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Kempul

A kempul is a type of hanging gong used in Indonesian gamelan. The kempul is a set of pitched,[1] hanging, knobbed gongs, often made of bronze, wood, and cords.[2] Ranging from 19 cm to 25,4 cm (7 to 10 inches) in diameter, the kempul gong has a flat surface with a protruding knob at the center and is played by hitting the knob with the "soft end of a mallet."[3][4] "The wooden mallet used has a ball shape head with heavy padding on a short wooden handle.[5] The number of kempul gongs present in a gamelan ensemble varies but, "although there can be two to ten kempul on one separate rack, it is common to have five kempul hanging on the same rack as the Gong ageng and gong siyem" (two larger gongs).[6]

Kempul in music

"Generally, the instruments in a gamelan orchestra may fall into the following three functional categories:

  1. Instruments that delineate the structure of the piece;
  2. Instruments that guide temporal flow of the music;
  3. Instruments that carry melodies in both simple and elaborate forms"[2]

"Instruments in the first category include large and medium hanging gongs (Gong ageng and gong suwukan), small hanging gongs (kempul), large standing gongs (kenong), and a pair of small standing gongs (kethuk-kempyang)."[2] "The role of the kempul is to divide the nongans, which are the contents of each part between strikes of a kenong."[6]

"In the middle of the gamelan, the 'skeletal' melody called the balungan is played on bronze metallophones. The balungan is puntuated by the larger gongs (gong and kempul) and horizontally-mounted gongs (kenong, kethuk, and kempyang) at the back of the gamelan."[7] "The kempul, a middle voice gong, punctuates half way to the mid-points of the metric cycle, which is played by the kenong[8] (the kettle gongs)." In all the central Javanese traditions, the pieces known as Ayak-ayakan, Srepegan, and Sampak are united by a single relationship between kempul and kenong: one kempul beat coinciding with every second kenong beat."[9]

Tuning

"There are two racks of gongs in a gamelan orchestra because of the two gamelan scales or laras."[1] "These two tuning systems[2] are called slendro and pelog, thus the full gamelan is actually a double set. Usually the slendro set faces the front and the pelog set the side."[2] The two sets are never played simultaneously. "The slendro tuning consists of five notes per octave and the five intervals consist of small and medium steps. The pelog has seven pitches per octave"[2]

"In the older ensembles of east Java, one usually finds only one kempul, tuned to a pitch 6 or pitch 5, and one Gong ageng, with no siyem or gong suwukan. Following the augmentation of ensembles in central Java over the last century, however, the east Javanese have added one or two siyem and three or four kempul for each tuning system in many ensembles."[9]

See also

References

  1. ^ a b Bern, Jordan. . Archived from the original on 12 January 2013. Retrieved 26 December 2012.
  2. ^ a b c d e f Da Costa, Monica. "Virtual Instrument Museum". Wesleyan University. {{cite web}}: Missing or empty |url= (help)
  3. ^ "Center for Southeast Asian Studies: Kempul". Northernhi Illinois University. {{cite web}}: Missing or empty |url= (help)
  4. ^ "National Music Museum". University of South Dakota. Retrieved 28 December 2012.
  5. ^ "Center for Southeast Asian Studies: Kempul". Northern Illinois University. {{cite web}}: Missing or empty |url= (help)
  6. ^ a b Megill, David W. and Donald D. "The Gamelan Orchestra Instrument s". Coast Learning Systems. {{cite web}}: Missing or empty |url= (help)
  7. ^ "Javanese Court Gamelan Instruments". Southbank Centre. {{cite web}}: Missing or empty |url= (help)
  8. ^ Bakan, Michael B. "World Music: Traditions and Transformations, second ed". McGraw-Hill. {{cite web}}: Missing or empty |url= (help)
  9. ^ a b Sutton, Richard Anderson. "Traditions of Gamelan Music in Java: Musical Pluralism and Regional Identity". Cambridge UP. {{cite web}}: Missing or empty |url= (help)

External links

  • "Kempul". Wesleyan University's Virtual Instrument Museum. Retrieved 29 December 2012.[dead YouTube link]
  • "Central Javanese Gamelan Playing Techniques - Gong & Kempul". ukgamelannetwork. Archived from the original on 2021-12-21. Retrieved 29 December 2012.

