Jan Hillebrand Wijsmuller (13 February 1855 in Amsterdam – 23 May 1925 in Amsterdam) was a Dutchpainter. He belongs to The 2. Golden Age of Dutch Painting.[1]
Portrait of Jan Hillebrand Wijsmuller by H. M. Krabbé in 1894.
He is an impressionist of the School of Allebé, better known as Amsterdam Impressionism, part of the international movement of the Impressionism.[2][3] From the art historical point of view he is one of the 2nd generation of the Hague School. He used the bright color palette of the French Impressionists, too – but from the perspective of a Dutchman.
He won the Willink van Collenprijs for young artists by which he had been supported. This is awarded annually by the Amsterdam Academy Arti et Amicitiae. In 1883 he had won this award. The name of his work is no longer known.
In his creative works the former life of agile, thriving metropolis Amsterdam was immortalized. The opposite pole are landscape portraits. They include scenes canals, windmills and older landscapes with the day's work of fisherman. His repertoire is completed by the classic Dutch theme – the continuation of the tradition of the coastal landscape of the North Sea. He also made portraits of the people of The Hague and surroundings.
He was a representative of the realism and the plein air painting. In his paintings he combines the influences of the first period of the Hague School, the Barbizon School[9] and the Impressionists.[10]
In his paintings he cleverly uses his own visual language for the spatial extent and depth. His paintings live by the harmonious play of colors, sky, clouds, water and landscape. The lighting is living though the material interactions typical of the Netherlands seasons and climate.
From an art historical point of view he belongs to the Hague School, the School of Allebé, the Oosterbeek School, the Kortenhoef School and the Katwijk School.[11] It must be seen as a Dutch art movement of that time of impressionism.
His works are characterized by their unique craft skills. His expressions were sketches on paper, and oil on wood and canvas.
Cover of the catalogue of the exhibition from 1912: Stedelijke internationale tentoonstelling van kunstwerken van levende meesters, Stedelijk Museum, Amsterdam.
1903 Stedelijke internationale tentoonstelling van kunstwerken van levende meesters, Stedelijk Museum, Amsterdam.
1905 Collection of Arti et amicitiae and Pulchri Studio at Kunstverein in Hamburg[12]
1907 Stedelijke internationale tentoonstelling van kunstwerken van levende meesters, Stedelijk Museum, Amsterdam.
1912 Stedelijke internationale tentoonstelling van kunstwerken van levende meesters, Stedelijk Museum, Amsterdam.
In possession of the Museums of the Netherlands a.s.f.edit
A selection of pictures as a cross-section of his workedit
Old-Amsterdam
Market near the Noorderkerk, Amsterdam
A view of Kolk, Amsterdam
Old canal of Utrecht with view at the Dom
A town square
A view on a town canal by night
Draw—bridge in winter landscape
Windmills in winter
Sawing mills
Windmills in a polder landscape
A farm along a River
The forest at Oosterbeek
In the dunes looking out to sea, Noordwijk aan Zee
A street scene, Katwijk
The church at Kortenhoef
Landscape, Blaricum
Pulling in the nets
Waterlilies
A river landscape
Trees in a field
Ducks in a forest fen
Cows at pasture
Wife with a pitch
Flowers in a vase
A summer's day at the beach
Bomschuiten on the beach, Egmond aan Zee
A shell fisher on the beach
Selected bibliographyedit
Booksedit
De Bodt, Saskia and Sellink, Manfred. Nineteenth Century Dutch Watercolors and Drawings, Museum Boijmans Van Beuningen, Rotterdam, 1998.
Carole Denninger-Schreuder: De onvergankelijke kijk op Kortenhoef : een schilderdorp in beeld, uitgeverij Thoth Bussum, 1998, ISBN90-6868-215-6, page 42 – 45.
De Leeuw, Ronald et al. The Hague School Dutch Masters of the 19th Century (1983)
Sillevis, John, Dutch Drawings From the Age of Van Gogh, Taft Museum, Cincinnati, Ohio, 1992.
