Lorenzo Pasinelli (September 4, 1629 – March 4, 1700) was an Italian painter active mainly in Bologna during the late Baroque period.
Pasinelli from lost self-portrait, engraved by Luigi Crespi.
He was born in Bologna, and initially trained in the studio of Simone Cantarini. He then pursued studies in Rome. Despite that training, his works have an air of Mannerism. In an overview of two major Bolognese painters circa 1700, one author describes that Pasinelli:[1]
Lorenzo liked the design of Raphael joined with the charm of Paolo Veronese; while Carlo (Cignani) liked the grace of Correggio united to the erudition of Annibale (Carracci) ... while Pisanelli did not attain a fullness of correct design, which (Veronese) had advanced ... no one will fail to recognize in Pisanelli large picturesque fire and great new ideas, but sometimes is a tad forced in his movements, and using new and bizarre clothes.
He collaborated after 1648 with Flaminio Torre. He is known to have painted a Miracle of St. Anthony for the church of San Francesco (now found in San Petronio) He painted for the local Senatore Francesco Ghisilieri a Love disarmed by the nymphs of Diana, now found in the Pinacoteca BPER of Modena. Attributed to Pasinelli, in the same collection is an atypical, almost genre-like allegory of a Young Girl with an Open Cage. He painted a Holy Family and a Resurrection of the dead for the church of San Francesco in Bologna. He also painted Christ's Entry into Jerusalem and a Christ's return from Purgatory for the former Certosa of Bologna.[2]
Resurrected Christ and Fathers of Church visit his Mother Mary
Adoration by Shepherds
St Anthony of Padua performs a Resurrection (San Petronio, Bologna)
Divorce of Julia, wife of Pompey (1672-1676)
Hercules at Crossroads (1690)
Referencesedit
^Il costume antico e modern, Volume 9, Issue 3, chapter on Painting, By Giulio Ferrario, Publisher Alessandro Fontana 1833, page 224.
^ Lanzi, Luigi (1847). History of Painting in Italy. From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century (Volume III). London: Henry G. Bohn. pp. 144–145.
Wittkower, Rudolf (1993). Pelican History of Art (ed.). Art and Architecture Italy, 1600-1750. 1980. Penguin Books. p. 343.
Artnet biography from Grove encyclopedia of Art.
Farquhar, Maria (1855). Ralph Nicholson Wornum (ed.). Biographical catalogue of the principal Italian painters. London: Woodfall & Kinder. pp. 120–121.
Artcyclopedia entry
External linksedit
Media related to Lorenzo Pasinelli at Wikimedia Commons
April 11, 2024
lorenzo, pasinelli, september, 1629, march, 1700, italian, painter, active, mainly, bologna, during, late, baroque, period, pasinelli, from, lost, self, portrait, engraved, luigi, crespi, born, bologna, initially, trained, studio, simone, cantarini, then, purs. Lorenzo Pasinelli September 4 1629 March 4 1700 was an Italian painter active mainly in Bologna during the late Baroque period Pasinelli from lost self portrait engraved by Luigi Crespi He was born in Bologna and initially trained in the studio of Simone Cantarini He then pursued studies in Rome Despite that training his works have an air of Mannerism In an overview of two major Bolognese painters circa 1700 one author describes that Pasinelli 1 Lorenzo liked the design of Raphael joined with the charm of Paolo Veronese while Carlo Cignani liked the grace of Correggio united to the erudition of Annibale Carracci while Pisanelli did not attain a fullness of correct design which Veronese had advanced no one will fail to recognize in Pisanelli large picturesque fire and great new ideas but sometimes is a tad forced in his movements and using new and bizarre clothes He collaborated after 1648 with Flaminio Torre He is known to have painted a Miracle of St Anthony for the church of San Francesco now found in San Petronio He painted for the local Senatore Francesco Ghisilieri a Love disarmed by the nymphs of Diana now found in the Pinacoteca BPER of Modena Attributed to Pasinelli in the same collection is an atypical almost genre like allegory of a Young Girl with an Open Cage He painted a Holy Family and a Resurrection of the dead for the church of San Francesco in Bologna He also painted Christ s Entry into Jerusalem and a Christ s return from Purgatory for the former Certosa of Bologna 2 His pupils included Gian Antonio Burrini Gioseffo dal Sole Giovanni Pietro Zanotti Giuseppe Maria Mazza Antonio Lorenzini and Donato Creti Libyan Sibyl Erythraean Sibyl Sibyl St Cecilia 1665 Roman Charity 1670 Sophonisba 1649 Sibyl inspired by Putto Budrioli Family Sibyl Lute Player Mary Magdalen Diana and Nymphs Christ enters Jerusalem Resurrected Christ and Fathers of Church visit his Mother Mary Adoration by Shepherds St Anthony of Padua performs a Resurrection San Petronio Bologna Divorce of Julia wife of Pompey 1672 1676 Hercules at Crossroads 1690 References edit Il costume antico e modern Volume 9 Issue 3 chapter on Painting By Giulio Ferrario Publisher Alessandro Fontana 1833 page 224 Lanzi Luigi 1847 History of Painting in Italy From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century Volume III London Henry G Bohn pp 144 145 Wittkower Rudolf 1993 Pelican History of Art ed Art and Architecture Italy 1600 1750 1980 Penguin Books p 343 Artnet biography from Grove encyclopedia of Art Farquhar Maria 1855 Ralph Nicholson Wornum ed Biographical catalogue of the principal Italian painters London Woodfall amp Kinder pp 120 121 Artcyclopedia entryExternal links edit nbsp Media related to Lorenzo Pasinelli at Wikimedia Commons Retrieved from https en wikipedia org w index php title Lorenzo Pasinelli amp oldid 1126944188, wikipedia, wiki, book, books, library,
