Mese mariano (Mary's Month) is an opera in one act by Umberto Giordano. Its Italian libretto by Salvatore Di Giacomo was adapted from his play 'O Mese Mariano, which was in turn adapted from his novella, Senza vederlo (Without Seeing Him). It premiered at the Teatro Massimo in Palermo on 17 March 1910. The opera is described as a bozzetto lirico (lyric sketch) and has a running time of 35 minutes. It tells the story of a woman who visits an orphanage to see her child. Racked with guilt at having abandoned him, she is unaware that he had died the night before.
The play which forms the basis for the libretto was immensely popular in its day. Written in Neapolitan language, it was first performed at the Teatro San Fernando in Naples on 20 January 1900.[1] Giordano, who had seen the play in Milan, was deeply touched by it and asked Di Giacomo to adapt it for an opera. Di Giacomo accepted and agreed to make some changes from the original drama. The setting of the opening scene which allowed Giordano to include a children's chorus was changed to the sunny courtyard in the orphanage with views of the Neapolitan landscape in the distance.[2] The roles of the nuns also became more prominent, making the opera largely one of female voices. In this respect and in terms of its plot, Giordano's work pre-figures Puccini's Suor Angelica which was composed some seven years later.
Mese Mariano premiered at the Teatro Massimo in Palermo on 17 March 1910 conducted by Leopoldo Mugnone with Livia Berlendi in the leading role of Carmela.[3] It was warmly received both in Palermo and in Rome where it was performed a month later at the Teatro Costanzi.[4] On that occasion it was conducted by Pietro Mascagni and presented as a double bill with his Cavalleria rusticana. Emma Carelli sang the role of Carmela.
However, when the opera was first performed in Naples (10 April 1911 at the Teatro San Carlo),[3] it was not a critical success,[5] and Giordano and Di Giacomo further revised the work in 1913.[6] Although Mascagni considered it one of Giordano's best operas,[7]Mese Mariano never achieved the same success as Di Giacomo's play or as Giordano's other (longer) operas, Andrea Chénier and Fedora.
Even in Italy, performances following its initial runs in 1910 and 1911 have been sporadic. In 1931 and 1932, La Scala produced the work and also broadcast it; Augusta Oltrabella appeared in both productions in the leading role of Carmela, according to the notes by Clemens Hoslinger on the Lebendige Vergangenheit CD compilation of commercial recordings by Augusta Oltrabella. This CD includes her 1940 recording of Carmela's monologue "E come?! Ma la pare, signora superiora." Mese Mariano received its first performance in Turin in 1937 at the Teatro Carignano (in a double bill with Hänsel und Gretel), and in Venice in 1949 at La Fenice (in a double bill with Le jongleur de Notre-Dame).[3] Its US premiere did not come until 1955, when it was presented at Carnegie Hall in New York.[8] There have been a few late 20th century revivals including those in 1992 at the Teatro del Giglio in Lucca and the Teatro Pergolesi in Jesi and the 1998 performance at the Festival della Valle d'Itria where it was paired with another now-forgotten opera by Giordano, Il re.[9] In addition to Livia Berlendi and Emma Carelli, notable sopranos who have sung the role of Carmela include Clara Petrella, Magda Olivero, Augusta Oltrabella, and Patrizia Ciofi.
Rolesedit
Livia Berlendi, who created the role of Carmela in the 1910 premiere
It is Easter Sunday and the children are playing and singing as they await the arrival of the Contessa, one of the benefactors of the orphanage. When she arrives, they serenade her as she distributes gifts to them. One of the children, Valentina, then reads a sonnet written in the Contessa's honour by Don Fabbiano. After the Contessa leaves and the children have been led to their rooms, Carmela enters the courtyard bringing a freshly baked Easter cake for her little boy and asks Suor Pazienza if she might see him. Carmela recognizes the nun as her old childhood friend. Overcome with guilt, she tells Suor Pazienza and the Mother Superior how she had been seduced and abandoned as a young girl and left with a son to bring up on her own. She eventually married a worker who refused to have the child of another man in his house and forced her to leave him in the orphanage. Carmela then goes into the chapel to pray. While she is gone some of the nuns arrive to tell the Mother Superior that Carmela's son had died in the night. The Mother Superior decides not to tell her, explaining instead that child cannot see her because he is with the choir practising for the Mary's Month celebrations. Carmela leaves the orphanage in tears.
