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Gordon Walters

Gordon Frederick Walters (24 September 1919 – 5 November 1995) was a Wellington-born artist and graphic designer who is significant to New Zealand culture due to his representation of New Zealand in his Modern Abstract artworks.[1]

Gordon Walters
Born(1919-09-24)24 September 1919
Died5 November 1995(1995-11-05) (aged 76)
NationalityNew Zealand
StyleModern abstract
SpouseMargaret Orbell

Education edit

Gordon Walters was born and raised in Wellington, where he went to Miramar South School and Rongotai College. From 1935 to 1939 he studied as a commercial artist at Wellington Technical College under Frederick V. Ellis.

Early influence and experiences edit

Walters applied to join the army during World War II but was turned down due to medical problems.[2] He took up a job in the Ministry of Supply doing illustrations. Walters traveled to Australia in 1946 and then visited photographer and painter Theo Schoon in South Canterbury, who was photographing Māori rock art at Ōpihi River. This visit was central to Walters work as he began using Māori cultural themes in his painting.[3] In 1950 Walters moved to Europe where he became influenced by Piet Mondrian, Victor Vasarely and Auguste Herbin. On his return to New Zealand in 1953, Walters began to fuse abstract modernism with traditional Māori art.

The koru series edit

In the early fifties Walters' designs progressed and New Zealand shapes and ideas, in particular the Māori koru form, became important themes. His design straightened the stem of the koru in a way not seen in customary Māori contexts.[4] Walters stated “My work is an investigation of positive/ negative relationships within a deliberately limited range of forms; the forms I use have no descriptive value in themselves and are used solely to demonstrate relations. I believe that dynamic relations are most clearly expressed by the repetition of a few simple elements.”[5]

Te Whiti edit

In 1956 Walters made the initial studies for the painting that would become his first koru painting, Te Whiti.[6] As art historian Michael Dunn noted, ‘Perfecting that motif took some eight years of dedicated labour.’[7] In 1964 Walters made the first large scale (1220 x 915mm) koru painting that has survived. It was titled after the Māori spiritual leader Te Whiti-o-Rongomai (Te Āti Awa) and may also reference Te Whiti Street in Kilbirnie Wellington where Walters lived as a child.[8] Some critics have found this possible personal reference to be at odds with Walters’ insistence on the works being seen as purely abstract.[9] For Te Whiti Walters used hardboard and a co polymer of PVA. Now known as acrylic, this material was relatively new at the time. Although available for house painting in New Zealand as early as 1952, there is no public record of its use by artists until 1962.[10]

Te Whiti was not included in the New Vision Gallery exhibition Gordon Walters: Painting 1965 and Walters submitted it instead to the Hays Ltd Art Competition as Painting 1965.[11] Since the return of the work from the Hays Competition the painting has been known as Te Whiti and it is this title that is inscribed on the back of the painting along with the year 1964 and the artist’s name.[12]

Te Whiti has been owned privately since 1966 and has been exhibited on only a few occasions. A year after the Hays Competition it was shown in Wellington as Te Whiti in the exhibition Abstract Paintings by Forty New Zealand Artists, Wellington Art Club, New Zealand Display Centre, Wellington. At that stage it was owned by Ralph S. Von Kohorn.[13][14] In 1983 Te Whiti was included in Gordon Walters Auckland City Art Gallery (now known as Auckland Art Gallery / Toi o Tāmaki). The City Gallery Wellington included the painting in the 2001 Parihaka: the Art of Resistance.[15] It was last exhibited publicly in 2017 in Gordon Walters: New Vision, Dunedin Public Art Gallery and Auckland Art Gallery Toi o Tāmaki.[16]

In 2023 the Walters Estate published an edition of 100 screen prints of Te Whiti embossed with the Estate’s blind stamp.[17] In the same year, to coincide with the publication of Francis Pound's book Gordon Walters, Glorious  Digital[18] produced a digital version of Te Whiti in an edition of 100. The package included the digital reproduction of the work, Francis Pound’s book (a detail from Te Whiti features on the cover) and a small, printed version of the painting.[19]

Maheno edit

Walters' best known work, Maheno,[20] was painted in 1981 and formed part of an ongoing koru series. The painting brings both Māori and European ideas together through geometric abstraction and Māori culture expressed through both image and language with the koru and the title 'Maheno' in Māori. Koru is a Māori word that has now become part of mainstream New Zealand English, describing the growing tip of a fern frond.

