Harlem riot of 1943

This article is about the Harlem riot of 1943. For other incidents in Harlem, see Harlem riot.

A race riot took place in Harlem, New York City, on August 1 and 2 of 1943, after a white police officer, James Collins, shot and wounded Robert Bandy, an African American soldier; and rumors circulated that the soldier had been killed. The riot was chiefly directed by Black residents against white-owned property in Harlem. It was one of five riots in the nation that year related to Black and white tensions during World War II. The others took place in Detroit; Beaumont, Texas; Mobile, Alabama; and Los Angeles.

Harlem riot of 1943
Date	August 1–2, 1943
Location	Harlem, New York City
Caused by	Police Shooting
Casualties
Death(s)	6
Arrested	600

Background

In Harlem, Bandy had witnessed a Black woman's arrest for disorderly conduct in a hotel and sought to have her released. According to the police, Bandy hit the officer, who shot the soldier as he was trying to flee from the scene. A crowd of about 3,000 people gathered at police headquarters after a smaller crowd had followed Bandy and the officer to a hospital for treatment. When someone in the crowd at police headquarters incorrectly stated that Bandy had been killed, a riot ensued in the community that lasted for two days and resulted in six deaths and hundreds injured, with nearly 600 arrests. The riot had a pattern of vandalism, theft, and property destruction of white-owned businesses in Harlem. Overall, there was little violence. New York City Mayor Fiorello H. La Guardia ultimately restored order in the borough on August 2 with the recruitment of several thousand officers and volunteer forces to contain the rioters. City workers cleaned up and repaired buildings. La Guardia also sent foods and goods to the affected areas following the unrest.

Resentment among Black residents of Harlem of the disparity between the vaunted values of American democracy and the social and economic conditions they were forced to live under, including brutality and discriminatory treatment by the mostly white city police force were seen as underlying causes of the unrest. They resented the segregation of Black troops serving with the United States, and wartime shortages created more difficult conditions in Harlem housing and supplies. African-Americans suffered discriminatory practices in civil and private employment, and city services, which created tension as they tried to improve their lives. Bandy symbolized the Black soldiers who were segregated in the Army, even as the United States promoted the national fight for 'freedom.' Collins represented the white discrimination and suppression Black residents had to deal with on a daily basis. The riot became a subject of art and literature: it inspired the "theatrical climax" of Ralph Ellison's novel Invisible Man, winner of the 1953 National Book Award, it frames the events recounted in James Baldwin's memoirs Notes of a Native Son, and it appears in artist William Johnson's painting Moon Over Harlem.

Cause

On Sunday, August 1, 1943, a white policeman attempted to arrest an African-American woman for disturbing the peace in the lobby of the Braddock Hotel. The hotel, which had hosted celebrities in the 1920s, had become known for prostitution. The Army designated the area as a "raided premise", and a policeman was stationed in the lobby to prevent crime.^[1]

Various accounts detail how Marjorie (Margie) Polite, the African-American woman, became confrontational with James Collins, the white policeman. According to one account, Polite checked into the hotel on August 1, but was dissatisfied and asked for another room. When she switched rooms and found the replacement did not have the shower and bath she wanted, Polite asked for a refund, which she received.^[2] Afterward, however, she asked for return of a $1 tip ($17 in 2022)^[3] that she gave to an elevator operator. The operator refused and Polite began to protest loudly, which caught the attention of Collins. According to another account, she became drunk at a party in one of the rooms and confronted the officer as she attempted to leave.^[4]

After Collins told Polite to leave, she became verbally abusive of the officer and Collins arrested her on the grounds of disturbing the peace. Florine Roberts, the mother of Robert Bandy, a Black soldier in the U.S. Army who was also present, observed the incident and asked for Polite's release. The official police report held that the soldier threatened Collins; in the report, Bandy and Mrs. Roberts then attacked Collins.^[2] Bandy hit the officer and, while attempting to flee, Collins shot Bandy in the shoulder with his revolver.^[2] In an interview with PM, the soldier said that he intervened when the officer pushed Polite. According to Bandy, Collins threw his nightstick at Bandy, which he caught. When Bandy hesitated after Collins asked for its return, Collins shot him.^[5] Bandy's wound was superficial, but he was taken to Sydenham Hospital for treatment. Crowds quickly gathered around Bandy as he entered the hospital, and also around the hotel and police headquarters, where a crowd of 3,000 amassed by 9:00 p.m.^[6][7] The crowds combined and grew tense, as rumors that an African-American soldier had been shot soon turned to rumors that an African-American soldier had been killed.^[6][7]

Riot

"The rumor is false that a Negro soldier was killed at the Braddock Hotel tonight. He is only slightly wounded and is in no danger. Go to your homes! [...] Don't destroy in one night the reputation as good citizens you have taken a lifetime to build. Go home – now!"

