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Mario Escudero

February 15, 2023

Mario Escudero (October 11, 1928 – November 19, 2004), was one of a handful of Spanish flamenco guitar virtuosos who, following on the footsteps of Ramon Montoya, helped spread flamenco beyond their Spanish homeland when they migrated to the United States in the early 1950s. Along with others such as Sabicas, Carlos Montoya and Juan Serrano, Escudero helped forge the viability of solo flamenco guitar as a concert instrument, with lauded performances at New York's Carnegie Hall, Town Hall, and other venues. Invited to perform at the White House for President John F. Kennedy, Escudero was counted among the best in his era; Ramón Montoya called him "the best flamenco guitarist of this new generation."

Mario Escudero
Born(1928-10-11)October 11, 1928
OriginAlicante, Spain
DiedNovember 19, 2004(2004-11-19) (aged 76)
GenresFlamenco
Instrument(s)Guitar

During the early part of his career, at the age of 15 (1944 - 1954), he began touring extensively with the best known flamenco companies throughout Spain and the rest of Europe (Rosario and Antonio, Vicente Escudero, Estrellita Castro, and Carmen Amaya), playing both as soloist and guitar accompanist. During this time, he made several records with Estrellita Castro,[1] [2] [3] [4] accompanied many of the best flamenco singers of the time, (including Niña de los Peines, Tomas Pavon, José Cepero, Juanito Mohama, Pepe de la Matrona, Jacinto Almadén, Rafael Farina, Pericón de Cadiz, Palanca, Chiquito de Triana, Canalejas de Puerto Real and others,.[5] and provided the musical background to several films: [6] [7]

  • Brindis a Manolete (1948), with Paquito Rico, Jose Greco, Manolo Badajoz, Rafael Romero "El Gallina", Trio Escudero (Mario performs as one of the guitarists along with his father, mother and one of his aunts, Milagros). [8] This is the first time Escudero would meet Jose Greco, with whom he would perform several years later.
  • Jalisco Canta en Sevilla (1949), with Jorge Negrete and Carmen Sevilla [9]
  • Cafe Cantante (1951), with Imperio Argentina, Angel Pericet, Rafael Farina, Emilia Escudero. In this film, Mario Escudero is playing is the entire soundtrack. [10]

After completing his obligatory military service in Spain, he toured Central and South America with Carmen Amaya, and in early 1955, the United States with both Vicente Escudero and Jose Greco as soloist and guitar accompanist (from 1950 - 1956).

From 1958 - 1961, he formed his own group "Capricho Español" and performed extensively in Central and South America. From 1961 onward, he settled in the United States to focus on what would become a very successful career as a flamenco concert guitarist. In total, his career as a performer and concert guitarist spanned 47 years, beginning with Vicente Escudero in 1944, and ending in 1991, with his last concert appearances in Spain and the United States. During all of this period, he had a very active concert schedule, performing on a regular basis in the United States and internationally, including several concert tours to Russia (then the Soviet Union), Japan, Hong Kong and Turkey, all as a private citizen; that is, not backed or sponsored by State-financed organizations in any way.

His career as a recording artist, however, was much shorter (17 years, from 1952 - 1969), essentially beginning with his first long play record in 1952 ("El Pili Flamenco", Esoteric-2001, 1952), [11] in which he played guitar duos with Alberto Velez and accompanied the singer "El Pili"), and ending with his last double record album with the Musical Heritage Society in 1969 ("Mario Escudero Plays Classical Flamenco Music", MHS 994/995, 1969).[12] He did not make any more records after 1969, as a result of his long lasting dislike over what he considered to be ongoing unfair commercial practices on the use of his original recordings by some record companies. Nevertheless, during this relatively brief 17 year period, Escudero made over 30 original long play records (both as Mario Escudero and as "El Niño de Alicante").

While he composed more than 250 of his own works, he regularly performed and recorded the works of other notable flamenco and classical guitar masters, like Niño Ricardo ("Almoradí", "Recuerdo a Sevilla"), Esteban de Sanlucar ("Castillo de Xauen", "Mantillas de Feria") or Tarrega ("Recuerdos de la Alhambra"). When he was not performing, he very much enjoyed teaching flamenco guitar to his many students, writing down his own compositions, and furthering his knowledge of harmony and counterpoint, both on his own and studying with other teachers himself. Lastly, he loved listening to and learning from all types of music, including jazz, "soft" rock, all types of folk music and, of course, classical composers like Albeniz, Falla, Granados, Wagner, Beethoven and Bach (the latter of which he always referred to as "el payo Bach", as he regularly listened to Simon Preston´s album of his complete organ works). [13]

He died November, 19th 2004, in Miami, Florida, USA.

Biography

Escudero was born in Alicante, Spain, on October 11, 1928. His mother was Alfonsa Valero Valverde (d. 1947, a/k/a "Josefina", which was her artistic pseudonym). She was a Spanish singer.[14] His father was Jesus Escudero Jiménez (d. 1966), a gypsy. Jesus´s family originally came from Tudela, Navarre, Spain, although they also settled in Huesca and Zaragoza (Aragón). Escudero was an only child.

