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La Damoiselle élue

La Damoiselle élue (The Blessed Damozel), L. 62, is a cantata for soprano soloist, 2-part children's choir, 2-part female (contralto) choir (with contralto solo), and orchestra,[1] composed by Claude Debussy in 1887–1888 based on a text by Dante Gabriel Rossetti. It premiered in Paris in 1893.

La Damoiselle élue
Cantata by Claude Debussy
Dante Gabriel Rossetti, The Blessed Damozel (1878)
CatalogueL. 62
Text"The Blessed Damozel" by Dante Gabriel Rossetti
LanguageFrench (translated)
Composed1887–88
DedicationPaul Dukas
Performed8 April 1893 (1893-04-08)
Published1892
Scoring
  • soprano
  • mezzo-soprano
  • choir
  • orchestra

History

Claude Debussy was interested in the symbolist movement and later took inspiration from a poem by Stéphane Mallarmé for his Prélude à l'après-midi d'un faune (1894). Reading an anthology of English poetry translated by Gabriel Sarrazin, "Poètes modernes d’Angleterre" (1883) gave Debussy the idea of composing a cantata on the poem "The Blessed Damozel" (1850) by Pre-Raphaelite poet and painter Dante Gabriel Rossetti.[2] Debussy had probably not seen Rossetti's painting of the same title, but other pre-Raphaelite illustrations with a focus on "a new type of feminine beauty".[2] He completed the piece in 1888. In a letter to André Poniatowski dated 9 September 1892, he confided that he had wanted to compose "a little oratorio in a little pagan mystical note".[3] The work is dedicated to composer Paul Dukas. Debussy sent his music score to the Académie des beaux-arts as an entry for the Prix de Rome.[4] It was published in 1892. Debussy revised his orchestration for the piece in 1902,[4] and in 1906 made a piano reduction of the orchestral part.

La Damoiselle élue belongs to the same period of composition as the Cinq poèmes de Charles Baudelaire, when Debussy was influenced by the music of Richard Wagner. The composer chose to distance himself from this musical influence, while remaining faithful to symbolist literature, when composing his opera Pelléas et Mélisande in the 1890s. Patterns such as fleur-de-lys returned to his stage music for Le Martyre de saint Sébastien (1910–1911).[2]

La Damoiselle élue premiered in Paris at the Salle Érard on 8 April 1893, sponsored by the Société Nationale de Musique,[4] sung by Julia Robert and Thérèse Roger, and conducted by Jean Gabriel-Marie.[3][5] It was the first of Debussy's works for orchestra to be performed.[2] The premiere was a success, and music critic Pierre Lalo wrote in Le Temps: "Such are the grace and delicacy of his taste that all his audacities are welcome" ("telles sont la grâce et la délicatesse de son goût que toutes ses audaces sont heureuses").[6] Some critics, however, reproached the work as being "very sensual and decadent" ("très sensuelle et décadente").[7]

Synopsis

La Damoiselle élue s’appuyait sur la barrière d’or du ciel (La Damoiselle élue leaned on the golden barrier of heaven).[8]

Du haut du paradis, une jeune fille se lamente sur l'absence de son amant. Sur Terre, ce dernier croit sentir sa présence (From the heights of paradise, a young girl laments the absence of her lover. On Earth, the latter believes he feels her presence).[9]

The performance lasts some twenty minutes.

Bibliography

  • Richard Langham Smith, "La Genèse de La Damoiselle élue", Cahiers Debussy, 1980–1981, No 4-5.

