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I'll Deal with Him Later

April 09, 2024

"I'll Deal with Him Later" is the second episode of the BBC America television show Killing Eve. It aired on 15 April 2018 in the United States and 22 September 2018 in the United Kingdom.

"I'll Deal with Him Later"
Killing Eve episode
Villanelle wears a pink tutu for a psychiatric analysis. The dress had an impact in fashion and popular culture.
Episode no.Season 1
Episode 2
Directed byHarry Bradbeer
Written byPhoebe Waller-Bridge
Original air date15 April 2018 (2018-04-15)
Running time43 minutes
Guest appearances
  • Charlie Hamblett as Sebastian
  • Yakim Nedel as Filip Petrova
  • Sonia Elliman as Madame Tattevin
  • David Bertrand as Jerome
  • Huw Parmenter as Senior
  • Stefanie Mueller as Nicole Moreaux
  • Aurélie Meriel as Carla De Mann
  • Sabrina Open as Local Girl
  • Will Haddington as London Waiter
Episode chronology
← Previous
"Nice Face" 		Next →
"Don't I Know You?"
List of episodes

The episode sees Villanelle (Jodie Comer) continue on her killing spree despite a troubling psychiatric assessment and the knowledge that intelligence services are hunting her down; Eve Polastri (Sandra Oh) quickly forms a task force of bright young agents.

Synopsis edit

Villanelle stalks and shoots a man in an office building in Bulgaria. She watches the man die, then sits down on a chair, looking bored.

In London, Eve meets Carolyn (Fiona Shaw) for breakfast in a restaurant. Carolyn reveals that she knows Eve has been compiling cases that may fit her theory of a female assassin working internationally, a theory that Carolyn shares. Carolyn hires Eve to run the investigation, and introduces her to computing specialist Kenny (Sean Delaney).

In Paris, Villanelle is told by Konstantin (Kim Bodnia) that there are concerns over her mental state due to her recent behaviour, and that she needs to undergo a psychiatric assessment before working again. The assessment goes well until a mysterious woman named Anna is mentioned, and subsequently Villanelle is suspended from active duty. She distracts Konstantin by expressing her affection for him, and steals from him a postcard with details of her next job.

Eve hires Bill (David Haig) and Elena (Kirby Howell-Baptiste) to join her team. She and Bill agree that the killer is the key to the organisation behind the pattern of assassinations.

Villanelle enters into a relationship with her neighbour Sebastian (Charlie Hamblett). She disguises herself as wait staff and infiltrates a political fundraising event. She finds Carla de Mann (Aurélie Meriel) alone in the ladies and persuades her to sample a perfume she had prepared earlier, which in fact is a nerve agent that triggers de Mann's asthma. Villanelle watches her die, then leaves, taking the bottle of perfume with her.

Eve, Bill, and Elena arrange a meeting with Frank (Darren Boyd) at a pub. Eve and Bill press Frank about the CCTV footage, and Frank admits he made up the footage to discredit Eve's theories. Eve tells Niko that she is working for MI6 to track down the killer, prompting Niko to ask if it's what she wants to do.

Villanelle returns to her apartment and is confronted by Konstantin, angry that she disobeyed him. They are interrupted by Sebastian, who then leaves, but not before spying the bottle of perfume and taking it with him. Konstantin informs Villanelle that a woman is leading an operation in London to find her. Villanelle asks for her name, which he divulges—Eve Polastri. They hear a thud from outside and find Sebastian dead, having accidentally suffocated himself when he tried on the perfume.

Villanelle searches for photos of Eve on the Internet, and identifies Eve from a group photo of Niko's contract bridge club. Concurrently, Eve sifts through photos of nursing staff at the hospital. Both Eve and Villanelle realise they met the other at the hospital.

Production edit

Molly Goddard pink dress edit

 
Similar dresses by the designer hanging in an installation

Villanelle wears a pink tulle dress in a scene where she attends an informal psychiatric assessment at the request of Konstantin, who is concerned that she may be getting too sentimental. She then defiantly walks into the street wearing it. The dress was designed by Molly Goddard as part of her Spring 2017 collection,[n. 1] and was inspired by a 1958 Balenciaga babydoll dress.[4] The color of the dress has been consistently described as "bubblegum pink".[n. 2] Madeleine Davies of The Muse describes it as a "cotton candy fantasy",[3] and Melania Hidalgo of The Cut calls it a "pastel-colored confection".[10]

Context edit

Luke Jennings described Villanelle's style as "goofy couture",[11] which Steff Yotka of Vogue believes Phoebe de Gaye has applied to this outfit, saying that "[Villanelle's] wardrobe matches her flights of fancy" and "rarely do you see a character whirling through Paris in a shocking pink Molly Goddard dress".[12]

Lauren Sharkey of Bustle called it "the first heavy-hitting ensemble" of the show.[7] De Gaye says that the key to making the outfit work was Jodie Comer, that "you couldn't put that dress on any actress and bring it off. [Comer]'s got the kind of chutzpah to wear those things with just the right amount of nonchalance."[5]