Recordingsedit
Umberto Giordano: Il re and Mese mariano – Orchestra Internazionale d'Italia and Coro del Teatro Petruzzelli, conducted by Renato Palumbo [it]. Recorded live at the Festival della Valle d'Itria with Patrizia Ciofi as Carmela. Label: Dynamic CDS-231.[12]
Referencesedit
Notes
^Borelli (2007) p. 71. The play was also made into a 1929 silent film directed by Ubaldo Pittei [it] (see British Film Institute Database)
^Article in Corriere della Sera, 15 May 1909, summarized in Archivi Teatro Napoli
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Mese mariano Mary s Month is an opera in one act by Umberto Giordano Its Italian libretto by Salvatore Di Giacomo was adapted from his play O Mese Mariano which was in turn adapted from his novella Senza vederlo Without Seeing Him It premiered at the Teatro Massimo in Palermo on 17 March 1910 The opera is described as a bozzetto lirico lyric sketch and has a running time of 35 minutes It tells the story of a woman who visits an orphanage to see her child Racked with guilt at having abandoned him she is unaware that he had died the night before Mese marianoOpera by Umberto GiordanoThe composerLibrettistSalvatore Di GiacomoPremiere17 March 1910 1910 03 17 Teatro Massimo Palermo Contents 1 Composition history 2 Performance history 3 Roles 4 Synopsis 5 Recordings 6 ReferencesComposition history editThe play which forms the basis for the libretto was immensely popular in its day Written in Neapolitan language it was first performed at the Teatro San Fernando in Naples on 20 January 1900 1 Giordano who had seen the play in Milan was deeply touched by it and asked Di Giacomo to adapt it for an opera Di Giacomo accepted and agreed to make some changes from the original drama The setting of the opening scene which allowed Giordano to include a children s chorus was changed to the sunny courtyard in the orphanage with views of the Neapolitan landscape in the distance 2 The roles of the nuns also became more prominent making the opera largely one of female voices In this respect and in terms of its plot Giordano s work pre figures Puccini s Suor Angelica which was composed some seven years later nbsp Librettist Salvatore Di GiacomoPerformance history editMese Mariano premiered at the Teatro Massimo in Palermo on 17 March 1910 conducted by Leopoldo Mugnone with Livia Berlendi in the leading role of Carmela 3 It was warmly received both in Palermo and in Rome where it was performed a month later at the Teatro Costanzi 4 On that occasion it was conducted by Pietro Mascagni and presented as a double bill with his Cavalleria rusticana Emma Carelli sang the role of Carmela However when the opera was first performed in Naples 10 April 1911 at the Teatro San Carlo 3 it was not a critical success 5 and Giordano and Di Giacomo further revised the work in 1913 6 Although Mascagni considered it one of Giordano s best operas 7 Mese Mariano never achieved the same success as Di Giacomo s play or as Giordano s other longer operas Andrea Chenier and Fedora Even in Italy performances following its initial runs in 1910 and 1911 have been sporadic In 1931 and 1932 La Scala produced the work and also broadcast it Augusta Oltrabella appeared in both productions in the leading role of Carmela according to the notes by Clemens Hoslinger on the Lebendige Vergangenheit CD compilation of commercial recordings by Augusta Oltrabella This CD includes her 1940 recording of Carmela s monologue E come Ma la pare signora superiora Mese Mariano received its first performance in Turin in 1937 at the Teatro Carignano in a double bill with Hansel und Gretel and in Venice in 1949 at La Fenice in a double bill with Le jongleur de Notre Dame 3 Its US premiere did not come until 1955 when it was presented at Carnegie Hall in New York 8 There have been a few late 20th century revivals including those in 1992 at the Teatro del Giglio in Lucca and the Teatro Pergolesi in Jesi and the 1998 performance at the Festival della Valle d Itria where it was paired with another now forgotten opera by Giordano Il re 9 In addition to Livia Berlendi and Emma