This article is about the Argentine journalist. For the location in the Greater Buenos Aires, see José Mármol, Buenos Aires.
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Born in Buenos Aires, he initially studied law, but abandoned his studies in favor of politics. In 1839, no sooner had he began to make a name for himself than he was arrested for his opposition to Argentina's conservative caudillo, Juan Manuel de Rosas. He was held in irons for six days. A year and a half later, the political climate spurred him, as it had many other Argentine dissenters, to flee the country. He found passage to Montevideo on a French schooner. He was welcomed by other exiles, among them Juan Bautista Alberdi, Florencio Varela, Esteban Echeverría, Juan María Gutiérrez, and Miguel Cané. Three years later, the siege of Montevideo by Rosas's ally Manuel Oribe led Mármol to flee yet again, this time to Rio de Janeiro. Here he remained until February 1843, at which point he boarded a ship for Chile. The ship encountered fierce storms and was eventually forced to return to Rio de Janeiro. He remained in the city another two years before returning to Montevideo, where he spent the next seven years.
The fall of Rosas after his defeat at the Battle of Caseros (1852) allowed Mármol to return to Argentina. After an exile that had lasted thirteen years, he was elected a senator and later a national deputy from the province of Buenos Aires. The secession of Buenos Aires from the Argentine Confederation prevented him from serving as plenipotentiary to Chile, a post to which he had been appointed. However, he later served as plenipotentiary to Brazil. In 1858[1] he became director of the Biblioteca Nacional de la República Argentina, until blindness forced him to retire. He died in Buenos Aires in 1871. By coincidence, his two most notable successors in the office of chief librarian, Paul Groussac and Jorge Luis Borges, also suffered from blindness in their old age.
Workedit
During his time in Montevideo, Mármol founded three journals, most notable among them being La Semana, and he contributed to many others. He earned a reputation as a passionate critic of Rosas and his supporters, and the sobriquet el verdugo poético de Rosas ("the poetic hangman of Rosas"). In fact, his best known poem, A Rosas, el 25 de Mayo de 1843 (To Rosas, 25 May 1843), composed of alexandrine lines, is a vivid, fierce invective against the dictator. Abusive political content is indeed not absent from his work, whatever the genre. Also characteristic of Mármol are his unique descriptive sensibility and his treatment of love.
In Uruguay in 1847 he published six of what would eventually be twelve cantos of El Peregrino ("The Pilgrim"), a long autobiographical poem set to the rhythm of his changing fortunes, which drew heavily from Byron'sChilde Harold's Pilgrimage.
His lyric poems were collected into Armonías (Montevideo, 1851). In 1844 he published the first part of his semi-autobiographical Costumbrist novel Amalia, whose second part would not appear until his return to Buenos Aires years later. In 1914, Amalia was adapted into the first full-length Argentine film. Mármol's works for the stage were El Poeta (1847) and El Cruzado (1851). His style shows the influence of many Romanticists, not only Byron but also Chateaubriand, José de Espronceda, and José Zorrilla.
Bibliographyedit
Spanish Wikisource has original text related to this article:
Works by José Mármol at LibriVox (public domain audiobooks)
José María Mármol. "List of Roman Catholic liturgical chants, composed by Mármol" (in Spanish). from the original on December 11, 2017. Retrieved 31 July 2018.