Conception edit

In the script, the dress in the scene was described as "a big poofy dress".[5][12] The writing team had originally envisioned something more classical,[12] an idea they returned to throughout production, but eventually went with the Molly Goddard dress proposed by costume designer Phoebe de Gaye.[5] De Gaye had been inspired by the script, telling IndieWire that when she read the description "[she] thought, 'Well, Molly Goddard has those. Let's go and get one of those.'" She also drew inspiration from when she had been creating an initial mood board for the character and "found a great fashion image of somebody shimmying down a drain pipe wearing a kind of great floaty thing", saying she was also "looking for things which were playing with the masculine and feminine side to [Villanelle] because she's sort of slightly ambivalent".[8] De Gaye bought the dress directly from Goddard,[12] and modified it for the episode slightly, explaining: "I added a bit of a little bit more trim to the sleeves, a little bit more but not much. Then also we built out the skirt a little bit, we put a little bit more sort of under-petticoat things that poofed out even more slightly."[8] For the rest of the outfit, DeGaye describes the black Balenciaga boots and black bra Villanelle also wears as "an antidote to all that frou-frou".[13] DeGaye has said that she loves the dress.[5]

Characterization edit

"It's like she's sticking two fingers up and saying, 'Okay, I'm going to dress like a little girl and act like a mad little girl.' She’s quite subversive. I thought that would be great to use with the color and the mixture of the extremely feminine, almost to the slightly perverse point, with those boots, which are a good mix." — Phoebe de Gaye, costume designer[12]

De Gaye believes that the dress is "a very strong statement on camera" and also "a big opportunity for [Villanelle] to do a sort of very girly thing, but undercut it by putting it with boots", saying that she "thought that Molly Goddard stuff was just perfect for that more insouciant, putting two fingers up, rather subversive [moment]".[5] She does add, however, that though "it's quite nice to give these [designer clothes] an airing [...] it's always got to work in with the dramatic needs of the scenes". Yotka praised De Gaye for "finding innovative ways to include contemporary luxury items".[12] Critics have commented on how the dress works to reflect Villanelle's character and subversive nature.

Within the context of the scene, Ellie Violet Bramley, writing for The Guardian, notes that the dress "is Villanelle at her elusive, teasing best" because it shows her "throwing all manner of curveballs in the direction of those trying to psychoanalyse her";[6] Hidalgo says that "the cheerful dress is a perfect contrast to the grisly subject, true to her character's dark sense of humor".[10] Sharkey, and Hahn Nguyen of IndieWire, agree with De Gaye's assessment that Villanelle's dress choice is deliberately childish. Sharkey says that "Villanelle decides to wear the frothy tulle dress as a middle finger to her bosses. If they want her to act like a young girl, why not dress like one?",[7] and Nguyen mentions that she's "almost like a little girl who is playing dress-up, and her manner at the session is mocking and playful".[8]

The dress has been described as a subversive choice outside of the specific context, too. Chloe Foussianes of Town & Country says that it is subversive in how "it channels Villanelle so well: flamboyant, unapologetically feminine, and utterly unconcerned with squeezing into society's rigid boundaries".[14] In a slightly different assessment, Sonia Saraiya of Vanity Fair believes that it is subversive because of how it contrasts the feminine with the masculine, as "[the dress is] paired, rebelliously, with punky Balenciaga boots".[9] Yotka agrees that the boots were a good contrast, and also writes that the dress is a deliberate statement, saying that when "Villanelle [...] stands in Paris's Place Vendôme in that very outfit, [she is] rivaling Rihanna in statement-making style".[12] Nguyen likewise adds to her assessment that Villanelle is still trying to be "attention-grabbing" in her choice,[8] similar to Bramley mentioning that "any misguided expectation of ultra-femininity is undercut by her choice of Balenciaga leather boots".[6] Agreeing that "[Villanelle] has to add a twist by pairing the overtly feminine style with tough Balenciaga biker boots", Sharkey also uses another interpretation in noting that it reflects Villanelle's other choices in extravagant murder outfits and that "by dressing angelically yet powerfully, she draws in her victims almost by hypnotising them", suggesting that nobody would suspect a girl in a pink dress of being an assassin.[7]

Cultural impact edit

"For anyone who watched hit series Killing Eve in 2018, starring Sandra Oh and Jodie Comer, you'll be familiar with that pink dress moment. [...] Clearly taking inspiration from Villanelle's defiant attitude in her Molly Goddard babydoll, this year's Oscars red carpet guests are showing their fearlessness in the face of a giant pink frock." — Natasha Bird, Elle[15]

 
Actress Emily Blunt in bright pink at the 2019 SAG Awards.

