fbpx
Wikipedia

Grey Organisation

January 01, 1970

The Grey Organisation (GO) was an artist collective active from 1983 to 1991. GO worked in several media including film and video and participated in over 20 international exhibitions.[1] In January 1985 the group committed an act of 'art terrorism'[2] by smuggling one of its paintings into the International Contemporary Arts Fair in London.[3] The following year it mounted an attack on Cork Street, then the centre of the London art world, splashing grey paint on the windows of a number of galleries.[3] After this, members of the group were arrested[4] and for a time banned from central London. This resulted in them relocating to New York City where they exhibited at The Civilian Warfare Gallery in the East Village.[4] The members of the group were Toby Mott, Daniel Saccoccio, Tim Burke and Paul Spencer. Their activities and attitude towards the traditional British art establishment greatly influenced The Young British Artists from 1988 onwards.[5]

The Grey Organisation
GO manifesto with logo
Nationality English
Known forDirect Action, Video, Painting

Biography edit

After moving to Bow in East London, Toby Mott and childhood friends Daniel Saccoccio, Tim Burke and Paul Spencer formed Grey Organisation in 1982 as a response to the "prevailing Thatcherite free market consumerist culture".[6] GO's origins can be found in the Punk movement and 1970s youth politics, the quartet having been members of the Anarchist Street Army.[7] They eschewed the more common anarcho-aesthetic opting instead to dress uniformly in grey suits, with heads shaved in a parody of yuppie and Soviet "corporate monoculture".[6]

On 28 July 1984, GO organised a live concert for Psychic TV. It took place in a derelict circular building in Drayton Park, London and was recorded live and released as Temporary Temple. The same year, GO directed the film Grey Moments.[8]

In 1985, GO began a series of direct art-actions; launching attacks on the International Contemporary Arts Fair in London by sneaking paintings into the fair; and an attack on Cork Street covering some of London’s most famous galleries in grey paint[2] "arguably something inherited from the strategies of disobedience of May '68 Paris, culled from the heroism of Guy Debord".[9] In a press release GO justified the attacks on Cork Street, describing the galleries established there as "boring and lifeless" and stating they "intended to liven up their lives a bit!". The attack took place on Tuesday 21 May 1985, somewhere between midnight and 6am. Members of the Grey Organisation were later arrested, released on bail and banned from central London, but when prosecuted at Well Street Magistrates' court, pleaded 'Not Guilty' and were released without charge.[10] Subsequently, in 1986, GO moved to New York to escape further attempts at prosecution.[11]

In 1986, GO took part in the exhibition Money[12] organised by J. S. G. Boggs, the notorious banknote-copying artist, at the Young Unknowns Gallery. The exhibition was raided by police and works, including those by GO, were confiscated.[13]

"In the England of the 1980s, there were others creating their own vision reacting to the prevailing Thatcherite free market consumerist culture. Psychic Youth, Test Department. Laibach. My own involvement was with the art, filmmaking group the Grey Organization. We parodied yuppie and Soviet corporate monoculture with our uniformed anonymity, shaved heads, white shirts, English suits, making and exhibiting art as product without individual authorship, something inspired from the rigorous orthodoxy of Crass".[6] From the essay 'Crass, an education' by Toby Mott, Crass 1977–1984, PPP Editions, 2011.

Fashion and PR edit

 
Young members of Red Wedge wearing Grey Organisation t-shirts designed for the Labour Party, 1987.

GO’s image of uniformed anonymity, shaved heads, white shirts, and grey English suits were key to the GO manifesto. They stated that wearing suits afforded them the respect necessary in the 1990's, but shunned the wearing of ties stating, "We wear no ties. All those who see themselves as dissidents in society do like-wise".[citation needed]

GO's recognition began to grow outside of the art world when Lynne Franks launched the Grey Organisation into the 1980s world of PR; modelling for Katharine Hamnett at the Albert Hall and Yohji Yamamoto in Paris; supporting Red Wedge; meeting Neil Kinnock at the Houses of Parliament; and promoting Swatch watches.