Message White spoke to rioters^[8]

At 10:30 p.m., the crowd became violent after someone threw a bottle off a roof into the crowd aggregated about the hospital. The crowd dispersed into groups of around 50-100 people. The groups first broke windows of white businesses as they traveled through Harlem: if the mob was told the business was owned by Blacks, they left it alone. If it was owned by whites, the store would be looted and vandalized.^[7] Rioters broke streetlights and threw white mannequins onto the ground.^[9] In grocery stores, the rioters took war-scarce items, such as coffee, sugar, clothing, and liquor. Furniture stores were also looted.^[7] Estimates put the total monetary damage between $250,000–$5,000,000, which included 1,485 stores burglarized and 4,495 windows broken.^[10][11]

When Mayor Fiorello H. La Guardia was informed of the situation at 9:00 p.m., he met with police and visited the riot district with Black authority figures such as Max Yergan and Hope Stevens.^[12] La Guardia ordered more police to the scene who were not busy with other duties. In addition to the 6,000 city and military police, 1,500 volunteers were called on to help control the riot, with an additional 8,000 guardsmen put on standby.^[13][14] Traffic was directed around Harlem to contain the riot.^[12] After he returned from the tour, the mayor made the first of a series of radio announcements that urged residents to return home. Soon after, he met with Walter Francis White of the National Association for the Advancement of Colored People to discuss the appropriate action; White suggested that Black leaders again visit the district to spread the message of order.^[14] Just after 2:00 a.m., the mayor instructed all taverns to close.^[12]

Aftermath

The riot ended on the night of August 2. Cleanup efforts started that day; the New York City Department of Sanitation worked to clean the area for three days and the New York City Departments of Buildings and Housing boarded windows. The city assigned a police escort for all department workers.^[15] The Red Cross gave Harlemites lemonade and crullers, and the mayor organized various hospitals to handle an influx of injured patients.^[16] By August 4, traffic had resumed through the borough, and taverns reopened the next day.^[15] La Guardia had food delivered to the residents of Harlem, and on August 6, food supplies returned to normal levels.^[17] Overall, six people died and nearly 700 were injured. Six hundred men and women were arrested in connection with the riot.^[11]

Underlying issues

In a piece for the Berkeley Journal of Sociology, academic L. Alex Swan attributes the riot to a disparity between the promoted values of American democracy and the conditions of Black citizens, in both the North and the South.^[18] Swan cites, for example, that the segregation of Blacks in the armed forces continued while the United States fought for "freedom."^[19] Charles Lawrence of Fisk University described "resentment of status given Negro members of the armed forces" as "perhaps the greatest single psychological factor in the making of the Harlem riot", as Bandy came to represent Black soldiers and Collins came to represent white suppression.^[20]

When Franklin D. Roosevelt gave his Four Freedoms speech, calling for freedom of speech, freedom of worship, freedom from want, and freedom from fear for people "everywhere in the world", many African Americans felt they never had such freedoms themselves. They became willing to fight for them domestically.^[21] Michael Harrington described the Black resident of Harlem as a "second-class citizen in his own neighborhood".^[22] Black soldiers also enlisted from the South, where Blacks suffered under Jim Crow and most had been disenfranchised since the turn of the century, excluded from the political system altogether.

After the Harlem Riot of 1935 caused widespread destruction, La Guardia ordered a commission to pinpoint its underlying causes. He appointed the historian E. Franklin Frazier as head of the commission, who wrote that "economic and social forces created a state of emotional tension which sought release upon the slightest provocation".^[7] The report listed several "economic and social forces" that worked against Blacks, including discrimination in employment and city services, overcrowding in housing, and police brutality. Specifically, it criticized New York City Police Commissioner Lewis Joseph Valentine and New York City Hospitals Commissioner Sigismund S. Goldwater, both of whom responded with criticisms of the report. Conflicted, La Guardia asked academic Alain LeRoy Locke to analyze both accounts and assess the situation. Locke wrote confidentially to La Guardia that Valentine was blameworthy and listed several areas for immediate improvement, such as health and education. Publicly, Locke published an article in the Survey Graphic which blamed the 1935 riot on the state of affairs in New York that La Guardia inherited.^[23]

Communally, conditions for Black Harlemites improved by 1943, with better employment in civil services, for instance. Economic problems became exacerbated under wartime conditions; new war and non-war industries and business continued to discriminate against Blacks.^[24][25] Though new projects such as the Harlem River Houses were intended to expand Black housing, by 1943, overall Harlem housing had deteriorated as new construction slowed due to diversion of efforts to the war, and buildings were destroyed in preparation for replacement.^[24][25] Although the state of African-Americans improved relative to society, individuals could not accelerate their own progress.^[26]

Cultural depictions

 

William Johnson depicted the riot in his c. 1943–1944 painting Moon Over Harlem.