Morwenna Ferrier says that the appearance of the outfit on the show "broke the internet".[11] Natasha Bird called it "fashion's big television moment of the year",[15] and Katie Rosseinsky called it "[the] autumn's best fashion moment".[13] Stephanie Eckardt of W said that the dress turned "an otherwise unnotable scene [...] into a standout fashion moment".[16]

The dress had an impact in popular culture. Foussianes asserts that "when Killing Eve fans close their eyes, they likely picture Villanelle in this look",[14] with Danielle Fowler of Harper's Bazaar writing that since Villanelle appeared in the dress it has "continued to steer our shopping habits";[17] a November 2018 article in The Guardian states that "you can tell a TV villain has made their mark on popular culture if they become a Halloween costume" and noted that "for every Trumpian wig or handmaid's bonnet seen at a Halloween party, there was a giant pink dress based on the one worn by the assassin Villanelle".[11] More significantly, multiple commenters saw a further impact in the abundance of pink dresses worn at the 91st Academy Awards and other ceremonies in this award season, writing that there was clear inspiration taken from the episode.[n. 3] A cake depicting the character in the dress was made for the 2019 Cake International festival,[36] created by Turkish culinary artist Tuba Geçkil.[37] Through Autumn/Winter 2019, tulle remained in mode, a trend credited to this dress on the show.[38]

Within the spy thriller genre, Yotka claims that "[this dress] has also redefined the look of an international assassin story. There are no blunt bobs and leather dusters like in last summer's Atomic Blonde, nor any drab and utilitarian cargo pants or knits like those once worn by Jason Bourne."[12]

Reception edit

Reviewers gave positive notes to the subversive presentation of the sex scene between Villanelle and Sebastian, with Lisa Weidenfeld of The A.V. Club likening it to murder as Villanelle treats it as "nothing but another way for her to peer into someone's eyes at the exact moment of transformation";[39] Ariana Romero of Refinery29 praises both how the episode puts Sebastian into the Bond girl and caretaker role, and how it gives Villanelle the dominant sexuality more associated with men that leaves her powerful and calm throughout the scene in which Sebastian is overwhelmed and "performatively" vocal.[40]

On Rotten Tomatoes the episode has a 100% rating from 5 reviews.[41]

Notes edit

  1. ^ It is seen under the collection on the Vogue website (as look #26)[1] and the London Fashion Week catwalk.[2] The Muse names the dress as "from Goddard's 2016 line";[3] the dress premiered in 2016,[2] which may explain this statement.
  2. ^ In: Vulture ("sort of bubblegum pink"),[5] The Guardian ("billowing, bubblegum-pink, Molly Goddard gown"),[6] Bustle ("a bubblegum pink Molly Goddard dress"),[7] and IndieWire ("And the pink was such a great color. Bubblegum.")[8] Sonia Saraiya of Vanity Fair says it is "saccharine-pink".[9]
  3. ^ Including Annabel Rackham of the BBC,[18] Natasha Bird[15] and Estelle Tang[19] of Elle, Lindsay MacDonald of TV Guide,[20] Chloe Street of the Evening Standard,[21] Jess Cartner-Morley of The Guardian,[22] Hannah Williams of Garage,[23] Meghan O'Keefe of Decider,[24] Kate Finnigan of Vogue,[25] Maija Kappler[26] and Louise Whitbread[27] of Huffington Post, Sarah Spellings of The Cut,[28] Lucy Abbersteen of Marie Claire,[29] and The Irish Times,[30] as well as articles in Hello!,[31] and The Independent.[32] Yahoo! UK Style Editor Alison Coldridge opened her red carpet article by saying "We don't know if it was the frothy, pink tulle Molly Goddard dress Villanelle wore in 'Killing Eve' that inspired it, but pink was certainly the colour du jour at the Oscars 2019."[33] Alice Newbold, also for Vogue, does not mention the show (unlike colleague Finnigan) but implicitly connects the trend, referring to Phoebe Waller-Bridge and saying that Linda Cardellini's dress "made Molly Goddard's signature tulle confections look like cupcakes next to a decadent gateau".[34] Without making the connection, Dhani Mau of Fashionista wrote that "...pink was easily the night's biggest color trend, and not only that, but these pink gowns were equipped with girly, voluminous, statement-making accents; tulle, ruffles and bows (also a Golden Globes trend) abounded",[35] with the trend noted by others.

