His father, Israel, was originally from Regensburg. His mother, Giuditta née Panzieri, was from an upper-class family in Ancona.[1] He displayed artistic talent at an early age, but his father was opposed to his pursuit of that as a career. At the age of sixteen, he rebelled, running away from home to join up with an "impresario" named Benelli; providing drawings in return for his upkeep. The constant travelling, long hours and poor food undermined his already precarious health; having suffered a childhood fall that damaged his back. He eventually developed a chronic heart condition, and was forced to quit.
Around 1880, after a brief stay in Trieste, he was able to enroll at the Accademia di Belle Arti di Venezia, where he studied with Pompeo Marino Molmenti. After two years, he transferred to the Academy of Fine Arts, Munich. There, he met two other students from Trieste; Carlo Wostry and Umberto Veruda, whose recollections provide much of what is known about him up to this period.[1] In 1884, new health problems forced him to quit attending school and work as an itinerant portrait painter. He left Munich in 1886 and returned to Trieste.
In 1888, he participated in a competition in Bologna, but was denied a prize because he lacked Italian citizenship; Trieste being part of Austria-Hungary at that time. He was also rejected for a scholarship that would have allowed him to study in Rome, but was able to gain financial support from Baron Giuseppe Morpurgo (1816-1898), head curator at the Museo Revoltella.[1]
While in Rome, he was able to attract a permanent patron, Count Alessandro Lotteringhi della Stufa, who offered him room to set up a studio at the family palace in Florence. There, he gained numerous clients among the aristocracy, but much of his work from that time is unknown, as it remains in private collections.[1] He left there in 1891, to travel, although he went back occasionally, and returned in 1893. During this period, he painted little, focusing on caricatures, and lived a very disorganized life. He also contracted an unhappy marriage, with Irene Fabbricotti, a young woman from Tuscany, who gave him two daughters.
Count Lotteringhi died in 1895, and his heirs took away the studio. Left without that resource, Grünhut's livelihood was precarious and he became more unruly. His excesses led to a physical and mental collapse; leaving him paralyzed and leading to his death; aged only thirty-three.
Unwanted Advances
Referencesedit
^ abcdBiography from the Dizionario Biografico degli Italiani @ Treccani
Further readingedit
Carlo Wostry, Storia del Circolo artistico di Trieste, Edizioni de La Panarie, 1934
Catalogo della la Galleria d'arte moderna del Civico Museo Revoltella, Ed. by Franco Firmiani and Sergio Molesi, Ente Provinciale per il Turismo, 1970, p. 77
La pittura in Italia. L'Ottocento, II, Ed, by Enrico Castelnuovo and C. Pirovano, Mondadori Electa, 1997, ISBN978-88-435-3560-6, p. 862
Laura Vasselli, Artisti allo specchio. Caricature e ritratti del Circolo artistico di Trieste 1887-1910 (Exhibition catalog), Civici Musei di Storia ed Arte di Trieste, 1992
Adriano Dugulin (Ed.), Shalom Trieste. Gli itinerari dell'ebraismo (Exhibition catalog), Comune di Trieste, 1998 ISBN978-88-87377-03-3, pp. 365-372
External linksedit
Media related to Isidoro Grünhut at Wikimedia Commons
May 08, 2024
isidoro, grünhut, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, removed, find, sources, news, newspapers, books, scholar, jstor, 2021, lea. This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Isidoro Grunhut news newspapers books scholar JSTOR May 2021 Learn how and when to remove this message Isidoro Grunhut 27 August 1862 in Trieste 5 May 1896 in Florence was an Austrian painter of Jewish ancestry known for genre scenes and portraits The Dying Man Contents 1 Biography 2 References 3 Further reading 4 External linksBiography edit nbsp The Doll His father Israel was originally from Regensburg His mother Giuditta nee Panzieri was from an upper class family in Ancona 1 He displayed artistic talent at an early age but his father was opposed to his pursuit of that as a career At the age of sixteen he rebelled running away from home to join up with an impresario named Benelli providing drawings in return for his upkeep The constant travelling long hours and poor food undermined his already precarious health having suffered a childhood fall that damaged his back He eventually developed a chronic heart condition and was forced to quit Around 1880 after a brief stay in Trieste he was able to enroll at the Accademia di Belle Arti di Venezia where he studied with Pompeo Marino Molmenti After two years he transferred to the Academy of Fine Arts Munich There he met two other students from Trieste Carlo Wostry and Umberto Veruda whose recollections provide much of what is known about him up to this period 1 In 1884 new health problems forced him to quit attending school and work as an itinerant portrait painter He left Munich in 1886 and returned to Trieste In 1888 he participated in a competition in Bologna but was denied a prize because he lacked Italian citizenship Trieste being part of Austria Hungary at that time He was also rejected for a scholarship that would have allowed him to study in Rome but was able to gain financial support from Baron Giuseppe Morpurgo 1816 1898 head curator at the Museo Revoltella 1 While in Rome he was able to attract a permanent patron Count Alessandro Lotteringhi della Stufa who offered him room to set up a studio at the family palace in Florence There he gained numerous clients among the aristocracy but much of his work from that time is unknown as it remains in private collections 1 He left there in 1891 to travel although he went back occasionally and returned in 1893 During this period he painted little focusing on caricatures and lived a very disorganized life He also contracted an unhappy marriage with Irene Fabbricotti a young woman from Tuscany who gave him two daughters Count Lotteringhi died in 1895 and his heirs took away the studio Left without that resource Grunhut s livelihood was precarious and he became more unruly His excesses led to a physical and mental collapse leaving him paralyzed and leading to his death aged only thirty three nbsp Unwanted AdvancesReferences edit a b c d Biography from the Dizionario Biografico degli Italiani TreccaniFurther reading editCarlo Wostry Storia del Circolo artistico di Trieste Edizioni de La Panarie 1934 Catalogo della la Galleria d arte moderna del Civico Museo Revoltella Ed by Franco Firmiani and Sergio Molesi Ente Provinciale per il Turismo 1970 p 77 La pittura in Italia L Ottocento II Ed by Enrico Castelnuovo and C Pirovano Mondadori Electa 1997 ISBN 978 88 435 3560 6 p 862 Laura Vasselli Artisti allo specchio Caricature e ritratti del Circolo artistico di Trieste 1887 1910 Exhibition catalog Civici Musei di Storia ed Arte di Trieste 1992 Adriano Dugulin Ed Shalom Trieste Gli itinerari dell ebraismo Exhibition catalog Comune di Trieste 1998 ISBN 978 88 87377 03 3 pp 365 372External links edit nbsp Media related to Isidoro Grunhut at Wikimedia Commons Retrieved from https en wikipedia org w index php title Isidoro Grunhut amp oldid 1212996597, wikipedia, wiki, book, books, library,