Settling in the Spanish city of San Sebastian, the family opened and ran a tailor shop. The breakout of the Spanish Civil War forced them to emigrate to southern France. While in France, Jesus formed the "Trio Escudero". The three members of the Trio Escudero were Mario´s father Jesus, his mother, and his aunt Milagros. They performed with artists like Maurice Chevalier and Mistinguette. Escudero's first performance in 1937 at the age of 9 was with Chevalier at the Cinema Galia in Bordeaux, France.[14] [15]

After the war, the family returned to Spain and settled in Madrid, although they always lived between Madrid and San Sebastian, as Escudero would himself recalled in several interviews.[16]

His father, while not a soloist, was a guitar accompanist.[17] [18][19]

Personal life

In 1952, Escudero married Maria Amaya, with whom he had a son.[20] [21] [22]

Escudero and Maria separated after a few years, and they both remarried. Escudero eventually married his second wife, Anita Ramos, and the couple had three children.[23]

Career

1944 - 1965

On April 15, 1944, Escudero gave his first performance as a soloist, and accompanied Vicente Escudero and Carmita Garcia at the Palacio de la Musica theater in Barcelona.[24] On June 6, 1944, he debuted with them and his teacher in Madrid at the Teatro Español.[25] For approximately the next 5 years, he frequently performed with Estrellita Castro,[26] and Vicente Escudero. His early solo performances are well received by the public and critics.[27][28] [29])

Escudero began to perform frequently with Carmen Amaya in early 1950, when he joined her to tour South America. In September, 1951, he again performed with her at the Teatro Fontalba in Madrid.[30]

In 1952, Escudero made the record "El Pili" Flamenco.[11]

In April 1953, he performed with Carmen Amaya again at the Teatro Quintero in Madrid, and was on tour with her again throughout Spain until September, 1951. He joined Estrellita Castro and her "Romeria" show to perform at La Zarzuela Theater, and remained with her until May 1954.[30]

In 1955, Escudero made two records:

  • "Flamenco played by Mario Escudero" [31]
  • "Fiesta Flamenca" - with "El Bailete" [32]

Together with his new group "El Bailete", he rejoined Vicente Escudero for Vicente's farewell tour of the United States, starting in February 1955.[33]

In April 1956 he rejoins Vicente Escudero at the Plaza Hotel Persian Room in New York for a 3-week engagement.[34] In one of these performances at the Persian Room, Escudero tripped on someone´s foot, falling on top of his guitar, smashing it beyond repair. Escudero got up, went back stage, got a replacement guitar, and returned to complete the show to a standing ovation.[35]

In 1956, Escudero made four records:

  • "Mario Escudero and his flamenco guitar" [36]
  • "Guitar Variations - Mario Escudero with Domingo Alvarado" [37]
  • "Danzas y Canciones de Andalucia" [38]
  • "Luisa Triana, with Mario Escudero - Temas de España" [39]

He performed again at Carnegie Hall, New York, with dancer Luisa Triana, and singer Chinin de Triana on June 9, 1956.[40]

In 1957, Escudero made six records:

  • "Vicente Escudero. Flamenco!" [41]
  • "Sabicas and Escudero, Flamenco Styles on Two Guitars" [42]
  • "Federico Garcia Lorca - Poemas del Cante Jondo",[43] with Enrique Montoya
  • Juerga Gitana, [44] Enrique Montoya with Mario Escudero
  • "Mario Escudero y su Ballet Flamenco"
  • "Flamenco Festival in Hi Fi"

At the end of 1956, Escudero decided not to return to Spain, but remain with his family in the United States. He performed at the Chateau Madrid, New York, with Tere Maya (January 4 -28, 1957), Palumbos, Philadelphia (February, 1957), The Orange Gardens of the Everglades Club (March, 1957), while he continued to his regular TV and radio performances as a soloist, appearing on "The Vic Damone Show" (July and November, 1957), "The Ed Sullivan Show" (March, 1957), "The Johnny Carson Show" (June, 1957), "Jack Paar Show" (October, 1957), Channel 5, Baltimore (October 5, 1957), KCBH Radio (October 11, 1957), and others. Again he performed at Carnegie Hall, with Tere Amoros (November, 1957).[45]

In 1958, he made five records:

  • Viva Flamenco! [46]
  • The Fantastic Guitars of Sabicas and Escudero [47]
  • Flamenco Carnival [48]
  • Festival Gitana [49]
  • Sabicas - Gypsy Flamenco [50]

From early 1959 until the end of 1960, he performed with his own group "El Capricho Español" throughout Central and South America, and also performed with Miguel Molina on various occasions in theaters and television, in both Argentina and Uruguay.[51]

1965 - 1981

On a few occasions, Escudero performed with orchestras. The Spanish composer, Federico Moreno Torroba, based his "Fantasia Flamenca" for guitar and orchestra on his themes, and Escudero premiered it at Carnegie Hall on November 28, 1976, with the American Symphony Orchestra, Antonio Almeida conducting.[52][53] Upon special request, he also performed Rodrigo´s "Concierto de Aranjuez" on the 17th and the 18th of November, 1977, with the Lexington Philharmonic Orchestra under George Zack.[54]

List of performances and concerts

1944 - 1954 (Spain, Europe and South America)