References edit

  1. ^ "Spring 2017 Ready-to-wear Molly Goddard Look 26/28". Vogue. Retrieved 13 April 2019.
  2. ^ a b Molly Goddard Spring Summer 2017 Full Fashion Show Exclusive. YouTube. 17 September 2016. Retrieved 13 April 2019. Between 05:14-05:30
  3. ^ a b Davies, Madeleine (25 May 2018). "A Broke (to Not-So-Broke) Woman's Guide to Dressing Like Villanelle From Killing Eve". The Muse. Retrieved 13 April 2019.
  4. ^ Molly Goddard: inspired by Balenciaga. YouTube. 30 June 2017. Retrieved 14 April 2019. The babydoll dress: that kind of shows the body in almost the most revealing way, yet it's a massive piece of fabric covering it and that's something that I have always been quite interested in doing. Between 01:33-01:45
  5. ^ a b c d e f VanArendonk, Kathryn (15 May 2018). "How Killing Eve Gets Its Killer Costumes". Vulture. Retrieved 13 April 2019.
  6. ^ a b c Bramley, Ellie Violet (17 October 2018). "Killing Eve: six looks to die for from the BBC thriller". The Guardian. Retrieved 13 April 2019.
  7. ^ a b c d Sharkey, Lauren (28 September 2018). "The Fashion On 'Killing Eve' Is So Major That Everyone's Dreaming Of Dressing Like An Assassin". Bustle. Retrieved 13 April 2019.
  8. ^ a b c d e Nguyen, Hahn (22 May 2018). "'Killing Eve': How the Assassin-Chic Costumes Reflect the Show's Twisted Psychology". IndieWire. Retrieved 13 April 2019.
  9. ^ a b Saraiya, Sonia (27 July 2018). "Why the Fashion on Killing Eve Is Its Own Delicious Subplot". Vanity Fair. Retrieved 13 April 2019.
  10. ^ a b Hidalgo, Melania (27 April 2018). "How to Dress Like TV's Chicest Assassin". The Cut. Retrieved 13 April 2019.
  11. ^ a b c Ferrier, Morwenna (2 November 2018). "How fashion, both decadent and drab, became the star of Killing Eve". The Guardian. Retrieved 13 April 2019.
  12. ^ a b c d e f g h Yotka, Steff (27 April 2018). "Killing Eve Is the Most Fashionable Show on TV". Vogue. Retrieved 13 April 2019.
  13. ^ a b Rosseinsky, Katie (28 September 2018). "Dressed To Kill: How Villanelle Became TV's Subversive Style Icon". Grazia. Retrieved 14 April 2019.
  14. ^ a b Foussianes, Chloe (6 April 2019). "The 10 Best Costumes from Killing Eve's First Season". Town & Country. Retrieved 13 April 2019.
  15. ^ a b c Bird, Natasha (25 February 2019). "Oscars 2019 Fashion: Pink Ruffled Dresses Are The Order Of The Night". Elle. Retrieved 13 April 2019.
  16. ^ Eckardt, Stephanie (7 April 2019). "Killing Eve Season 2 Premiere Fashion Recap: Villanelle Is Defeated By Knockoff Crocs". W. Retrieved 25 April 2019.
  17. ^ Fowler, Danielle (10 March 2019). "The Killing Eve season two trailer has landed". Harper's Bazaar. Retrieved 14 April 2019.
  18. ^ Rackham, Annabel (25 February 2019). "Oscars 2019: Which Oscars outfits have caused a stir?". BBC News. Retrieved 18 April 2019.
  19. ^ Tang, Estelle (25 February 2019). "Pink Dresses Emerge as the Biggest Red Carpet Trend at 2019 Oscars". Elle. Retrieved 18 April 2019.
  20. ^ MacDonald, Lindsay (24 February 2019). "You Can Thank Killing Eve's Villanelle for All the Pink Puff at the Oscars". TV Guide. Retrieved 18 April 2019.
  21. ^ Street, Chloe (25 February 2019). "Pink dresses dominated on the Oscars 2019 red carpet/ Could this be the Killing Eve effect?". Evening Standard. Retrieved 18 April 2019.
  22. ^ Cartner-Morley, Jess (25 February 2019). "Red-carpet fashion at Oscars 2019: 'A bright pink confetti explosion'". The Guardian. Retrieved 18 April 2019.
  23. ^ Williams, Hannah (6 March 2019). "The Rise and Rise of the Big Pink Dress". Garage. Retrieved 18 April 2019.
  24. ^ O’Keefe, Meghan (24 February 2019). "Kacey Musgraves and More Rock the 'Killing Eve' Look at the 2019 Oscars". Decider. Retrieved 18 April 2019.
  25. ^ Finnigan, Kate (25 February 2019). "How Oscar Night Found Its Inner Drama Queen". Vogue. Retrieved 18 April 2019.
  26. ^ Kappler, Maija (24 February 2019). "Pink Was The Colour Of Power At The 2019 Oscars". Huffington Post Canada. Retrieved 18 April 2019.
  27. ^ Whitbread, Louise (25 February 2019). "Oscars 2019 Red Carpet: Where To Buy Hot Pink On The High Street". Huff Post. Retrieved 18 April 2019.
  28. ^ Spellings, Sarah (24 February 2019). "Why Is Everyone Wearing Big Pink Dresses at the Oscars?". The Cut. Retrieved 18 April 2019.
  29. ^ Abbersteen, Lucy (25 February 2019). "When it came to hair, the bob ruled the Oscars red carpet this year". Marie Claire. Retrieved 18 April 2019.
  30. ^ "Oscars 2019: Billy Porter's tuxedo gown stuns the red carpet". Irish Times. 25 February 2019. Retrieved 18 April 2019.
  31. ^ "Oscars 2019 fashion: Pink took over the red carpet". Hello!. 25 February 2019.
  32. ^ "Oscars 2019: Pink outfits dominated the red carpet". The Independent. 25 February 2019.
  33. ^ Coldridge, Alison (25 February 2019). "Larger-than-life pink dresses dominated the Oscars 2019 red carpet". Yahoo! UK. Retrieved 18 April 2019.
  34. ^ Newbold, Alice (25 February 2019). "The Oscars Confirms Fashion's Favourite Colour On The Red Carpet". Vogue. Retrieved 18 April 2019.
  35. ^ Mau, Dhani (24 February 2019). "The Oscars Red Carpet Was Very Pink". Fashionista. Retrieved 18 April 2019.
  36. ^ "Killing Eve: Life-size Villanelle baked for cake show". BBC. 1 November 2019. Retrieved 2 November 2019.
  37. ^ . Cake International. Archived from the original on 2 November 2019. Retrieved 2 November 2019.
  38. ^ Conlon, Scarlett (17 September 2019). "Fall for tulle: how fashion's floatiest fabric rose to power". The Guardian. ISSN 0261-3077. Retrieved 2 November 2019.
  39. ^ Weidenfeld, Lisa (15 April 2018). "Killing Eve assembles its sleuthing squad and sets up its chase". The A.V. Club. Retrieved 13 April 2019.
  40. ^ Romero, Ariana (16 April 2018). "Killing Eve Had One Of 2018's Most Memorable Sex Scenes". Refinery29. Retrieved 13 April 2019.
  41. ^ "Killing Eve S01 E02". Rotten Tomatoes. Retrieved 13 April 2019.

