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Magnificat in A minor (Hoffmann)

December 01, 2023

The Magnificat in A minor, BWV Anh. 21, TWV 1:1748, is Melchior Hoffmann's musical setting of a German version (Meine Seele erhebt den Herren) of the Song of Mary (Magnificat, "My soul magnifies the Lord") from the Gospel of Luke. The composition originated around 1707, when the composer was director musices and organist of the Neue Kirche in Leipzig. Composed in A minor, the Magnificat is scored for soprano and small orchestra.[2] The work was first published in the 1950s, and it was recorded by Magda László, by Joshua Rifkin, by Wolfgang Helbich, and by Deborah York, among others.

Magnificat
Sacred vocal music by Melchior Hoffmann
Early 18th-century manuscript copy, likely written by Gottfried Heinrich Stölzel, of the "Traversa" part of Hoffmann's Magnificat[1]
Other nameKleines Magnificat
KeyA minor
CatalogueBWV Anh. 21
Text"Meine Seele erhebt den Herren"
LanguageGerman
Composed1707

According to the editors of the Bach-Gesellschaft-Ausgabe (BGA), the work, considered lost since the late 1850s, was composed by Johann Sebastian Bach. It was dubbed Kleines Magnificat (kleines translating as "little" or "small")[3][4] to distinguish it from more extended Magnificat settings, such as BWV 243 in Latin, and BWV 10 and BWV 189 in German (the last of these is listed as a composition by Hoffmann at the Bach Digital website).[5] The 1950 first edition of the Bach-Werke-Verzeichnis (BWV) listed the small Magnificat in its first Anhang, that is the Anhang of lost works. Some years later, when recovered original manuscripts of the composition and of other works by the composer were analysed, the work was, after being erroneously attributed to Georg Philipp Telemann for some years, ultimately attributed to Hoffmann.

History edit

The Magnificat or Song of Mary is one of the three New Testament canticles, the others being Nunc dimittis and Benedictus. Mary sings the song on the occasion of her visit to Elizabeth, as narrated in the Gospel of Luke (Luke 1:39–56). The Magnificat canticle was, in its Latin version, a regular part in Catholic vesper services, and was also used in the Lutheran church, mostly in German and occasionally in Latin, in vespers and for Marian feasts. On such occasions, a doxology concludes the bible verses from the Gospel of Luke. In the Luther Bible, the first verse of the German Magnificat reads "Meine Seele erhebt den Herren". In 1700, two years before becoming a law student in Leipzig, Melchior Hoffmann composed a Latin Magnificat in D minor.[6][7]

Hoffmann's A minor setting of the German Magnificat dates from around 1707.[8] At the time he was the organist of Leipzig's Neue Kirche (new church). In 1705 he had succeeded Georg Philipp Telemann both as director musices of the Neue Kirche and as leader of the Collegium Musicum which Telemann had founded in 1702. Among the students of Leipzig University belonging to that ensemble was Gottfried Heinrich Stölzel, who helped Hoffmann copy out performance parts of his Magnificat. In 1729, when a successor of Hoffmann left town, Johann Sebastian Bach became leader of the Collegium Musicum founded by Telemann, and Carl Gotthelf Gerlach, one of Bach's former students, became organist and director musices at the Neue Kirche. Shortly thereafter, Gerlach, who also was a singer, made a new copy of the vocal part of Hoffmann's Magnificat, with some adjustments to make it more suitable for performance.[9]

Structure edit

Hoffmann structured the Magnificat in 10 movements, eight for the text from the Gospel of Luke, and two for an extended doxology, mostly alternating arias and recitatives, with a chorale setting to begin the doxology:[10]

  1. Aria: Meine Seele erhebt den Herren
  2. Recitativo: Denn er hat seine elende Magd angesehen
  3. Aria: Und seine Barmherzigkeit währet immer
  4. Recitativo: Er übet Gewalt mit seinem Arm
  5. Aria: Er stößet die Gewaltigen vom Stuhl
  6. Recitativo: Die Hungrigen füllet er mit Gütern
  7. Aria: Er denket der Barmherzigkeit
  8. Recitativo: Wie er gered't hat unseren Vätern
  9. Chorale: Lob und Preis sei Gott
  10. Aria: Wie es war im Anfang