  • April 15, 1944, Palacio de la Musica, (Barcelona): Mario Escudero's first performance as a professional guitarist was at the age of 15. Cast: Includes Vicente Escudero, Carmita Garcia, Mario Escudero and Manuel Rivera. Palacio de la Musica.[55]
  • June 6, 1944, Teatro Español (Madrid): Mario Escudero debuts with Vicente Escudero and Carmita Garcia in Madrid. Cast: Includes Vicente Escudero, Carmita Garcia, Ramon Montoya ("...a la guitarra de concierto).[56] A repeat concert was scheduled for June 9th, but had to be suspended due to sickness of Carmita Garcia.[57]
  • July 20, 1945, Plaza de Toros Arenas (Barcelona): Espectaculo "Grandioso Espectaculo Andaluz". Cast: Mario Escudero (as soloist), but also accompanies Canalejas, Palanca, Niño Leon and Chiquito de Triana.[58]
  • In 1945, in San Sebastian, Mario records with Estrellita Castro, "Los Marismeños" (Bulerias) and "Niña Caracola" (Tanguillos) - (78 RPM, Columbia R 14333).[59]
  • September 27, 28, 1946, Teatro Romea (Barcelona): Cast: Includes Pepe Blanco, Carmen Morell, Mario Escudero and Rosario Escudero. Critic comments "Mario Escudero...notable concertista ...". [27]
  • January 8 and 9, 1947, Teatro Cómico de Madrid (Madrid): Show "Yo Soy un Señorito". Cast: Includes Pericon de Cadiz, Lola Ramos, Mario Escudero, Ricardo Alpuente, Rosita Cadenas and Charito Sainz de Mirras.[60][61]
  • September 6, 1947, Teatro de La Zarzuela (Madrid): Vicente Escudero and Carmita Garcia. The reviewer says "hubo aplausos para todos...y para Mario Escudero en sus interpretaciones como solista", making it clear that, since the beginning, Mario´s interest was to follow in the footsteps of his mentor, Ramon Montoya, and not only be a guitar accompanist.[62]
  • January 17 - 24, 1948, Sala de Fiestas Madrigal (Madrid). The advertisement only mentions Mario Escudero "...el gran guitarrista"[28] [29]
  • Marzo 5, 1952, Teatro Alcazar (Madrid): Cast: Includes Rosario y Antonio, El Pili, Mario Escudero, Alberto Velez, Juan de la Mata, Angel Currás, Julian Perera[63]
  • Marzo, 14, 1952 - April 6, 1952, Teatro Español (Madrid): Cast: Includes Rosario y Antonio, El Pili, Mario Escudero, Alberto Velez, Juan de la Mata, Angel Currás, Julian Perera.[64][65][66]
  • June 16, 17, 1952, Plaza de los Aljibes de La Alhambra (Granada): Cast: Includes Rosario y Antonio, El Pili, Mario Escudero, Alberto Velez, Juan de la Mata, Angel Currás, Julian Perera[67]
  • Julio 1 - 6, 1952, Teatro Maravillas (Madrid): Cast: Includes Rosario y Antonio, El Pili, Mario Escudero, Alberto Velez, Juan de la Mata, Angel Currás, Julian Perera.[68] [69][70] [71][72]
  • September 11, 1952, Theatre des Champs-Elysses (Paris): Cast: Includes Rosario y Antonio, El Pili, Mario Escudero, Alberto Velez, Juan de la Mata, Angel Currás, Julian Perera [73]
  • September 24, 1953, Teatro de la Zarzuela (Madrid): Estrellita Castro."Romeria". Cast: Includes Estrellita Castro, Mario Escudero, El Granaino, Laura Alonso, Esperanza Ortiz, Laura Roman, Estrella Lopez, among others.[74][75] In May, 1953, Estrellita Castro announces her return to Spain after 5 years in South America .[76][77]
  • October 7, 11, 1953, Teatro de la Zarzuela (Madrid): Estrellita Castro."Romeria". Cast: Includes Estrellita Castro, Mario Escudero, El Granaino, Laura Alonso, Esperanza Ortiz, Laura Roman, Estrella Lopez, among others. [78]
  • December 23, 1953 - 7/1/1954, Teatro Calderon (Madrid): Estrellita Castro."Romeria". Cast: Includes Estrellita Castro, Mario Escudero, El Granaino, Laura Alonso, Esperanza Ortiz, Laura Roman, Estrella Lopez, among others[79][80]
  • In 1954, in Barcelona, Mario records with Estrellita Castro, "Gitanos Falsificaos" and "La Salinera" - (78 RPM, Odeon 204523). Also with guitarist Antonio Serra.[1]
  • In 1954, in Barcelona, Mario records with Estrellita Castro, "Tanguillos del Campo de Gibraltar" - (78 RPM, Odeon 204522). Also with guitarist Antonio Serra.[2]
  • April 17, 1954, Teatro de la Zarzuela (Madrid): Estrellita Castro "Romeria". Cast: Includes Estrellita Castro, Mario Escudero, El Granaino, Maria Amaya, Amalia Roman, Esperanza Ortiz, Josele, Paco Sanchez. This is an entirely new group, and Mario´s wife, Maria Amaya, joins the group.[81]
  • May 5, 1954, Teatro Maravillas (Madrid): Estrellita Castro "Romeria". Cast: Includes Estrellita Castro, Mario Escudero, El Granaino, Maria Amaya, Amalia Roman, Esperanza Ortiz, Josele, Paco Sanchez.[82]

1955 - 1961 (United States, Central and South America)

  • January 25, 1955. Mario Escudero, together with his wife Maria Amaya, his cousin Rosario Escudero, and other members of his "Bailete", as well as members of Vicente Escudero´s own dance company, arrived in New York City on January 25, 1955 on board the USS Constitution.[83]

Recordings

Escudero's first recordings date from 1945 when he was 16 years old, as an accompanist to Estrellita Castro.

He recorded three albums of guitar duets with Sabicas:

  • 1957: "Sabicas and Escudero, Flamenco Styles on Two Guitars" [42]
  • 1958: "The Fantastic Guitars of Sabicas and Escudero" [47]
  • 1959: "The Romantic Guitars of Sabicas and Escudero" [84]

Shortly before he died, a reporter asked Sabicas: "Which, of the many records you have made during your long career, is your favorite?" He did not have to wait too long for his reply: "Of all, I only like the one I made with the guitarist Mario Escudero."[85][30] Be it as it may, the fact is that both Sabicas and Escudero listened to these records, especially the first two "Flamenco Styles on Two Guitars" and " The Fantastic Guitars of Sabicas and Escudero", practically in every family reunion.