Red Wedge was underpinned by a party political broadcast in July 1985 aimed specifically at the young vote. It featured clips from Labour-organised rock concerts, including the performances of Billy Bragg, Aswad and the Communards, extracts from Neil Kinnock’s speeches and interviews with young men and women about the misery of unemployment. The Labour Party also commissioned designers Katharine Hammett, Bodymap and the Grey Organisation to design T-shirts for its Jobs and Industry campaign which largely concentrated on the plight of the young unemployed.[14]

GO also appeared in the Derek Jarman film The Angelic Conversation and the Gilbert & George "Exister" pieces.[citation needed]

Album artwork edit

 
De La Soul's 3 Feet High and Rising, album cover by the Grey Organisation

In the 1980s, whilst living in New York, GO produced a series of album covers for Tommy Boy Records, including for De La Soul's 3 Feet High and Rising[15][16] and for the band Information Society;[17] and made music videos for bands such as the Rolling Stones ("Mixed Emotions"), Public Enemy ("Shut 'Em Down"), and A Tribe Called Quest ("Can I Kick It").[18] In 2013, GO member Toby Mott was scheduled to exhibit a print edition of the original 3 Feet High and Rising album art work, displayed alongside memorabilia such as Mott's original sketch, his gold disc, and other items from his private collection.[19]

In an essay written to accompany the exhibition, Mott describes the process of designing the album cover: "De La Soul visit our loft where we lay them down on the floor facing up, their heads making a triangle. We photograph them whilst hanging precariously off a step ladder, one idea being that the cover would not have a right way up. CD's [sic] have yet to be the dominant musical format so the vinyl album sleeve is our most effective way of making a statement [...] The intent of the design of De La Soul's, 3 Feet High and Rising LP cover is to be new and bright, with the overlaying of the fluorescent flowers and text reflecting a synthetic pop cartoon look [...] This is a move away from the prevailing macho hip hop visual codes which dominate to this day".[citation needed]

Identity edit

 
GO ID Card, issued 1 February 1984

The GO logo was stamped on everything the group produced, from artworks to manifestos, from clothing to communiqués. The group also issued ID cards to all members, which included a portrait photograph, their names, date of birth, height, eye and hair colour, issue date and finger print.

After the Grey Organisation edit

When GO disbanded in 1991, Toby Mott pursued a solo career[20] exhibiting at White Columns NYC, The Thomas Soloman Garage, Los Angeles and Interim Art, London. He was for many years represented by the Maureen Paley Gallery.[21] He is also the founder of The Mott Collection. The collection has been exhibited at the Museo de Arte Contemporáneo de Castilla y León in March 2010.[22] and the Haunch of Venison gallery (London)[23] where it was accompanied by a major publication, Loud Flash: British Punk on Paper.

Paul Spencer left New York City and returned to London in 1991, where he opened a wholesaler and retailer named Wong Singh Jones Ltd on Portobello Road. The aim of this business was to unite the products found in corner shops around the world, items which he called "Cultural Classics and Consumer Icons". The business closed on December 24, 1999.