Discography

References

  1. ^ IMSLP: La damoiselle élue (Debussy, Claude). Holograph manuscript, n.d.(ca.1902)
  2. ^ a b c d Caroline Rae, La Damoiselle élue, Claude Debussy, website of the London Philharmonic Orchestra, accessdate 13 June 2016.
  3. ^ a b Anne Penesco, Itinéraires de la musique française: théorie, pédagogie et création, Presses Universitaires de Lyon, 1996, p. 192.
  4. ^ a b c La Damoiselle élue. FL 69, website of the bibliothèque nationale de France
  5. ^ La Damoiselle élue, IMSLP.
  6. ^ Ariane Charton, Debussy, Éditions Gallimard folio biographies, 2012.
  7. ^ Eric Frederick Jensen, Debussy, Oxford University Press, 2014, (p. 158).
  8. ^ La Damoiselle élue, Centre de documentation Claude Debussy, 2007.
  9. ^ Laurence Roussillon-Constanty, Méduse au miroir: esthétique romantique de Dante Gabriel Rossetti, ELLUG, 2008, (pp. 70–71).
  10. ^ Bidu Sayao - La Damoiselle Elue, Opera Arias Arkivmusic
  11. ^ OCLC 671658965
  12. ^ 9408841 discogs
  13. ^ OCLC 916463378
  14. ^ 9408841 Claude Debussy, La damoiselle élue, L 62, Suzanne Danco, Jeanne Deroubaix, Frauen des Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Marcel Couraud, 3.-6.07.1957 renegagnaux.ch
  15. ^ OCLC 50085203
  16. ^ "Ravel: Shéhérazade".
  17. ^ OCLC 785894329
  18. ^ OCLC 690137799
  19. ^ 1014953 discogs
  20. ^ Interview avec Mireille Delunsch / Discographie (in French) odb-opera.com

External links

  • Partition chant et piano on the site of the bibliothèque nationale
  • La Damoiselle élue on La Revue Musicale, Volume 3, Number 1, January 1903 PDF
  • La Damoiselle élue lyrics
  • La Damoiselle élue on Discogs
  • Claude Debussy – La damoiselle élue on YouTube
  • Debussy (L') Enfant Prodigue; (La) Damoiselle Elue Gramophone
  • Showing all editions for 'La damoiselle élue' WorldCat

