fbpx
Wikipedia

It Came from Beneath the Sea

It Came from Beneath the Sea is a 1955 American science fiction monster horror film from Columbia Pictures, produced by Sam Katzman and Charles Schneer, directed by Robert Gordon, that stars Kenneth Tobey, Faith Domergue, and Donald Curtis. The screenplay by George Worthing Yates was designed to showcase the stop motion animation special effects of Ray Harryhausen.

It Came from Beneath the Sea
Theatrical release half-sheet display poster
Directed byRobert Gordon
Written byHal Smith
George Worthing Yates
Produced byCharles H. Schneer
StarringKenneth Tobey
Faith Domergue
Donald Curtis
Narrated byWilliam Woodson
CinematographyHenry Freulich
Edited byJerome Thoms
Color processBlack and white
Production
company
Clover Productions
Distributed byColumbia Pictures
Release date
July 1955 (U.S. release)
Running time
79 minutes
CountryUnited States
LanguageEnglish
Budget$150,000[1]
Box office$1.7 million (US)[2]

A monstrous giant octopus rampages along the west coast of North America after becoming too radioactive from nuclear testing in the South Pacific for it to be able to hunt its natural prey in the Mindanao Deep.

It Came from Beneath the Sea was released as the top half of a double feature with Creature with the Atom Brain.[3]

Plot edit

A nuclear submarine on its shakedown cruise in the Pacific Ocean, captained by Commander Pete Mathews, comes into contact with a massive sonar return. Unable to outrun and outmaneuver the object, the boat is disabled, but frees itself and returns to Pearl Harbor. Tissue from a huge sea creature is discovered jammed in the submarine's dive planes.

 
The cephalopod attacking the Golden Gate Bridge

A team of marine biologists, Professor Lesley Joyce and John Carter of Harvard University, is called in; they identify the tissue as being a small part of a gigantic octopus. The military authorities are unconvinced, but are finally persuaded after receiving reports of missing swimmers and ships at sea being pulled under by a large sea creature. Both scientists conclude that the animal is from the Mindanao Deep, having been forced from its natural habitat by hydrogen bomb testing in the area, which has made the giant octopus radioactive, driving off its natural food supply.[4]

The scientists suggest the disappearances of a Japanese fishing fleet and a Siberian seal boat may be the work of the foraging giant. Both Mathews and the Navy representatives express doubt and demand further proof. Later, as Mathews assists Joyce and Carter, a report comes in of an attack on a Canadian freighter; several men escaped in a life raft. The survivors are questioned by psychiatrists, but when the first sailor's description of a creature with giant tentacles is doubted, the other sailors refuse to testify. Joyce is able to convince the first sailor to repeat his story. The U.S. government officials halt all sea traffic in the North Pacific without revealing the reason. Carter flies out to sea to trace a missing ship, while Mathews and Joyce follow up on a report of five missing people off the coast of Oregon.

The local sheriff, Bill Nash, takes Mathews and Joyce to the attack site, where they find a giant suction cup imprint in the beach sand. (At this point, the two have become romantically involved.) They request that Carter join them. Nash is later attacked along the beach by the giant octopus; the two nearby scientists barely escape. Together, they hastily arrange for all Pacific coast waters to be mined before departing for the navy's base in San Francisco.

 
Drive-in advertisement from 1955 for It Came from Beneath the Sea and co-feature, Creature with the Atom Brain.

An electrified safety net is strung under water across the entrance to San Francisco Bay, protecting the electrified Golden Gate Bridge. Carter takes a helicopter along the shoreline and baits the sea with dead sharks in an effort to lure the creature inland. Joyce demonstrates to reporters a special jet-propelled atomic torpedo, which they hope to fire at the giant, while driving it back to the open sea before detonating the weapon. Later that day, the creature demolishes the underwater net, irritated by the electrical voltage, and heads toward San Francisco.

The navy orders the Golden Gate Bridge abandoned; Carter learns that the electric circuit was left on, so he races to the bridge to shut it off. The giant creature, however, catches sight of the bridge and attacks, the electrical voltage irritating it even more. Mathews is able to rescue Carter before a bridge section is pulled down by a giant tentacle.

