In this Spanish name, the first or paternal surname is Martínez de Jáuregui and the second or maternal family name is Aguilar.
Juan Martínez de Jáuregui y Aguilar (Spanish pronunciation:[ˈxwandeˈxawɾeɡi]; also known as Juan Martínez de Jáuregui y Hurtado de la Sal)[1][2] (24 November 1583 – 11 January 1641) was a Spanish poet, scholar[2] and painter in the Siglo de Oro.
Juan Martínez de Jáuregui y Hurtado de la Sal was born and baptized in Seville, Andalusia. His parents were Miguel Martínez de Jáuregui, a hidalgo—which is an untitled Spanish nobleman—from La Rioja, and Doña Isabel de la Sal from Seville. He was the fifth of their ten children; the oldest became later commissioner (regidor) of Seville. The poet changed his second name (the one coming from his mother) to "Aguilar", coming from one of his grandmothers.[3][better source needed]
Unsigned portrait of an unidentified gentleman, which once was taken to be Jáuregui's lost portrait of Cervantes. The name of Cervantes at the top and that of Jáuregui at the bottom were added centuries after it was painted.[4]
About his youth very little is known. In his discourse Arte de la pintura (The Art of Painting) some references to various travels to Italy can be found and it is known that he stayed in Rome, probably to study painting.[5]
Careeredit
He returned to Spain shortly before 1610 with a reputation as both a painter and a poet. In the preface to the Novelas exemplares, Miguel de Cervantes says that Jáuregui painted his picture, and in the second part of Don Quixote, praises Jáuregui's translation of Tasso's Aminta, published at Rome in 1607. The picture by Jáuregui is lost; there is no evidence supporting any surviving painting being that of Jáuregui.[6][7]
Jáuregui's Rimas (1618), a collection of graceful lyrics, where he integrated also some translations of Horace, Martial and Ausonius,[3] is preceded by a controversial preface which attracted much attention on account of its outspoken declaration against the culteranismo of Luis de Góngora. Another Spanish poet, Francisco de Quevedo, mentioned Jáuregui in "La perinola" with scorn.
Through the influence of Gaspar de Guzmán, Count-Duke of Olivares, he was appointed groom of the chamber to Philip IV, and gave an elaborate exposition of his artistic doctrines in the Discurso poético contra el hablar culto y oscuro (1624), a skillful attack on the new theories, which procured for its author membership in the honorary Order of Calatrava. It is plain, however, that the shock of controversy had shaken Jáuregui's convictions, and his poem Orfeo (1624) is visibly influenced by Góngora.
Deathedit
Jáuregui died at Madrid on 11 January 1641, leaving behind him a translation of the Pharsalia which was not published until 1684. This rendering reveals Jáuregui as a complete convert to the new school, and it has been argued that, exaggerating the affinities between Lucan and Góngora—both of Cordoban descent — he deliberately translated the thought of the earlier poet into the vocabulary of the later master. This is possible; but it is at least as likely that Jáuregui unconsciously yielded to the current of popular taste, with no other intention than that of conciliating the public of his own day.
Bibliographyedit
Rimas (1618) — A collection of lyrics.
Discurso poético contra el hablar culto y oscuro (1624)
Antídoto contra la pestilente poesía de las Soledades (1624)
^"Juan Martínez de Jáuregui y Hurtado de la Sal (1583-1641)". Enciclopedia Universal Multimedia (in Spanish). Retrieved 14 September 2012.
^ ab"De Jáuregui y Aguilar, Juan". Liste des humanistes espagnols (“List of Spanish humanists”) (in French). Europa Humanistica. Retrieved 14 September 2012.
^Chacón y Calvo, José María. "Retratos de Cervantes." Anales de la Academia Nacional de Artes y Letras [Cuba], vol. 27, 1947–1948, pp. 5–17.
^Lafuente Ferrari, Enrique. La novela ejemplar de los retratos de Cervantes. Madrid, Dossat, 1948.
Referencesedit
This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Jáuregui y Aguilar, Juan Martínez de". Encyclopædia Britannica (11th ed.). Cambridge University Press.
