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Mamta (1966 film)

Mamta (transl. "Mother's Love") is a 1966 Indian drama film directed by Asit Sen, written by Nihar Ranjan Gupta and Krishan Chander,[1] and with music composed by Roshan and written by Majrooh Sultanpuri.[4] The movie stars Suchitra Sen, Ashok Kumar and Dharmendra. The film about middle class fears and class conflict, has lead actress Suchitra Sen in a double role.

Mamta
Film poster
Directed byAsit Sen
Written byKrishan Chander (dialogues)[1]
Story byNihar Ranjan Gupta
Based onUttar Falguni (1963)
Produced byCharu Chitra
StarringSuchitra Sen
Ashok Kumar
Dharmendra
CinematographyAnil Gupta
Edited byTarun Dutta
Music byRoshan
Distributed byChhayabani
Release date
1966
Running time
160 minutes
CountryIndia
LanguageHindi[2][3]
Box officeest. 120 million ($16 million)

The film is also noted for its music by Roshan and lyrics by Majrooh Sultanpuri, in songs like, Rahen Na Rahen Hum sung by Lata Mangeshkar and her hit duet, Chuppa Lo Yun Dil Mein Pyar Mera with Hemant Kumar.[5]

The film was a remake of Asit Sen's own Bengali film, Uttar Falguni (1963),[6] also starring Suchitra Sen.[7]

Plot

Monish Rai (Ashok Kumar) comes from a wealthy family and is in love with Devayani (Suchitra Sen), who is from a poor family. Monish wants to travel abroad for higher studies, and this will be funded by his family. He fears that his family will not approve of Devayani and will refuse to fund his foreign studies if he makes known his intention to marry her. Therefore, he and Devayani agree to delay their wedding until Monish returns to India.

Financial problem overwhelm Devayani's father not long after Monish leaves for England. He has been taking new loans to repay old loans, and most of these new loans have come from a certain Rakhal, who poses as a friend and well-wisher of Devayani's father. Rakhal is in fact a vile and dissolute man, and he has his eye on the beautiful Devayani. At a timely moment, Rakhal makes his irresistible proposal to Devayani's father. A simple and rather gullible man, Devayani's father thinks that marrying Rakhal would be a good thing for Devayani because Rakhal is a rich man and Devayani will live a comfortable life. He agrees to give his daughter in marriage to Rakhal. A horrified Devayani tells her father that she does not want to marry at all, but to live with him and take care of him in his old age. This cuts no ice at all with the father, and the wedding date is fixed. A desparate Devayani even approaches Monish's mother for financial assistance, but is refused.

The wedding takes place. Rakhal, who is significantly older than Devayani, makes some effort to court her, but she finds him repulsive. Rakhal soon begins to find Devayani's sour and rejectionist attitude tiresome, and he returns to his drinking and gambling cronies. He also resorts to violence when he feels insulted by Devayani's attitude. Rakhal had inherited much wealth from his father, but he is a wastrel with a fondness for drink, cards and dancing girls. He splurges money on his many bad habits and the truth is that much of his money is now gone. Devayani soon becomes pregnant and gives birth to a baby girl, Suparna. Devayani's father dies just around this time, leaving her with nowhere to turn to for succour. Her husband is briefly put in jail after a drunken brawl at a brothel, and it becomes known that his money is finished. Unhappy with her marriage and her circumstances, Devayani runs away and becomes a devadasi, or temple dancer, performing for a male clientele. She is however tracked down by Rakhal, who attempts to kidnap his daughter Suparna on more than one occasion. In order to ensure separation of father and daughter, Devayani leaves Suparna in an orphanage run by Christian missionaries, making the stipulation that Suparna should not be placed for adoption, and that she will contribute for Suparna's upkeep when possible. Devayani relocates and throws herself wholeheartedly into the project of earning a living by singing and dancing for a male audience at a traditional-style brothel (song and dance performances to a male audience, with few if any instances of sex work).

Monish returns to the city after completing his education. He has already heard of Devayani's wedding. He is unable to forget her, and he remains unmarried all his life. Once, on the street, he sees a woman who looks like Devayani and calls out to her, but she turns away and quickly sits inside a nearby taxi with no sign of recognition and drives away. Monish is told by others that the person he has seen is a Lucknow-based prostitute, Pannabai.

Is Devayani still alive? Who is Pannabai? What happened to Suparna?

The movie relates the story of Devayani's life and revolves around the theme of "mamta" - motherhood, or a mother's love, what a mother does for the protection and well-being of her child, and all the sacrifices made by her in order that her child can live a life filled with status, dignity and love .