The Magnificat is scored for soprano, flauto traverso, two violins and continuo.[9][11]

Reception edit

Gerlach remained organist and director musices of the Neue Kirche until his death in July 1761. Having died without near relatives, the lion share of his musical legacy appears to have been acquired by the music publishing enterprise of Bernhard Christoph and Johann Gottlob Immanuel Breitkopf. For the Leipzig Michaelmas fair of 1761, the Breitkopf firm issued a catalogue of works that were available at the publisher's. The catalogue included Hoffmann's Magnificats in D minor and in A minor: the former under Hoffmann's name, the latter as an anonymous composition. The manuscript performance parts of the A minor Magnificat which were once owned by Breitkopf later came in the possession of the Berlin State Library (SBB).[12][13][14]

In his preface to Vol. 11.1 (1862) of the Bach-Gesellschaft Ausgabe (BGA), Wilhelm Rust mentioned a Magnificat for soprano and small orchestra (German: Magnificat für Sopran und kleines Orchester), of which he had seen a manuscript score, which around the mid-1850s was owned by Siegfried Dehn.[4][15] According to Rust, what he had seen was an autograph of a composition by Johann Sebastian Bach.[8][15] Further, Rust considered that manuscript lost.[15] In fact, Dehn, who also assumed that the manuscript was a Bach autograph, had deliberately kept it away from the BGA editors, shipping it to Russia shortly before his death in 1858.[16] Based on Rust, Bach's 19th-century biographer Philipp Spitta described this "small Magnificat" by Bach as lost.[4]

In 1940 the British musicologist William G. Whittaker located the manuscript described by Rust in a library in Saint Petersburg (at the time known as Leningrad). Through the disarray caused by the Second World War, the discovery remained virtually unnoticed in the musical world. When Wolfgang Schmieder published the first edition of the Bach-Werke-Verzeichnis (BWV) in 1950, he listed the Kleines Magnificat in the catalogue's first Anhang, as No. 21, among Bach's lost works (BWV Anh. I 21). In 1954 Alfred Dürr and Frederick Hudson [scores] examined the score in the Saint Petersburg library, confirming that it was the manuscript once owned by Dehn, and described by Rust, but determining that it was certainly not written by Bach, and that it was thus very unlikely Bach had composed this Magnificat. It was also determined that the composition in the Saint Petersburg score was identical to the anonymous Magnificat in A minor of which the Berlin State Library had the performance parts.[1][8][9][12][13][17]

In his 1958 edition of the Little Magnificat, Ermenegildo Paccagnella [it] indicated Bach as its composer, notwithstanding that this attribution was no longer supported in scholarship.[18][19] Also in Diethard Hellmann's edition of the Magnificat, published by Hänssler in 1961, the composition was ascribed to Bach.[18][20] In the next decade Hans-Joachim Schulze attributed it to Georg Philipp Telemann (TWV 1:1748 – the same catalogue number was also used for the cantata Singet dem Herrn ein neues Lied, TWV 1:1748, which was also re-attributed to Hoffmann).[1][8][13][18][21] Andreas Glöckner sorted the attribution conundrum in his contribution to the Bach-Jahrbuch of 1982, in which he identified Hoffmann as the composer.[9] Hellmann's revised edition of the Magnificat was published by Carus-Verlag in 1987.[11] In the 1998 edition of the BWV, the Magnificat was repositioned in Anh. III, that is the Anhang of spurious works, as a composition by Hoffmann: its full BWV number thus became BWV Anh. 21 / Anh. III 168.[2][22] A digital facsimile of the 18th-century performance parts of the Magnificat is available at the SBB website since 2014.[13] A similar facsimile is available at the Bach Digital website.[12]

Recordings edit

Hoffmann's German Magnificat in A minor was recorded:

  • By soprano Magda László accompanied by five instrumentalists, c. 1958.[23][24]
  • In April 1965, by Micheline Tessier [de], with L'Ensemble instrumental de Arts-Québec conducted by Mireille Lagacé [fr].[25]
  • By Brigitte Ganady, with an instrumental ensemble conducted by Georges Aubert (1969).[26]
  • Joshua Rifkin recorded the work in 1982, with soprano Jane Bryden.[27]
  • In 2001, the work was recorded by Wolfgang Helbich conducting the Alsfelder Vokalensemble.[28] In 2014, this recording was re-issued in the 8 CD Box The Sacred Apocryphal Bach.[29]
  • Deborah York sang the Magnificat with the Elbipolis Barockorchester Hamburg [fr] for a 2009 recording.[30]

References edit

  1. ^ a b c Hoffmann, Melchior: Magnificat in a-Moll at RISM website
  2. ^ a b "Magnificat, a BWV Anh. 21 / Anh. III 168‑>". Bach Digital. Leipzig: Bach Archive; et al. 2018-07-07.
  3. ^ Spitta 1921, p. 203.
  4. ^ a b c Spitta 1884, p. 374.
  5. ^ "Meine Seele rühmt und preist BWV 189". Bach Digital. Leipzig: Bach Archive; et al. 2019-03-11.
  6. ^ Glöckner 1983, p. 100.
  7. ^ RISM 464000198
  8. ^ a b c d Rettinghaus 2018.
  9. ^ a b c d Glöckner 1983.
  10. ^ Musikgottesdienst / Melchior Hoffmann (1697–1715) / "Meine Seele erhebt den Herren" (in German). Dreikönigskirche, Frankfurt. 13 December 2020.
  11. ^ a b "Georg Melchior Hoffmann / Meine Seele erhebt den Herren / Kleines Magnificat" (PDF). Carus-Verlag. Retrieved 13 December 2020.
  12. ^ a b c "D-B Mus.ms. autogr. Hoffmann, M. 3 N". Bach Digital. Leipzig: Bach Archive; et al. 2020-01-13.
  13. ^ a b c d Hoffmann, Melchior: Magnificat; S, orch; a-Moll; BWV Anh. 1:21/Anh. 3:168; TWV 1:1748 at Berlin State Library website.
  14. ^ Glöckner 1983, pp. 99–100.
  15. ^ a b c Rust 1862, p. XVIII.
  16. ^ Glöckner 1983, p. 97.
  17. ^ Hudson, Frederick; Dürr, Alfred (July 1955). "An Investigation into the Authenticity of Bach's 'Kleine Magnificat'". Music & Letters. 36 (3): 233–236. JSTOR 730970.
  18. ^ a b c Glöckner 1983, p. 98.
  19. ^ OCLC 755166003
  20. ^ OCLC 1016189300
  21. ^ RISM 150204809
  22. ^ Dürr & Kobayashi 1998, p. 467.
  23. ^ RCA Italiana LM 20025
  24. ^ Alta fedeltà, December 1958, p. 352.
  25. ^ OCLC 38012881
  26. ^ Musenhöhle CD-Katalog (nach Nummern sortiert) at Musenhöhle website, p. 51
  27. ^ OCLC 222827597
  28. ^ Apocryphal Bach Masses – Magnificat BWV Anh. 21 at Muziekweb website. Retrieved 2021-01-02.
  29. ^ The Sacred Apocryphal Bach (8-CD Set) at ArkivMusic website. Retrieved 2021-01-02.
  30. ^ Per il santissimo natale at Muziekweb website. Retrieved 2021-01-05.