External linksedit
The Exemplary Novels of Cervantes with a reference to Jáuregui in the author's preface.
juan, jáuregui, another, person, assassin, this, spanish, name, first, paternal, surname, martínez, jáuregui, second, maternal, family, name, aguilar, juan, martínez, jáuregui, aguilar, spanish, pronunciation, ˈxwan, ˈxawɾeɡi, also, known, juan, martínez, jáur. For another person see Juan de Jauregui assassin In this Spanish name the first or paternal surname is Martinez de Jauregui and the second or maternal family name is Aguilar Juan Martinez de Jauregui y Aguilar Spanish pronunciation ˈxwan de ˈxawɾeɡi also known as Juan Martinez de Jauregui y Hurtado de la Sal 1 2 24 November 1583 11 January 1641 was a Spanish poet scholar 2 and painter in the Siglo de Oro Contents 1 Early life 2 Career 3 Death 4 Bibliography 5 See also 6 Notes 7 References 8 External linksEarly life editJuan Martinez de Jauregui y Hurtado de la Sal was born and baptized in Seville Andalusia His parents were Miguel Martinez de Jauregui a hidalgo which is an untitled Spanish nobleman from La Rioja and Dona Isabel de la Sal from Seville He was the fifth of their ten children the oldest became later commissioner regidor of Seville The poet changed his second name the one coming from his mother to Aguilar coming from one of his grandmothers 3 better source needed nbsp Unsigned portrait of an unidentified gentleman which once was taken to be Jauregui s lost portrait of Cervantes The name of Cervantes at the top and that of Jauregui at the bottom were added centuries after it was painted 4 About his youth very little is known In his discourse Arte de la pintura The Art of Painting some references to various travels to Italy can be found and it is known that he stayed in Rome probably to study painting 5 Career editHe returned to Spain shortly before 1610 with a reputation as both a painter and a poet In the preface to the Novelas exemplares Miguel de Cervantes says that Jauregui painted his picture and in the second part of Don Quixote praises Jauregui s translation of Tasso s Aminta published at Rome in 1607 The picture by Jauregui is lost there is no evidence supporting any surviving painting being that of Jauregui 6 7 Jauregui s Rimas 1618 a collection of graceful lyrics where he integrated also some translations of Horace Martial and Ausonius 3 is preceded by a controversial preface which attracted much attention on account of its outspoken declaration against the culteranismo of Luis de Gongora Another Spanish poet Francisco de Quevedo mentioned Jauregui in La perinola with scorn Through the influence of Gaspar de Guzman Count Duke of Olivares he was appointed groom of the chamber to Philip IV and gave an elaborate exposition of his artistic doctrines in the Discurso poetico contra el hablar culto y oscuro 1624 a skillful attack on the new theories which procured for its author membership in the honorary Order of Calatrava It is plain however that the shock of controversy had shaken Jauregui s convictions and his poem Orfeo 1624 is visibly influenced by Gongora Death editJauregui died at Madrid on 11 January 1641 leaving behind him a translation of the Pharsalia which was not published until 1684 This rendering reveals Jauregui as a complete convert to the new school and it has been argued that exaggerating the affinities between Lucan and Gongora both of Cordoban descent he deliberately translated the thought of the earlier poet into the vocabulary of the later master This is possible but it is at least as likely that Jauregui unconsciously yielded to the current of popular taste with no other intention than that of conciliating the public of his own day Bibliography editRimas 1618 A collection of lyrics Discurso poetico contra el hablar culto y oscuro 1624 Antidoto contra la pestilente poesia de las Soledades 1624 Apologia de la verdad 1625 Orfeo 1624 Pharsalia 1684 See also editList of famous Spanish Authors List of Spanish language poetsNotes edit Juan Martinez de Jauregui y Hurtado de la Sal 1583 1641 Enciclopedia Universal Multimedia in Spanish Retrieved 14 September 2012 a b De Jauregui y Aguilar Juan Liste des humanistes espagnols List of Spanish humanists in French Europa Humanistica Retrieved 14 September 2012 a b see Juan de Jauregui citation needed Lafuente Ferrari Enrique 1948 La novela ejemplar de los retratos de Cervantes Madrid Dossat OCLC 432412534 see Juan de Jauregui citation needed Chacon y Calvo Jose Maria Retratos de Cervantes Anales de la Academia Nacional de Artes y Letras Cuba vol 27 1947 1948 pp 5 17 Lafuente Ferrari Enrique La novela ejemplar de los retratos de Cervantes Madrid Dossat 1948 References edit nbsp This article incorporates text from a publication now in the public domain Chisholm Hugh ed 1911 Jauregui y Aguilar Juan Martinez de Encyclopaedia Britannica 11th ed Cambridge University Press External links editThe Exemplary Novels of Cervantes with a reference to Jauregui in the author s preface Jauregui y Aguilar Juan Martinez de Encyclopedia Americana 1920 Retrieved from https en wikipedia org w index php title Juan de Jauregui amp oldid 1170036066, wikipedia, wiki, book, books, library,