John Sillevis: Katwijk in de schilderkunst, Katwijk Museum, Katwijk, 1995, ISBN90-800304-4-9.
Sillevis, John and Tabak, Anne, The Hague School Book, Waanders Uitgegevers, Zwolle, 2004.
Suyver, Renske. A Reflection of Holland: The Best of the Hague School in the Rijksmuseum (2011)
Wright, Christopher (1980): Paintings in Dutch Museums, Philip Wilson Publishers Ltd., London, ISBN0 85667 077 4
Publicationsedit
B. Bakker et al.: De verzameling Van Eeghen, Amsterdamsche tekeningen 1600–1950, Zwolle /Amsterdam 1988, p. 438
C.L. Dake: Aanteekeningen over beeldende kunst, Utrecht 1915, p. 75–76.
H.M. Krabbé: J.H.Wijsmuller, Elsevier's Geïllustreerd Maandschrift 4 (1894), p. 233–247 en idem in: M.Rooses [red.], Het Schildersboek, [...], Dl 4, Amsterdam 1900, p. 179–195.
J. Versteegh: Verandering tot die richting beteekent voor mij :zelfmoord – De kentering in de eerste tien jaren van Elsevier's Geïllustreerd Maandschrift, De Boekenwereld 20 (2003–2004), p. 151.
RDK – Netherlandsedit
Jonkman/Geudeker 2010, p. 52, 53
Marius 1920, p. 229
Scheen 1969–1970
Scheen 1981, p. 597, afb.nr. 807 (als: Wijsmuller, Jan Hillebrand)
Stolwijk 1998, p. 332
Witt Checklist 1978
Referencesedit
^The art history knows two periods of Netherlandish painting. There are two names, first of all Rembrand van Rijn and in the 19th century the Hague School and its view of impressionism.
^This international movement of the impressionism lasted from 1860–1920.
^The impressionism of the Netherlands has its own character.
^G.H. Marius: Dutch Art in the XIX Century. London 1908
^G. Knuttel Wzn: De Nederlandsche schilderkunst van Van Eyck tot Van Gogh. Amsterdam 1938
^J.H. Kraan: Holland in zwang, in: De Haagse School, Ausst. Paris/London/Den Haag, 1983, S. 115–124. G. Reichwein: Vreemde gasten, kunstschilders in Volendam 1880–1914, Enkhuizen, Zuiderzee-museum, 1986.
^R. Zeitler: Die Kunst des 19. Jahrhunderts. Berlin 1966 (Propyläen Kunstgeschichte, Bd. 3).
^De school von Barbizon. Franse meesters van de 19de eeuw, Ausst. Museum voor Schone Kunsten, Gent/Haags Gemeentemuseum, Den Haag/Institut Néerlandais, Paris, 1985/86; Hans Kraan und John Sillevis, in: The Barbizon School, Dutch collections, Ausst. National Museum of Arts, Osaka 1987.