Escudero liked the same two records he made with Sabicas. He was also fond of the ones he had made with ABC Paramount,[86][87][88] and of the last double album he recorded with the Musical Heritage Society in 1969. [12]

References

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  79. ^ "Edición del martes, 22 diciembre 1953, página 25 - Hemeroteca - Lavanguardia.es". hemeroteca.lavanguardia.com. Retrieved 2021-10-22.
  80. ^ "Edición del jueves, 07 enero 1954, página 15 - Hemeroteca - Lavanguardia.es". hemeroteca.lavanguardia.com. Retrieved 2021-10-22.
  81. ^ "ABC MADRID 18-04-1954 página 43 - Archivo ABC". abc. 2019-08-07. Retrieved 2021-10-22.
  82. ^ "ABC MADRID 05-05-1954 página 28 - Archivo ABC". abc. 2019-08-07. Retrieved 2021-10-22.
  83. ^ D Ámbrose, D. W. (25 January 1955). "Manifest of In Bound Passenger (Aliens)". American Export Lines: 51.
  84. ^ Sabicas And Escudero – The Romantic Guitars Of Sabicas And Escudero (From The Pampas To The Rio Grande) (1959, Vinyl), retrieved 2021-10-21
  85. ^ "Revista Tiempo" (in Spanish). Spain. April 30, 1990. p. 417.
  86. ^ Mario Escudero – Mario Escudero (1961, Vinyl), retrieved 2021-10-21
  87. ^ Mario Escudero – Fiesta Flamenca (1962, Vinyl), retrieved 2021-10-21
  88. ^ Mario Escudero, Anita Ramos, Pepe Segundo – Escudero At El Poche (1964, Vinyl), retrieved 2021-10-21

External links

  • Flamenco Guitar Solos Album Details at Smithsonian Folkways
  • SGAE
  • Miguel Borrull (hijo) recordings (Biblioteca Nacional de España.
  • Pepe Blanco "El Granate" and "Barquito de Vela" (Odeon 204151 SO 9811 / 9810, 1946), accompanied by Jesus Escudero.
  • "Patios de la Alhambra", by Mario Escudero (played by Mario Manuel Escudero, 2011)