The residents of San Francisco panic and begin a mass exodus. The navy struggles to evacuate the Embarcadero and the Ferry Building, which is battered by the creature's giant tentacles. When more people are killed, the Defense Department authorizes Mathews to take out the submarine and fire the torpedo; Carter joins Mathews aboard while Joyce remains at the base.

Flamethrowers drive the giant tentacles back into the sea. When Mathews fires the jet torpedo into the giant creature, it grabs the submarine. Using an aqualung, Mathews swims up to the massive body and places explosive charges before being knocked out by the shockwaves from their premature explosion. Carter then swims out and shoots at one of its eyes, forcing the giant octopus to release the submarine; he then pulls Mathews to safety. Back at the base, as the creature turns toward the open sea, the torpedo is detonated, completely destroying the giant cephalopod. The trio later celebrate the victory at a restaurant, where Mathews makes an impromptu proposal, and Joyce accepts.[5]

Cast edit

Production edit

Development edit

The film was made by producer Charles Schneer under the supervision of Sam Katzman who had a B picture unit at Columbia. Schneer said the idea for the film was inspired by the first explosion of the hydrogen bomb in the Marshall Islands, saying he felt if some creature came out of the deep "and then destroyed the Golden Gate Bridge, that would be a hell of a film."[6]

The title was inspired by Universal's science fiction hit It Came from Outer Space. Schneer had been impressed by the effects for The Beast from 20,000 Fathoms and hired Ray Harryhausen. "I don't think I would have made that type of picture if I hadn't been able to get Ray to do the FX," Schneer said later.[6]

Shooting edit

Much of the filming was done at the San Francisco Naval Shipyard, including scenes aboard a submarine, and several naval personnel were given supporting roles.[7]

To keep shooting costs low, director Robert Gordon shot inside an actual submarine, both above and under water, using handheld cameras. For a scene that takes place on a stretch of Pacific coastline, Gordon and his crew dumped several truckloads of sand onto a sound stage at Columbia, which they backed with a rear projection screen. During their scene together, Kenneth Tobey found himself sinking through the sand to the point of appearing shorter than Faith Domergue on camera, forcing him to dig himself out of the hole between every take. A more extensive love scene had been written for the characters but was literally torn out of the shooting script by Sam Katzman, to keep principal photography from going over schedule.[7]

When animator Ray Harryhausen's special effects were budgeted, studio head Sam Katzman allowed Harryhausen only enough money for animating six of the octopus' eight tentacles; two were eliminated on the final shooting miniature. Harryhausen jokingly named his giant octopus "the sixtopus". For the scenes where a single tentacle is seen moving on screen, Harryhausen used a large model tentacle instead of employing the complete stop-motion animation model. Some of the later Golden Gate bridge scenes employ a shooting miniature of a bridge support; these were composited in post-production over live footage of the real support (this is the section that the "sixtopus" is seen clinging to in the bridge scene).[8]

Schneer was refused permission to shoot on the actual Golden Gate Bridge, so he put the camera on the back of a bakery truck and drove it back-and-forth over the bridge several times to get the needed footage.[9]

Reception edit

It Came from Beneath the Sea was teamed on a theatrical release double bill with Columbia's Creature with the Atom Brain.[3]

The film's success led to Harryhausen collaborating again with Schneer for Earth vs. the Flying Saucers the following year.[10][9]

Critical edit

Time Out called it a "minor entry in the '50s cycle of radiation-paranoia sci-fi pics";[11] and Moria noted, "Most of the film is told in a stolid, flat style that seems more like an Army training documentary than a dramatic film. The problem is that one has to plod through three-quarters of the film to get to the monster sequences...Certainly, when the climactic scenes of wholesale destruction do arrive they are great";[12] whereas Allmovie wrote that the film "utilized elements of the documentary, with a narration that makes the first half of the movie seem almost like a newsreel, which gives the action a greater immediacy. And...This is all presented in a cool, clipped realistic manner, with a strong but convincingly stated macho tone...It all served to make the first quarter hour of the film almost irresistibly suspenseful, and gave Harryhausen one of the best lead-ins that one could ask for, for his effects";[13] Leonard Maltin also praised the film's "Breathtaking special effects";[14] and the Radio Times, while acknowledging it as a "classic monster flick", also called the film "Predictable tosh, but good 1950s fun".[15]

