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J. Dover Wilson

John Dover Wilson CH (13 July 1881 – 15 January 1969) was a professor and scholar of Renaissance drama, focusing particularly on the work of William Shakespeare. Born at Mortlake (then in Surrey, now in Greater London), he attended Lancing College, Sussex, and Gonville and Caius College, Cambridge.[1] He taught at King's College London before becoming Regius Professor of English literature at the University of Edinburgh.

In 1925 he took on Dorothy May Meads as a doctoral student to study early women's education, following on from his own work. This was said to be the first major study.[2]

Wilson was primarily known for two lifelong projects. He was the chief editor, with the assistance of Sir Arthur Quiller-Couch, of the New Shakespeare, a series of editions of the complete plays published by Cambridge University Press. Of those editions, the one of Hamlet was his particular focus, and he published a number of other books on the play, supporting the textual scholarship of his edition as well as offering an interpretation. His What Happens in Hamlet, first published in 1935, is among the more influential books ever written on the play, being reprinted several times including a revised second edition in 1959.

Wilson's textual work was characterised by considerable boldness and confidence in his own judgement.[3] His work on the complicated matter of the transmission of Shakespeare's texts—none of Shakespeare's manuscripts survive and no published edition of any play was supervised directly by the playwright, so all of the texts are mediated by compositors and printers—was highly respected, though some of his theories have since been eclipsed by new scholarship.[4] However, when the textual principles he painstakingly established did not support the reading that seemed right to him, he would depart widely from them, earning him a reputation for both brilliance and capriciousness; Stanley Edgar Hyman refers to the "valuable (sometime weird)" New Shakespeare.[5] In his interpretations that juxtaposition was heightened without the support of his arduous textual work. These interpretations included a reading of the famous bedroom scene between Hamlet and his mother that remains influential (if frequently questioned) to this day,[6] but also peculiar ideas about covert Lutheranism and almost completely unsourced speculation about Shakespeare's relationship with his son-in-law. The influential Shakespearean W. W. Greg, Wilson's nemesis, once referred to Wilson's ideas as "the careerings of a not too captive balloon in a high wind."[7]

In 1969 he completed a posthumously-published memoir, Milestones on the Dover Road.

Major works edit

  • The New Shakespeare. Cambridge University Press, 1921–1969 (Editor).
  • Life in Shakespeare's England: A Book of Elizabethan Prose. Cambridge UP, 1911. (reissued by Cambridge University Press, 2009; ISBN 978-1-108-00261-5)
  • The Elizabethan Shakespeare. Milford, 1929.
  • The Essential Shakespeare: A Biographical Adventure. Cambridge UP, 1932.
  • The Fortunes of Falstaff. Cambridge UP, 1944.
  • What Happens in Hamlet. 2nd edition. Cambridge UP, 1959.
  • Shakespeare's Happy Comedies. Faber and Faber, 1962.

References edit

  1. ^ "Wilson, John Dover (WL900JD)". A Cambridge Alumni Database. University of Cambridge.
  2. ^ Edwards, Sarah (15 February 2018), "Meads [née Gladish], Dorothy May (1891–1958), historian and college principal", Oxford Dictionary of National Biography, Oxford University Press, doi:10.1093/odnb/9780198614128.013.109606, ISBN 978-0-19-861412-8, retrieved 9 July 2023
  3. ^ John D. Cox (as one example among many) discusses Wilson's confidence in editing Henry VI Part 3. Cox, "Local References in 3 Henry VI," Shakespeare Quarterly, Vol. 51, No. 3 (2000), 341.
  4. ^ Stephen Orgel, for example, notes that Wilson's "confident note" to a difficult crux in The Winter's Tale "gives no hint of two centuries of uncertainty, debate, and disagreement." Orgel, "The Poetics of Incomprehensibility," Shakespeare Quarterly Vol. 42, No. 4 (1991), 432. Some of Wilson's work was questioned sooner; Peter Holland asserts that Wilson and Quiller-Couch's theory of Shakespeare's punctuation was "effectively demolished by 1924." Holland, "Modernizing Shakespeare: Nicholas Rowe and The Tempest," Shakespeare Quarterly, Vol. 51, No. 1 (2000), 29.
  5. ^ Hyman, The Armed Vision: A Study in the Methods of Modern Literary Criticism (New York: Knopf, 1955), 184.
  6. ^ Patricia Parker notes that Wilson's is "a reading whose controversial history led to its rejection by most editors." Parker, "Othello and Hamlet: Dilation, Spying, and the 'Secret Place' of Woman," Representations, No. 44 (1993), 82.
  7. ^ Quoted by Hyman, 184.