February 15, 2023
mario, escudero, october, 1928, november, 2004, handful, spanish, flamenco, guitar, virtuosos, following, footsteps, ramon, montoya, helped, spread, flamenco, beyond, their, spanish, homeland, when, they, migrated, united, states, early, 1950s, along, with, ot. Mario Escudero October 11 1928 November 19 2004 was one of a handful of Spanish flamenco guitar virtuosos who following on the footsteps of Ramon Montoya helped spread flamenco beyond their Spanish homeland when they migrated to the United States in the early 1950s Along with others such as Sabicas Carlos Montoya and Juan Serrano Escudero helped forge the viability of solo flamenco guitar as a concert instrument with lauded performances at New York s Carnegie Hall Town Hall and other venues Invited to perform at the White House for President John F Kennedy Escudero was counted among the best in his era Ramon Montoya called him the best flamenco guitarist of this new generation Mario EscuderoBorn 1928 10 11 October 11 1928OriginAlicante SpainDiedNovember 19 2004 2004 11 19 aged 76 GenresFlamencoInstrument s Guitar During the early part of his career at the age of 15 1944 1954 he began touring extensively with the best known flamenco companies throughout Spain and the rest of Europe Rosario and Antonio Vicente Escudero Estrellita Castro and Carmen Amaya playing both as soloist and guitar accompanist During this time he made several records with Estrellita Castro 1 2 3 4 accompanied many of the best flamenco singers of the time including Nina de los Peines Tomas Pavon Jose Cepero Juanito Mohama Pepe de la Matrona Jacinto Almaden Rafael Farina Pericon de Cadiz Palanca Chiquito de Triana Canalejas de Puerto Real and others 5 and provided the musical background to several films 6 7 Brindis a Manolete 1948 with Paquito Rico Jose Greco Manolo Badajoz Rafael Romero El Gallina Trio Escudero Mario performs as one of the guitarists along with his father mother and one of his aunts Milagros 8 This is the first time Escudero would meet Jose Greco with whom he would perform several years later Jalisco Canta en Sevilla 1949 with Jorge Negrete and Carmen Sevilla 9 Cafe Cantante 1951 with Imperio Argentina Angel Pericet Rafael Farina Emilia Escudero In this film Mario Escudero is playing is the entire soundtrack 10 After completing his obligatory military service in Spain he toured Central and South America with Carmen Amaya and in early 1955 the United States with both Vicente Escudero and Jose Greco as soloist and guitar accompanist from 1950 1956 From 1958 1961 he formed his own group Capricho Espanol and performed extensively in Central and South America From 1961 onward he settled in the United States to focus on what would become a very successful career as a flamenco concert guitarist In total his career as a performer and concert guitarist spanned 47 years beginning with Vicente Escudero in 1944 and ending in 1991 with his last concert appearances in Spain and the United States During all of this period he had a very active concert schedule performing on a regular basis in the United States and internationally including several concert tours to Russia then the Soviet Union Japan Hong Kong and Turkey all as a private citizen that is not backed or sponsored by State financed organizations in any way His career as a recording artist however was much shorter 17 years from 1952 1969 essentially beginning with his first long play record in 1952 El Pili Flamenco Esoteric 2001 1952 11 in which he played guitar duos with Alberto Velez and accompanied the singer El Pili and ending with his last double record album with the Musical Heritage Society in 1969 Mario Escudero Plays Classical Flamenco Music MHS 994 995 1969 12 He did not make any more records after 1969 as a result of his long lasting dislike over what he considered to be ongoing unfair commercial practices on the use of his original recordings by some record companies Nevertheless during this relatively brief 17 year period Escudero made over 30 original long play records both as Mario Escudero and as El Nino de Alicante While he composed more than 250 of his own works he regularly performed and recorded the works of other notable flamenco and classical guitar masters like Nino Ricardo Almoradi Recuerdo a Sevilla Esteban de Sanlucar Castillo de Xauen Mantillas de Feria or Tarrega Recuerdos de la Alhambra When he was not performing he very much enjoyed teaching flamenco guitar to his many students writing down his own compositions and furthering his knowledge of harmony and counterpoint both on his own and studying with other teachers himself Lastly he loved listening to and learning from all types of music including jazz soft rock all types of folk music and of course classical composers like Albeniz Falla Granados Wagner Beethoven and Bach the latter of which he always referred to as el payo Bach as he regularly listened to Simon Preston s album of his complete organ works 13 He died November 19th 2004 in Miami Florida USA Contents 1 Biography 1 1 Personal life 2 Career 2 1 1944 1965 2 2 1965 1981 3 List of performances and concerts 3 1 1944 1954 Spain Europe and South America 3 2 1955 1961 United States Central and South America 4 Recordings 5 References 6 External linksBiography EditEscudero was born in Alicante Spain on October 11 1928 His mother was Alfonsa Valero Valverde d 1947 a k a Josefina which was her artistic pseudonym She was a Spanish singer 14 His father was Jesus Escudero Jimenez d 1966 a gypsy Jesus s family originally came from Tudela Navarre Spain although they also settled in Huesca and Zaragoza Aragon Escudero was an only child Settling in the Spanish city of San Sebastian the family opened and ran a tailor shop The breakout of the Spanish Civil War forced them to emigrate to southern France While in France Jesus formed the Trio Escudero The three members of the Trio Escudero were Mario s father Jesus his mother and his aunt Milagros They performed with artists like Maurice Chevalier and Mistinguette Escudero s first performance in 1937 at the age of 9 was with Chevalier at the Cinema Galia in Bordeaux France 14 15 After the war the family returned to Spain and settled in Madrid although they always lived between