External links edit

  • "I'll Deal with Him Later" at BBC Online
  • "I'll Deal with Him Later" at IMDb  


April 09, 2024
deal, with, later, second, episode, america, television, show, killing, aired, april, 2018, united, states, september, 2018, united, kingdom, killing, episodevillanelle, wears, pink, tutu, psychiatric, analysis, dress, impact, fashion, popular, culture, episod. I ll Deal with Him Later is the second episode of the BBC America television show Killing Eve It aired on 15 April 2018 in the United States and 22 September 2018 in the United Kingdom I ll Deal with Him Later Killing Eve episodeVillanelle wears a pink tutu for a psychiatric analysis The dress had an impact in fashion and popular culture Episode no Season 1Episode 2Directed byHarry BradbeerWritten byPhoebe Waller BridgeOriginal air date15 April 2018 2018 04 15 Running time43 minutesGuest appearancesCharlie Hamblett as Sebastian Yakim Nedel as Filip Petrova Sonia Elliman as Madame Tattevin David Bertrand as Jerome Huw Parmenter as Senior Stefanie Mueller as Nicole Moreaux Aurelie Meriel as Carla De Mann Sabrina Open as Local Girl Will Haddington as London WaiterEpisode chronology Previous Nice Face Next Don t I Know You List of episodesThe episode sees Villanelle Jodie Comer continue on her killing spree despite a troubling psychiatric assessment and the knowledge that intelligence services are hunting her down Eve Polastri Sandra Oh quickly forms a task force of bright young agents Contents 1 Synopsis 2 Production 2 1 Molly Goddard pink dress 2 1 1 Context 2 1 2 Conception 2 1 3 Characterization 2 1 4 Cultural impact 3 Reception 4 Notes 5 References 6 External linksSynopsis editVillanelle stalks and shoots a man in an office building in Bulgaria She watches the man die then sits down on a chair looking bored In London Eve meets Carolyn Fiona Shaw for breakfast in a restaurant Carolyn reveals that she knows Eve has been compiling cases that may fit her theory of a female assassin working internationally a theory that Carolyn shares Carolyn hires Eve to run the investigation and introduces her to computing specialist Kenny Sean Delaney In Paris Villanelle is told by Konstantin Kim Bodnia that there are concerns over her mental state due to her recent behaviour and that she needs to undergo a psychiatric assessment before working again The assessment goes well until a mysterious woman named Anna is mentioned and subsequently Villanelle is suspended from active duty She distracts Konstantin by expressing her affection for him and steals from him a postcard with details of her next job Eve hires Bill David Haig and Elena Kirby Howell Baptiste to join her team She and Bill agree that the killer is the key to the organisation behind the pattern of assassinations Villanelle enters into a relationship with her neighbour Sebastian Charlie Hamblett She disguises herself as wait staff and infiltrates a political fundraising event She finds Carla de Mann Aurelie Meriel alone in the ladies and persuades her to sample a perfume she had prepared earlier which in fact is a nerve agent that triggers de Mann s asthma Villanelle watches her die then leaves taking the bottle of perfume with her Eve Bill and Elena arrange a meeting with Frank Darren Boyd at a pub Eve and Bill press Frank about the CCTV footage and Frank admits he made up the footage to discredit Eve s theories Eve tells Niko that she is working for MI6 to track down the killer prompting Niko to ask if it s what she wants to do Villanelle returns to her apartment and is confronted by Konstantin angry that she disobeyed him They are interrupted by Sebastian who then leaves but not before spying the bottle of perfume and taking it with him Konstantin informs Villanelle that a woman is leading an operation in London to find her Villanelle asks for her name which he divulges Eve Polastri They hear a thud from outside and find Sebastian dead having accidentally suffocated himself when he tried on the perfume Villanelle searches for photos of Eve on the Internet and identifies Eve from a group photo of Niko s contract bridge club Concurrently Eve sifts through photos of nursing staff at the hospital Both Eve and Villanelle realise they met the other at the hospital Production editMolly Goddard pink dress edit nbsp Similar dresses by the designer hanging in an installationVillanelle wears a pink tulle dress in a scene where she attends an informal psychiatric assessment at the request of Konstantin who is concerned that she may be getting too sentimental She then defiantly walks into the street wearing it The dress was designed by Molly Goddard as part of her Spring 2017 collection n 1 and was inspired by a 1958 Balenciaga babydoll dress 4 The color of the dress has been consistently described as bubblegum pink n 2 Madeleine Davies of The Muse describes it as a cotton candy fantasy 3 and Melania Hidalgo of The Cut calls it a pastel colored confection 10 Context edit Luke Jennings described Villanelle s style as goofy couture 11 which Steff Yotka of Vogue believes Phoebe de Gaye has applied