References edit

  1. ^ "tokyohipstersclub.com". tokyohipstersclub.com. Archived from the original on 30 November 2006. Retrieved 18 April 2014.
  2. ^ a b "Stewart Home as writer in residence at Tate Modern Level 2 Project". Stewarthomesociety.org. Retrieved 18 April 2014.
  3. ^ a b Coertie! (11 February 2010). "The Bollock Brothers!: A Punk's Journey". Bollockbrothers.blogspot.com. Retrieved 18 April 2014.
  4. ^ a b . Archived from the original on 17 August 2011. Retrieved 3 May 2011.
  5. ^ Monique Roffey (13 September 1994). "The trash ethic: Kitsch is cool and good taste is passe. Londoners are snapping up cheap, lurid trinkets from around the world". The Independent. Retrieved 18 April 2014.
  6. ^ a b c Tom Dixon. "CRASS – anarcho punk, thatchergate, multimedia, art, gigs and more". Dedece Blog. Retrieved 18 April 2014.
  7. ^ Sean O'Hagan. "Loud Flash: the art of punk". The Guardian. Retrieved 18 April 2014.
  8. ^ . 21 July 2011. Archived from the original on 21 July 2011. Retrieved 5 September 2020.
  9. ^ . www.usethiskindofsky-forum.com. Archived from the original on 23 March 2012. Retrieved 17 January 2022.
  10. ^ Art Line Magazine (International Art News), Vol, 2 No 9, 1985.
  11. ^ The Guardian, Saturday, 31 May 1986
  12. ^ "J.S.G. Boggs: Biografie". Ozwei.net. Retrieved 18 April 2014.
  13. ^ Arena: Money Man – On the Road with J.S.G. Boggs (BBC, 15 January 1993 – Money Man at the Internet Movie Database)
  14. ^ Young Conservatives, Young Socialists And The Great Youth Abstention: Youth Participation And Nonparticipation In Political Parties. By Matthew Lamb. Department of Political Science and International Studies The University of Birmingham September 2002
  15. ^ "The 50 Best Hip-Hop Album Covers". Complex. 28 October 2011. Retrieved 18 April 2014.
  16. ^ "De La Soul – 3 Feet High And Rising (Vinyl, LP, Album) at Discogs". Discogs.com. 28 August 2007. Retrieved 18 April 2014.
  17. ^ "Information Society – What's On Your Mind (Pure Energy) (Vinyl) at Discogs". Discogs.com. Retrieved 18 April 2014.
  18. ^ Lydia Slater (9 September 2010). "Toby Mott, from the punk of Pimlico to power player – Life & Style – London Evening Standard". Standard.co.uk. Retrieved 18 April 2014.
  19. ^ "De La Soul". Snap Galleries. 26 January 2013. Retrieved 18 April 2014.
  20. ^ "Frieze Magazine: Some Drawings". Frieze.com. Retrieved 18 April 2014.
  21. ^ (PDF). Archived from the original (PDF) on 14 July 2011. Retrieved 23 March 2011.{{cite web}}: CS1 maint: archived copy as title (link)
  22. ^ Loud Flash: British Punk on Paper 8 April 2014 at the Wayback Machine at ARTnews
  23. ^ [1] 23 February 2011 at the Wayback Machine

External links edit

 
Wikimedia Commons has media related to Grey Organisation.
  • A basic introduction to the Grey Organisation
  • GO at Discogs Organisation
  • GO at Artnet.com
  • Kerstin Rodgers' portrait of the Grey Organisation

