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Jan van Huysum

Jan van Huysum (or Jan van Huijsum) (15 April 1682 – 8 February 1749) is the most notable member of the Van Huysum family of artists working in Dutch Golden Age of the 17th and 18th centuries; “by common consent, Jan van Huysum has been held to be the best painter of flowers.”[1] Trained in decoration from a young age, he “gradually developed an execution of details of the utmost beauty and finish”[2] creating “wonderful flower pieces whereon drops of water and crawling ants could be seen without a magnifying glass.”[3]

Jan van Huysum
Fruit and flowers, 1722
Born(1682-04-15)15 April 1682
Died8 February 1749(1749-02-08) (aged 66)
Amsterdam
NationalityDutch
Known forPainting

Life and work edit

 
Portrait of Jan van Huysum by Arnold Boonen, ca.1720

Jan was the son of the painter Justus van Huysum and his first wife Margrietje Schouten[4][5] and the older brother of Jacob van Huysum and Justus van Huysum the Younger. Jan’s much younger half-brother Michiel van Huysum was also a flower painter. His grandfather Jan van Huysum the Elder is said to have been “expeditious in decorating doorways, screens and vases.”[citation needed]

Van Huysum primarily lived and worked in the city of Amsterdam. Jan van Huysum and his wife Elisabeth Takens (1680–1751)[6][7] had 12 children together but only three outlived their parents.[8] Jan van Huysum's daughter, Francina Margaretha van Huysum, was also a flower painter and may have assisted her father in his work. Margareta Haverman was his student until she moved to Paris.[9]

Van Huysum was somewhat secretive about his process and worked separately from the rest of his family.[9] One of the few sources of biography for Van Huysum is art dealer Christiaan Josi.[9] Another is his contemporary Johan von Gool.[8]

Jan Van Huysum “holds the highest place among painters of fruit and flowers.”[10] His flower-arrangement still lifes, in a style of the period collectively called vanitas and/or Pronkstilleven, are said to possess “an unerring elegance of composition, which enabled him to avoid the imbalance, the overcomposition, that others risked.”[9] His flower pictures produced after 1720[4] “on light or yellow grounds are superior to his earlier works, which are on dark ones.”[1] He often painted on oak and copper panels rather than canvas.[8] Van Huysum would initially paint his leaves in blue and then apply a brown or green overwash; this technique was pioneered by Otto Marseus van Schrieck.[11] He painted from "life," meaning fresh-cut flowers, assembling them over time into visual bouquets; sometimes this meant pieces took a year or more as he waited for certain blossoms to come back in season, such as a yellow rose he wanted for 1742 picture.[11]

He was successful in his own time, with his pictures sought “by princes and crowned heads—his work sometimes sold for four to five times as much as work by his great contemporary Rembrandt van Rijn[4]—and “time has increased, rather than diminished” the value of his paintings.[10] Buyers of note during van Huysum's lifetime included Prince William of Hesse, and Sir Robert Walpole, a British Prime Minister.[7]

His contemporary rival was Rachel Ruysch.[12] The earlier Dutch artist Jan David de Heem anticipated van Huysum; “if de Heem, by the harmony of his warm golden color, be called the Titian of flowers and fruits, Jan van Huysum’s bright and sunny treatment entitles him to the name of the Corregio of the same branch of art”.[2]

Influence edit

Van Huysum's work determined the "main trends in flower paintings for sixty to eighty years after his death."[13]

Fruit and flower artists whose work is described as inspired by or analogous to that of Jan van Huysum: Jacob van Huysum (his brother), Justus van Huysum (his father), Pieter Faes, Wybrand Hendriks, Paul Theodore van Brussel, Jacobus Linthorst, Jan van Os , George Jacob Jan van Os (son of preceding), Gerard van Spaendonck, Cornelius van Spaendonck (brother of preceding), Coenraet Roepel, Johannes de Bosch, and John Flaxman.[10][12]

Work in other genres edit

One art historian called van Huysum’s landscapes (as opposed to his still lifes) “rather unfortunate.”[2]