to this outfit saying that Villanelle s wardrobe matches her flights of fancy and rarely do you see a character whirling through Paris in a shocking pink Molly Goddard dress 12 Lauren Sharkey of Bustle called it the first heavy hitting ensemble of the show 7 De Gaye says that the key to making the outfit work was Jodie Comer that you couldn t put that dress on any actress and bring it off Comer s got the kind of chutzpah to wear those things with just the right amount of nonchalance 5 Conception edit In the script the dress in the scene was described as a big poofy dress 5 12 The writing team had originally envisioned something more classical 12 an idea they returned to throughout production but eventually went with the Molly Goddard dress proposed by costume designer Phoebe de Gaye 5 De Gaye had been inspired by the script telling IndieWire that when she read the description she thought Well Molly Goddard has those Let s go and get one of those She also drew inspiration from when she had been creating an initial mood board for the character and found a great fashion image of somebody shimmying down a drain pipe wearing a kind of great floaty thing saying she was also looking for things which were playing with the masculine and feminine side to Villanelle because she s sort of slightly ambivalent 8 De Gaye bought the dress directly from Goddard 12 and modified it for the episode slightly explaining I added a bit of a little bit more trim to the sleeves a little bit more but not much Then also we built out the skirt a little bit we put a little bit more sort of under petticoat things that poofed out even more slightly 8 For the rest of the outfit DeGaye describes the black Balenciaga boots and black bra Villanelle also wears as an antidote to all that frou frou 13 DeGaye has said that she loves the dress 5 Characterization edit It s like she s sticking two fingers up and saying Okay I m going to dress like a little girl and act like a mad little girl She s quite subversive I thought that would be great to use with the color and the mixture of the extremely feminine almost to the slightly perverse point with those boots which are a good mix Phoebe de Gaye costume designer 12 De Gaye believes that the dress is a very strong statement on camera and also a big opportunity for Villanelle to do a sort of very girly thing but undercut it by putting it with boots saying that she thought that Molly Goddard stuff was just perfect for that more insouciant putting two fingers up rather subversive moment 5 She does add however that though it s quite nice to give these designer clothes an airing it s always got to work in with the dramatic needs of the scenes Yotka praised De Gaye for finding innovative ways to include contemporary luxury items 12 Critics have commented on how the dress works to reflect Villanelle s character and subversive nature Within the context of the scene Ellie Violet Bramley writing for The Guardian notes that the dress is Villanelle at her elusive teasing best because it shows her throwing all manner of curveballs in the direction of those trying to psychoanalyse her 6 Hidalgo says that the cheerful dress is a perfect contrast to the grisly subject true to her character s dark sense of humor 10 Sharkey and Hahn Nguyen of IndieWire agree with De Gaye s assessment that Villanelle s dress choice is deliberately childish Sharkey says that Villanelle decides to wear the frothy tulle dress as a middle finger to her bosses If they want her to act like a young girl why not dress like one 7 and Nguyen mentions that she s almost like a little girl who is playing dress up and her manner at the session is mocking and playful 8 The dress has been described as a subversive choice outside of the specific context too Chloe Foussianes of Town amp Country says that it is subversive in how it channels Villanelle so well flamboyant unapologetically feminine and utterly unconcerned with squeezing into society s rigid boundaries 14 In a slightly different assessment Sonia Saraiya of Vanity Fair believes that it is subversive because of how it contrasts the feminine with the masculine as the dress is paired rebelliously with punky Balenciaga boots 9 Yotka agrees that the boots were a good contrast and also writes that the dress is a deliberate statement saying that when Villanelle stands in Paris s Place Vendome in that very outfit she is rivaling Rihanna in statement making style 12 Nguyen likewise adds to her assessment that Villanelle is still trying to be attention grabbing in her choice 8 similar to Bramley mentioning that any misguided expectation of ultra femininity is undercut by her choice of Balenciaga leather boots 6 Agreeing that Villanelle has to add a twist by pairing the overtly feminine style with tough Balenciaga biker boots Sharkey also uses another interpretation in noting that it reflects Villanelle s other choices in extravagant murder outfits and that by dressing angelically yet powerfully she draws in her victims almost by hypnotising them suggesting that nobody would suspect a girl in a pink