Legacy edit

The four-issue comic book miniseries It Came from Beneath the Sea... Again (2007), released by TidalWave Productions as part of their Ray Harryhausen Signature Series, continued the story. A preview of the first issue was included on the 50th Anniversary DVD release of the film.[16]

A clip from the film was used in the second episode of the TV series Voyage to the Bottom of the Sea, which also features a giant man-eating octopus.[citation needed]

In The Mitchells vs. the Machines (2021), a theatrical release poster for It Came from Beneath the Sea can be seen in Katie Mitchell's bedroom.[17]

See also edit

References edit

  1. ^ . Archived from the original on May 22, 2009. Retrieved April 18, 2009.
  2. ^ 'The Top Box-Office Hits of 1955', Variety Weekly, January 25, 1956
  3. ^ a b "The Top 21 Most Kick-Ass Giant Monsters in Movie History!". bloody-disgusting.com. March 23, 2010.
  4. ^ Hal Erickson (2009). . Movies & TV Dept. The New York Times. Archived from the original on March 19, 2009. Retrieved May 10, 2013.
  5. ^ "It Came from Beneath the Sea (1955) - Overview". Turner Classic Movies. Retrieved May 10, 2013.
  6. ^ a b Swires p 59
  7. ^ a b Warren, Bill. Keep Watching the Skies Vol. I: 1950–1957, McFarland, 1982. ISBN 0-89950-032-3.
  8. ^ Dalton, Tony. Ray Harryhausen: An Animated Life. London: Aurum, 2003, p. 73.
  9. ^ a b Swires p 60
  10. ^ "It Came from Beneath the Sea (1955) - Articles - TCM.com". Turner Classic Movies.
  11. ^ . Archived from the original on July 1, 2018. Retrieved January 15, 2018.
  12. ^ "It Came from Beneath the Sea (1955). Giant Atomic Octopus/Ray Harryhausen Film. Stars: Kenneth Tobey, Faith Domergue. Director - Robert Gordon. Moria - The Science-Fiction, Horror and Fantasy Film Review". moria.co.nz. May 9, 1999.
  13. ^ "It Came from Beneath the Sea (1955) - Robert Gordon - Review - AllMovie". AllMovie.
  14. ^ "It Came from Beneath the Sea (1955) - Overview - TCM.com". Turner Classic Movies.
  15. ^ . Radio Times. Archived from the original on July 1, 2018. Retrieved January 15, 2018.
  16. ^ "Ray Harryhausen's Collection". IGN. September 24, 2007. Retrieved September 24, 2017.
  17. ^ Grebey, James (May 4, 2021). "Every Pop-Culture Easter Egg in The Mitchells vs. the Machines". Vulture. Vox Media. Retrieved August 8, 2021.

Bibliography edit

  • Warren, Bill (2009) [1982]. Keep Watching the Skies: American Science Fiction Films of the Fifties (21st Century ed.). Jefferson, NC: McFarland & Company. ISBN 978-0-89950-032-4. OCLC 564711346.
  • Swires, Steve (January 1990). "Mentor to the Magicks Part One". Starlog. No. 150. p. 57-72.

