljko Joksimovic Zeljko Sasic Zlata Petrovic Zorica Brunclik Zvonko Bogdan nbsp Turkey edit Baris Manco Simge Tarkan Mustafa Ceceli Mustafa Sandal Sezen Aksu Serdar Ortac Sertab Erener Candan Ercetin Ajda Pekkan Melih Kibar Timur Selcuk Suzan Kardes Emina Jahovic Mehmet Erdem Erol EvginMusical groups elsewhere edit Corvus Corax Beirut A Hawk And A Hacksaw Molotov Jukebox Balkan Ethno Orchestra Petrojvic Blasting CompanySee also editBalkan brass Balkan jazz Balkan Music Awards Byzantine music Greek folk music Klezmer Eastern European Jewish music Pop folkReferences edit Nonesuch Records Taraf de Haidouks Rossig Rudiger 11 June 2006 Punk den Balkan Taz Retrieved 10 October 2013 Further reading editMhlongo Zinaida Hopa exploring Balkanology in South African popular culture Diss 2014 Lauseviac Mirjana A Different Village international folk dance and Balkan music and dance in the United States UMI 1999 Markovic Aleksandra Goran Bregovic the Balkan Music Composer Ethnologia Balkanica 12 2008 9 23 Dawe Kevin Regional Voices in a National Soundscape Balkan music and dance in Greece 2007 175 192 Buchanan Donna A ed Balkan Popular Culture and the Ottoman Ecumene Music Image and Regional Political Discourse Scarecrow Press 2007 Kremenliev Boris Social and Cultural Changes in Balkan Music Western Folklore 34 2 1975 117 136 Samson Jim Borders and bridges Preliminary thoughts on Balkan music Musicology 497 5 2005 37 55 Rice Timothy Bulgaria or Chalgaria the attenuation of Bulgarian nationalism in a mass mediated popular music Yearbook for Traditional Music 34 2002 25 46 Samson Jim Music in the Balkans Brill 2013 Kurkela Vesa Music media in the Eastern Balkans Privatised deregulated and neo traditional International Journal of Cultural Policy 3 2 1997 177 205 Archer Rory Assessing turbofolk controversies Popular music between the nation and the Balkans Southeastern Europe 36 2 2012 178 207 Pennanen Risto Pekka Lost in scales Balkan folk music research and the Ottoman legacy Muzikologija 8 2008 127 147 Kovacic Mojca The Music of the Other or the Music of Ours Balkan Music among Slovenians First Symposium of ICTM Study Group for Music and Dance in Southeastern Europe 2008 Jakovljevic R The Fearless Vernacular Reassessment of the Balkan Music Between Tradition and Dissolution Muzicke prakse Balkana etnomuzikoloske perspektive zbornik radova sa naucnog skupa odrzanog od 23 do 25 novembra 2011 primljeno na X skupu Odeljenja likovne i muzicke umetnosti od 14 12 2 12 na osnovu referata akademika Dejana Despica i Aleksandra Lome Musical practices in the Balkans ethnomusicological perspectives proceedings of the International Conference held November 23 to 25 2011 accepted at the X meeting of the Department of Fine Arts and Music of 14 12 2012 on the basis of the review presented by Academicians Dejan Despic and Aleksandar Loma eds Dejan Despic Jelena Jovanovic Danka Lajic Mihajlovic Beograd Muzikoloski institut SANU 2012 Pennanen Risto Pekka Balkan Music Between East and West Some Problems in Analysis Research paper University of Tampere 1994 Shehan Patricia K Balkan women as preservers of traditional music and culture Women and Music in Cross Cultural Perspective 1987 45 53 Blom Jan Petter Principles of rhythmic structures in Balkan folk music Antropologiska Studier 25 26 1978 2 11 Volcic Zala and Karmen Erjavec Constructing transnational divas Gendered production of Balkan Turbo folk music 2011 35 52 Mursic Rajko The Balkans and Ambivalence of its Perception in Slovenia the Horror of Balkanism and Enthusiasm for its Music na 2007 Pettan Svanibor Balkan Popular Music No Thanks The View from Croatia Balkan Popular Music 1996 Baker Catherine The politics of performance Transnationalism and its limits in former Yugoslav popular music 1999 2004 Ethnopolitics 5 3 2006 275 293 Friedman Victor A Codeswitching in Balkan Urban Music Urban Music in the Balkans Drop out Ethnic Identities or a Historical Case of Tolerance and Global Thinking 2006 40 54 Kolar Walter W An Introduction to Meter and Rhythm in Balkan Folk Music Duquesne University Tamburitzans Institute of Folk Arts 1974 Irwin Frances Mary A comparison of two methods for teaching irregular meter to elementary school students using Balkan folk music Diss Washington University 1984 Burton Kim Balkan beats Music and nationalism in the former Yugoslavia World music The rough guide 1994 83 94 Archer R Western eastern and modern Balkan pop folk music and trans nationalism C Leccardi et al eds 1989 187 204 Petrovic Ankica The Eastern Roots of Ancient Yugoslav Music Music Cultures in Contact Convergences and Collisions 2014 13 Rasmussen Ljerka Vidic Bosnian and Serbian popular music in the 1990s Divergent paths conflicting meanings and shared sentiments na 2007 Retrieved from https en wikipedia org w index php title Balkan music amp oldid 1218104625, wikipedia, wiki, book, books, library,

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