Lawful Larceny (1930 film)
Lawful Larceny is a 1930 American pre-Code melodramatic film, directed by Lowell Sherman from Jane Murfin's screenplay. The screenplay, a melodrama, was based on the play of the same name by Samuel Shipman, which originally was a comedy. It starred a staple of the early RKO stable, Bebe Daniels, along with Kenneth Thomson, Olive Tell and Lowell Sherman, who reprised the role he had created in the original Broadway play. This film was a remake of the 1923 silent film version of the same name, produced by Famous Players–Lasky Corporation
| Lawful Larceny | |
|---|---|
Film poster | |
| Directed by | Lowell Sherman[1] |
| Screenplay by | Jane Murfin[2] |
| Based on | Lawful Larceny by Samuel Shipman[3] |
| Produced by | William LeBaron Henry Hobart (assoc.)[1] |
| Starring | Bebe Daniels Kenneth Thomson Olive Tell Lowell Sherman |
| Cinematography | Roy Hunt[2] |
| Edited by | Marie Halvey[2] |
Production company | |
| Distributed by | RKO Radio Pictures |
Release dates | |
Running time | 67 minutes[3] |
| Country | United States |
| Language | English |
Plot edit
When Marion Corsey's husband, Andrew, is conned out of a small fortune by Vivian Hepburn, she dedicates herself to recovering the money. In order to do so, she hides her identity and insinuates herself into the social circle of Vivian, by becoming her secretary, and studies the tactics employed by the sexy con-artist. While employed by Vivian, Marion meets Guy Tarlow, Vivian's love interest. However, Guy seems to be interested Marion.
Taking advantage of Guy's interest, Marion turns the tables on the con-artists and, using Vivian's own strategy, she cons Guy out of all the funds which were taken from Andrew. When her reverse larceny is discovered, Vivian enlists the help of Judge Perry, who is romantically interested in Vivian, in an attempt to recover her ill-gotten gains. In the end, however, Marion is able to prove that Vivian's gambling club is not run honestly, and that Vivian herself is both a cheater and a thief. In light of the evidence, the Judge and Guy end their pursuit of Marion, and Vivian slinks away. Although their marriage is damaged, and may be over, Marion and Andrew decide to stay together as friends, and see how things work out.
Cast edit
- Bebe Daniels as Marion Dorsey
- Kenneth Thomson as Andrew Dorsey
- Lowell Sherman as Guy Tarlow
- Olive Tell as Vivian Hepburn
- Purnell B. Pratt as Judge Perry
- Lou Payne as Davis
- Bert Roach as French
- Maude Turner Gordon as Mrs. Davis
- Helene Millard as Mrs. French
- Charles Coleman as Butler
(Cast list as per AFI Database)[3]
Notes edit
This film was a remake of a 1923 silent film of the same name, also based on Samuel Shipman's play, which starred Hope Hampton and Conrad Nagel, and was directed by Allan Dwan. Produced by the Famous Players–Lasky Corporation, it was distributed by Paramount Pictures.[4]
The play by Samuel Shipman, on which Jane Murfin's screenplay is based, was originally a comedy, and ran at the Theatre Republic (which is still in existence, now known as the New Victory Theater) in 1922. It was directed by Bertram Harrison, produced by A.H. Woods, and starred Margaret Lawrence, Alan Dinehart, and Lowell Sherman.[5]
Olive Tell, cast in the less than sympathetic role of the sexy con-artist, was the wife of associate producer Henry Hobart.[6]
In 1958, the film entered the public domain in the United States because the claimants did not renew its copyright registration in the 28th year after publication.[7]
References edit
- ^ a b "Lawful Larceny: Technical Details". theiapolis.com. Retrieved July 8, 2014.
- ^ a b c . Turner Classic Movies. Archived from the original on July 8, 2014. Retrieved July 8, 2014.
- ^ a b c d e "Lawful Larceny: Detail View". American Film Institute. Retrieved July 8, 2014.
- ^ "Lawful Larceny: Detail View". American Film Institute. from the original on March 29, 2014. Retrieved December 5, 2016.
- ^ "Lawful Larceny". ibdb.com. from the original on November 8, 2013. Retrieved December 5, 2016.
- ^ Hal Erickson (2014). . Movies & TV Dept. The New York Times. Archived from the original on July 8, 2014. Retrieved July 8, 2014.
- ^ Pierce, David (June 2007). "Forgotten Faces: Why Some of Our Cinema Heritage Is Part of the Public Domain". Film History: An International Journal. 19 (2): 125–43. doi:10.2979/FIL.2007.19.2.125. ISSN 0892-2160. JSTOR 25165419. OCLC 15122313. S2CID 191633078. See Note #60, pg. 143