External links edit

came, from, beneath, 1955, american, science, fiction, monster, horror, film, from, columbia, pictures, produced, katzman, charles, schneer, directed, robert, gordon, that, stars, kenneth, tobey, faith, domergue, donald, curtis, screenplay, george, worthing, y. It Came from Beneath the Sea is a 1955 American science fiction monster horror film from Columbia Pictures produced by Sam Katzman and Charles Schneer directed by Robert Gordon that stars Kenneth Tobey Faith Domergue and Donald Curtis The screenplay by George Worthing Yates was designed to showcase the stop motion animation special effects of Ray Harryhausen It Came from Beneath the SeaTheatrical release half sheet display posterDirected byRobert GordonWritten byHal SmithGeorge Worthing YatesProduced byCharles H SchneerStarringKenneth TobeyFaith DomergueDonald CurtisNarrated byWilliam WoodsonCinematographyHenry FreulichEdited byJerome ThomsColor processBlack and whiteProductioncompanyClover ProductionsDistributed byColumbia PicturesRelease dateJuly 1955 U S release Running time79 minutesCountryUnited StatesLanguageEnglishBudget 150 000 1 Box office 1 7 million US 2 A monstrous giant octopus rampages along the west coast of North America after becoming too radioactive from nuclear testing in the South Pacific for it to be able to hunt its natural prey in the Mindanao Deep It Came from Beneath the Sea was released as the top half of a double feature with Creature with the Atom Brain 3 Contents 1 Plot 2 Cast 3 Production 3 1 Development 3 2 Shooting 4 Reception 4 1 Critical 5 Legacy 6 See also 7 References 7 1 Bibliography 8 External linksPlot editA nuclear submarine on its shakedown cruise in the Pacific Ocean captained by Commander Pete Mathews comes into contact with a massive sonar return Unable to outrun and outmaneuver the object the boat is disabled but frees itself and returns to Pearl Harbor Tissue from a huge sea creature is discovered jammed in the submarine s dive planes nbsp The cephalopod attacking the Golden Gate BridgeA team of marine biologists Professor Lesley Joyce and John Carter of Harvard University is called in they identify the tissue as being a small part of a gigantic octopus The military authorities are unconvinced but are finally persuaded after receiving reports of missing swimmers and ships at sea being pulled under by a large sea creature Both scientists conclude that the animal is from the Mindanao Deep having been forced from its natural habitat by hydrogen bomb testing in the area which has made the giant octopus radioactive driving off its natural food supply 4 The scientists suggest the disappearances of a Japanese fishing fleet and a Siberian seal boat may be the work of the foraging giant Both Mathews and the Navy representatives express doubt and demand further proof Later as Mathews assists Joyce and Carter a report comes in of an attack on a Canadian freighter several men escaped in a life raft The survivors are questioned by psychiatrists but when the first sailor s description of a creature with giant tentacles is doubted the other sailors refuse to testify Joyce is able to convince the first sailor to repeat his story The U S government officials halt all sea traffic in the North Pacific without revealing the reason Carter flies out to sea to trace a missing ship while Mathews and Joyce follow up on a report of five missing people off the coast of Oregon The local sheriff Bill Nash takes Mathews and Joyce to the attack site where they find a giant suction cup imprint in the beach sand At this point the two have become romantically involved They request that Carter join them Nash is later attacked along the beach by the giant octopus the two nearby scientists barely escape Together they hastily arrange for all Pacific coast waters to be mined before departing for the navy s base in San Francisco nbsp Drive in advertisement from 1955 for It Came from Beneath the Sea and co feature Creature with the Atom Brain An electrified safety net is strung under water across the entrance to San Francisco Bay protecting the electrified Golden Gate Bridge Carter takes a helicopter along the shoreline and baits the sea with dead sharks in an effort to lure the creature inland Joyce demonstrates to reporters a special jet propelled atomic torpedo which they hope to fire at the giant while driving it back to the open sea before detonating the weapon Later that day the creature demolishes the underwater net irritated by the electrical voltage and heads toward San Francisco The navy orders the Golden Gate Bridge abandoned Carter learns that the electric circuit was left