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John William Inchbold

John William Inchbold (29 August 1830 – 23 January 1888) was an English painter who was born in Leeds, Yorkshire. His style was influenced by the Pre-Raphaelite Brotherhood. He was the son of a Yorkshire newspaper owner, Thomas Inchbold.

Portrait of John William Inchbold (ca. 1875)
A Study, in March (1855)
Springtime in Spain, near Gordella (c.1869).

Biography edit

Inchbold was born 29 April 1830 at Leeds, Yorkshire, where his father, Thomas Inchbold, was the proprietor and editor of the Leeds Intelligencer. Having shown an early talent for drawing he moved to London[1] and became a draughtsman in the lithographic works of Day and Haghe.[2]

Inchbold became a pupil of Louis Haghe, the water-colour painter, and was a student at the Royal Academy in 1847. He exhibited at the Society of British Artists in 1849, at the Academy from 1851.[2] At first he worked in watercolour in a free style, but his first exhibited oil painting, shown at the Academy in 1852 showed the influence of the Pre-Raphaelite movement,[1] and in 1855 he gained the enthusiastic praise of John Ruskin for The Moorland, which he painted to illustrate a passage from Tennyson's Locksley Hall.

Inchbold spent much of the later part of his life abroad, mainly in Switzerland, where he had spent some time with Ruskin in the mid-1850s.[1] His best-known works are probably On the Lake of Thun (1860), Tintagel (1862), Gordale Scar (1876) and Drifting (1883); the last named was once in the possession of Coventry Patmore. Tennyson, Browning, Lord Houghton, and Sir Henry Thompson were among his admirers and supporters, and in Dr Russell Reynolds he found a liberal and discriminating patron. A year or two before his death he had returned from Algeria with a large collection of sketches, in which the ordinary defects of his manner were less apparent. He died suddenly of heart disease at Headingley in Leeds, on 23 January 1888. His memory was honoured by Swinburne in a funeral ode.[2]

Inchbold published a book of sonnets called Annus Amoris in 1876.[1]

List of works edit

  • The Moorland (Dewar-stone, Dartmoor) (1854), Tate Britain, London.
  • Anstey's Cove, Devon (1854), Fitzwilliam Museum, Cambridge.
  • Devonshire Coast (1855), Tate Britain, London.
  • The White Doe of Rylstone (At Bolton) (1855), Leeds City Art Gallery.
  • A Study, in March or In Early Spring (1855), Ashmolean Museum, Oxford.
  • Cuillin Ridge, Skye, from Sligachan (1856), Ashmolean Museum, Oxford.
  • Study from Nature, Evening (1857)
  • Fishermen at Sunset (1859–60), Tate Britain, London.
  • Lugano (a Pillar in the Foreground) 1861, Tate Britain, London.
  • Two Men Scything 1861, Tate Britain, London.
  • Tintagel 1861, Tate Britain, London.
  • A Sunlit Wood 1861, Tate Britain, London.
  • A Man Digging on the Shore 1862, Tate Britain, London.
  • Venice: A Girl in a Doorway 1862-4, Tate Britain, London.
  • Tintagel 1862, Tate Britain, London.[3]
  • Inundation at St Marks 1863-4, Tate Britain, London.
  • San Giorgio from the Ducal Palace 1863-5, Tate Britain, London.
  • Peat Burning circa 1864-6, Tate Britain, London.
  • A Young Palm, Valentia 1865, Tate Britain, London.
  • A House in Spain, with a Minaret 1865, Tate Britain, London.
  • Shore Scene with Groups of Figures 1865, Tate Britain, London.
  • Manzanares, Madrid 1866, Tate Britain, London.
  • The Village Cross, Spain 1866, Tate Britain, London.
  • Recollection. Barden Fells 1866, Tate Britain, London.
  • Recollection, Strid, Barden Tower 1866, Tate Britain, London.
  • Stonehenge from the East[4] (1866-9), Society of Antiquaries of London, London.
  • Gate of the Sea, Venice (1873)
  • Harvest Field, Stratford-Upon-Avon 1874, Leeds Art Gallery
  • Gordale Scar, Yorkshire exhibited 1876, Tate Britain, London.
  • The Lake of Geneva (c.1880-82)
  • A Syrian Girl at a Balcony overlooking a Bay, Tate Britain, London.
  • A Rocky Coast, Tate Britain, London.
  • A Wide Landscape, Tate Britain, London.
  • Arabian Merchants, Tate Britain, London.
  • A Shepherd on the Downs, Tate Britain, London.
  • A Girl Seated on Rocks in a Wood, Tate Britain, London.
  • Forest of Fontainebleau: A Chestnut Tree, Tate Britain, London.
  • Valencia. The Well, Tate Britain, London.
  • Venice, Nocturne. San Giorgio Maggiore, Tate Britain, London.
  • Fairy Dell. A Man and a Dog in a Sunlit Clearing, Tate Britain, London.
  • A Procession of Peasants among Trees, Tate Britain, London.
  • Forest of Fontainebleau: A Peasant outside a Church under Trees, Tate Britain, London.
  • Forest of Fontainebleau: A Path in the Woods, Tate Britain, London.
  • Whilst Waiting for the Train, Swiss Alps, Tate Britain, London.
  • A Rocky Coast, Tate Britain, London.
  • Coast Scene with Fishing Boats and Rainbows, Tate Britain, London.
  • Mountain Vale, Tate Britain, London.
  • The Lake of Lucerne, Victoria and Albert Museum, London.
  • From Pallano to the Dent du Midi 1884, Private collection, exhib. Royal Academy, London, 1885.