Half of his pictures in public galleries are landscapes, views of imaginary lakes and harbours with impossible ruins and classic edifices, and woods of tall and motionless trees-the whole very glossy and smooth, and entirely lifeless. The earliest dated work of this kind is that of 1717, in the Louvre, a grove with maidens culling flowers near a tomb, ruins of a portico, and a distant palace on the shores of a lake bounded by mountains. According to one of 19th century art historian, “His small [landscapes] are tenderly touched, and are sufficiently pleasing with their minuteness of detail, but those of a larger size are weak and ineffective.”[10]

Access and collections edit

Van Huysum’s paintings are in the collections of the Louvre in Paris, the Rijksmuseum in Amsterdam, the Mauritshuis of The Hague, the National Gallery of London, The Hermitage in St. Petersburg, as well as in Berlin, Munich, Hanover, Dresden, Brunschwige, Vienna, Carlsruhe, Boston, Copenhagen, the Dulwich Picture Gallery, and the Getty in the United States.

Circa 1911: Some of the finest of van Huysum's fruit and flower pieces were in English private collections: those of 1723 in the Francis Egerton, 1st Earl of Ellesmere's gallery; others of 1730–1732 in the collections of Henry Hope of Cavendish Square[14] (Hope & Co. banking money), and Francis Baring, 5th Baron Ashburton and/or Thomas Baring, 1st Earl of Northbrook[15] (both Barings Bank money).

Gallery edit

The refinement of [Jan van Huysum]’s palette excels in its sophistication…Details, texture, defy description. Only an examination of the originals will suffice, as no process of reproduction can convey the subtleties of observation.

— Peter Mitchell, European Flower Painters (1981)

The stolen Vase of Flowers edit

The Vase of Flowers is a painting by van Huysum that was stolen from Italy by the retreating Wehrmacht in 1943.[16] On 19 July 2019 German minister of foreign affairs Heiko Maas personally handed the picture to his Italian counterpart Enzo Moavero Milanesi in Florence and it was restored to the collection of the Uffizi.[17]

References edit

  1. ^ a b James, Ralph N. (1896). Painters and Their Works: A Dictionary of Great Artists who are Not Now Alive. L.U. Gill.
  2. ^ a b c Kugler, Franz (1898). Handbook of Painting: German, Flemish, and Dutch Schools. Based on the Handbook of Kugler. J. Murray. pp. 546–549. ISBN 978-0-403-01059-2.
  3. ^ Hale, Philip L. (2019-12-09). Vermeer and His Time. Parkstone International. ISBN 978-1-64461-827-1.
  4. ^ a b c TAYLOR, PAUL (2008). "Review of De verleiding van Flora/The Temptations of Flora: Jan van Huysum 1682-1749". Oud Holland. 121 (4): 256–262. doi:10.1163/187501708788426675. ISSN 0030-672X. JSTOR 42712213.
  5. ^ Segal, Sam; Alen, Klara (2020-09-25). Dutch and Flemish Flower Pieces (2 vols in case): Paintings, Drawings and Prints up to the Nineteenth Century. BRILL. p. 508. ISBN 978-90-04-42745-7.
  6. ^ "Elisabeth Takens". www.vondel.humanities.uva.nl. Retrieved 2022-10-12.
  7. ^ a b Wheelock, Arthur K. (2014-04-24). "Artist Info: JAN VAN HUYSUM". National Gallery of Art. Retrieved 2022-10-12.
  8. ^ a b c Woollett, Anne T. (2011). Miraculous bouquets : flower and fruit paintings by Jan van Huysum. Jan van Huysum. Los Angeles: J. Paul Getty Museum. ISBN 978-1-60606-090-2. OCLC 711050711.
  9. ^ a b c d Mitchell, Peter (1981). European flower painters. Schiedam, Netherlands: Interbook International B.V. pp. 144–149. ISBN 90-6397-032-3. OCLC 10337171.
  10. ^ a b c d Stanley, George (1855). A Classified Synopsis of the Principal Painters of the Dutch and Flemish Schools, Their Scholars, Imitators, and Analogists: Including an Account of Some of the Early German Masters, Connected with Those of Flanders and Holland. H.G. Bohn. pp. 94–95.
  11. ^ a b Taylor, Paul (1995). Dutch flower painting, 1600-1720. New Haven: Yale University Press. pp. 173, 191. ISBN 0-300-05390-8. OCLC 31409546.
  12. ^ a b Havard, Henry (1885). The Dutch School of Painting. Cassell. pp. 264–267.
  13. ^ Ember, Ildikó (1989). Delights for the senses : Dutch and Flemish still-life paintings from Budapest. Internet Archive. Budapest : Szépmüvészeti Múzeum/Museum of Fine Arts ; Wausau, Wis. : Leigh Yawkey Woodson Art Museum ; Seattle : Distributed by the University of Washington Press. p. 32. ISBN 978-0-945529-01-9.
  14. ^ "Sotheby's Lot 116".
  15. ^ "Jan van Huijsum". rkd.nl. Retrieved 2022-10-12.
  16. ^ "Gallery demands back Nazi-stolen painting". BBC News. 2019-01-02. Retrieved 2022-10-12.
  17. ^ Povoledo, Elisabetta (2019-07-19). "75 Years After World War II Theft, a Painting Returns to Italy". The New York Times. ISSN 0362-4331. Retrieved 2022-10-12.