damoiselle, élue, blessed, damozel, cantata, soprano, soloist, part, children, choir, part, female, contralto, choir, with, contralto, solo, orchestra, composed, claude, debussy, 1887, 1888, based, text, dante, gabriel, rossetti, premiered, paris, 1893, cantat. La Damoiselle elue The Blessed Damozel L 62 is a cantata for soprano soloist 2 part children s choir 2 part female contralto choir with contralto solo and orchestra 1 composed by Claude Debussy in 1887 1888 based on a text by Dante Gabriel Rossetti It premiered in Paris in 1893 La Damoiselle elueCantata by Claude DebussyDante Gabriel Rossetti The Blessed Damozel 1878 CatalogueL 62Text The Blessed Damozel by Dante Gabriel RossettiLanguageFrench translated Composed1887 88DedicationPaul DukasPerformed8 April 1893 1893 04 08 Published1892Scoringsopranomezzo sopranochoirorchestra Contents 1 History 2 Synopsis 3 Bibliography 4 Discography 5 References 6 External linksHistory EditClaude Debussy was interested in the symbolist movement and later took inspiration from a poem by Stephane Mallarme for his Prelude a l apres midi d un faune 1894 Reading an anthology of English poetry translated by Gabriel Sarrazin Poetes modernes d Angleterre 1883 gave Debussy the idea of composing a cantata on the poem The Blessed Damozel 1850 by Pre Raphaelite poet and painter Dante Gabriel Rossetti 2 Debussy had probably not seen Rossetti s painting of the same title but other pre Raphaelite illustrations with a focus on a new type of feminine beauty 2 He completed the piece in 1888 In a letter to Andre Poniatowski dated 9 September 1892 he confided that he had wanted to compose a little oratorio in a little pagan mystical note 3 The work is dedicated to composer Paul Dukas Debussy sent his music score to the Academie des beaux arts as an entry for the Prix de Rome 4 It was published in 1892 Debussy revised his orchestration for the piece in 1902 4 and in 1906 made a piano reduction of the orchestral part La Damoiselle elue belongs to the same period of composition as the Cinq poemes de Charles Baudelaire when Debussy was influenced by the music of Richard Wagner The composer chose to distance himself from this musical influence while remaining faithful to symbolist literature when composing his opera Pelleas et Melisande in the 1890s Patterns such as fleur de lys returned to his stage music for Le Martyre de saint Sebastien 1910 1911 2 La Damoiselle elue premiered in Paris at the Salle Erard on 8 April 1893 sponsored by the Societe Nationale de Musique 4 sung by Julia Robert and Therese Roger and conducted by Jean Gabriel Marie 3 5 It was the first of Debussy s works for orchestra to be performed 2 The premiere was a success and music critic Pierre Lalo wrote in Le Temps Such are the grace and delicacy of his taste that all his audacities are welcome telles sont la grace et la delicatesse de son gout que toutes ses audaces sont heureuses 6 Some critics however reproached the work as being very sensual and decadent tres sensuelle et decadente 7 Synopsis EditThis section may need to be rewritten to comply with Wikipedia s quality standards You can help The talk page may contain suggestions June 2022 La Damoiselle elue s appuyait sur la barriere d or du ciel La Damoiselle elue leaned on the golden barrier of heaven 8 Du haut du paradis une jeune fille se lamente sur l absence de son amant Sur Terre ce dernier croit sentir sa presence From the heights of paradise a young girl laments the absence of her lover On Earth the latter believes he feels her presence 9 The performance lasts some twenty minutes Bibliography EditRichard Langham Smith La Genese de La Damoiselle elue Cahiers Debussy 1980 1981 No 4 5 Discography EditBidu Sayao and Rosalind Nadell with the Philadelphia Orchestra conducted by Eugene Ormandy 1942 Columbia 10 11 Madeleine Gorge and Jacqueline Joly with the Orchestre national de la radiodiffusion francaise conducted by Desire Emile Inghelbrecht 1950 12 Victoria de los Angeles and Carol Smith with the Boston Symphony Orchestra conducted by Charles Munch 1955 RCA Victor 13 Suzanne Danco and Jeanne Deroubaix with the Choir and the WDR Symphony Orchestra Cologne conducted by Marcel Couraud 1957 14 Barbara Hendricks and Jocelyne Taillon with the Orchestre de Paris conducted by Daniel Barenboim 1980 Deutsche Grammophon 15 Elly Ameling and Janice Taylor with the San Francisco Symphony conducted by Edo de Waart 1981 Philips 16 Ileana Cotrubas and Glenda Maurice with the Stuttgart Radio Symphony Orchestra conducted by Gary Bertini 1982 Orfeo 17 Frederica von Stade and Susanne Mentzer with the Boston Symphony Orchestra conducted by Seiji Ozawa 1984 Columbia Maria Ewing and Brigitte Balleys with the London Symphonic Orchestra conducted by Claudio Abbado 1987 Deutsche Grammophon 18 Dawn Upshaw and Paula Rasmussen with the Los Angeles Philharmonic conducted by Esa Pekka Salonen 1994 Sony 19 Mireille Delunsch and Sylvie Sulle with the Orchestre national de Lille conducted by Jean Claude Casadesus 1995 Harmonia mundi 20 References Edit IMSLP La damoiselle elue Debussy Claude Holograph manuscript n d ca 1902 a b c d Caroline Rae La Damoiselle elue Claude Debussy website of the London Philharmonic Orchestra accessdate 13 June 2016 a b Anne Penesco Itineraires de la musique francaise theorie pedagogie et creation Presses Universitaires de Lyon 1996 p 192 a b c La Damoiselle elue FL 69 website of the bibliotheque nationale de France La Damoiselle elue IMSLP Ariane Charton Debussy Editions Gallimard folio biographies 2012 Eric Frederick Jensen Debussy Oxford University Press 2014 p 158 La Damoiselle elue Centre de documentation Claude Debussy 2007 Laurence Roussillon Constanty Meduse au miroir esthetique romantique de Dante Gabriel Rossetti ELLUG 2008 pp 70 71 Bidu Sayao La Damoiselle Elue Opera Arias Arkivmusic OCLC 671658965 9408841 discogs OCLC 916463378 9408841 Claude Debussy La damoiselle elue L 62 Suzanne Danco Jeanne Deroubaix Frauen des Kolner Rundfunkchor Kolner Rundfunk Sinfonie Orchester Marcel Couraud 3 6 07 1957 renegagnaux ch OCLC 50085203 Ravel Sheherazade OCLC 785894329 OCLC 690137799 1014953 discogs Interview avec Mireille Delunsch Discographie in French odb opera comExternal links EditPartition chant et piano on the site of the bibliotheque nationale La Damoiselle elue on La Revue Musicale Volume 3 Number 1 January 1903 PDF La Damoiselle elue lyrics La Damoiselle elue on Discogs Claude Debussy La damoiselle elue on YouTube Debussy L Enfant Prodigue La Damoiselle Elue Gramophone Showing all editions for La damoiselle elue WorldCat Portals classical music France Retrieved from https en wikipedia org w index php title La Damoiselle elue amp oldid 1098161320, wikipedia, wiki, book, books, library,

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