References edit

  1. ^ a b c d The Pre-Raphaelites (exhibition catalogue). London: The Tate Gallery. 1984. p. 33.
  2. ^ a b c Dictionary of National Biography Entry, Volume 28, page 426, In public domain, accessed on-line on 27 February 2009
  3. ^ 'Tintagel', 1862; Tate Britain
  4. ^ "Stonehenge from the East | Art UK".
  • Christopher Newall, John William Inchbold: Pre-Raphaelite Landscape Artist, exhibition catalogue, Leeds City Art Gallery, 1993

External links edit

  •   Media related to John William Inchbold at Wikimedia Commons
  • 15 artworks by or after John William Inchbold at the Art UK site
  • Works by or about John William Inchbold at Internet Archive
  • The Pre-Raph Pack Discover more about the artists, the techniques they used and a timeline spanning 100 years.
  • The Royal Academy of Arts; a complete dictionary of contributors and their work from its foundation in 1769 to 1904 (1972).

john, william, inchbold, august, 1830, january, 1888, english, painter, born, leeds, yorkshire, style, influenced, raphaelite, brotherhood, yorkshire, newspaper, owner, thomas, inchbold, portrait, 1875, study, march, 1855, springtime, spain, near, gordella, 18. John William Inchbold 29 August 1830 23 January 1888 was an English painter who was born in Leeds Yorkshire His style was influenced by the Pre Raphaelite Brotherhood He was the son of a Yorkshire newspaper owner Thomas Inchbold Portrait of John William Inchbold ca 1875 A Study in March 1855 Springtime in Spain near Gordella c 1869 Contents 1 Biography 2 List of works 3 References 4 External linksBiography editInchbold was born 29 April 1830 at Leeds Yorkshire where his father Thomas Inchbold was the proprietor and editor of the Leeds Intelligencer Having shown an early talent for drawing he moved to London 1 and became a draughtsman in the lithographic works of Day and Haghe 2 Inchbold became a pupil of Louis Haghe the water colour painter and was a student at the Royal Academy in 1847 He exhibited at the Society of British Artists in 1849 at the Academy from 1851 2 At first he worked in watercolour in a free style but his first exhibited oil painting shown at the Academy in 1852 showed the influence of the Pre Raphaelite movement 1 and in 1855 he gained the enthusiastic praise of John Ruskin for The Moorland which he painted to illustrate a passage from Tennyson s Locksley Hall Inchbold spent much of the later part of his life abroad mainly in Switzerland where he had spent some time with Ruskin in the mid 1850s 1 His best known works are probably On the Lake of Thun 1860 Tintagel 1862 Gordale Scar 1876 and Drifting 1883 the last named was once in the possession of Coventry Patmore Tennyson Browning Lord Houghton and Sir Henry Thompson were among his admirers and supporters and in Dr Russell Reynolds he found a liberal and discriminating patron A year or two before his death he had returned from Algeria with a large collection of sketches in which the ordinary defects of his manner were less apparent He died suddenly of heart disease at Headingley in Leeds on 23 January 1888 His memory was honoured by Swinburne in a funeral ode 2 Inchbold published a book of sonnets called Annus Amoris in 1876 1 List of works editThe Moorland Dewar stone Dartmoor 1854 Tate Britain London Anstey s Cove Devon 1854 Fitzwilliam Museum Cambridge Devonshire Coast 1855 Tate Britain London The White Doe