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Kyrie–Gloria masses, BWV 233–236

Apart from the 1733 Mass for the Dresden court (later incorporated in the Mass in B minor), Johann Sebastian Bach wrote four further Kyrie–Gloria Masses, BWV 233–236. These compositions, consisting of the first two sections of the Mass ordinary (i.e. the Kyrie and the Gloria), have been indicated as Missae breves (Latin for "short masses") or Lutheran Masses. They seem to have been intended for liturgical use, considering a performance time of about 20 minutes each, the average duration of a Bach cantata. They may have been composed around 1738/39.[1] Possibly they were written for Count Franz Anton von Sporck or performed by him in Lysá (German: Lissa).[2]

Lysa castle, possibly the location of performances of BWV 233 to 236

Each of the Kyrie-Gloria Masses is in six movements: the Kyrie is one choral movement (with Kyrie/Christe/Kyrie subdivisions) and the Gloria is in five movements. The first and last movement of the Gloria are also choral, framing three arias for different voice types. The music consists mostly of parodies of earlier cantata movements.[3] Bach changed the music slightly to adjust to the Latin words, but kept the original instrumentation. For instance, the opening chorus of Es wartet alles auf dich, BWV 187, became the final movement of the Missa in G minor, Cum sancto spiritu. Occasionally he switched a voice part, for example he asked for a tenor in the Qui tollis of that Missa, a parody of the soprano aria Gott versorget alles Leben of that cantata.

History edit

Compositions edit

Kyrie–Gloria Mass in F major, BWV 233 edit

For the Missa in F major, BWV 233, scored for horns, oboes, bassoon, strings, SATB, and basso continuo, Bach derived most of the six movements from earlier cantatas as parodies.[4] The first movement derives from Kyrie "Christe, du Lamm Gottes" in F major, BWV 233a, which may have been performed for the first time on Good Friday, 6 April 1708.[5]

No. Title Voice Base
  1 Kyrie eleison – Christe eleison – Kyrie eleison Chorus BWV 233a
  2 Gloria in excelsis Chorus
  3 Domine Deus Bass possibly BWV Anh. 18/6[6]
  4 Qui tollis Soprano BWV 102/3
  5 Quoniam Alto BWV 102/5
  6 Cum sancto Spiritu Chorus BWV 40/1

Kyrie–Gloria Mass in A major, BWV 234 edit

For the Missa in A major, BWV 234, scored for flute, strings, SATB, and basso continuo, Bach parodied music from at least four earlier cantatas.[4]

No. Title Voice Base
  1 Kyrie eleison – Christe eleison – Kyrie eleison Chorus
  2 Gloria in excelsis Chorus BWV 67/6
  3 Domine Deus Bass
  4 Qui tollis Soprano BWV 179/5
  5 Quoniam Alto BWV 79/2
  6 Cum sancto Spiritu Chorus Vivace part: BWV 136/1

Kyrie–Gloria Mass in G minor, BWV 235 edit

For the Missa in G minor, BWV 235, scored for oboes, strings, SATB, basso continuo, Bach derived all six movements from cantatas as parodies.[4]

No. Title Voice Base
  1 Kyrie eleison – Christe eleison – Kyrie eleison Chorus BWV 102/1
  2 Gloria in excelsis Chorus BWV 72/1
  3 Gratias Bass BWV 187/4
  4 Domine Fili Alto BWV 187/3
  5 Qui tollisQuoniam Tenor BWV 187/5
  6 Cum sancto Spiritu Chorus BWV 187/1

Kyrie–Gloria Mass in G major, BWV 236 edit

For the Missa in G major, BWV 236, scored for oboes, strings, SATB, basso continuo, Bach derived all six movements from cantatas as parodies.[4]

No. Title Voice Base
  1 Kyrie eleison – Christe eleison – Kyrie eleison Chorus BWV 179/1
  2 Gloria in excelsis Chorus BWV 79/1
  3 Gratias Bass BWV 138/5
  4 Domine Deus Soprano, alto BWV 79/5
  5 Quoniam Tenor BWV 179/3
  6 Cum sancto Spiritu Chorus BWV 17/1

Reception edit

In 1818 the Missa in A major, BWV 234, was one of a very few of Bach's compositions for voices and orchestra to appear in print prior to the Bach Gesellschaft complete edition in the second half of the 19th century.[7]

