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Hotel d'Hane-Steenhuyse

The Hotel d'Hane-Steenhuyse is an 18th-century hôtel particulier (grand townhouse) in the Belgian city of Ghent. It is located in the Veldstraat and was formerly owned by the D'Hane de Steenhuyse family.

Hotel d'Hane-Steenhuyse
Rear view of the Hotel d'Hane-Steenhuyse

History edit

The building was built in 1768–1773 by Jan Baptist Simoens, who designed and built the rear facade and the salle à l'italienne. The facade may have been designed by David 't Kindt, but archival evidence of this has not been found. Around the beginning of the 19th century, the building was used by the nobility. In 1815, King Louis XVIII, in exile from France, resided in and held court from the hotel. Afterward he thanks his host with the gifts of a porcelain dessert service that is now kept in the Ghent City Museum ("STAM").

In the twentieth century the hotel fell into disuse. In 1949, it housed the unsuccessful Museum of the Hundred Days.

In 1981, the building came in the possession of the city of Ghent, which used it first for an information center and later the Monuments Management Service. In the 1990s it underwent a thorough renovation but public access remained limited. In 2015, the ground floor was opened for commercial activities.

Owners edit

Three generations of the D'Hane de Steenhuyse family built the hotel:

  • Count Emmanuel Ignace d'Hane (1702–1771): main building and facade
  • Count Pierre Emmanuel d'Hane de Leeuwergem (1726–1786): extension and garden facade
  • Count Jean-Baptiste d'Hane de Steenhuyse (1757–1826): decoration and interior decoration

After the extinction of the male line, the building passed into the hands of Valerie van Pottelsberghe de la Potterie.

Famous guests edit

Under Jean-Baptiste the building was visited by various famous European figures:

Description edit

Floor plan edit

The building was constructed on the gradually acquired plots of older houses, with a goal of maximizing utilization of the available space, leading to the irregular shape and central protrusion of the facade.

The floor plan was also adjusted to fit between neighboring buildings. Most similar hotels featured a central entrance that provided access to the vestibule. The vestibule would be oriented perpendicular to the facade, and rooms would lead off it symmetrically to the left and right.

The Hotel d'Hane-Steenhuyse, abandons this symmetrical floor plan. The only access to the building is via a carriageway, which is located at one end of the facade (directly beside an adjacent building). This alley opens onto a garden-facing enfilade located behind the building. The vestibule door opens onto the carriageway, and the vestibule is oriented perpendicularly to the carriageway and parallel to the facade.

The rooms were not only accessible individually via the vestibule, they also shared doors with one another, forming an enfilade. There was also a system of hidden passageways, allowing staff discreet access to the rooms.

In addition, the building has a courtyard with a terrace. This was laid out in 1773 in pure Louis XVI style.

Facades edit

The building has two facades. The main facade in Louis XV style faces the "Veldstraat". It contains both baroque and rococo elements. The facade has a protruding middle part with Corinthian half-pilasters and a segment arch pediment.

The rear facade is in neoclassical Louis XVI style. Unlike the front facade, the rear facade has three horizontal sections. The bottom section is conceived as a pedestal. The facade has pilasters and a pediment. It is adjacent to the courtyard.

Rooms edit

The ground floor rooms were designed to be public-facing. They consist of salons and halls typical of the rich upper class society of the time. The high ballroom "à l'italienne" is particularly richly decorated, with painted ceilings, mirrors, an honorary staircase, and a parquet floor signed by Henri Feylt.

The rooms on the second floor were more modest. They include bedrooms for gentleman and the lady of the house (separate, as was common at the time), a library, a room for collections, and various other rooms. The cellars were used as service spaces. They are older than the hotel itself, and were adapted from the vaulted cellars of the houses previously occupying the site. The staff lived in unheated garret rooms.

The rooms were decorated with attention to symmetry and hierarchy. The walls were arranged as symmetrically as possible with wall panels, windows, wallpaper, and real and false doors. The wall with the chimney was considered the most important. Each room had its own color scheme. The names of the rooms, such as "boudoir", "cabinet", and the like, are heavily influenced by French terminology.