Veteran actress (Suchitra Sen) portrays the double role both of Devayani and Suparna.

Cast

Box office

The film performed well at the domestic Indian box office. It was year's 15th highest-grossing film in India, earning 12 million[8] ($1.9 million).[9] This was equivalent to estimated footfalls of approximately 7.2 million tickets sold in India.[10]

The film became an overseas blockbuster in the Soviet Union, selling 52.1 million tickets in 1969, making it the sixth highest-grossing Indian film ever in the Soviet Union.[11] This was equivalent to an estimated 13 million Rbls[n 1] ($14.4 million,[n 2] or ₹108 million).[n 3]

Combined, the film grossed an estimated ₹120 million ($16.3 million) worldwide. In terms of footfalls, the film sold an estimated 59.3 million tickets worldwide.

Nominations

Music

The songs of the films were composed by Roshan and written by Majrooh Sultanpuri.

No.TitleSinger(s)Length
1."Chahe To Mera Jiya Lele"Lata Mangeshkar03:53
2."Chupa Lo Yun Dil Mein Pyar Mera"Lata Mangeshkar, Hemant Kumar03:11
3."Hum Gavanwa Na Jayibe Ho"Lata Mangeshkar04:20
4."Instrumental" – 02:44
5."Instrumental" – 04:05
6."Rahen Na Rahen Hum (solo)"Lata Mangeshkar04:24
7."Rahen Na Rahen Hum (duet)"Mohammed Rafi, Suman Kalyanpur02:20
8."Rahte The Kabhi Jinke"Lata Mangeshkar03:43
9."In Baharon Mein"Mohammed Rafi, Asha Bhosle03:21

Notes

  1. ^ 52.1 million tickets sold,[11] average ticket price of 25 kopecks[12]
  2. ^ 0.9 Rbl per US dollar from 1961 to 1971[13]
  3. ^ 7.5 Indian rupees per US dollar from 1967 to 1970[14]

References

  1. ^ a b Mamta. 0:49. 1966.{{cite AV media}}: CS1 maint: location (link)
  2. ^ Mamta. 0:25. 1966.{{cite AV media}}: CS1 maint: location (link)
  3. ^ "Film World". Film World. T.M. Ramachandran. 10: 65. 1974. Two eminent Urdu writers Krishan Chander and Ismat Chughtai have said that "more than seventy-five per cent of films are made in Urdu."
  4. ^ Peter Cowie (1977). World Filmography: 1967. Fairleigh Dickinson Univ Press. p. 270. ISBN 978-0-498-01565-6. Retrieved 23 February 2015.
  5. ^ . The Hindu. 2 April 2010. Archived from the original on 29 October 2013. Retrieved 29 April 2013.
  6. ^ Ganguly, Ruman (27 November 2019). "Remakes of Bengali films: What's new in this trend?". The Times of India. Retrieved 26 June 2020.
  7. ^ "11th National Film Awards". International Film Festival of India. Archived from the original on 2 May 2017.
  8. ^ . Box Office India. 14 October 2013. Archived from the original on 14 October 2013.
  9. ^ "Official exchange rate (LCU per US$, period average) - India". World Bank. 1966. Retrieved 26 June 2020.
  10. ^ Mittal, Ashok (1995). Cinema Industry in India: Pricing and Taxation. Indus Publishing. pp. 71 & 77. ISBN 9788173870231.
  11. ^ a b Kudryavtsev, Sergey (3 August 2008). "Зарубежные популярные фильмы в советском кинопрокате (Индия)" [Popular Foreign Films (Indian) in Soviet Film Distribution]. LiveJournal. Retrieved 26 June 2020.
  12. ^ Roth-Ey, Kristin (2011). "Chapter 1: The Soviet Film Industry" (PDF). Moscow Prime Time: How the Soviet Union Built the Media Empire that Lost the Cultural Cold War. Cornell University Press. p. 48. ISBN 978-0-8014-4874-4.
  13. ^ . Central Bank of Russia (in Russian). Archived from the original on 29 December 2009. Retrieved 11 September 2012.
  14. ^ "Pacific Exchange Rate Service" (PDF). UBC Sauder School of Business. University of British Columbia. p. 3. Retrieved 8 February 2019.
  15. ^ 1st Filmfare Awards 1953