Carelli notable sopranos who have sung the role of Carmela include Clara Petrella Magda Olivero Augusta Oltrabella and Patrizia Ciofi Roles edit nbsp Livia Berlendi who created the role of Carmela in the 1910 premiere Roles voice types premiere cast Role Voice type Premiere cast 17 March 1910Conductor Leopoldo Mugnone Carmela soprano Livia Berlendi Madre Superiora mezzo soprano 10 Maria De Loris Suor Pazienza mezzo soprano Rosa Garavaglia La Contessa mezzo soprano Vittoria D Ornelli Suor Cristina mezzo soprano Maria Slacer Suor Celeste soprano Suor Maria soprano Suor Agnese soprano Don Fabbiano the Rector baritone Gennaro Curci Valentina a child soprano Pietro a sailor tenor or baritone Arturo Romboli Children nuns servants and street vendorsSynopsis editTime 19th century Setting an orphanage in Naples 11 It is Easter Sunday and the children are playing and singing as they await the arrival of the Contessa one of the benefactors of the orphanage When she arrives they serenade her as she distributes gifts to them One of the children Valentina then reads a sonnet written in the Contessa s honour by Don Fabbiano After the Contessa leaves and the children have been led to their rooms Carmela enters the courtyard bringing a freshly baked Easter cake for her little boy and asks Suor Pazienza if she might see him Carmela recognizes the nun as her old childhood friend Overcome with guilt she tells Suor Pazienza and the Mother Superior how she had been seduced and abandoned as a young girl and left with a son to bring up on her own She eventually married a worker who refused to have the child of another man in his house and forced her to leave him in the orphanage Carmela then goes into the chapel to pray While she is gone some of the nuns arrive to tell the Mother Superior that Carmela s son had died in the night The Mother Superior decides not to tell her explaining instead that child cannot see her because he is with the choir practising for the Mary s Month celebrations Carmela leaves the orphanage in tears Recordings editUmberto Giordano Il re and Mese mariano Orchestra Internazionale d Italia and Coro del Teatro Petruzzelli conducted by Renato Palumbo it Recorded live at the Festival della Valle d Itria with Patrizia Ciofi as Carmela Label Dynamic CDS 231 12 References editNotes Borelli 2007 p 71 The play was also made into a 1929 silent film directed by Ubaldo Pittei it see British Film Institute Database Article in Corriere della Sera 15 May 1909 summarized in Archivi Teatro Napoli a b c Casaglia 2005 Gelli 2007 Il Mattino 11 12 April 1911 summarized in Archivi Teatro Napoli Budden 2002 p 391 Gelli 2007 The New York Times 7 June 1955 p 38 Pugliaro 2007 p 354 Although Carmela has been invariably sung by a soprano most of the other adult female roles have been sung by both sopranos and mezzo sopranos Synopsis based on Gelli 2007 Recordings of Mese Mariano on operadis opera discography org uk Sources Augusta Oltrabella Lebendige Vergangenheit Preiser CD Notes by Clemens Hoslinger Archivi Teatro Napoli Mese Mariano Bozzetto lirico in un atto Accessed 16 March 2009 Borrelli Clara Di Giacomo e Flegrea in Salvatore Di Giacomo settant anni dopo Liguori Editore Srl 2007 p 71 ISBN 88 207 3998 4 British Film Institute Mese Mariano director Ubaldo Pittei Accessed 22 August 2020 Budden Julian Puccini His Life and Eorks Oxford University Press US 2002 ISBN 0 19 816468 8 Casaglia Gherardo 2005 Mese mariano performances L Almanacco di Gherardo Casaglia in Italian Gelli Piero ed Mese mariano Dizionario dell Opera Baldini Castoldi Dalai 2007 ISBN 88 6073 184 4 Accessed online 16 March 2009 Levine Robert Review of Il re and Mese mariano Dynamic CDS 231 Classics Today Accessed 16 March 2009 The New York Times Mese Mariano Giordano s One Act Work Is Presented in U S Debut at Carnegie Recital Hall by J B 7 June 1955 p 38 Pugliaro Giorgio ed Opera 2007 Annuario dell opera lirica in Italia EDT Srl 2007 p 354 ISBN 88 6040 182 8 Portal nbsp Opera Retrieved from https en wikipedia org w index php title Mese mariano amp oldid 1180147713, wikipedia, wiki, book, books, library,