External links edit

dover, wilson, john, dover, wilson, july, 1881, january, 1969, professor, scholar, renaissance, drama, focusing, particularly, work, william, shakespeare, born, mortlake, then, surrey, greater, london, attended, lancing, college, sussex, gonville, caius, colle. John Dover Wilson CH 13 July 1881 15 January 1969 was a professor and scholar of Renaissance drama focusing particularly on the work of William Shakespeare Born at Mortlake then in Surrey now in Greater London he attended Lancing College Sussex and Gonville and Caius College Cambridge 1 He taught at King s College London before becoming Regius Professor of English literature at the University of Edinburgh In 1925 he took on Dorothy May Meads as a doctoral student to study early women s education following on from his own work This was said to be the first major study 2 Wilson was primarily known for two lifelong projects He was the chief editor with the assistance of Sir Arthur Quiller Couch of the New Shakespeare a series of editions of the complete plays published by Cambridge University Press Of those editions the one of Hamlet was his particular focus and he published a number of other books on the play supporting the textual scholarship of his edition as well as offering an interpretation His What Happens in Hamlet first published in 1935 is among the more influential books ever written on the play being reprinted several times including a revised second edition in 1959 Wilson s textual work was characterised by considerable boldness and confidence in his own judgement 3 His work on the complicated matter of the transmission of Shakespeare s texts none of Shakespeare s manuscripts survive and no published edition of any play was supervised directly by the playwright so all of the texts are mediated by compositors and printers was highly respected though some of his theories have since been eclipsed by new scholarship 4 However when the textual principles he painstakingly established did not support the reading that seemed right to him he would depart widely from them earning him a reputation for both brilliance and capriciousness Stanley Edgar Hyman refers to the valuable sometime weird New Shakespeare 5 In his interpretations that juxtaposition was heightened without the support of his arduous textual work These interpretations included a reading of the famous bedroom scene between Hamlet and his mother that remains influential if frequently questioned to this day 6 but also peculiar ideas about covert Lutheranism and almost completely unsourced speculation about Shakespeare s relationship with his son in law The influential Shakespearean W W Greg Wilson s nemesis once referred to Wilson s ideas as the careerings of a not too captive balloon in a high wind 7 In 1969 he completed a posthumously published memoir Milestones on the Dover Road Major works editThe New Shakespeare Cambridge University Press 1921 1969 Editor Life in Shakespeare s England A Book of Elizabethan Prose Cambridge UP 1911 reissued by Cambridge University Press 2009 ISBN 978 1 108 00261 5 The Elizabethan Shakespeare Milford 1929 The Essential Shakespeare A Biographical Adventure Cambridge UP 1932 The Fortunes of Falstaff Cambridge UP 1944 What Happens in Hamlet 2nd edition Cambridge UP 1959 Shakespeare s Happy Comedies Faber and Faber 1962 References edit Wilson John Dover WL900JD A Cambridge Alumni Database University of Cambridge Edwards Sarah 15 February 2018 Meads nee Gladish Dorothy May 1891 1958 historian and college principal Oxford Dictionary of National Biography Oxford University Press doi 10 1093 odnb 9780198614128 013 109606 ISBN 978 0 19 861412 8 retrieved 9 July 2023 John D Cox as one example among many discusses Wilson s confidence in editing Henry VI Part 3 Cox Local References in 3 Henry VI Shakespeare Quarterly Vol 51 No 3 2000 341 Stephen Orgel for example notes that Wilson s confident note to a difficult crux in The Winter s Tale gives no hint of two centuries of uncertainty debate and disagreement Orgel The Poetics of Incomprehensibility Shakespeare Quarterly Vol 42 No 4 1991 432 Some of Wilson s work was questioned sooner Peter Holland asserts that Wilson and Quiller Couch s theory of Shakespeare s punctuation was effectively demolished by 1924 Holland Modernizing Shakespeare Nicholas Rowe and The Tempest Shakespeare Quarterly Vol 51 No 1 2000 29 Hyman The Armed Vision A Study in the Methods of Modern Literary Criticism New York Knopf 1955 184 Patricia Parker notes that Wilson s is a reading whose controversial history led to its rejection by most editors Parker Othello and Hamlet Dilation Spying and the Secret Place of Woman Representations No 44 1993 82 Quoted by Hyman 184 External links editWorks by J Dover Wilson at Project Gutenberg Works by or about J Dover Wilson at Internet Archive Retrieved from https en wikipedia org w index php title J Dover Wilson amp oldid 1191004666, wikipedia, wiki, book, books, library,

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