Sources edit

External links edit

  • Magnificat in a-Moll BWV Anh 21, Bach Cantatas website 2021

December 01, 2023
magnificat, minor, hoffmann, magnificat, minor, 1748, melchior, hoffmann, musical, setting, german, version, meine, seele, erhebt, herren, song, mary, magnificat, soul, magnifies, lord, from, gospel, luke, composition, originated, around, 1707, when, composer,. The Magnificat in A minor BWV Anh 21 TWV 1 1748 is Melchior Hoffmann s musical setting of a German version Meine Seele erhebt den Herren of the Song of Mary Magnificat My soul magnifies the Lord from the Gospel of Luke The composition originated around 1707 when the composer was director musices and organist of the Neue Kirche in Leipzig Composed in A minor the Magnificat is scored for soprano and small orchestra 2 The work was first published in the 1950s and it was recorded by Magda Laszlo by Joshua Rifkin by Wolfgang Helbich and by Deborah York among others MagnificatSacred vocal music by Melchior HoffmannEarly 18th century manuscript copy likely written by Gottfried Heinrich Stolzel of the Traversa part of Hoffmann s Magnificat 1 Other nameKleines MagnificatKeyA minorCatalogueBWV Anh 21Text Meine Seele erhebt den Herren LanguageGermanComposed1707According to the editors of the Bach Gesellschaft Ausgabe BGA the work considered lost since the late 1850s was composed by Johann Sebastian Bach It was dubbed Kleines Magnificat kleines translating as little or small 3 4 to distinguish it from more extended Magnificat settings such as BWV 243 in Latin and BWV 10 and BWV 189 in German the last of these is listed as a composition by Hoffmann at the Bach Digital website 5 The 1950 first edition of the Bach Werke Verzeichnis BWV listed the small Magnificat in its first Anhang that is the Anhang of lost works Some years later when recovered original manuscripts of the composition and of other works by the composer were analysed the work was after being erroneously attributed to Georg Philipp Telemann for some years ultimately attributed to Hoffmann Contents 1 History 2 Structure 3 Reception 3 1 Recordings 4 References 4 1 Sources 5 External linksHistory editThe Magnificat or Song of Mary is one of the three New Testament canticles the others being Nunc dimittis and Benedictus Mary sings the song on the occasion of her visit to Elizabeth as narrated in the Gospel of Luke Luke 1 39 56 The Magnificat canticle was in its Latin version a regular part in Catholic vesper services and was also used in the Lutheran church mostly in German and occasionally in Latin in vespers and for Marian feasts On such occasions a doxology concludes the bible verses from the Gospel of Luke In the Luther Bible the first verse of the German Magnificat reads Meine Seele erhebt den Herren In 1700 two years before becoming a law student in Leipzig Melchior Hoffmann composed a Latin Magnificat in D minor 6 7 Hoffmann s A minor setting of the German Magnificat dates from around 1707 8 At the time he was the organist of Leipzig s Neue Kirche new church In 1705 he had succeeded Georg Philipp Telemann both as director musices of the Neue Kirche and as leader of the Collegium Musicum which Telemann had founded in 1702 Among the students of Leipzig University belonging to that ensemble was Gottfried Heinrich Stolzel who helped Hoffmann copy out performance parts of his Magnificat In 1729 when a successor of Hoffmann left town Johann Sebastian Bach became leader of the Collegium Musicum founded by Telemann and Carl Gotthelf Gerlach one of Bach s former students became organist and director musices at the Neue Kirche Shortly thereafter Gerlach who also was a singer made a new copy of the vocal part of Hoffmann s Magnificat with some adjustments to make it more suitable for performance 9 Structure editHoffmann structured the Magnificat in 10 movements eight for the text from the Gospel of Luke and two for an extended doxology mostly alternating arias and recitatives with a chorale setting to begin the doxology 10 Aria Meine Seele