dress of being an assassin 7 Cultural impact edit For anyone who watched hit series Killing Eve in 2018 starring Sandra Oh and Jodie Comer you ll be familiar with that pink dress moment Clearly taking inspiration from Villanelle s defiant attitude in her Molly Goddard babydoll this year s Oscars red carpet guests are showing their fearlessness in the face of a giant pink frock Natasha Bird Elle 15 nbsp Actress Emily Blunt in bright pink at the 2019 SAG Awards Morwenna Ferrier says that the appearance of the outfit on the show broke the internet 11 Natasha Bird called it fashion s big television moment of the year 15 and Katie Rosseinsky called it the autumn s best fashion moment 13 Stephanie Eckardt of W said that the dress turned an otherwise unnotable scene into a standout fashion moment 16 The dress had an impact in popular culture Foussianes asserts that when Killing Eve fans close their eyes they likely picture Villanelle in this look 14 with Danielle Fowler of Harper s Bazaar writing that since Villanelle appeared in the dress it has continued to steer our shopping habits 17 a November 2018 article in The Guardian states that you can tell a TV villain has made their mark on popular culture if they become a Halloween costume and noted that for every Trumpian wig or handmaid s bonnet seen at a Halloween party there was a giant pink dress based on the one worn by the assassin Villanelle 11 More significantly multiple commenters saw a further impact in the abundance of pink dresses worn at the 91st Academy Awards and other ceremonies in this award season writing that there was clear inspiration taken from the episode n 3 A cake depicting the character in the dress was made for the 2019 Cake International festival 36 created by Turkish culinary artist Tuba Geckil 37 Through Autumn Winter 2019 tulle remained in mode a trend credited to this dress on the show 38 Within the spy thriller genre Yotka claims that this dress has also redefined the look of an international assassin story There are no blunt bobs and leather dusters like in last summer s Atomic Blonde nor any drab and utilitarian cargo pants or knits like those once worn by Jason Bourne 12 Reception editReviewers gave positive notes to the subversive presentation of the sex scene between Villanelle and Sebastian with Lisa Weidenfeld of The A V Club likening it to murder as Villanelle treats it as nothing but another way for her to peer into someone s eyes at the exact moment of transformation 39 Ariana Romero of Refinery29 praises both how the episode puts Sebastian into the Bond girl and caretaker role and how it gives Villanelle the dominant sexuality more associated with men that leaves her powerful and calm throughout the scene in which Sebastian is overwhelmed and performatively vocal 40 On Rotten Tomatoes the episode has a 100 rating from 5 reviews 41 Notes edit It is seen under the collection on the Vogue website as look 26 1 and the London Fashion Week catwalk 2 The Muse names the dress as from Goddard s 2016 line 3 the dress premiered in 2016 2 which may explain this statement In Vulture sort of bubblegum pink 5 The Guardian billowing bubblegum pink Molly Goddard gown 6 Bustle a bubblegum pink Molly Goddard dress 7 and IndieWire And the pink was such a great color Bubblegum 8 Sonia Saraiya of Vanity Fair says it is saccharine pink 9 Including Annabel Rackham of the BBC 18 Natasha Bird 15 and Estelle Tang 19 of Elle Lindsay MacDonald of TV Guide 20 Chloe Street of the Evening Standard 21 Jess Cartner Morley of The Guardian 22 Hannah Williams of Garage 23 Meghan O Keefe of Decider 24 Kate Finnigan of Vogue 25 Maija Kappler 26 and Louise Whitbread 27 of Huffington Post Sarah Spellings of The Cut 28 Lucy Abbersteen of Marie Claire 29 and The Irish Times 30 as well as articles in Hello 31 and The Independent 32 Yahoo UK Style Editor Alison Coldridge opened her red carpet article by saying We don t know if it was the frothy pink tulle Molly Goddard dress Villanelle wore in Killing Eve that inspired it but pink was certainly the colour du jour at the Oscars 2019 33 Alice Newbold also for Vogue does not mention the show unlike colleague Finnigan but implicitly connects the trend referring to Phoebe Waller Bridge and saying that Linda Cardellini s dress made Molly Goddard s signature tulle confections look like cupcakes next to a decadent gateau 34 Without making the connection Dhani Mau of Fashionista wrote that pink was easily the night s biggest color trend and not only that but these pink gowns were equipped with girly voluminous statement making accents tulle ruffles and bows also a Golden Globes trend abounded 35 with the trend noted by others References edit Spring 2017 Ready to wear Molly Goddard Look 26 28 Vogue Retrieved 13 April 2019 a b Molly Goddard Spring Summer 2017 Full Fashion Show Exclusive YouTube 17 September 2016 Retrieved 13 April 2019 Between 05 14 05 30 a b Davies Madeleine 25 May 2018 A Broke to Not So Broke Woman s Guide to Dressing Like Villanelle From Killing Eve The Muse Retrieved 13 April 2019 Molly Goddard inspired