Discography edit

References edit

  1. ^ Christoph Wolff: Johann Sebastian Bach, 2nd edition 2007. S. Fischer, Frankfurt, ISBN 978-3-596-16739-5
  2. ^ "Count Frantisek Antonin von Sporck". baroquemusic.org. Retrieved 20 September 2010.
  3. ^ Margaret Steinitz. . London Bach Society. Archived from the original on 15 July 2011. Retrieved 16 September 2010.
  4. ^ a b c d (in German) Schmieder, Wolfgang, Alfred Dürr, and Yoshitake Kobayashi (eds.). 1998. Bach-Werke-Verzeichnis: Kleine Ausgabe (BWV2a). Wiesbaden: Breitkopf & Härtel. ISBN 978-3765102493, pp. 234–250
  5. ^ Work 00292 at Bach Digital website.
  6. ^ (in Italian) Alberto Basso. Frau Musika: La vita e le opere di J. S. Bach, Volume 2: Lipsia e le opere de la maturità (1723–1750). Turin: EDT, 1983. ISBN 88-7063-028-5, p. 518
  7. ^ Charles Sanford Terry. "Introduction" of Johann Sebastian Bach: His Life, Art, and Work. London: Constable (1920), p. xvii

External links edit

kyrie, gloria, masses, apart, from, 1733, mass, dresden, court, later, incorporated, mass, minor, johann, sebastian, bach, wrote, four, further, kyrie, gloria, masses, these, compositions, consisting, first, sections, mass, ordinary, kyrie, gloria, have, been,. Apart from the 1733 Mass for the Dresden court later incorporated in the Mass in B minor Johann Sebastian Bach wrote four further Kyrie Gloria Masses BWV 233 236 These compositions consisting of the first two sections of the Mass ordinary i e the Kyrie and the Gloria have been indicated as Missae breves Latin for short masses or Lutheran Masses They seem to have been intended for liturgical use considering a performance time of about 20 minutes each the average duration of a Bach cantata They may have been composed around 1738 39 1 Possibly they were written for Count Franz Anton von Sporck or performed by him in Lysa German Lissa 2 Lysa castle possibly the location of performances of BWV 233 to 236Each of the Kyrie Gloria Masses is in six movements the Kyrie is one choral movement with Kyrie Christe Kyrie subdivisions and the Gloria is in five movements The first and last movement of the Gloria are also choral framing three arias for different voice types The music consists mostly of parodies of earlier cantata movements 3 Bach changed the music slightly to adjust to the Latin words but kept the original instrumentation For instance the opening chorus of Es wartet alles auf dich BWV 187 became the final movement of the Missa in G minor Cum sancto spiritu Occasionally he switched a voice part for example he asked for a tenor in the Qui tollis of that Missa a parody of the soprano aria Gott versorget alles Leben of that cantata Contents 1 History 2 Compositions 2 1 Kyrie Gloria Mass in F major BWV 233 2 2 Kyrie Gloria Mass in A major BWV 234 2 3 Kyrie Gloria Mass in G minor BWV 235 2 4 Kyrie Gloria Mass in G major BWV 236 3 Reception 4 Discography 5 References 6 External linksHistory editSee also Bach s church music in Latin and Missa brevis Kyrie Gloria masses This section needs expansion You can help by adding to it March 2018 Compositions editKyrie Gloria Mass in F major BWV 233 edit For the Missa in F major BWV 233 scored for horns oboes bassoon strings SATB and basso continuo Bach derived most of the six movements from earlier cantatas as parodies 4 The first movement derives from Kyrie Christe du Lamm Gottes in F major BWV 233a which may have been performed for the first time on Good Friday 6 April 1708 5 No Title Voice Base 1 Kyrie eleison Christe eleison Kyrie eleison Chorus BWV 233a 2 Gloria in excelsis Chorus 3 Domine Deus Bass possibly BWV Anh 18 6 6 4 Qui tollis Soprano BWV 102 3 5 Quoniam Alto BWV 102 5 6 Cum sancto Spiritu Chorus BWV 40 1Kyrie Gloria Mass in A major BWV 234 edit For the Missa in A major BWV 234 scored for flute strings SATB and basso continuo Bach parodied music from at least four earlier cantatas 4 No Title Voice Base 1 Kyrie eleison Christe eleison Kyrie eleison Chorus 2 Gloria in excelsis Chorus BWV 67 6 3 