Art objects edit

The building is decorated with paintings by Petrus Norbertus van Reysschoot and Peter Paul Rubens, among others, as well as copies of works by Jan Brueghel the Elder.

Sources edit

  • Ed Taverne and Irmin Visser (eds.), Stedebouw: The history of the city in the Netherlands from 1500 to the present (Amsterdam: Uitgeverij SUN), 2004, ISBN 90 6168 401 3, pages 144–145
  • Dirk Van de Perre and others, The architecture of lighting (Ghent, 2013)
  • B. Baillieul and M. Daem (1985), The Hotel d'Hane-Steenhuyze in Ghent, in: Hand. MGOG, vol. XXXIX, pp. 173–201
  • Johan Decavele (1984), French fringe to Ghent size. Civil art in Ghent in the 18th century (Ghent: Department of Cultural Affairs), 175 pages.
  • The Hotel d'Hane-Steenhuyse in Ghent. Museum of the Hundred Days. Short guide (1965)
  • G. Broget (1990), "About d'Hane Steenhuyse, Louis XVIII and Chateaubriand", in: Ghendtsche Tydinghen, no. XIX, pp. 238–259
  • Regal acquisitions, stamgent.be, 24 March 2011 (visited 7 May 2015)
  • Hotel d'Hane-Steenhuyse (ID: 25985), Inventory of the Architectural Heritage
  • kikirpa.be