  This article incorporates text from a publication now in the public domainChisholm, Hugh, ed. (1911). "Huysum, Jan van". Encyclopædia Britannica. Vol. 14 (11th ed.). Cambridge University Press. p. 23.

Further reading edit

  • Segal, Sam; Ellens, Mariël; Dik, Joris (2007). The temptations of Flora: Jan van Huysum, 1682-1749. Jan van Huysum, Stedelijk Museum, Houston Museum of Fine Arts. Zwolle, Netherlands: Waanders. ISBN 978-90-400-8384-6. OCLC 123112146.
  • Taylor, Paul (1995). Dutch flower painting, 1600-1720. New Haven: Yale University Press. ISBN 0-300-05390-8. OCLC 31409546.
  • Grant, Maurice Harold, Jan Van Huysum, 1682–1749, including a catalogue raisonné (1954)

External links edit

  • "Jan van Huysum". National Gallery of Art. Archived from the original on 2012-12-13. Retrieved 2008-01-22. Includes biography and two pictures.
  • . Wallace Collection. Archived from the original on 2011-07-28. Retrieved 2008-01-22. Includes brief biography and one picture.
  • "Jan van Huysum". ArtCyclopedia. Retrieved 2008-01-22. Links to entries in numerous online museums and public art galleries.
  • Dutch and Flemish paintings from the Hermitage, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Huysum (cat. no. 14)