erhebt den Herren Recitativo Denn er hat seine elende Magd angesehen Aria Und seine Barmherzigkeit wahret immer Recitativo Er ubet Gewalt mit seinem Arm Aria Er stosset die Gewaltigen vom Stuhl Recitativo Die Hungrigen fullet er mit Gutern Aria Er denket der Barmherzigkeit Recitativo Wie er gered t hat unseren Vatern Chorale Lob und Preis sei Gott Aria Wie es war im AnfangThe Magnificat is scored for soprano flauto traverso two violins and continuo 9 11 Reception editGerlach remained organist and director musices of the Neue Kirche until his death in July 1761 Having died without near relatives the lion share of his musical legacy appears to have been acquired by the music publishing enterprise of Bernhard Christoph and Johann Gottlob Immanuel Breitkopf For the Leipzig Michaelmas fair of 1761 the Breitkopf firm issued a catalogue of works that were available at the publisher s The catalogue included Hoffmann s Magnificats in D minor and in A minor the former under Hoffmann s name the latter as an anonymous composition The manuscript performance parts of the A minor Magnificat which were once owned by Breitkopf later came in the possession of the Berlin State Library SBB 12 13 14 In his preface to Vol 11 1 1862 of the Bach Gesellschaft Ausgabe BGA Wilhelm Rust mentioned a Magnificat for soprano and small orchestra German Magnificat fur Sopran und kleines Orchester of which he had seen a manuscript score which around the mid 1850s was owned by Siegfried Dehn 4 15 According to Rust what he had seen was an autograph of a composition by Johann Sebastian Bach 8 15 Further Rust considered that manuscript lost 15 In fact Dehn who also assumed that the manuscript was a Bach autograph had deliberately kept it away from the BGA editors shipping it to Russia shortly before his death in 1858 16 Based on Rust Bach s 19th century biographer Philipp Spitta described this small Magnificat by Bach as lost 4 In 1940 the British musicologist William G Whittaker located the manuscript described by Rust in a library in Saint Petersburg at the time known as Leningrad Through the disarray caused by the Second World War the discovery remained virtually unnoticed in the musical world When Wolfgang Schmieder published the first edition of the Bach Werke Verzeichnis BWV in 1950 he listed the Kleines Magnificat in the catalogue s first Anhang as No 21 among Bach s lost works BWV Anh I 21 In 1954 Alfred Durr and Frederick Hudson scores examined the score in the Saint Petersburg library confirming that it was the manuscript once owned by Dehn and described by Rust but determining that it was certainly not written by Bach and that it was thus very unlikely Bach had composed this Magnificat It was also determined that the composition in the Saint Petersburg score was identical to the anonymous Magnificat in A minor of which the Berlin State Library had the performance parts 1 8 9 12 13 17 In his 1958 edition of the Little Magnificat Ermenegildo Paccagnella it indicated Bach as its composer notwithstanding that this attribution was no longer supported in scholarship 18 19 Also in Diethard Hellmann s edition of the Magnificat published by Hanssler in 1961 the composition was ascribed to Bach 18 20 In the next decade Hans Joachim Schulze attributed it to Georg Philipp Telemann TWV 1 1748 the same catalogue number was also used for the cantata Singet dem Herrn ein neues Lied TWV 1 1748 which was also re attributed to Hoffmann 1 8 13 18 21 Andreas Glockner sorted the attribution conundrum in his contribution to the Bach Jahrbuch of 1982 in which he identified Hoffmann as the composer 9 Hellmann s revised edition of the Magnificat was published by Carus Verlag in 1987 11 In the 1998 edition of the BWV the Magnificat was repositioned in Anh III that is the Anhang of spurious works as a composition by Hoffmann its full BWV number thus became BWV Anh 21 Anh III 168 2 22 A digital facsimile of the 18th century performance parts of the Magnificat is available at the SBB website since 2014 13 A