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Maria Ivogün

Maria Ivogün (18 November 1891 in Budapest – 3 October 1987 in Beatenberg, Switzerland) was a distinguished soprano singer of Hungarian origin. She was an especially outstanding interpreter of the works of Mozart: her recording of the aria of the Queen of the Night (Die Zauberflöte) became legendary.

Maria Ivogün from a 1922 advertisement.

Biography and artistic career Edit

Maria Ivogün was born Ilse Kempner. Her father was the Austro-Hungarian Colonel Pál Kempner. She created her professional name by contracting the maiden name of her mother, an Austrian operetta singer named Ida von Günther. She spent the greater part of her childhood and youth in Zürich. From 1909 (other sources say after 1907) she began to study singing and theatre in Vienna. When the young soprano sang in 1913 at the Vienna Hofoper, she was overlooked. However, the house conductor there, Bruno Walter, recognized her outstanding talent and engaged her for his new workplace at the Hofoper in Munich. She gave her debut in Munich in the role of Mimi in Puccini's La bohème. Three years later, in 1916, she sang the role of Zerbinetta in the re-worked version of Ariadne auf Naxos in Vienna at the express wish of the composer Richard Strauss. In the same year she replaced an indisposed singer as Queen of the Night in Mozart's Die Zauberflöte, a role for which Maria Ivogün became very highly regarded and with which she laid the foundation of her success.

By 1916 Ivogün was reckoned among the best female singers in Europe and had roles in operas such as Fidelio (Marzelline), Così fan tutte, Le nozze di Figaro and many others. Moreover she became well known as Zerbinetta in Richard Strauss’ Ariadne auf Naxos. In 1917 the title of Royal Bavarian Kammersängerin was bestowed upon her. In the same year she sang the boy-role of Ighino in the original production of Hans Pfitzner's Palestrina opposite the tenor Karl Erb in the title-role, whom she married in 1921. In two further important original productions in Munich, Ivogün took on leading roles: in Der Ring des Polykrates of the then barely 19-year-old Erich Wolfgang Korngold (first performance 28 March 1916) she sang Laura, and in Walter Braunfels's Die Vögel (first performance 4 December 1920) she took the part of the Nightingale. In the theatrical season of 1925/1926 Ivogün followed Bruno Walter to the State Opera in Berlin. She remained there as a member of the regular company until 1932.[citation needed]

In 1932, Ivogün divorced Karl Erb, and in 1933 she married their pianist-accompanist Michael Raucheisen. The highly celebrated soprano made countless concert-tours and guest opera appearances both within Germany and beyond. She appeared above all at La Scala, Milan, the Vienna State Opera, Covent Garden, London and the Chicago Opera. When she fell ill with an eye illness, she ended her operatic career in 1932 and in 1934 her career as a singer of lieder. From 1948 to 1950 Ivogün taught at the Music High School in Vienna, and finally she became a professor at the Hochschule in Berlin. She spent her twilight years in Switzerland, virtually blind. The singer's last resting place was at the side of her second husband, Michael Raucheisen, in the city cemetery of Rain, Switzerland.[citation needed]

Work Edit

Today, Maria Ivogün is considered to have been one of the best and most distinguished female opera singers of the twentieth century. In the period between the two World Wars, she gave very good account of operatic standards in Germany, through the whole of Europe. Very many recorded performances (also with Karl Erb, her first husband) are to be included among her artistic achievements.

Maria Ivogün worked as the teacher and mentor of many distinguished female singers of opera and entertainment music. Among her students are numbered above all the opera singers Elisabeth Schwarzkopf, Rita Streich, Evelyn Lear, Renate Holm and Helga Kosta; the theatrical singer Gitta Lind, much loved in the 1950s, was her also one of her students.