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December 03, 2023
hillebrand, wijsmuller, february, 1855, amsterdam, 1925, amsterdam, dutch, painter, belongs, golden, dutch, painting, portrait, krabbé, 1894, impressionist, school, allebé, better, known, amsterdam, impressionism, part, international, movement, impressionism, . Jan Hillebrand Wijsmuller 13 February 1855 in Amsterdam 23 May 1925 in Amsterdam was a Dutch painter He belongs to The 2 Golden Age of Dutch Painting 1 Portrait of Jan Hillebrand Wijsmuller by H M Krabbe in 1894 He is an impressionist of the School of Allebe better known as Amsterdam Impressionism part of the international movement of the Impressionism 2 3 From the art historical point of view he is one of the 2nd generation of the Hague School He used the bright color palette of the French Impressionists too but from the perspective of a Dutchman Contents 1 Life and work 2 Exhibition 3 In possession of the Museums of the Netherlands a s f 4 A selection of pictures as a cross section of his work 5 Selected bibliography 5 1 Books 5 2 Publications 5 3 RDK Netherlands 6 ReferencesLife and work edit nbsp Market at the Noorderkerk North Church Amsterdam nbsp Review of the fishing traps nbsp Jan Hillebrand Wijsmuller in his studio early 1925From 1876 on Jan Hillebrand Wijsmuller began studying at the Royal Academy of Fine Arts in Amsterdam better known as Rijksacademie He had been one of the 179 students of Prof Allebe it was well known that his lessons were based on the current flow of time In 1877 followed his wandering years They led him to the Akademie van beeldende Kunsten Den Haag 4 the famous Academie royale des Beaux Arts de Bruxelles and the Hague School in its heyday 5 The latter brought forth such famous masters such as Johannes Bosboom Paul Gabriel the brothers Jacob Maris and Matthijs Maris Anton Mauve and Jan Hendrik Weissenbruch Here Vincent van Gogh found his way into painting 6 He won the Willink van Collenprijs for young artists by which he had been supported This is awarded annually by the Amsterdam Academy Arti et Amicitiae In 1883 he had won this award The name of his work is no longer known With his own studio he settled in Amsterdam His friends included the well known artists Ernst Witkamp Nicolaas van der Waay and Carel Dake He belongs to the second generation of the Hague School 7 8 But he was a representative of the Amsterdam Impressionism better known as School of Allebe too In his creative works the former life of agile thriving metropolis Amsterdam was immortalized The opposite pole are landscape portraits They include scenes canals windmills and older landscapes with the day s work of fisherman His repertoire is completed by the classic Dutch theme the continuation of the tradition of the coastal landscape of the North Sea He also made portraits of the people of The Hague and surroundings He was a representative of the realism and the plein air painting In his paintings he combines the influences of the first period of the Hague School the Barbizon School 9 and the Impressionists 10 In his paintings he cleverly uses his own visual language for the spatial extent and depth His paintings live by the harmonious play of colors sky clouds water and landscape The lighting is living though the material interactions typical of the Netherlands seasons and climate From an art historical point of view he belongs to the Hague School the School of Allebe the Oosterbeek School the Kortenhoef School and the Katwijk School 11 It must be seen as a Dutch art movement of that time of impressionism His works are characterized by their unique craft skills His expressions were sketches on paper and oil on wood and canvas He is buried at Zorgvlied cemetery Exhibition edit nbsp Cover of the catalogue of the exhibition from 1912 Stedelijke internationale tentoonstelling van kunstwerken van levende meesters Stedelijk Museum Amsterdam 1903 Stedelijke internationale tentoonstelling van kunstwerken van levende meesters Stedelijk Museum Amsterdam 1905 Collection of Arti et amicitiae and Pulchri Studio at Kunstverein in Hamburg 12 1907 Stedelijke internationale tentoonstelling van kunstwerken van levende meesters Stedelijk Museum Amsterdam 1912 Stedelijke internationale