External links edit

  Media related to Hotel d'Hane Steenhuyse at Wikimedia Commons

51°03′06″N 3°43′18″E / 51.05164°N 3.72170°E / 51.05164; 3.72170

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This article includes a list of general references but it lacks sufficient corresponding inline citations Please help to improve this article by introducing more precise citations January 2019 Learn how and when to remove this template message The Hotel d Hane Steenhuyse is an 18th century hotel particulier grand townhouse in the Belgian city of Ghent It is located in the Veldstraat and was formerly owned by the D Hane de Steenhuyse family Hotel d Hane SteenhuyseRear view of the Hotel d Hane Steenhuyse Contents 1 History 1 1 Owners 1 2 Famous guests 2 Description 2 1 Floor plan 2 2 Facades 2 3 Rooms 2 4 Art objects 3 Sources 4 External linksHistory editThe building was built in 1768 1773 by Jan Baptist Simoens who designed and built the rear facade and the salle a l italienne The facade may have been designed by David t Kindt but archival evidence of this has not been found Around the beginning of the 19th century the building was used by the nobility In 1815 King Louis XVIII in exile from France resided in and held court from the hotel Afterward he thanks his host with the gifts of a porcelain dessert service that is now kept in the Ghent City Museum STAM In the twentieth century the hotel fell into disuse In 1949 it housed the unsuccessful Museum of the Hundred Days In 1981 the building came in the possession of the city of Ghent which used it first for an information center and later the Monuments Management Service In the 1990s it underwent a thorough renovation but public access remained limited In 2015 the ground floor was opened for commercial activities Owners edit Three generations of the D Hane de Steenhuyse family built the hotel Count Emmanuel Ignace d Hane 1702 1771 main building and facade Count Pierre Emmanuel d Hane de Leeuwergem 1726 1786 extension and garden facade Count Jean Baptiste d Hane de Steenhuyse 1757 1826 decoration and interior decorationAfter the extinction of the male line the building passed into the hands of Valerie van Pottelsberghe de la Potterie Famous guests edit Under Jean Baptiste the building was visited by various famous European figures 1803 Talleyrand who accompanied first consul Bonaparte during his visit to the former Austrian Netherlands 1811 Jerome Bonaparte King of Westphalia 1814 Alexander I tsar of Russia 1814 John Quincy Adams at a dinner for the English and American delegations who had negotiated the Treaty of Ghent 1815 Louis XVIII the French king fleeing from Napoleon during the Hundred Days 1815 Francois Rene de Chateaubriand member of Louis XVIII s entourage 1815 the newly crowned King of the Netherlands William I and his wife Wilhelmina during their Joyous Entry in Ghent September 5 1815 1818 Prince William II of the NetherlandsDescription editFloor plan edit The building was constructed on the gradually acquired plots of older houses with a goal of maximizing utilization of the available space leading to the irregular shape and central protrusion of the facade The floor plan was also adjusted to fit between neighboring buildings Most similar hotels featured a central entrance that provided access to the vestibule The vestibule would be oriented perpendicular to the facade and rooms would lead off it symmetrically to the left and right The Hotel d Hane Steenhuyse abandons this symmetrical floor plan The only access to the building is via a carriageway which is located at one end of the facade directly beside an adjacent building This alley opens onto a garden facing enfilade located behind the building The vestibule door opens onto the carriageway and the vestibule is oriented perpendicularly to the carriageway and parallel to the facade The rooms were not only accessible individually via the vestibule they also shared doors with one another forming an enfilade There was also a system of hidden passageways allowing staff discreet access to the rooms In addition the building has a courtyard with a terrace This was laid out in 1773 in pure Louis XVI style Facades edit The building has two facades The main facade in Louis XV style faces the Veldstraat It contains both baroque and rococo elements The facade has a protruding middle part with Corinthian half pilasters and a segment arch pediment The rear facade is in neoclassical Louis XVI style Unlike the front facade the rear facade has three horizontal sections The bottom section is conceived as a pedestal The facade has pilasters and a pediment It is adjacent to the courtyard Rooms edit The ground floor rooms were designed to be public facing They consist of salons and halls typical of the rich upper class society of the time The high ballroom a l italienne is particularly richly decorated with painted ceilings mirrors an honorary staircase and a parquet floor signed by Henri Feylt The rooms on the second floor were more modest They include bedrooms for gentleman and the lady of the house separate as was common at the time a library a room for collections and various other rooms The cellars were used as service spaces They are older than the hotel itself and were adapted from the vaulted cellars of the houses previously occupying the site The staff lived in unheated garret rooms The rooms were decorated with attention to symmetry and hierarchy The walls were arranged as symmetrically as possible with wall panels windows wallpaper and real and false doors The wall with the chimney was considered the most important Each room had its own color scheme The names of the rooms such as boudoir cabinet and the like are heavily influenced by French terminology Art objects edit The building is decorated with paintings by Petrus Norbertus van Reysschoot and Peter Paul Rubens among others as well as copies of works by Jan Brueghel the Elder Sources editEd Taverne and Irmin Visser eds Stedebouw The history of the city in the Netherlands from 1500 to the present Amsterdam Uitgeverij SUN 2004 ISBN 90 6168 401 3 pages 144 145 Dirk Van de Perre and others The architecture of lighting Ghent 2013 B Baillieul and M Daem 1985 The Hotel d Hane Steenhuyze in Ghent in Hand MGOG vol XXXIX pp 173 201 Johan Decavele 1984 French fringe to Ghent size Civil art in Ghent in the 18th century Ghent Department of Cultural Affairs 175 pages The Hotel d Hane Steenhuyse in Ghent Museum of the Hundred Days Short guide 1965 G Broget 1990 About d Hane Steenhuyse Louis XVIII and Chateaubriand in Ghendtsche Tydinghen no XIX pp 238 259 Regal acquisitions stamgent be 24 March 2011 visited 7 May 2015 Hotel d Hane Steenhuyse ID 25985 Inventory of the Architectural Heritage kikirpa beExternal links edit nbsp Media related to Hotel d Hane Steenhuyse at Wikimedia Commons 51 03 06 N 3 43 18 E 51 05164 N 3 72170 E 51 05164 3 72170 Retrieved from https en wikipedia org w index php title Hotel d 27Hane Steenhuyse amp oldid 1182136644, wikipedia, wiki, book, books, library,

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