of Rylstone At Bolton 1855 Leeds City Art Gallery A Study in March or In Early Spring 1855 Ashmolean Museum Oxford Cuillin Ridge Skye from Sligachan 1856 Ashmolean Museum Oxford Study from Nature Evening 1857 Fishermen at Sunset 1859 60 Tate Britain London Lugano a Pillar in the Foreground 1861 Tate Britain London Two Men Scything 1861 Tate Britain London Tintagel 1861 Tate Britain London A Sunlit Wood 1861 Tate Britain London A Man Digging on the Shore 1862 Tate Britain London Venice A Girl in a Doorway 1862 4 Tate Britain London Tintagel 1862 Tate Britain London 3 Inundation at St Marks 1863 4 Tate Britain London San Giorgio from the Ducal Palace 1863 5 Tate Britain London Peat Burning circa 1864 6 Tate Britain London A Young Palm Valentia 1865 Tate Britain London A House in Spain with a Minaret 1865 Tate Britain London Shore Scene with Groups of Figures 1865 Tate Britain London Manzanares Madrid 1866 Tate Britain London The Village Cross Spain 1866 Tate Britain London Recollection Barden Fells 1866 Tate Britain London Recollection Strid Barden Tower 1866 Tate Britain London Stonehenge from the East 4 1866 9 Society of Antiquaries of London London Gate of the Sea Venice 1873 Harvest Field Stratford Upon Avon 1874 Leeds Art Gallery Gordale Scar Yorkshire exhibited 1876 Tate Britain London The Lake of Geneva c 1880 82 A Syrian Girl at a Balcony overlooking a Bay Tate Britain London A Rocky Coast Tate Britain London A Wide Landscape Tate Britain London Arabian Merchants Tate Britain London A Shepherd on the Downs Tate Britain London A Girl Seated on Rocks in a Wood Tate Britain London Forest of Fontainebleau A Chestnut Tree Tate Britain London Valencia The Well Tate Britain London Venice Nocturne San Giorgio Maggiore Tate Britain London Fairy Dell A Man and a Dog in a Sunlit Clearing Tate Britain London A Procession of Peasants among Trees Tate Britain London Forest of Fontainebleau A Peasant outside a Church under Trees Tate Britain London Forest of Fontainebleau A Path in the Woods Tate Britain London Whilst Waiting for the Train Swiss Alps Tate Britain London A Rocky Coast Tate Britain London Coast Scene with Fishing Boats and Rainbows Tate Britain London Mountain Vale Tate Britain London The Lake of Lucerne Victoria and Albert Museum London From Pallano to the Dent du Midi 1884 Private collection exhib Royal Academy London 1885 References edit a b c d The Pre Raphaelites exhibition catalogue London The Tate Gallery 1984 p 33 a b c Dictionary of National Biography Entry Volume 28 page 426 In public domain accessed on line on 27 February 2009 Tintagel 1862 Tate Britain Stonehenge from the East Art UK Christopher Newall John William Inchbold Pre Raphaelite Landscape Artist exhibition catalogue Leeds City Art Gallery 1993External links edit nbsp Media related to John William Inchbold at Wikimedia Commons 15 artworks by or after John William Inchbold at the Art UK site Works by or about John William Inchbold at Internet Archive The Pre Raph Pack Discover more about the artists the techniques they used and a timeline spanning 100 years The Royal Academy of Arts a complete dictionary of contributors and their work from its foundation in 1769 to 1904 1972 Retrieved from https en wikipedia org w index php title John William Inchbold amp oldid 1219531645, wikipedia, wiki, book, books, library,

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