Controversy edit

From the mid-1980s, Walters was accused of exploitative appropriation of Māori art by several critics, both Māori and Pākehā (European New Zealander).[21] The discussion around Walters' appropriation of Maori forms surfaced again in the early nineties when his work was included in the exhibition Headlands: Thinking Through New Zealand Art in 1992.[22]

Personal life edit

Walters became a full-time artist in 1966 and in 1971 was awarded a QEII Fellowship. Recognised for his precise geometric abstraction, he moved to Christchurch in 1976.

Walters married Margaret Orbell (1934–2006), a scholar of Māori literature, in 1963.[23]

Gordon Walters died on 5 November, 1995, aged 76.

References edit

  1. ^ Museum of New Zealand Te Papa Tongarewa (2005). Treasures from the Museum of New Zealand Te Papa Tongarewa. Te Papa Press. p. 66. ISBN 1-877385-12-3.
  2. ^ Dunn, Michael (2000). "Walters, Gordon Frederick". Te Ara - the Encyclopedia of New Zealand. Retrieved 18 June 2019.
  3. ^ Lummis, Richard (Winter 2000). "Embryonic Ultra-Modernism: Walters, Schoon and Turner in the 1940s". Art New Zealand (95): 88–91, 98.
  4. ^ "Makaro by Gordon Walters".
  5. ^ Dunn, Michael (February 1978). "The Enigma of Gordon Walters' Art". Art New Zealand (9).
  6. ^ Bell, Leonard (Winter 1983). "Putting the Record Straight: Gordon Walters". Art New Zealand. 27: 45.
  7. ^ Dunn, Michael (March 1978). "The Enigma of Gordon Walter's Art". Art New Zealand. 9.
  8. ^ "Walters Labels" (PDF). Retrieved 17 December 2023.
  9. ^ Philip, Brendan Jon (16 January 2018). "Difference and Repetition". EyeContact. Retrieved 17 December 2023.
  10. ^ Hillary, Sarah; Campbell, Katherine; Carlisle, Melanie; Khanjian, Herant; Learner, Tom; Schilling, Michael (2013). "The early use of synthetic emulsion paints by New Zealand artists". AICCM Bulletin. 48 (54).
  11. ^ "Hays Art Competition 1966". Retrieved 17 December 2023.
  12. ^ Dunn, Michael (1983). Dunn Gordon Walters. Auckland City Art Gallery. p. 37. ISBN 0864631111.
  13. ^ "Abstract Paintings by Forty New Zealand Artists". Retrieved 17 December 2023.
  14. ^ Pound, Francis (1994). The Spaces Between: Pākehā Use of Māori Motifs in Modernist New Zealand Art. Workshop Press. p. 221. ISBN 0958331219.
  15. ^ "Parihaka: The Art of Passive Resistance". Retrieved 17 December 2023.
  16. ^ "Gordon Walters". Retrieved 17 December 2023.
  17. ^ "Gordon Walters Estate". Retrieved 17 December 2023.
  18. ^ "Glorious Digital". Retrieved 17 December 2023.
  19. ^ "Gordon Walters: Te Whiti". Retrieved 17 December 2023.
  20. ^ "Maheno". Retrieved 18 December 2023.
  21. ^ "International Review: Gordon Walters: New Vision by Leonard Bell". 6 December 2018.
  22. ^ Headlands : thinking through New Zealand art. Robert Leonard, Bernice Murphy, Mary Barr, John McCormack, Cheryll Sotheran, Cliff Whiting, Museum of Contemporary Art, National Art Gallery, Queen Elizabeth II Arts Council of New Zealand, Council for Maori and South Pacific Arts, Australia Council. Visual Arts/Craft Board. Sydney [N.S.W.]: The Museum. 1992. pp. 130–132. ISBN 1-875632-04-2. OCLC 30605052.{{cite book}}: CS1 maint: others (link)
  23. ^ "Maho: The painting Gordon Walters wouldn't sell". 11 August 2018.