January 01, 1970
grey, organisation, artist, collective, active, from, 1983, 1991, worked, several, media, including, film, video, participated, over, international, exhibitions, january, 1985, group, committed, terrorism, smuggling, paintings, into, international, contemporar. The Grey Organisation GO was an artist collective active from 1983 to 1991 GO worked in several media including film and video and participated in over 20 international exhibitions 1 In January 1985 the group committed an act of art terrorism 2 by smuggling one of its paintings into the International Contemporary Arts Fair in London 3 The following year it mounted an attack on Cork Street then the centre of the London art world splashing grey paint on the windows of a number of galleries 3 After this members of the group were arrested 4 and for a time banned from central London This resulted in them relocating to New York City where they exhibited at The Civilian Warfare Gallery in the East Village 4 The members of the group were Toby Mott Daniel Saccoccio Tim Burke and Paul Spencer Their activities and attitude towards the traditional British art establishment greatly influenced The Young British Artists from 1988 onwards 5 The Grey OrganisationGO manifesto with logoNationalityEnglishKnown forDirect Action Video Painting Contents 1 Biography 2 Fashion and PR 3 Album artwork 4 Identity 5 After the Grey Organisation 6 References 7 External linksBiography editAfter moving to Bow in East London Toby Mott and childhood friends Daniel Saccoccio Tim Burke and Paul Spencer formed Grey Organisation in 1982 as a response to the prevailing Thatcherite free market consumerist culture 6 GO s origins can be found in the Punk movement and 1970s youth politics the quartet having been members of the Anarchist Street Army 7 They eschewed the more common anarcho aesthetic opting instead to dress uniformly in grey suits with heads shaved in a parody of yuppie and Soviet corporate monoculture 6 On 28 July 1984 GO organised a live concert for Psychic TV It took place in a derelict circular building in Drayton Park London and was recorded live and released as Temporary Temple The same year GO directed the film Grey Moments 8 In 1985 GO began a series of direct art actions launching attacks on the International Contemporary Arts Fair in London by sneaking paintings into the fair and an attack on Cork Street covering some of London s most famous galleries in grey paint 2 arguably something inherited from the strategies of disobedience of May 68 Paris culled from the heroism of Guy Debord 9 In a press release GO justified the attacks on Cork Street describing the galleries established there as boring and lifeless and stating they intended to liven up their lives a bit The attack took place on Tuesday 21 May 1985 somewhere between midnight and 6am Members of the Grey Organisation were later arrested released on bail and banned from central London but when prosecuted at Well Street Magistrates court pleaded Not Guilty and were released without charge 10 Subsequently in 1986 GO moved to New York to escape further attempts at prosecution 11 In 1986 GO took part in the exhibition Money 12 organised by J S G Boggs the notorious banknote copying artist at the Young Unknowns Gallery The exhibition was raided by police and works including those by GO were confiscated 13 In the England of the 1980s there were others creating their own vision reacting to the prevailing Thatcherite free market consumerist culture Psychic Youth Test Department Laibach My own involvement was with the art filmmaking group the Grey Organization We parodied yuppie and Soviet corporate monoculture with our uniformed anonymity shaved heads white shirts English suits making and exhibiting art as product without individual authorship something inspired from the rigorous orthodoxy of Crass 6 From the essay Crass an education by Toby Mott Crass 1977 1984 PPP Editions 2011 Fashion and PR edit nbsp Young members of Red Wedge wearing Grey Organisation t shirts designed for the Labour Party 1987 GO s image of uniformed anonymity shaved heads white shirts and grey English suits were key to the GO manifesto They stated that wearing suits afforded them the respect necessary in the 1990 s but shunned the wearing of ties stating We wear no ties All those who see themselves as dissidents in society do like wise citation needed GO s recognition began to grow outside of the art world when Lynne Franks launched the Grey Organisation into the 1980s world of PR modelling for Katharine Hamnett at the Albert Hall and Yohji Yamamoto in Paris supporting Red Wedge meeting Neil Kinnock at the Houses of Parliament and promoting Swatch watches Red Wedge was underpinned by a party political broadcast in July 1985 aimed specifically at the young vote It featured clips from Labour organised rock concerts including the performances of Billy Bragg Aswad and the Communards extracts from Neil Kinnock s speeches and interviews with young men and women about the misery of unemployment The Labour Party also commissioned designers Katharine Hammett Bodymap and the Grey Organisation to design T shirts for its Jobs and Industry campaign which largely concentrated on the plight of the young unemployed 14 GO also appeared in the Derek Jarman film The Angelic Conversation and the Gilbert amp George Exister pieces citation needed Album artwork edit nbsp De La Soul s 3 Feet High and Rising album cover by the Grey Organisation In the 1980s whilst living in New York GO produced a series of album