External links

mamta, 1966, film, mamta, transl, mother, love, 1966, indian, drama, film, directed, asit, written, nihar, ranjan, gupta, krishan, chander, with, music, composed, roshan, written, majrooh, sultanpuri, movie, stars, suchitra, ashok, kumar, dharmendra, film, abo. Mamta transl Mother s Love is a 1966 Indian drama film directed by Asit Sen written by Nihar Ranjan Gupta and Krishan Chander 1 and with music composed by Roshan and written by Majrooh Sultanpuri 4 The movie stars Suchitra Sen Ashok Kumar and Dharmendra The film about middle class fears and class conflict has lead actress Suchitra Sen in a double role MamtaFilm posterDirected byAsit SenWritten byKrishan Chander dialogues 1 Story byNihar Ranjan GuptaBased onUttar Falguni 1963 Produced byCharu ChitraStarringSuchitra SenAshok KumarDharmendraCinematographyAnil GuptaEdited byTarun DuttaMusic byRoshanDistributed byChhayabaniRelease date1966Running time160 minutesCountryIndiaLanguageHindi 2 3 Box officeest 120 million 16 million The film is also noted for its music by Roshan and lyrics by Majrooh Sultanpuri in songs like Rahen Na Rahen Hum sung by Lata Mangeshkar and her hit duet Chuppa Lo Yun Dil Mein Pyar Mera with Hemant Kumar 5 The film was a remake of Asit Sen s own Bengali film Uttar Falguni 1963 6 also starring Suchitra Sen 7 Contents 1 Plot 2 Cast 3 Box office 4 Nominations 5 Music 6 Notes 7 References 8 External linksPlot EditMonish Rai Ashok Kumar comes from a wealthy family and is in love with Devayani Suchitra Sen who is from a poor family Monish wants to travel abroad for higher studies and this will be funded by his family He fears that his family will not approve of Devayani and will refuse to fund his foreign studies if he makes known his intention to marry her Therefore he and Devayani agree to delay their wedding until Monish returns to India Financial problem overwhelm Devayani s father not long after Monish leaves for England He has been taking new loans to repay old loans and most of these new loans have come from a certain Rakhal who poses as a friend and well wisher of Devayani s father Rakhal is in fact a vile and dissolute man and he has his eye on the beautiful Devayani At a timely moment Rakhal makes his irresistible proposal to Devayani s father A simple and rather gullible man Devayani s father thinks that marrying Rakhal would be a good thing for Devayani because Rakhal is a rich man and Devayani will live a comfortable life He agrees to give his daughter in marriage to Rakhal A horrified Devayani tells her father that she does not want to marry at all but to live with him and take care of him in his old age This cuts no ice at all with the father and the wedding date is fixed A desparate Devayani even approaches Monish s mother for financial assistance but is refused The wedding takes place Rakhal who is significantly older than Devayani makes some effort to court her but she finds him repulsive Rakhal soon begins to find Devayani s sour and rejectionist attitude tiresome and he returns to his drinking and gambling cronies He also resorts to violence when he feels insulted by Devayani s attitude Rakhal had inherited much wealth from his father but he is a wastrel with a fondness for drink cards and dancing girls He splurges money on his many bad habits and the truth is that much of his money is now gone Devayani soon becomes pregnant and gives birth to a baby girl Suparna Devayani s father dies just around this time leaving her with nowhere to turn to for succour Her husband is briefly put in jail after a drunken brawl at a brothel and it becomes known that his money is finished Unhappy with her marriage and her circumstances Devayani runs away and becomes a devadasi or temple dancer performing for a male clientele She is however tracked down by Rakhal who attempts to kidnap his daughter Suparna on more than one occasion In order to ensure separation of father and daughter Devayani leaves Suparna in an orphanage run by Christian missionaries making the stipulation that Suparna should not be placed for adoption and that she will contribute for Suparna s upkeep when possible Devayani relocates and throws herself wholeheartedly into the project of earning a living by singing and dancing for a male audience at a traditional style brothel song and dance performances to a male audience with few if any instances of sex work Monish returns to the city after completing his education He has already heard of Devayani s wedding He is unable to forget her and he remains unmarried all his life Once on the street he sees a woman who looks like Devayani and calls out to her but she turns away and quickly sits inside