similar facsimile is available at the Bach Digital website 12 Recordings edit Hoffmann s German Magnificat in A minor was recorded By soprano Magda Laszlo accompanied by five instrumentalists c 1958 23 24 In April 1965 by Micheline Tessier de with L Ensemble instrumental de Arts Quebec conducted by Mireille Lagace fr 25 By Brigitte Ganady with an instrumental ensemble conducted by Georges Aubert 1969 26 Joshua Rifkin recorded the work in 1982 with soprano Jane Bryden 27 In 2001 the work was recorded by Wolfgang Helbich conducting the Alsfelder Vokalensemble 28 In 2014 this recording was re issued in the 8 CD Box The Sacred Apocryphal Bach 29 Deborah York sang the Magnificat with the Elbipolis Barockorchester Hamburg fr for a 2009 recording 30 References edit a b c Hoffmann Melchior Magnificat in a Moll at RISM website a b Magnificat a BWV Anh 21 Anh III 168 gt Bach Digital Leipzig Bach Archive et al 2018 07 07 Spitta 1921 p 203 a b c Spitta 1884 p 374 Meine Seele ruhmt und preist BWV 189 Bach Digital Leipzig Bach Archive et al 2019 03 11 Glockner 1983 p 100 RISM 464000198 a b c d Rettinghaus 2018 a b c d Glockner 1983 Musikgottesdienst Melchior Hoffmann 1697 1715 Meine Seele erhebt den Herren in German Dreikonigskirche Frankfurt 13 December 2020 a b Georg Melchior Hoffmann Meine Seele erhebt den Herren Kleines Magnificat PDF Carus Verlag Retrieved 13 December 2020 a b c D B Mus ms autogr Hoffmann M 3 N Bach Digital Leipzig Bach Archive et al 2020 01 13 a b c d Hoffmann Melchior Magnificat S orch a Moll BWV Anh 1 21 Anh 3 168 TWV 1 1748 at Berlin State Library website Glockner 1983 pp 99 100 a b c Rust 1862 p XVIII Glockner 1983 p 97 Hudson Frederick Durr Alfred July 1955 An Investigation into the Authenticity of Bach s Kleine Magnificat Music amp Letters 36 3 233 236 JSTOR 730970 a b c Glockner 1983 p 98 OCLC 755166003 OCLC 1016189300 RISM 150204809 Durr amp Kobayashi 1998 p 467 RCA Italiana LM 20025 Alta fedelta December 1958 p 352 OCLC 38012881 Musenhohle CD Katalog nach Nummern sortiert at Musenhohle website p 51 OCLC 222827597 Apocryphal Bach Masses Magnificat BWV Anh 21 at Muziekweb website Retrieved 2021 01 02 The Sacred Apocryphal Bach 8 CD Set at ArkivMusic website Retrieved 2021 01 02 Per il santissimo natale at Muziekweb website Retrieved 2021 01 05 Sources edit Durr Alfred Kobayashi Yoshitake eds 1998 Bach Werke Verzeichnis Kleine Ausgabe Nach der von Wolfgang Schmieder vorgelegten 2 Ausgabe Bach Works Catalogue Small Edition After Wolfgang Schmieder s 2nd edition in German Kirsten Beisswenger collaborator BWV2a ed Wiesbaden Breitkopf amp Hartel ISBN 9783765102493 Preface in English and German Glockner Andreas 1983 Die Leipziger Neukirchenmusik und das Kleine Magnificat BWV Anh 21 The music for the New Church in Leipzig and the Little Magnificat BWV Anh 21 In Schulze Hans Joachim Wolff Christoph eds Bach Jahrbuch 1982 Bach Yearbook 1982 Bach Jahrbuch in German Vol 68 Neue Bachgesellschaft Berlin Evangelische Verlagsanstalt pp 97 102 doi 10 13141 bjb v1982 ISSN 0084 7682 Rettinghaus Klaus ed 9 September 2018 RUS SPsc F 446 Lwow A F Nr 65 Bach Digital Leipzig Bach Archive et al Rust Wilhelm 1862 Vorwort Preface Magnificat D dur und vier Sanctus Magnificat in D major and four Sanctuses Bach Gesellschaft Ausgabe in German Vol 11 1 Bach Gesellschaft Breitkopf amp Hartel pp XIII XXI Spitta Philipp 1884 Book V Leipzig 1723 1734 Johann Sebastian Bach his work and influence on the music of Germany 1685 1750 Vol II Translated by Bell Clara Fuller Maitland John Alexander London Novello amp Co pp 181 648 Spitta Philipp 1921 1880 Funftes Buch Leipziger Jahre von 1723 1734 Johann Sebastian Bach in German Vol II 3rd ed Leipzig Breitkopf amp Hartel pp 1 479 External links editMagnificat in a Moll BWV Anh 21 Bach Cantatas website 2021 Portal nbsp Classical music Retrieved from https en wikipedia org w index php title Magnificat in A minor Hoffmann amp oldid 1170830546, wikipedia, wiki, book, books, library,

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