by Balenciaga YouTube 30 June 2017 Retrieved 14 April 2019 The babydoll dress that kind of shows the body in almost the most revealing way yet it s a massive piece of fabric covering it and that s something that I have always been quite interested in doing Between 01 33 01 45 a b c d e f VanArendonk Kathryn 15 May 2018 How Killing Eve Gets Its Killer Costumes Vulture Retrieved 13 April 2019 a b c Bramley Ellie Violet 17 October 2018 Killing Eve six looks to die for from the BBC thriller The Guardian Retrieved 13 April 2019 a b c d Sharkey Lauren 28 September 2018 The Fashion On Killing Eve Is So Major That Everyone s Dreaming Of Dressing Like An Assassin Bustle Retrieved 13 April 2019 a b c d e Nguyen Hahn 22 May 2018 Killing Eve How the Assassin Chic Costumes Reflect the Show s Twisted Psychology IndieWire Retrieved 13 April 2019 a b Saraiya Sonia 27 July 2018 Why the Fashion on Killing Eve Is Its Own Delicious Subplot Vanity Fair Retrieved 13 April 2019 a b Hidalgo Melania 27 April 2018 How to Dress Like TV s Chicest Assassin The Cut Retrieved 13 April 2019 a b c Ferrier Morwenna 2 November 2018 How fashion both decadent and drab became the star of Killing Eve The Guardian Retrieved 13 April 2019 a b c d e f g h Yotka Steff 27 April 2018 Killing Eve Is the Most Fashionable Show on TV Vogue Retrieved 13 April 2019 a b Rosseinsky Katie 28 September 2018 Dressed To Kill How Villanelle Became TV s Subversive Style Icon Grazia Retrieved 14 April 2019 a b Foussianes Chloe 6 April 2019 The 10 Best Costumes from Killing Eve s First Season Town amp Country Retrieved 13 April 2019 a b c Bird Natasha 25 February 2019 Oscars 2019 Fashion Pink Ruffled Dresses Are The Order Of The Night Elle Retrieved 13 April 2019 Eckardt Stephanie 7 April 2019 Killing Eve Season 2 Premiere Fashion Recap Villanelle Is Defeated By Knockoff Crocs W Retrieved 25 April 2019 Fowler Danielle 10 March 2019 The Killing Eve season two trailer has landed Harper s Bazaar Retrieved 14 April 2019 Rackham Annabel 25 February 2019 Oscars 2019 Which Oscars outfits have caused a stir BBC News Retrieved 18 April 2019 Tang Estelle 25 February 2019 Pink Dresses Emerge as the Biggest Red Carpet Trend at 2019 Oscars Elle Retrieved 18 April 2019 MacDonald Lindsay 24 February 2019 You Can Thank Killing Eve s Villanelle for All the Pink Puff at the Oscars TV Guide Retrieved 18 April 2019 Street Chloe 25 February 2019 Pink dresses dominated on the Oscars 2019 red carpet Could this be the Killing Eve effect Evening Standard Retrieved 18 April 2019 Cartner Morley Jess 25 February 2019 Red carpet fashion at Oscars 2019 A bright pink confetti explosion The Guardian Retrieved 18 April 2019 Williams Hannah 6 March 2019 The Rise and Rise of the Big Pink Dress Garage Retrieved 18 April 2019 O Keefe Meghan 24 February 2019 Kacey Musgraves and More Rock the Killing Eve Look at the 2019 Oscars Decider Retrieved 18 April 2019 Finnigan Kate 25 February 2019 How Oscar Night Found Its Inner Drama Queen Vogue Retrieved 18 April 2019 Kappler Maija 24 February 2019 Pink Was The Colour Of Power At The 2019 Oscars Huffington Post Canada Retrieved 18 April 2019 Whitbread Louise 25 February 2019 Oscars 2019 Red Carpet Where To Buy Hot Pink On The High Street Huff Post Retrieved 18 April 2019 Spellings Sarah 24 February 2019 Why Is Everyone Wearing Big Pink Dresses at the Oscars The Cut Retrieved 18 April 2019 Abbersteen Lucy 25 February 2019 When it came to hair the bob ruled the Oscars red carpet this year Marie Claire Retrieved 18 April 2019 Oscars 2019 Billy Porter s tuxedo gown stuns the red carpet Irish Times 25 February 2019 Retrieved 18 April 2019 Oscars 2019 fashion Pink took over the red carpet Hello 25 February 2019 Oscars 2019 Pink outfits dominated the red carpet The Independent 25 February 2019 Coldridge Alison 25 February 2019 Larger than life pink dresses dominated the Oscars 2019 red carpet Yahoo UK Retrieved 18 April 2019 Newbold Alice 25 February 2019 The Oscars Confirms Fashion s Favourite Colour On The Red Carpet Vogue Retrieved 18 April 2019 Mau Dhani 24 February 2019 The Oscars Red Carpet Was Very Pink Fashionista Retrieved 18 April 2019 Killing Eve Life size Villanelle baked for cake show BBC 1 November 2019 Retrieved 2 November 2019 Tuba Geckil Killing Eve Cake International Archived from the original on 2 November 2019 Retrieved 2 November 2019 Conlon Scarlett 17 September 2019 Fall for tulle how fashion s floatiest fabric rose to power The Guardian ISSN 0261 3077 Retrieved 2 November 2019 Weidenfeld Lisa 15 April 2018 Killing Eve assembles its sleuthing squad and sets up its chase The A V Club Retrieved 13 April 2019 Romero Ariana 16 April 2018 Killing Eve Had One Of 2018 s Most Memorable Sex Scenes Refinery29 Retrieved 13 April 2019 Killing Eve S01 E02 Rotten Tomatoes Retrieved 13 April 2019 External links edit I ll Deal with Him Later at BBC Online I ll Deal with Him Later at IMDb nbsp Retrieved from https en wikipedia org w index php title I 27ll Deal with Him Later amp oldid 1212781818, wikipedia, 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