a nearby taxi with no sign of recognition and drives away Monish is told by others that the person he has seen is a Lucknow based prostitute Pannabai Is Devayani still alive Who is Pannabai What happened to Suparna The movie relates the story of Devayani s life and revolves around the theme of mamta motherhood or a mother s love what a mother does for the protection and well being of her child and all the sacrifices made by her in order that her child can live a life filled with status dignity and love Veteran actress Suchitra Sen portrays the double role both of Devayani and Suparna Cast EditDharmendra Barrister Indraneel Suchitra Sen Devyani Pannabai Suparna Ashok Kumar Monish Rai Bipin Gupta Kantilal David Abraham Doctor Abraham Tarun Bose Mahadev Prasad Pahari Sanyal Prosecuting Lawyer Pratima Devi Mother Mary Kalipada Chakraborty Rakhal Bhattacharya Chhaya Devi Minabai Rajlakshmi Devi Guest at party Chaman Puri Ghishta Babu Devyani s dad uncredited Asit Sen director as Mahadev Prasad Jahor RoyBox office EditThe film performed well at the domestic Indian box office It was year s 15th highest grossing film in India earning 12 million 8 1 9 million 9 This was equivalent to estimated footfalls of approximately 7 2 million tickets sold in India 10 The film became an overseas blockbuster in the Soviet Union selling 52 1 million tickets in 1969 making it the sixth highest grossing Indian film ever in the Soviet Union 11 This was equivalent to an estimated 13 million Rbls n 1 14 4 million n 2 or 108 million n 3 Combined the film grossed an estimated 120 million 16 3 million worldwide In terms of footfalls the film sold an estimated 59 3 million tickets worldwide Nominations EditFilmfare Nomination for Best Film Filmfare Nomination for Best Director Asit Sen Filmfare Nomination for Best Actress Suchitra Sen Filmfare Nomination for Best Story Nihar Ranjan Gupta 15 Music EditThe songs of the films were composed by Roshan and written by Majrooh Sultanpuri No TitleSinger s Length1 Chahe To Mera Jiya Lele Lata Mangeshkar03 532 Chupa Lo Yun Dil Mein Pyar Mera Lata Mangeshkar Hemant Kumar03 113 Hum Gavanwa Na Jayibe Ho Lata Mangeshkar04 204 Instrumental 02 445 Instrumental 04 056 Rahen Na Rahen Hum solo Lata Mangeshkar04 247 Rahen Na Rahen Hum duet Mohammed Rafi Suman Kalyanpur02 208 Rahte The Kabhi Jinke Lata Mangeshkar03 439 In Baharon Mein Mohammed Rafi Asha Bhosle03 21Notes Edit 52 1 million tickets sold 11 average ticket price of 25 kopecks 12 0 9 Rbl per US dollar from 1961 to 1971 13 7 5 Indian rupees per US dollar from 1967 to 1970 14 References Edit a b Mamta 0 49 1966 a href Template Cite AV media html title Template Cite AV media cite AV media a CS1 maint location link Mamta 0 25 1966 a href Template Cite AV media html title Template Cite AV media cite AV media a CS1 maint location link Film World Film World T M Ramachandran 10 65 1974 Two eminent Urdu writers Krishan Chander and Ismat Chughtai have said that more than seventy five per cent of films are made in Urdu Peter Cowie 1977 World Filmography 1967 Fairleigh Dickinson Univ Press p 270 ISBN 978 0 498 01565 6 Retrieved 23 February 2015 Blast From The Past Mamta 1966 The Hindu 2 April 2010 Archived from the original on 29 October 2013 Retrieved 29 April 2013 Ganguly Ruman 27 November 2019 Remakes of Bengali films What s new in this trend The Times of India Retrieved 26 June 2020 11th National Film Awards International Film Festival of India Archived from the original on 2 May 2017 Box Office 1966 Box Office India 14 October 2013 Archived from the original on 14 October 2013 Official exchange rate LCU per US period average India World Bank 1966 Retrieved 26 June 2020 Mittal Ashok 1995 Cinema Industry in India Pricing and Taxation Indus Publishing pp 71 amp 77 ISBN 9788173870231 a b Kudryavtsev Sergey 3 August 2008 Zarubezhnye populyarnye filmy v sovetskom kinoprokate Indiya Popular Foreign Films Indian in Soviet Film Distribution LiveJournal Retrieved 26 June 2020 Roth Ey Kristin 2011 Chapter 1 The Soviet Film Industry PDF Moscow Prime Time How the Soviet Union Built the Media Empire that Lost the Cultural Cold War Cornell University Press p 48 ISBN 978 0 8014 4874 4 Archive Central Bank of Russia in Russian Archived from the original on 29 December 2009 Retrieved 11 September 2012 Pacific Exchange Rate Service PDF UBC Sauder School of Business University of British Columbia p 3 Retrieved 8 February 2019 1st Filmfare Awards 1953External links EditMamta at IMDb Retrieved from https en wikipedia org w index php title Mamta 1966 film amp oldid 1122410798, wikipedia, wiki, book, books, library,

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