huysum, huijsum, april, 1682, february, 1749, most, notable, member, huysum, family, artists, working, dutch, golden, 17th, 18th, centuries, common, consent, been, held, best, painter, flowers, trained, decoration, from, young, gradually, developed, execution,. Jan van Huysum or Jan van Huijsum 15 April 1682 8 February 1749 is the most notable member of the Van Huysum family of artists working in Dutch Golden Age of the 17th and 18th centuries by common consent Jan van Huysum has been held to be the best painter of flowers 1 Trained in decoration from a young age he gradually developed an execution of details of the utmost beauty and finish 2 creating wonderful flower pieces whereon drops of water and crawling ants could be seen without a magnifying glass 3 Jan van HuysumFruit and flowers 1722Born 1682 04 15 15 April 1682AmsterdamDied8 February 1749 1749 02 08 aged 66 AmsterdamNationalityDutchKnown forPainting Contents 1 Life and work 2 Influence 3 Work in other genres 3 1 Access and collections 4 Gallery 4 1 The stolen Vase of Flowers 5 References 6 Further reading 7 External linksLife and work edit nbsp Portrait of Jan van Huysum by Arnold Boonen ca 1720Jan was the son of the painter Justus van Huysum and his first wife Margrietje Schouten 4 5 and the older brother of Jacob van Huysum and Justus van Huysum the Younger Jan s much younger half brother Michiel van Huysum was also a flower painter His grandfather Jan van Huysum the Elder is said to have been expeditious in decorating doorways screens and vases citation needed Van Huysum primarily lived and worked in the city of Amsterdam Jan van Huysum and his wife Elisabeth Takens 1680 1751 6 7 had 12 children together but only three outlived their parents 8 Jan van Huysum s daughter Francina Margaretha van Huysum was also a flower painter and may have assisted her father in his work Margareta Haverman was his student until she moved to Paris 9 Van Huysum was somewhat secretive about his process and worked separately from the rest of his family 9 One of the few sources of biography for Van Huysum is art dealer Christiaan Josi 9 Another is his contemporary Johan von Gool 8 Jan Van Huysum holds the highest place among painters of fruit and flowers 10 His flower arrangement still lifes in a style of the period collectively called vanitas and or Pronkstilleven are said to possess an unerring elegance of composition which enabled him to avoid the imbalance the overcomposition that others risked 9 His flower pictures produced after 1720 4 on light or yellow grounds are superior to his earlier works which are on dark ones 1 He often painted on oak and copper panels rather than canvas 8 Van Huysum would initially paint his leaves in blue and then apply a brown or green overwash this technique was pioneered by Otto Marseus van Schrieck 11 He painted from life meaning fresh cut flowers assembling them over time into visual bouquets sometimes this meant pieces took a year or more as he waited for certain blossoms to come back in season such as a yellow rose he wanted for 1742 picture 11 He was successful in his own time with his pictures sought by princes and crowned heads his work sometimes sold for four to five times as much as work by his great contemporary Rembrandt van Rijn 4 and time has increased rather than diminished the value of his paintings 10 Buyers of note during van Huysum s lifetime included Prince William of Hesse and Sir Robert Walpole a British Prime Minister 7 His contemporary rival was Rachel Ruysch 12 The earlier Dutch artist Jan David de Heem anticipated van Huysum if de Heem by the harmony of his warm golden color be called the Titian of flowers and fruits Jan van Huysum s bright and sunny treatment entitles him to the name of the Corregio of the same branch of art 2 Influence editVan Huysum s work determined the main trends in flower paintings for sixty to eighty years after his death 13 Fruit and flower artists whose work is described as inspired by or analogous to that of Jan van Huysum Jacob van Huysum his brother Justus van Huysum his father Pieter Faes Wybrand Hendriks Paul Theodore van Brussel Jacobus Linthorst Jan van Os George Jacob Jan van Os son of preceding Gerard van Spaendonck Cornelius van Spaendonck brother of preceding Coenraet Roepel Johannes de Bosch and John Flaxman 10 12 Work in other genres editOne art historian called van Huysum s landscapes as opposed to his still lifes rather unfortunate 2 Half of his pictures in public galleries are landscapes views of imaginary lakes and harbours with impossible ruins and classic edifices and woods of tall and motionless trees the whole very glossy and smooth and entirely lifeless The earliest dated work of this kind is that of 1717 in the Louvre a grove with maidens culling flowers near a tomb ruins of a portico and a distant palace on the shores of a lake bounded by mountains According to one of 19th century art historian His small landscapes are tenderly touched and are sufficiently pleasing with their minuteness of detail but those of a larger size are weak and ineffective 10 Access and collections edit Van Huysum s paintings are in the collections of the Louvre in Paris the Rijksmuseum in Amsterdam the