kempul, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, removed, find, sources, news, newspapers, books, scholar, jstor, august, 2012, learn. This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Kempul news newspapers books scholar JSTOR August 2012 Learn how and when to remove this template message A kempul is a type of hanging gong used in Indonesian gamelan The kempul is a set of pitched 1 hanging knobbed gongs often made of bronze wood and cords 2 Ranging from 19 cm to 25 4 cm 7 to 10 inches in diameter the kempul gong has a flat surface with a protruding knob at the center and is played by hitting the knob with the soft end of a mallet 3 4 The wooden mallet used has a ball shape head with heavy padding on a short wooden handle 5 The number of kempul gongs present in a gamelan ensemble varies but although there can be two to ten kempul on one separate rack it is common to have five kempul hanging on the same rack as the Gong ageng and gong siyem two larger gongs 6 KempulClassificationPercussion instrument Idiophone GongDevelopedIndonesia Contents 1 Kempul in music 2 Tuning 3 See also 4 References 5 External linksKempul in music Edit Generally the instruments in a gamelan orchestra may fall into the following three functional categories Instruments that delineate the structure of the piece Instruments that guide temporal flow of the music Instruments that carry melodies in both simple and elaborate forms 2 Instruments in the first category include large and medium hanging gongs Gong ageng and gong suwukan small hanging gongs kempul large standing gongs kenong and a pair of small standing gongs kethuk kempyang 2 The role of the kempul is to divide the nongans which are the contents of each part between strikes of a kenong 6 In the middle of the gamelan the skeletal melody called the balungan is played on bronze metallophones The balungan is puntuated by the larger gongs gong and kempul and horizontally mounted gongs kenong kethuk and kempyang at the back of the gamelan 7 The kempul a middle voice gong punctuates half way to the mid points of the metric cycle which is played by the kenong 8 the kettle gongs In all the central Javanese traditions the pieces known as Ayak ayakan Srepegan and Sampak are united by a single relationship between kempul and kenong one kempul beat coinciding with every second kenong beat 9 Tuning Edit There are two racks of gongs in a gamelan orchestra because of the two gamelan scales or laras 1 These two tuning systems 2 are called slendro and pelog thus the full gamelan is actually a double set Usually the slendro set faces the front and the pelog set the side 2 The two sets are never played simultaneously The slendro tuning consists of five notes per octave and the five intervals consist of small and medium steps The pelog has seven pitches per octave 2 In the older ensembles of east Java one usually finds only one kempul tuned to a pitch 6 or pitch 5 and one Gong ageng with no siyem or gong suwukan Following the augmentation of ensembles in central Java over the last century however the east Javanese have added one or two siyem and three or four kempul for each tuning system in many ensembles 9 See also Edit Music portal Indonesia portalGamelan Bonang Gong gede Kethuk Music of Indonesia Music of JavaReferences Edit a b Bern Jordan The Gong ageng Gong Suwuk and Kempul Archived from the original on 12 January 2013 Retrieved 26 December 2012 a b c d e f Da Costa Monica Virtual Instrument Museum Wesleyan University a href Template Cite web html title Template Cite web cite web a Missing or empty url help Center for Southeast Asian Studies Kempul Northernhi Illinois University a href Template Cite web html title Template Cite web cite web a Missing or empty url help National Music Museum University of South Dakota Retrieved 28 December 2012 Center for Southeast Asian Studies Kempul Northern Illinois University a href Template Cite web html title Template Cite web cite web a Missing or empty url help a b Megill David W and Donald D The Gamelan Orchestra Instrument s Coast Learning Systems a href Template Cite web html title Template Cite web cite web a Missing or empty url help Javanese Court Gamelan Instruments Southbank Centre a href Template Cite web html title Template Cite web cite web a Missing or empty url help Bakan Michael B World Music Traditions and Transformations second ed McGraw Hill a href Template Cite web html title Template Cite web cite web a Missing or empty url help a b Sutton Richard Anderson Traditions of Gamelan Music in Java Musical Pluralism and Regional Identity Cambridge UP a href Template Cite web html title Template Cite web cite web a Missing or empty url help External links Edit Kempul Wesleyan University s Virtual Instrument Museum Retrieved 29 December 2012 dead YouTube link Central Javanese Gamelan Playing Techniques Gong amp Kempul ukgamelannetwork Archived from the original on 2021 12 21 Retrieved 29 December 2012 Retrieved from https en wikipedia org w index php title Kempul amp oldid 1085091171, wikipedia, wiki, book, books, library,

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