Selected filmography Edit

Discography (selected) Edit

  • Maria Ivogün – The complete recordings – 17 unpublished items 1916–1919
  • Die goldene Stimme – Maria Ivogün
  • Ivogün – Prima Voce Nimbus 7832

Sources Edit

maria, ivogün, november, 1891, budapest, october, 1987, beatenberg, switzerland, distinguished, soprano, singer, hungarian, origin, especially, outstanding, interpreter, works, mozart, recording, aria, queen, night, zauberflöte, became, legendary, from, 1922, . Maria Ivogun 18 November 1891 in Budapest 3 October 1987 in Beatenberg Switzerland was a distinguished soprano singer of Hungarian origin She was an especially outstanding interpreter of the works of Mozart her recording of the aria of the Queen of the Night Die Zauberflote became legendary Maria Ivogun from a 1922 advertisement Contents 1 Biography and artistic career 2 Work 3 Selected filmography 4 Discography selected 5 SourcesBiography and artistic career EditMaria Ivogun was born Ilse Kempner Her father was the Austro Hungarian Colonel Pal Kempner She created her professional name by contracting the maiden name of her mother an Austrian operetta singer named Ida von Gunther She spent the greater part of her childhood and youth in Zurich From 1909 other sources say after 1907 she began to study singing and theatre in Vienna When the young soprano sang in 1913 at the Vienna Hofoper she was overlooked However the house conductor there Bruno Walter recognized her outstanding talent and engaged her for his new workplace at the Hofoper in Munich She gave her debut in Munich in the role of Mimi in Puccini s La boheme Three years later in 1916 she sang the role of Zerbinetta in the re worked version of Ariadne auf Naxos in Vienna at the express wish of the composer Richard Strauss In the same year she replaced an indisposed singer as Queen of the Night in Mozart s Die Zauberflote a role for which Maria Ivogun became very highly regarded and with which she laid the foundation of her success By 1916 Ivogun was reckoned among the best female singers in Europe and had roles in operas such as Fidelio Marzelline Cosi fan tutte Le nozze di Figaro and many others Moreover she became well known as Zerbinetta in Richard Strauss Ariadne auf Naxos In 1917 the title of Royal Bavarian Kammersangerin was bestowed upon her In the same year she sang the boy role of Ighino in the original production of Hans Pfitzner s Palestrina opposite the tenor Karl Erb in the title role whom she married in 1921 In two further important original productions in Munich Ivogun took on leading roles in Der Ring des Polykrates of the then barely 19 year old Erich Wolfgang Korngold first performance 28 March 1916 she sang Laura and in Walter Braunfels s Die Vogel first performance 4 December 1920 she took the part of the Nightingale In the theatrical season of 1925 1926 Ivogun followed Bruno Walter to the State Opera in Berlin She remained there as a member of the regular company until 1932 citation needed In 1932 Ivogun divorced Karl Erb and in 1933 she married their pianist accompanist Michael Raucheisen The highly celebrated soprano made countless concert tours and guest opera appearances both within Germany and beyond She appeared above all at La Scala Milan the Vienna State Opera Covent Garden London and the Chicago Opera When she fell ill with an eye illness she ended her operatic career in 1932 and in 1934 her career as a singer of lieder From 1948 to 1950 Ivogun taught at the Music High School in Vienna and finally she became a professor at the Hochschule in Berlin She spent her twilight years in Switzerland virtually blind The singer s last resting place was at the side of her second husband Michael Raucheisen in the city cemetery of Rain Switzerland citation needed Work EditToday Maria Ivogun is considered to have been one of the best and most distinguished female opera singers of the twentieth century In the period between the two World Wars she gave very good account of operatic standards in Germany through the whole of Europe Very many recorded performances also with Karl Erb her first husband are to be included among her artistic achievements Maria Ivogun worked as the teacher and mentor of many distinguished female singers of opera and entertainment music Among her students are numbered above all the opera singers Elisabeth Schwarzkopf Rita Streich Evelyn Lear Renate Holm and Helga Kosta the theatrical singer Gitta Lind much loved in the 1950s was her also one of her students Selected filmography EditThe Loves of Casanova 1927 Discography selected EditMaria Ivogun The complete recordings 17 unpublished items 1916 1919 Die goldene Stimme Maria Ivogun Ivogun Prima Voce Nimbus 7832Sources Edit nbsp Wikimedia Commons has media related to Maria Ivogun Muller Gogler M Karl Erb Das Leben eines Sangers Offenburg 1948 Kutsch K J Riemens Leo Grosses Sangerlexikon 1st Vol Bern Stuttgart 1987 p 741 Retrieved from https en wikipedia org w index php title Maria Ivogun amp oldid 1174382158, wikipedia, wiki, book, books, library,

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