Mauritshuis of The Hague the National Gallery of London The Hermitage in St Petersburg as well as in Berlin Munich Hanover Dresden Brunschwige Vienna Carlsruhe Boston Copenhagen the Dulwich Picture Gallery and the Getty in the United States Circa 1911 Some of the finest of van Huysum s fruit and flower pieces were in English private collections those of 1723 in the Francis Egerton 1st Earl of Ellesmere s gallery others of 1730 1732 in the collections of Henry Hope of Cavendish Square 14 Hope amp Co banking money and Francis Baring 5th Baron Ashburton and or Thomas Baring 1st Earl of Northbrook 15 both Barings Bank money Gallery editSelected works nbsp Vase of Flowers 1722 nbsp Terracotta Vase with Flowers and Fruits nbsp Flowers and Fruits nbsp Flowers Fruits and Insects nbsp Bouquet of Flowers in an Urn 1724The refinement of Jan van Huysum s palette excels in its sophistication Details texture defy description Only an examination of the originals will suffice as no process of reproduction can convey the subtleties of observation Peter Mitchell European Flower Painters 1981 The stolen Vase of Flowers edit Main article Vase of Flowers van Huysum The Vase of Flowers is a painting by van Huysum that was stolen from Italy by the retreating Wehrmacht in 1943 16 On 19 July 2019 German minister of foreign affairs Heiko Maas personally handed the picture to his Italian counterpart Enzo Moavero Milanesi in Florence and it was restored to the collection of the Uffizi 17 References edit a b James Ralph N 1896 Painters and Their Works A Dictionary of Great Artists who are Not Now Alive L U Gill a b c Kugler Franz 1898 Handbook of Painting German Flemish and Dutch Schools Based on the Handbook of Kugler J Murray pp 546 549 ISBN 978 0 403 01059 2 Hale Philip L 2019 12 09 Vermeer and His Time Parkstone International ISBN 978 1 64461 827 1 a b c TAYLOR PAUL 2008 Review of De verleiding van Flora The Temptations of Flora Jan van Huysum 1682 1749 Oud Holland 121 4 256 262 doi 10 1163 187501708788426675 ISSN 0030 672X JSTOR 42712213 Segal Sam Alen Klara 2020 09 25 Dutch and Flemish Flower Pieces 2 vols in case Paintings Drawings and Prints up to the Nineteenth Century BRILL p 508 ISBN 978 90 04 42745 7 Elisabeth Takens www vondel humanities uva nl Retrieved 2022 10 12 a b Wheelock Arthur K 2014 04 24 Artist Info JAN VAN HUYSUM National Gallery of Art Retrieved 2022 10 12 a b c Woollett Anne T 2011 Miraculous bouquets flower and fruit paintings by Jan van Huysum Jan van Huysum Los Angeles J Paul Getty Museum ISBN 978 1 60606 090 2 OCLC 711050711 a b c d Mitchell Peter 1981 European flower painters Schiedam Netherlands Interbook International B V pp 144 149 ISBN 90 6397 032 3 OCLC 10337171 a b c d Stanley George 1855 A Classified Synopsis of the Principal Painters of the Dutch and Flemish Schools Their Scholars Imitators and Analogists Including an Account of Some of the Early German Masters Connected with Those of Flanders and Holland H G Bohn pp 94 95 a b Taylor Paul 1995 Dutch flower painting 1600 1720 New Haven Yale University Press pp 173 191 ISBN 0 300 05390 8 OCLC 31409546 a b Havard Henry 1885 The Dutch School of Painting Cassell pp 264 267 Ember Ildiko 1989 Delights for the senses Dutch and Flemish still life paintings from Budapest Internet Archive Budapest Szepmuveszeti Muzeum Museum of Fine Arts Wausau Wis Leigh Yawkey Woodson Art Museum Seattle Distributed by the University of Washington Press p 32 ISBN 978 0 945529 01 9 Sotheby s Lot 116 Jan van Huijsum rkd nl Retrieved 2022 10 12 Gallery demands back Nazi stolen painting BBC News 2019 01 02 Retrieved 2022 10 12 Povoledo Elisabetta 2019 07 19 75 Years After World War II Theft a Painting Returns to Italy The New York Times ISSN 0362 4331 Retrieved 2022 10 12 nbsp This article incorporates text from a publication now in the public domain Chisholm Hugh ed 1911 Huysum Jan van Encyclopaedia Britannica Vol 14 11th ed Cambridge University Press p 23 Further reading editSegal Sam Ellens Mariel Dik Joris 2007 The temptations of Flora Jan van Huysum 1682 1749 Jan van Huysum Stedelijk Museum Houston Museum of Fine Arts Zwolle Netherlands Waanders ISBN 978 90 400 8384 6 OCLC 123112146 Taylor Paul 1995 Dutch flower painting 1600 1720 New Haven Yale University Press ISBN 0 300 05390 8 OCLC 31409546 Grant Maurice Harold Jan Van Huysum 1682 1749 including a catalogue raisonne 1954 External links edit nbsp Wikimedia Commons has media related to Jan van Huijsum Jan van Huysum National Gallery of Art Archived from the original on 2012 12 13 Retrieved 2008 01 22 Includes biography and two pictures Jan van Huysum 1682 1749 Wallace Collection Archived from the original on 2011 07 28 Retrieved 2008 01 22 Includes brief biography and one picture Jan van Huysum ArtCyclopedia Retrieved 2008 01 22 Links to entries in numerous online museums and public art galleries Dutch and Flemish paintings from the Hermitage an exhibition catalog from The Metropolitan Museum of Art fully available online as PDF which contains material on Huysum cat no 14 Retrieved from https en wikipedia org w index php title Jan van Huysum amp oldid 1153946333, wikipedia, wiki, book, books, library,

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