Madrid and San Sebastian as Escudero would himself recalled in several interviews 16 His father while not a soloist was a guitar accompanist 17 18 19 Personal life Edit In 1952 Escudero married Maria Amaya with whom he had a son 20 21 22 Escudero and Maria separated after a few years and they both remarried Escudero eventually married his second wife Anita Ramos and the couple had three children 23 Career Edit1944 1965 Edit On April 15 1944 Escudero gave his first performance as a soloist and accompanied Vicente Escudero and Carmita Garcia at the Palacio de la Musica theater in Barcelona 24 On June 6 1944 he debuted with them and his teacher in Madrid at the Teatro Espanol 25 For approximately the next 5 years he frequently performed with Estrellita Castro 26 and Vicente Escudero His early solo performances are well received by the public and critics 27 28 29 Escudero began to perform frequently with Carmen Amaya in early 1950 when he joined her to tour South America In September 1951 he again performed with her at the Teatro Fontalba in Madrid 30 In 1952 Escudero made the record El Pili Flamenco 11 In April 1953 he performed with Carmen Amaya again at the Teatro Quintero in Madrid and was on tour with her again throughout Spain until September 1951 He joined Estrellita Castro and her Romeria show to perform at La Zarzuela Theater and remained with her until May 1954 30 In 1955 Escudero made two records Flamenco played by Mario Escudero 31 Fiesta Flamenca with El Bailete 32 Together with his new group El Bailete he rejoined Vicente Escudero for Vicente s farewell tour of the United States starting in February 1955 33 In April 1956 he rejoins Vicente Escudero at the Plaza Hotel Persian Room in New York for a 3 week engagement 34 In one of these performances at the Persian Room Escudero tripped on someone s foot falling on top of his guitar smashing it beyond repair Escudero got up went back stage got a replacement guitar and returned to complete the show to a standing ovation 35 In 1956 Escudero made four records Mario Escudero and his flamenco guitar 36 Guitar Variations Mario Escudero with Domingo Alvarado 37 Danzas y Canciones de Andalucia 38 Luisa Triana with Mario Escudero Temas de Espana 39 He performed again at Carnegie Hall New York with dancer Luisa Triana and singer Chinin de Triana on June 9 1956 40 In 1957 Escudero made six records Vicente Escudero Flamenco 41 Sabicas and Escudero Flamenco Styles on Two Guitars 42 Federico Garcia Lorca Poemas del Cante Jondo 43 with Enrique Montoya Juerga Gitana 44 Enrique Montoya with Mario Escudero Mario Escudero y su Ballet Flamenco Flamenco Festival in Hi Fi At the end of 1956 Escudero decided not to return to Spain but remain with his family in the United States He performed at the Chateau Madrid New York with Tere Maya January 4 28 1957 Palumbos Philadelphia February 1957 The Orange Gardens of the Everglades Club March 1957 while he continued to his regular TV and radio performances as a soloist appearing on The Vic Damone Show July and November 1957 The Ed Sullivan Show March 1957 The Johnny Carson Show June 1957 Jack Paar Show October 1957 Channel 5 Baltimore October 5 1957 KCBH Radio October 11 1957 and others Again he performed at Carnegie Hall with Tere Amoros November 1957 45 In 1958 he made five records Viva Flamenco 46 The Fantastic Guitars of Sabicas and Escudero 47 Flamenco Carnival 48 Festival Gitana 49 Sabicas Gypsy Flamenco 50 From early 1959 until the end of 1960 he performed with his own group El Capricho Espanol throughout Central and South America and also performed with Miguel Molina on various occasions in theaters and television in both Argentina and Uruguay 51 1965 1981 Edit On a few occasions Escudero performed with orchestras The Spanish composer Federico Moreno Torroba based his Fantasia Flamenca for guitar and orchestra on his themes and Escudero premiered it at Carnegie Hall on November 28 1976 with the American Symphony Orchestra Antonio Almeida conducting 52 53 Upon special request he also performed Rodrigo s Concierto de Aranjuez on the 17th and the 18th of November 1977 with the Lexington Philharmonic Orchestra under George Zack 54 List of performances and concerts Edit1944 1954 Spain Europe and South America Edit April 15 1944 Palacio de la Musica Barcelona Mario Escudero s first performance as a professional guitarist was at the age of 15 Cast Includes Vicente Escudero Carmita Garcia Mario Escudero and Manuel Rivera Palacio de la Musica 55 June 6 1944 Teatro Espanol Madrid Mario Escudero debuts with Vicente Escudero and Carmita Garcia in Madrid Cast Includes Vicente Escudero Carmita Garcia Ramon Montoya a la guitarra de concierto 56 A repeat concert was scheduled for June 9th but had to be suspended due to sickness of Carmita Garcia 57 July 20 1945 Plaza de Toros Arenas Barcelona Espectaculo Grandioso Espectaculo Andaluz Cast Mario Escudero as soloist but also accompanies Canalejas Palanca Nino Leon and Chiquito de Triana 58 In 1945 in San Sebastian Mario records with Estrellita Castro Los Marismenos Bulerias and Nina Caracola Tanguillos 78 RPM Columbia R 14333 59 September 27 28 1946 Teatro Romea Barcelona Cast Includes Pepe Blanco Carmen Morell Mario Escudero and Rosario Escudero Critic comments Mario Escudero notable concertista 27 January 8 and 9 1947 Teatro Comico de Madrid Madrid Show Yo Soy un Senorito Cast Includes Pericon de Cadiz Lola Ramos Mario Escudero Ricardo Alpuente Rosita Cadenas and Charito Sainz de Mirras 60 61 September 6 1947 Teatro de La Zarzuela Madrid Vicente Escudero and Carmita Garcia The reviewer says hubo aplausos para todos y para Mario Escudero en sus interpretaciones como solista making it clear that since the beginning Mario s interest was to follow in the footsteps of his mentor Ramon Montoya and not only be a guitar accompanist 62 January 17 24 1948 Sala de Fiestas Madrigal Madrid The advertisement only mentions Mario Escudero el gran guitarrista 28 29 Marzo 5 1952 Teatro Alcazar Madrid Cast Includes Rosario y Antonio El Pili Mario Escudero Alberto Velez Juan de la Mata Angel Curras Julian Perera 63 Marzo 14 1952 April 6 1952 Teatro Espanol Madrid Cast Includes Rosario y Antonio El Pili Mario Escudero Alberto Velez Juan de la Mata