covers for Tommy Boy Records including for De La Soul s 3 Feet High and Rising 15 16 and for the band Information Society 17 and made music videos for bands such as the Rolling Stones Mixed Emotions Public Enemy Shut Em Down and A Tribe Called Quest Can I Kick It 18 In 2013 GO member Toby Mott was scheduled to exhibit a print edition of the original 3 Feet High and Rising album art work displayed alongside memorabilia such as Mott s original sketch his gold disc and other items from his private collection 19 In an essay written to accompany the exhibition Mott describes the process of designing the album cover De La Soul visit our loft where we lay them down on the floor facing up their heads making a triangle We photograph them whilst hanging precariously off a step ladder one idea being that the cover would not have a right way up CD s sic have yet to be the dominant musical format so the vinyl album sleeve is our most effective way of making a statement The intent of the design of De La Soul s 3 Feet High and Rising LP cover is to be new and bright with the overlaying of the fluorescent flowers and text reflecting a synthetic pop cartoon look This is a move away from the prevailing macho hip hop visual codes which dominate to this day citation needed Identity edit nbsp GO ID Card issued 1 February 1984 The GO logo was stamped on everything the group produced from artworks to manifestos from clothing to communiques The group also issued ID cards to all members which included a portrait photograph their names date of birth height eye and hair colour issue date and finger print After the Grey Organisation editWhen GO disbanded in 1991 Toby Mott pursued a solo career 20 exhibiting at White Columns NYC The Thomas Soloman Garage Los Angeles and Interim Art London He was for many years represented by the Maureen Paley Gallery 21 He is also the founder of The Mott Collection The collection has been exhibited at the Museo de Arte Contemporaneo de Castilla y Leon in March 2010 22 and the Haunch of Venison gallery London 23 where it was accompanied by a major publication Loud Flash British Punk on Paper Paul Spencer left New York City and returned to London in 1991 where he opened a wholesaler and retailer named Wong Singh Jones Ltd on Portobello Road The aim of this business was to unite the products found in corner shops around the world items which he called Cultural Classics and Consumer Icons The business closed on December 24 1999 nbsp 1980s portal nbsp 1990s portalReferences edit tokyohipstersclub com tokyohipstersclub com Archived from the original on 30 November 2006 Retrieved 18 April 2014 a b Stewart Home as writer in residence at Tate Modern Level 2 Project Stewarthomesociety org Retrieved 18 April 2014 a b Coertie 11 February 2010 The Bollock Brothers A Punk s Journey Bollockbrothers blogspot com Retrieved 18 April 2014 a b Toby Mott from the punk of Pimlico to power player Life amp Style Archived from the original on 17 August 2011 Retrieved 3 May 2011 Monique Roffey 13 September 1994 The trash ethic Kitsch is cool and good taste is passe Londoners are snapping up cheap lurid trinkets from around the world The Independent Retrieved 18 April 2014 a b c Tom Dixon CRASS anarcho punk thatchergate multimedia art gigs and more Dedece Blog Retrieved 18 April 2014 Sean O Hagan Loud Flash the art of punk The Guardian Retrieved 18 April 2014 Film Archive Melbourne International Film Festival MIFF 21 July 2011 Archived from the original on 21 July 2011 Retrieved 5 September 2020 Untitled Document www usethiskindofsky forum com Archived from the original on 23 March 2012 Retrieved 17 January 2022 Art Line Magazine International Art News Vol 2 No 9 1985 The Guardian Saturday 31 May 1986 J S G Boggs Biografie Ozwei net Retrieved 18 April 2014 Arena Money Man On the Road with J S G Boggs BBC 15 January 1993 Money Man at the Internet Movie Database Young Conservatives Young Socialists And The Great Youth Abstention Youth Participation And Nonparticipation In Political Parties By Matthew Lamb Department of Political Science and International Studies The University of Birmingham September 2002 The 50 Best Hip Hop Album Covers Complex 28 October 2011 Retrieved 18 April 2014 De La Soul 3 Feet High And Rising Vinyl LP Album at Discogs Discogs com 28 August 2007 Retrieved 18 April 2014 Information Society What s On Your Mind Pure Energy Vinyl at Discogs Discogs com Retrieved 18 April 2014 Lydia Slater 9 September 2010 Toby Mott from the punk of Pimlico to power player Life amp Style London Evening Standard Standard co uk Retrieved 18 April 2014 De La Soul Snap Galleries 26 January 2013 Retrieved 18 April 2014 Frieze Magazine Some Drawings Frieze com Retrieved 18 April 2014 Archived copy PDF Archived from the original PDF on 14 July 2011 Retrieved 23 March 2011 a href Template Cite web html title Template Cite web cite web a CS1 maint archived copy as title link Loud Flash British Punk on Paper Archived 8 April 2014 at the Wayback Machine at ARTnews 1 Archived 23 February 2011 at the Wayback MachineExternal links edit nbsp Wikimedia Commons has media related to Grey Organisation A basic introduction to the Grey Organisation GO at Discogs Organisation GO at Artnet com Kerstin Rodgers portrait of the Grey Organisation Retrieved from https en wikipedia org w index php title Grey Organisation amp oldid 1179201886, wikipedia, wiki, book, books, library,

article

, read, download, free, free download, mp3, video, mp4, 3gp, jpg, jpeg, gif, png, picture, music, song, movie, book, game, games.