Several authors and artists have depicted the event in their respective works. African-American novelist James Baldwin wrote of the riot, which occurred on the same day as his father's funeral and his 19th birthday, in Notes of a Native Son.^[27] "It seemed to me", Baldwin wrote, "that God himself had devised, to mark my father's end, the most sustained and brutally dissonant of codas".^[28] In a commentary piece for The New York Times, Langston Hughes called the essay "superb", and particularly quoted Baldwin's observation that "to smash something is the ghetto's chronic need".^[29] Hughes wrote "The Ballad of Margie Polite", a poem on the riot published in New York Amsterdam News. According to Laurie Leach in her 2007 article published in Studies in the Literary Imagination, the poem "seems to honor rather than censure Polite for her role as a catalyst" .^[30] Ralph Ellison drew upon his experiences covering the riot for the New York Post as inspiration for the "theatrical climax" of Invisible Man, winner of the 1953 National Book Award.^[31][32]

Artist William Johnson used images taken from news reports as inspiration for his c. 1943–1944 painting Moon Over Harlem. According to critic Richard Powell, writing in 1991, after "[stripping them] of their melodramatic quality", Johnson "creates in their place a kind of expressive distortion and calculated rawness." Powell notes that the central figure in Moon Over Harlem, an upside-down African American woman harassed by three officers, represents "an oppressed and debased community, whose frustrations and self-destruction prompted an authoritative abuse of power".^[33]

See also

•  United States portal
•  New York City portal

• Beaumont race riot of 1943
• Detroit race riot of 1943
• Harlem riot of 1964
• Mass racial violence in the United States
• List of incidents of civil unrest in New York City
• List of incidents of civil unrest in the United States

References

1. Brandt 1996, p. 184
2. Capeci 1977, p. 100
3. 1634–1699: McCusker, J. J. (1997). How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States: Addenda et Corrigenda (PDF). American Antiquarian Society. 1700–1799: McCusker, J. J. (1992). How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States (PDF). American Antiquarian Society. 1800–present: Federal Reserve Bank of Minneapolis. "Consumer Price Index (estimate) 1800–". Retrieved May 28, 2023.
4. Brandt 1996, p. 185
5. Lawrence 1947, pp. 242–243
6. Capeci 1977, p. 101
7. Lawrence 1947, p. 243
8. Brandt 1996, p. 194
9. Brandt 1996, p. 188
10. Capeci 1977, p. 102
11. Brandt 1996, p. 207
12. Capeci 1977, p. 103
13. Brandt 1996, p. 190
14. Capeci 1977, p. 104
15. Brandt 1996, p. 206
16. Capeci 1977, pp. 105–106
17. Capeci 1977, p. 107
18. Swan 1971, p. 77
19. Swan 1971, p. 79
20. Lawrence 1947, p. 244
21. Swan 1971, p. 78
22. Harrington, Michael (1997) [First published 1962]. The Other America: Poverty in the United States. Simon & Schuster. pp. 64–65. ISBN 978-0-684-82678-3.
23. Capeci 1977, pp. 5–7
24. Capeci 1977, p. 7
25. Lawrence 1947, pp. 243–244
26. Swan 1971, p. 82
27. Boyd, Herb (2009). Baldwin's Harlem: A Biography of James Baldwin. Simon and Schuster. p. 55. ISBN 978-0-7432-9308-2.
28. Baldwin, James (1984) [First published 1955]. Notes of a Native Son. Beacon Press. p. 85. ISBN 978-0-8070-6431-3.
29. Hughes, Langston (February 26, 1958). "Notes of a Native Son". The New York Times.
30. Leach, Laurie (September 22, 2007). . Studies in the Literary Imagination. 40 (2). Archived from the original on April 7, 2014. (subscription required)
31. Prescott, Orville (April 16, 1952). "Books of the Times". The New York Times.
32. Graham, Maryemma; Singh, Amritjit, eds. (1995). Conversations with Ralph Ellison. University Press of Mississippi. pp. 80–81. ISBN 0-87805-781-1.
33. Powell, Richard J. (1991). Homecoming: The Art and Life of William H. Johnson. pp. 179–180. ISBN 978-0-8478-1421-3.

Bibliography

• Brandt, Nat (1996). Harlem at War: The Black Experience in WWII. Syracuse University Press. ISBN 978-0-8156-0462-4.
• Capeci, Dominic J. (1977). The Harlem Riot of 1943. Temple University Press. ISBN 978-0-87722-094-7.
• Lawrence, Charles R. Jr. "Race Riots in the United States 1942–1946". Fisk University. As published in Guzman, Jesse P. (1947). Negro Year Book: A Review of Events Affecting Negro Life, 1941–1946.
• Swan, L. Alex (1971). "The Harlem and Detroit Riots of 1943: A Comparative Analysis". Berkeley Journal of Sociology. Regents of the University of California. 16 (7): 75–93. JSTOR 40999915.