May 04, 2024
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This article is about the Argentine journalist For the location in the Greater Buenos Aires see Jose Marmol Buenos Aires You can help expand this article with text translated from the corresponding article in Spanish September 2012 Click show for important translation instructions View a machine translated version of the Spanish article Machine translation like DeepL or Google Translate is a useful starting point for translations but translators must revise errors as necessary and confirm that the translation is accurate rather than simply copy pasting machine translated text into the English Wikipedia Consider adding a topic to this template there are already 5 028 articles in the main category and specifying topic will aid in categorization Do not translate text that appears unreliable or low quality If possible verify the text with references provided in the foreign language article You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation A model attribution edit summary is Content in this edit is translated from the existing Spanish Wikipedia article at es Jose Marmol see its history for attribution You may also add the template Translated es Jose Marmol to the talk page For more guidance see Wikipedia Translation Jose Marmol 1817 1871 was an Argentine journalist politician librarian and writer of the Romantic school Jose Marmol Contents 1 Biography 2 Work 3 Bibliography 4 Sources 5 References 6 External linksBiography editBorn in Buenos Aires he initially studied law but abandoned his studies in favor of politics In 1839 no sooner had he began to make a name for himself than he was arrested for his opposition to Argentina s conservative caudillo Juan Manuel de Rosas He was held in irons for six days A year and a half later the political climate spurred him as it had many other Argentine dissenters to flee the country He found passage to Montevideo on a French schooner He was welcomed by other exiles among them Juan Bautista Alberdi Florencio Varela Esteban Echeverria Juan Maria Gutierrez and Miguel Cane Three years later the siege of Montevideo by Rosas s ally Manuel Oribe led Marmol to flee yet again this time to Rio de Janeiro Here he remained until February 1843 at which point he boarded a ship for Chile The ship encountered fierce storms and was eventually forced to return to Rio de Janeiro He remained in the city another two years before returning to Montevideo where he spent the next seven years The fall of Rosas after his defeat at the Battle of Caseros 1852 allowed Marmol to return to Argentina After an exile that had lasted thirteen years he was elected a senator and later a national deputy from the province of Buenos Aires The secession of Buenos Aires from the Argentine Confederation prevented him from serving as plenipotentiary to Chile a post to which he had been appointed However he later served as plenipotentiary to Brazil In 1858 1 he became director of the Biblioteca Nacional de la Republica Argentina until blindness forced him to retire He died in Buenos Aires in 1871 By coincidence his two most notable successors in the office of chief librarian Paul Groussac and Jorge Luis Borges also suffered from blindness in their old age Work editDuring his time in Montevideo Marmol founded three journals most notable among them being La Semana and he contributed to many others He earned a reputation as a passionate critic of Rosas and his supporters and the sobriquet el verdugo poetico de Rosas the poetic hangman of Rosas In fact his best known poem A Rosas el 25 de Mayo de 1843 To Rosas 25 May 1843 composed of alexandrine lines is a vivid fierce invective against the dictator Abusive political content is indeed not absent from his work whatever the genre Also characteristic of Marmol are his unique descriptive sensibility and his treatment of love In Uruguay in 1847 he published six of what would eventually be twelve cantos of El Peregrino The Pilgrim a long autobiographical poem set to the rhythm of his changing fortunes which drew heavily from Byron s Childe Harold s Pilgrimage His lyric poems were collected into Armonias Montevideo 1851 In 1844 he published the first part of his semi autobiographical Costumbrist novel Amalia whose second part would not appear until his return to Buenos Aires years later In 1914 Amalia was adapted into the first full length Argentine film Marmol s works for the stage were El Poeta 1847 and El Cruzado 1851 His style shows the influence of many Romanticists not only Byron but also Chateaubriand Jose de Espronceda and Jose Zorrilla Bibliography edit nbsp Spanish Wikisource has original text related to this article Jose Marmol El peregrino 1847 El poeta 1847 Manuela Rosas 1849 Armonias 1851 El cruzado 1851 Amalia 1851 Sources editBrief biography and bibliographyReferences edit Biblioteca Nacional Archived 2008 10 24 at the Wayback MachineExternal links editWorks by or about Jose Marmol at Internet Archive Works by Jose Marmol at LibriVox public domain audiobooks nbsp Jose Maria Marmol List of Roman Catholic liturgical chants composed by Marmol in Spanish Archived from the original on December 11 2017 Retrieved 31 July 2018 Retrieved from https en wikipedia org w index php title Jose Marmol amp oldid 1221916357, wikipedia, wiki, book, books, library,