on so he races to the bridge to shut it off The giant creature however catches sight of the bridge and attacks the electrical voltage irritating it even more Mathews is able to rescue Carter before a bridge section is pulled down by a giant tentacle The residents of San Francisco panic and begin a mass exodus The navy struggles to evacuate the Embarcadero and the Ferry Building which is battered by the creature s giant tentacles When more people are killed the Defense Department authorizes Mathews to take out the submarine and fire the torpedo Carter joins Mathews aboard while Joyce remains at the base Flamethrowers drive the giant tentacles back into the sea When Mathews fires the jet torpedo into the giant creature it grabs the submarine Using an aqualung Mathews swims up to the massive body and places explosive charges before being knocked out by the shockwaves from their premature explosion Carter then swims out and shoots at one of its eyes forcing the giant octopus to release the submarine he then pulls Mathews to safety Back at the base as the creature turns toward the open sea the torpedo is detonated completely destroying the giant cephalopod The trio later celebrate the victory at a restaurant where Mathews makes an impromptu proposal and Joyce accepts 5 Cast editKenneth Tobey as Commander Pete Mathews Faith Domergue as Professor Lesley Joyce Donald Curtis as Dr John Carter Ian Keith as Admiral Burns Dean Maddox Jr as Admiral Norman Chuck Griffiths as Lieutenant Griff Richard W Peterson as Captain Stacy Harry Lauteras Deputy Bill Nash Tol Avery as Navy Intern William Bryant as Helicopter Pilot Del Courtney as Naval Asst Sec Robert David Chase Roy Engel as Control Room Officer Ordering Drop Nets Eddie Fisher as McLeod Duke Fishman as Merchant Seaman Herschel Graham as Restaurant Patron Sam Hayes as Radio Newscaster Jules Irving as King S John Launer as Naval Doctor With Stethoscope Jack Littlefield as Aston Mike Morelli as Crew Member Sol Murgi as Pilot Monty O Grady as Restaurant Patron Rudy Puteska as Seaman Hall Charles H Schneer Ray Storey William Woodson as Opening NarratorProduction editDevelopment edit The film was made by producer Charles Schneer under the supervision of Sam Katzman who had a B picture unit at Columbia Schneer said the idea for the film was inspired by the first explosion of the hydrogen bomb in the Marshall Islands saying he felt if some creature came out of the deep and then destroyed the Golden Gate Bridge that would be a hell of a film 6 The title was inspired by Universal s science fiction hit It Came from Outer Space Schneer had been impressed by the effects for The Beast from 20 000 Fathoms and hired Ray Harryhausen I don t think I would have made that type of picture if I hadn t been able to get Ray to do the FX Schneer said later 6 Shooting edit Much of the filming was done at the San Francisco Naval Shipyard including scenes aboard a submarine and several naval personnel were given supporting roles 7 To keep shooting costs low director Robert Gordon shot inside an actual submarine both above and under water using handheld cameras For a scene that takes place on a stretch of Pacific coastline Gordon and his crew dumped several truckloads of sand onto a sound stage at Columbia which they backed with a rear projection screen During their scene together Kenneth Tobey found himself sinking through the sand to the point of appearing shorter than Faith Domergue on camera forcing him to dig himself out of the hole between every take A more extensive love scene had been written for the characters but was literally torn out of the shooting script by Sam Katzman to keep principal photography from going over schedule 7 When animator Ray Harryhausen s special effects were budgeted studio head Sam Katzman allowed Harryhausen only enough money for animating six of the octopus eight tentacles two were eliminated on the final shooting miniature Harryhausen jokingly named his giant octopus the sixtopus For the scenes where a single tentacle is seen moving on screen Harryhausen used a large model tentacle instead of employing the complete stop motion animation model Some of the later Golden Gate bridge scenes employ a shooting miniature of a bridge support these were composited in post production over live footage of the real support this is the section that the sixtopus is seen clinging to in the bridge scene 8 Schneer was refused permission to shoot on the actual Golden Gate Bridge so he put the camera on the back of a bakery truck and drove it back and forth over the bridge several times to get the needed footage 9 Reception editIt Came