Angel Curras Julian Perera 64 65 66 June 16 17 1952 Plaza de los Aljibes de La Alhambra Granada Cast Includes Rosario y Antonio El Pili Mario Escudero Alberto Velez Juan de la Mata Angel Curras Julian Perera 67 Julio 1 6 1952 Teatro Maravillas Madrid Cast Includes Rosario y Antonio El Pili Mario Escudero Alberto Velez Juan de la Mata Angel Curras Julian Perera 68 69 70 71 72 September 11 1952 Theatre des Champs Elysses Paris Cast Includes Rosario y Antonio El Pili Mario Escudero Alberto Velez Juan de la Mata Angel Curras Julian Perera 73 September 24 1953 Teatro de la Zarzuela Madrid Estrellita Castro Romeria Cast Includes Estrellita Castro Mario Escudero El Granaino Laura Alonso Esperanza Ortiz Laura Roman Estrella Lopez among others 74 75 In May 1953 Estrellita Castro announces her return to Spain after 5 years in South America 76 77 October 7 11 1953 Teatro de la Zarzuela Madrid Estrellita Castro Romeria Cast Includes Estrellita Castro Mario Escudero El Granaino Laura Alonso Esperanza Ortiz Laura Roman Estrella Lopez among others 78 December 23 1953 7 1 1954 Teatro Calderon Madrid Estrellita Castro Romeria Cast Includes Estrellita Castro Mario Escudero El Granaino Laura Alonso Esperanza Ortiz Laura Roman Estrella Lopez among others 79 80 In 1954 in Barcelona Mario records with Estrellita Castro Gitanos Falsificaos and La Salinera 78 RPM Odeon 204523 Also with guitarist Antonio Serra 1 In 1954 in Barcelona Mario records with Estrellita Castro Tanguillos del Campo de Gibraltar 78 RPM Odeon 204522 Also with guitarist Antonio Serra 2 April 17 1954 Teatro de la Zarzuela Madrid Estrellita Castro Romeria Cast Includes Estrellita Castro Mario Escudero El Granaino Maria Amaya Amalia Roman Esperanza Ortiz Josele Paco Sanchez This is an entirely new group and Mario s wife Maria Amaya joins the group 81 May 5 1954 Teatro Maravillas Madrid Estrellita Castro Romeria Cast Includes Estrellita Castro Mario Escudero El Granaino Maria Amaya Amalia Roman Esperanza Ortiz Josele Paco Sanchez 82 1955 1961 United States Central and South America Edit January 25 1955 Mario Escudero together with his wife Maria Amaya his cousin Rosario Escudero and other members of his Bailete as well as members of Vicente Escudero s own dance company arrived in New York City on January 25 1955 on board the USS Constitution 83 Recordings EditEscudero s first recordings date from 1945 when he was 16 years old as an accompanist to Estrellita Castro He recorded three albums of guitar duets with Sabicas 1957 Sabicas and Escudero Flamenco Styles on Two Guitars 42 1958 The Fantastic Guitars of Sabicas and Escudero 47 1959 The Romantic Guitars of Sabicas and Escudero 84 Shortly before he died a reporter asked Sabicas Which of the many records you have made during your long career is your favorite He did not have to wait too long for his reply Of all I only like the one I made with the guitarist Mario Escudero 85 30 Be it as it may the fact is that both Sabicas and Escudero listened to these records especially the first two Flamenco Styles on Two Guitars and The Fantastic Guitars of Sabicas and Escudero practically in every family reunion Escudero liked the same two records he made with Sabicas He was also fond of the ones he had made with ABC Paramount 86 87 88 and of the last double album he recorded with the Musical Heritage Society in 1969 12 References Edit a b Gitanos falsificaos Grabacion sonora tanguillo Fernandez de Cordoba y Castellanos La salinera danzon gitano Garcia Padilla y Mostazo Castellano Carlos Registro sonoro musical 1954 bdh bne es Retrieved 2021 10 20 a b Tientos del reloj Grabacion sonora Que le voy a hacer Quintero Leon y Quiroga Tanguillo del Campo de Gibraltar J Carlos de Luna Lopez Quiroga Manuel Registro sonoro musical 1954 bdh bne es Retrieved 2021 10 20 Er Yeli Grabacion sonora zambra mora Sevillanas de la moda Kola y Castellanos Castellano Carlos Registro sonoro musical 1946 bdh bne es Retrieved 2021 10 20 Los marismenos Grabacion sonora cancion por bulerias Nina Caracola tanguillo de Cadiz Kola y Castellanos Garcia Padilla Antonio Registro sonoro musical 1945 bdh bne es Retrieved 2021 10 22 Carmen Amaya MAGISTERIO FLAMENCO in European Spanish Retrieved 2021 10 20 Mario Escudero Diario Sur in European Spanish 2011 11 11 Retrieved 2021 10 20 Expoflamenco Redaccion 2021 09 11 Al Maestro Don Mario Escudero semblanza a su memoria Expoflamenco in European Spanish Retrieved 2021 10 20 Brindis a Manolete 1948 in Spanish retrieved 2021 10 24 Jalisco canta en Sevilla 1949 in Spanish retrieved 2021 10 23 Cafe cantante 1951 in Spanish retrieved 2021 10 23 a b El Pili El Pili Flamenco 1952 Vinyl retrieved 2021 10 21 a b Mario Escudero Mario Escudero Plays Classical Flamenco Music Vinyl retrieved 2021 10 21 BACH The Organ Works Preston www deutschegrammophon com Retrieved 2021 10 24 a b Testimonio Mario Escudero 1989 archived from the original on 2021 12 21 retrieved 2021 10 20 Rodriguez Marino August 12 1989 El Prestigioso guitarrista Flamenco Mario Escudero debuta en Cataluna La Vanguardia Barcelona Herrero Oscar August 27 1988 Mario Escudero Gloria de la Guitarra Flamenca in Spanish Extract from radio interview with Mario Escudero in Radio Program Madrid Flamenco in Onda Madrid San Lorenzo del Escorial Acordes Concert pp 11 12 DISCO 78 RPM PEPE BLANCO amp JESUS ESCUDERO GUITAR www clasf es in Spanish Retrieved 2021 10 24 Pepe Blanco joven bermemar www bermemar com Retrieved 2021 10 24 Teatro y Cine Carmen Amaya se presenta en Teatro Artigas El Bien Publico in Spanish Montevido Uruguay January 4 1950 p 7 Cantabria www revistaadios es Retrieved 2021 10 20 Rios Vargas Manuel 2002 Antologia del Baile Flamenco Seville Spain Signatura Ediciones de Andalucia S L p 119 ISBN 84 95122 49 9 MARIO ESCUDERO GUITARRISTAS El Arte de Vivir el Flamenco elartedevivirelflamenco com Retrieved 2021 10 20 TheBiography us TheBiography us Biography of Vera Nicolayevna Nemchinova 1899 1984 thebiography us Retrieved 2021 10 24 Vicente Escudero y Carmita Garcia La Vanguardia in Spanish Palau de la Musica Barcelona April 16 1944 Espanol Vicente Escudero y Carmita Garcia Informaciones y Noticias Teatrales ABC in Spanish Morning ed Madrid June 7 1944 p 21 Calderon Presentacion de Estrellita Castro con el