tentoonstelling van kunstwerken van levende meesters Stedelijk Museum Amsterdam In possession of the Museums of the Netherlands a s f editHistorisches Museum Amsterdam Rijksmuseum Amsterdam Stedelijk Museum Amsterdam Museum Willet Holthuysen Amsterdam Dordrechts Museum Dordrecht Dienst Verspreide Rijkskollecties The Hague Gemeentemuseum Den Haag The Hague The Mesdag Collection The Hague Stadhuis The Hague Goois Museum Hilversum Zeeuws Museum Middelburg St Vrienden Museum Noordwijk Noordwijk Belasting museum RotterdamA selection of pictures as a cross section of his work editOld Amsterdam Market near the Noorderkerk Amsterdam A view of Kolk Amsterdam Old canal of Utrecht with view at the Dom A town square A view on a town canal by night Draw bridge in winter landscape Windmills in winter Sawing mills Windmills in a polder landscape A farm along a River The forest at Oosterbeek In the dunes looking out to sea Noordwijk aan Zee A street scene Katwijk The church at Kortenhoef Landscape Blaricum Pulling in the nets Waterlilies A river landscape Trees in a field Ducks in a forest fen Cows at pasture Wife with a pitch Flowers in a vase A summer s day at the beach Bomschuiten on the beach Egmond aan Zee A shell fisher on the beachSelected bibliography editBooks edit De Bodt Saskia and Sellink Manfred Nineteenth Century Dutch Watercolors and Drawings Museum Boijmans Van Beuningen Rotterdam 1998 Carole Denninger Schreuder De onvergankelijke kijk op Kortenhoef een schilderdorp in beeld uitgeverij Thoth Bussum 1998 ISBN 90 6868 215 6 page 42 45 De Leeuw Ronald et al The Hague School Dutch Masters of the 19th Century 1983 Sillevis John Dutch Drawings From the Age of Van Gogh Taft Museum Cincinnati Ohio 1992 John Sillevis Katwijk in de schilderkunst Katwijk Museum Katwijk 1995 ISBN 90 800304 4 9 Sillevis John and Tabak Anne The Hague School Book Waanders Uitgegevers Zwolle 2004 Suyver Renske A Reflection of Holland The Best of the Hague School in the Rijksmuseum 2011 Wright Christopher 1980 Paintings in Dutch Museums Philip Wilson Publishers Ltd London ISBN 0 85667 077 4Publications edit B Bakker et al De verzameling Van Eeghen Amsterdamsche tekeningen 1600 1950 Zwolle Amsterdam 1988 p 438 C L Dake Aanteekeningen over beeldende kunst Utrecht 1915 p 75 76 H M Krabbe J H Wijsmuller Elsevier s Geillustreerd Maandschrift 4 1894 p 233 247 en idem in M Rooses red Het Schildersboek Dl 4 Amsterdam 1900 p 179 195 J Versteegh Verandering tot die richting beteekent voor mij zelfmoord De kentering in de eerste tien jaren van Elsevier s Geillustreerd Maandschrift De Boekenwereld 20 2003 2004 p 151 RDK Netherlands edit Jonkman Geudeker 2010 p 52 53 Marius 1920 p 229 Scheen 1969 1970 Scheen 1981 p 597 afb nr 807 als Wijsmuller Jan Hillebrand Stolwijk 1998 p 332 Witt Checklist 1978References edit The art history knows two periods of Netherlandish painting There are two names first of all Rembrand van Rijn and in the 19th century the Hague School and its view of impressionism This international movement of the impressionism lasted from 1860 1920 The impressionism of the Netherlands has its own character See also Scheen 1981 G H Marius Dutch Art in the XIX Century London 1908 G Knuttel Wzn De Nederlandsche schilderkunst van Van Eyck tot Van Gogh Amsterdam 1938 J H Kraan Holland in zwang in De Haagse School Ausst Paris London Den Haag 1983 S 115 124 G Reichwein Vreemde gasten kunstschilders in Volendam 1880 1914 Enkhuizen Zuiderzee museum 1986 R Zeitler Die Kunst des 19 Jahrhunderts Berlin 1966 Propylaen Kunstgeschichte Bd 3 De school von Barbizon Franse meesters van de 19de eeuw Ausst Museum voor Schone Kunsten Gent Haags Gemeentemuseum Den Haag Institut Neerlandais Paris 1985 86 Hans Kraan und John Sillevis in The Barbizon School Dutch collections Ausst National Museum of Arts Osaka 1987 Jean Jacques Leveque Les annees impressionnistes 1870 1889 in ACR Edition Internationale Courbevoie Paris 1990 He is mentioned in John Sillevis 1995 page 201 http www kunstverein de Exhibitions at Kunstverein in Hamburg from 1858 to 2010 nbsp Wikimedia Commons has media related to Jan Hillebrand Wijsmuller Retrieved from https en wikipedia org w index php title Jan Hillebrand Wijsmuller amp oldid 1132605335, wikipedia, wiki, book, books, library,