from Beneath the Sea was teamed on a theatrical release double bill with Columbia s Creature with the Atom Brain 3 The film s success led to Harryhausen collaborating again with Schneer for Earth vs the Flying Saucers the following year 10 9 Critical edit Time Out called it a minor entry in the 50s cycle of radiation paranoia sci fi pics 11 and Moria noted Most of the film is told in a stolid flat style that seems more like an Army training documentary than a dramatic film The problem is that one has to plod through three quarters of the film to get to the monster sequences Certainly when the climactic scenes of wholesale destruction do arrive they are great 12 whereas Allmovie wrote that the film utilized elements of the documentary with a narration that makes the first half of the movie seem almost like a newsreel which gives the action a greater immediacy And This is all presented in a cool clipped realistic manner with a strong but convincingly stated macho tone It all served to make the first quarter hour of the film almost irresistibly suspenseful and gave Harryhausen one of the best lead ins that one could ask for for his effects 13 Leonard Maltin also praised the film s Breathtaking special effects 14 and the Radio Times while acknowledging it as a classic monster flick also called the film Predictable tosh but good 1950s fun 15 Legacy editThe four issue comic book miniseries It Came from Beneath the Sea Again 2007 released by TidalWave Productions as part of their Ray Harryhausen Signature Series continued the story A preview of the first issue was included on the 50th Anniversary DVD release of the film 16 A clip from the film was used in the second episode of the TV series Voyage to the Bottom of the Sea which also features a giant man eating octopus citation needed In The Mitchells vs the Machines 2021 a theatrical release poster for It Came from Beneath the Sea can be seen in Katie Mitchell s bedroom 17 See also editList of American films of 1955 List of stop motion films List of underwater science fiction works USS Cubera SS 347 List of killer octopus filmsReferences edit IT Came from Beneath the Sea 1955 Archived from the original on May 22 2009 Retrieved April 18 2009 The Top Box Office Hits of 1955 Variety Weekly January 25 1956 a b The Top 21 Most Kick Ass Giant Monsters in Movie History bloody disgusting com March 23 2010 Hal Erickson 2009 It Came From Beneath the Sea Trailer Cast Showtimes NYTimes com Movies amp TV Dept The New York Times Archived from the original on March 19 2009 Retrieved May 10 2013 It Came from Beneath the Sea 1955 Overview Turner Classic Movies Retrieved May 10 2013 a b Swires p 59 a b Warren Bill Keep Watching the Skies Vol I 1950 1957 McFarland 1982 ISBN 0 89950 032 3 Dalton Tony Ray Harryhausen An Animated Life London Aurum 2003 p 73 a b Swires p 60 It Came from Beneath the Sea 1955 Articles TCM com Turner Classic Movies It Came from Beneath the Sea Archived from the original on July 1 2018 Retrieved January 15 2018 It Came from Beneath the Sea 1955 Giant Atomic Octopus Ray Harryhausen Film Stars Kenneth Tobey Faith Domergue Director Robert Gordon Moria The Science Fiction Horror and Fantasy Film Review moria co nz May 9 1999 It Came from Beneath the Sea 1955 Robert Gordon Review AllMovie AllMovie It Came from Beneath the Sea 1955 Overview TCM com Turner Classic Movies It Came from beneath the Sea review cast and crew movie star rating and where to watch film on TV and online Radio Times Archived from the original on July 1 2018 Retrieved January 15 2018 Ray Harryhausen s Collection IGN September 24 2007 Retrieved September 24 2017 Grebey James May 4 2021 Every Pop Culture Easter Egg in The Mitchells vs the Machines Vulture Vox Media Retrieved August 8 2021 Bibliography edit Warren Bill 2009 1982 Keep Watching the Skies American Science Fiction Films of the Fifties 21st Century ed Jefferson NC McFarland amp Company ISBN 978 0 89950 032 4 OCLC 564711346 Swires Steve January 1990 Mentor to the Magicks Part One Starlog No 150 p 57 72 External links edit nbsp Wikiquote has quotations related to It Came from Beneath the Sea 1996 soundtrack rerecording It Came from Beneath the Sea at IMDb It Came from Beneath the Sea at AllMovie It Came from Beneath the Sea at the TCM Movie Database It Came from Beneath the Sea at the American Film Institute Catalog Retrieved from https en wikipedia org w index php title It Came from Beneath the Sea amp oldid 1183643360, wikipedia, wiki, book, books, library,

article

, read, download, free, free download, mp3, video, mp4, 3gp, jpg, jpeg, gif, png, picture, music, song, movie, book, game, games.