Domine Deus Bass 4 Qui tollis Soprano BWV 179 5 5 Quoniam Alto BWV 79 2 6 Cum sancto Spiritu Chorus Vivace part BWV 136 1Kyrie Gloria Mass in G minor BWV 235 edit For the Missa in G minor BWV 235 scored for oboes strings SATB basso continuo Bach derived all six movements from cantatas as parodies 4 No Title Voice Base 1 Kyrie eleison Christe eleison Kyrie eleison Chorus BWV 102 1 2 Gloria in excelsis Chorus BWV 72 1 3 Gratias Bass BWV 187 4 4 Domine Fili Alto BWV 187 3 5 Qui tollis Quoniam Tenor BWV 187 5 6 Cum sancto Spiritu Chorus BWV 187 1Kyrie Gloria Mass in G major BWV 236 edit For the Missa in G major BWV 236 scored for oboes strings SATB basso continuo Bach derived all six movements from cantatas as parodies 4 No Title Voice Base 1 Kyrie eleison Christe eleison Kyrie eleison Chorus BWV 179 1 2 Gloria in excelsis Chorus BWV 79 1 3 Gratias Bass BWV 138 5 4 Domine Deus Soprano alto BWV 79 5 5 Quoniam Tenor BWV 179 3 6 Cum sancto Spiritu Chorus BWV 17 1Reception editThis section needs expansion You can help by adding to it March 2018 In 1818 the Missa in A major BWV 234 was one of a very few of Bach s compositions for voices and orchestra to appear in print prior to the Bach Gesellschaft complete edition in the second half of the 19th century 7 Discography editJ S Bach Missae Breves Hans Grischkat Schwabischer Singkreis Stuttgart Ton Studio Orchestra Stuttgart Agnes Giebel Lotte Wolf Matthaus Werner Hohmann Franz Kelch Renaissance Baroque Music Club early 1950s J S Bach Masses Helmuth Rilling Gachinger Kantorei Bach Collegium Stuttgart Elisabeth Speiser Ingeborg Russ John van Kesteren Gerhard Faulstich Jakob Stampfli Intercord 1967 J S Bach Missae Breves Kurt Redel Helmut Winschermann Agnes Giebel Gisela Litz Hermann Prey Elly Ameling Birgit Finnila Theo Altmeyer William Reimer Philips 1965 1970 Bach Messen BWV 233 236 Martin Flamig Dresdner Kreuzchor Dresdner Philharmonie Renate Krahmer Annelies Burmeister Peter Schreier Theo Adam Eterna 1972 re issued Brilliant Classics 99361 3 and 4 The Great Choral Masterpieces Peter Schreier RIAS Kammerchor Kammerorchester Carl Philipp Emanuel Bach Barbara Bonney Birgit Remmert Rainer Trost Olaf Bar Philips 1991 J S Bach Missae Breves BWV 233 236 Patrick Peire Capella Brugensis Collegium Instrumentale Brugense Greta De Reyghere Wilke te Brummelstroete James Gilchrist Jan van der Crabben Eufoda 2000 J S Bach Complete Cantatas Vol 22 Ton Koopman Amsterdam Baroque Orchestra amp Choir Johannette Zomer Bogna Bartosz Jorg Durmuller Klaus Mertens Antoine Marchand 2005 Bach Lutheran Masses BWV 233 236 Thomas Folan Publick Musick Anne Harley Andrea Folan Miranda Loud Pablo Bustos Max van Egmond Eufoda 2005References edit Christoph Wolff Johann Sebastian Bach 2nd edition 2007 S Fischer Frankfurt ISBN 978 3 596 16739 5 Count Frantisek Antonin von Sporck baroquemusic org Retrieved 20 September 2010 Margaret Steinitz Bach s Latin Church Music London Bach Society Archived from the original on 15 July 2011 Retrieved 16 September 2010 a b c d in German Schmieder Wolfgang Alfred Durr and Yoshitake Kobayashi eds 1998 Bach Werke Verzeichnis Kleine Ausgabe BWV2a Wiesbaden Breitkopf amp Hartel ISBN 978 3765102493 pp 234 250 Work 00292 at Bach Digital website in Italian Alberto Basso Frau Musika La vita e le opere di J S Bach Volume 2 Lipsia e le opere de la maturita 1723 1750 Turin EDT 1983 ISBN 88 7063 028 5 p 518 Charles Sanford Terry Introduction of Johann Sebastian Bach His Life Art and Work London Constable 1920 p xviiExternal links editMasses and Magnificats by Johann Sebastian Bach Scores at the International Music Score Library Project Missa in F major BWV 233 and Missa in G minor BWV 235 performances by the Netherlands Bach Society video and background information Retrieved from https en wikipedia org w index php title Kyrie Gloria masses BWV 233 236 amp oldid 1121559847 Kyrie Gloria Mass in F major BWV 233, wikipedia, wiki, book, books, library,

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