espectaculo Romeria La Vanguardia December 23 1953 a b Edicion del viernes 27 septiembre 1946 pagina 8 Hemeroteca Lavanguardia es hemeroteca lavanguardia com Retrieved 2021 10 22 a b ABC MADRID 17 01 1948 pagina 17 Archivo ABC abc 2019 08 06 Retrieved 2021 10 22 a b ABC MADRID 24 01 1948 pagina 17 Archivo ABC abc 2019 08 06 Retrieved 2021 10 22 a b c Ramos Altamira Ignacio Mario Escudero y la guitarra flamenca de concierto Canelobre Revista del Instituto Alicantino de Cultura Juan Gil Albert 71 220 237 Flamenco Guitar Solos folkways si edu Retrieved 2021 10 21 Mario Escudero Fiesta Flamenca 1955 Vinyl retrieved 2021 10 21 Martin John February 8 1955 Dance Escudero Troupe The New York Times New York City New York p 22 Daily News New York March 29 1956 Page 360 Salomone Alphonse April 1 1992 Plaza Sweets Promenade Magazine No April September a href Template Cite news html title Template Cite news cite news a CS1 maint date and year link Mario Escudero Mario Escudero And His Flamenco Guitar 1955 Vinyl retrieved 2021 10 21 Mario Escudero with Domingo Alvarado Guitar Variations Yellow amp Red LP Label Vinyl retrieved 2021 10 21 Nino De Almaden Carlos Ramos Mario Escudero Anita Ramos Danzas Y Canciones De Andalucia 1956 Vinyl retrieved 2021 10 21 Luisa Triana Accompanied By Mario Escudero and Chinin de Triana Temas De Espana Vinyl retrieved 2021 10 21 Espectaculo Arte Flamenco New York Times New York June 11 1956 Vicente Escudero 3 Flamenco Discogs Retrieved 2021 10 21 a b Sabicas And Escudero Flamenco Styles On Two Guitars Discogs Retrieved 2021 10 21 Federico Garcia Lorca Enrique Montoya Federico Garcia Lorca Poemas Del Cante Jondo Vinyl retrieved 2021 10 21 Juerga gitana digital collections csun edu Retrieved 2021 10 21 Martin John November 4 1957 Spanish Dancer is seen in debut The New York Times New York p 57 Mario Escudero And Company Viva Flamenco 1958 Vinyl retrieved 2021 10 21 a b Sabicas And Escudero with Anita Ramos The Fantastic Guitars Of Sabicas And Escudero 1958 Vinyl retrieved 2021 10 21 El Nino De Alicante Enrique Montoya Anita Ramos Flamenco Carnival Vinyl retrieved 2021 10 21 Sabicas Festival Gitana Discogs in Spanish Retrieved 2021 10 21 Sabicas Gypsy Flamenco 1958 Vinyl retrieved 2021 10 21 Molina Miguel November 19 1959 Teatro La Comedia Cantos y Bailes de mi Alegre Andalucia Performance Program Rosario Argentina Torroba Ballesteros Federico October 9 1976 Fantasia Flamenca SGAE Registration 251 689 Henahan Donald November 29 1976 The American Symphony Teams Up with Guitarist New York Times New York p 34 Browning David November 17 1977 Escudero s Guitar Work Mixes Well with Philharmonic at Opera House The Lexington Leader Edicion del domingo 16 abril 1944 pagina 11 Hemeroteca Lavanguardia es hemeroteca lavanguardia com Retrieved 2021 10 22 Buscador Archivo ABC www abc es p 21 Retrieved 2021 10 22 a href Template Cite web html title Template Cite web cite web a CS1 maint url status link ABC MADRID 09 06 1944 pagina 18 Archivo ABC abc 2019 08 05 Retrieved 2021 10 22 Edicion del jueves 19 julio 1945 pagina 2 Hemeroteca Lavanguardia es hemeroteca lavanguardia com Retrieved 2021 10 22 Los marismenos Grabacion sonora cancion por bulerias Nina Caracola tanguillo de Cadiz Kola y Castellanos Garcia Padilla Antonio Registro sonoro musical 1945 bdh bne es Retrieved 2021 10 22 ABC MADRID 09 01 1947 pagina 16 Archivo ABC abc 2019 08 06 Retrieved 2021 10 22 ABC MADRID 09 01 1947 pagina 17 Archivo ABC abc 2019 08 06 Retrieved 2021 10 22 ABC MADRID 07 09 1947 pagina 17 Archivo ABC abc 2019 08 06 Retrieved 2021 10 22 ABC MADRID 04 03 1952 pagina 34 Archivo ABC abc 2019 08 06 Retrieved 2021 10 22 ABC MADRID 14 03 1952 pagina 7 Archivo ABC abc 2019 08 06 Retrieved 2021 10 22 ABC MADRID 05 04 1952 pagina 25 Archivo ABC abc 2019 08 07 Retrieved 2021 10 22 ABC MADRID 30 03 1952 pagina 46 Archivo ABC abc 2019 08 06 Retrieved 2021 10 22 ABC MADRID 11 06 1952 pagina 36 Archivo ABC abc 2019 08 07 Retrieved 2021 10 22 ABC MADRID 03 07 1952 pagina 34 Archivo ABC abc 2019 08 07 Retrieved 2021 10 22 ABC MADRID 04 07 1952 pagina 26 Archivo ABC abc 2019 08 07 Retrieved 2021 10 22 ABC MADRID 05 07 1952 pagina 34 Archivo ABC abc 2019 08 07 Retrieved 2021 10 22 ABC MADRID 06 07 1952 pagina 40 Archivo ABC abc 2019 08 07 Retrieved 2021 10 22 ABC MADRID 01 07 1952 pagina 35 Archivo ABC abc 2019 08 07 Retrieved 2021 10 22 ABC MADRID 12 09 1952 pagina 17 Archivo ABC abc 2019 08 07 Retrieved 2021 10 22 ABC MADRID 24 09 1953 pagina 12 Archivo ABC abc 2019 08 06 Retrieved 2021 10 22 ABC MADRID 25 09 1953 pagina 34 Archivo ABC abc 2019 08 06 Retrieved 2021 10 22 ABC MADRID 20 05 1953 pagina 7 Archivo ABC abc 2019 08 06 Retrieved 2021 10 22 ABC MADRID 25 09 1953 pagina 33 Archivo ABC abc 2019 08 06 Retrieved 2021 10 22 ABC MADRID 08 10 1953 pagina 33 Archivo ABC abc 2019 08 06 Retrieved 2021 10 22 Edicion del martes 22 diciembre 1953 pagina 25 Hemeroteca Lavanguardia es hemeroteca lavanguardia com Retrieved 2021 10 22 Edicion del jueves 07 enero 1954 pagina 15 Hemeroteca Lavanguardia es hemeroteca lavanguardia com Retrieved 2021 10 22 ABC MADRID 18 04 1954 pagina 43 Archivo ABC abc 2019 08 07 Retrieved 2021 10 22 ABC MADRID 05 05 1954 pagina 28 Archivo ABC abc 2019 08 07 Retrieved 2021 10 22 D Ambrose D W 25 January 1955 Manifest of In Bound Passenger Aliens American Export Lines 51 Sabicas And Escudero The Romantic Guitars Of Sabicas And Escudero From The Pampas To The Rio Grande 1959 Vinyl retrieved 2021 10 21 Revista Tiempo in Spanish Spain April 30 1990 p 417 Mario Escudero Mario Escudero 1961 Vinyl retrieved 2021 10 21 Mario Escudero Fiesta Flamenca 1962 Vinyl retrieved 2021 10 21 Mario Escudero Anita Ramos Pepe Segundo Escudero At El Poche 1964 Vinyl retrieved 2021 10 21External links EditFlamenco Guitar Solos Album Details at Smithsonian Folkways SGAE Miguel Borrull hijo recordings Biblioteca Nacional de Espana Pepe Blanco El Granate and Barquito de Vela Odeon 204151 SO 9811 9810 1946 accompanied by Jesus Escudero Patios de la Alhambra by Mario Escudero played by Mario Manuel Escudero 2011 Retrieved from https en wikipedia org w index php title Mario Escudero amp oldid 1120075868, wikipedia, wiki, book, books, library,

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