External links edit

gordon, walters, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, removed, find, sources, news, newspapers, books, scholar, jstor, october, 2. This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Gordon Walters news newspapers books scholar JSTOR October 2017 Learn how and when to remove this template message Gordon Frederick Walters 24 September 1919 5 November 1995 was a Wellington born artist and graphic designer who is significant to New Zealand culture due to his representation of New Zealand in his Modern Abstract artworks 1 Gordon WaltersBorn 1919 09 24 24 September 1919Died5 November 1995 1995 11 05 aged 76 NationalityNew ZealandStyleModern abstractSpouseMargaret Orbell Contents 1 Education 2 Early influence and experiences 3 The koru series 3 1 Te Whiti 3 2 Maheno 4 Controversy 5 Personal life 6 References 7 External linksEducation editGordon Walters was born and raised in Wellington where he went to Miramar South School and Rongotai College From 1935 to 1939 he studied as a commercial artist at Wellington Technical College under Frederick V Ellis Early influence and experiences editWalters applied to join the army during World War II but was turned down due to medical problems 2 He took up a job in the Ministry of Supply doing illustrations Walters traveled to Australia in 1946 and then visited photographer and painter Theo Schoon in South Canterbury who was photographing Maori rock art at Ōpihi River This visit was central to Walters work as he began using Maori cultural themes in his painting 3 In 1950 Walters moved to Europe where he became influenced by Piet Mondrian Victor Vasarely and Auguste Herbin On his return to New Zealand in 1953 Walters began to fuse abstract modernism with traditional Maori art The koru series editIn the early fifties Walters designs progressed and New Zealand shapes and ideas in particular the Maori koru form became important themes His design straightened the stem of the koru in a way not seen in customary Maori contexts 4 Walters stated My work is an investigation of positive negative relationships within a deliberately limited range of forms the forms I use have no descriptive value in themselves and are used solely to demonstrate relations I believe that dynamic relations are most clearly expressed by the repetition of a few simple elements 5 Te Whiti edit In 1956 Walters made the initial studies for the painting that would become his first koru painting Te Whiti 6 As art historian Michael Dunn noted Perfecting that motif took some eight years of dedicated labour 7 In 1964 Walters made the first large scale 1220 x 915mm koru painting that has survived It was titled after the Maori spiritual leader Te Whiti o Rongomai Te Ati Awa and may also reference Te Whiti Street in Kilbirnie Wellington where Walters lived as a child 8 Some critics have found this possible personal reference to be at odds with Walters insistence on the works being seen as purely abstract 9 For Te Whiti Walters used hardboard and a co polymer of PVA Now known as acrylic this material was relatively new at the time Although available for house painting in New Zealand as early as 1952 there is no public record of its use by artists until 1962 10 Te Whiti was not included in the New Vision Gallery exhibition Gordon Walters Painting 1965 and Walters submitted it instead to the Hays Ltd Art Competition as Painting 1965 11 Since the return of the work from the Hays Competition the painting has been known as Te Whiti and it is this title that is inscribed on the back of the painting along with the year 1964 and the artist s name 12 Te Whiti has been owned privately since 1966 and has been exhibited on only a few occasions A year after the Hays Competition it was shown in Wellington as Te Whiti in the exhibition Abstract Paintings by Forty New Zealand Artists Wellington Art Club New Zealand Display Centre Wellington At that stage it was owned by Ralph S Von Kohorn 13 14 In 1983 Te Whiti was included in Gordon Walters Auckland City Art Gallery now known as Auckland Art Gallery Toi o Tamaki The City Gallery Wellington included the painting in the 2001 Parihaka the Art of Resistance 15 It was last exhibited publicly in 2017 in Gordon Walters New Vision Dunedin Public Art Gallery and Auckland Art Gallery Toi o Tamaki 16 In 2023 the Walters Estate published an edition of 100 screen prints of Te Whiti embossed with the Estate s blind stamp 17 In the same year to coincide with the publication of Francis Pound s book Gordon Walters Glorious Digital 18 produced a digital version of Te Whiti in an edition of 100 The package included the digital reproduction of the work Francis Pound s book a detail from Te Whiti features on the cover and a small printed version of the painting 19 Maheno edit Walters best known work Maheno 20 was painted in 1981 and formed part of an ongoing koru series The painting brings both Maori and European ideas together through geometric abstraction and Maori culture expressed through both image and language with the koru and the title Maheno in Maori Koru is a Maori word that has now become part of mainstream New Zealand English describing the growing tip of a fern frond Controversy editFrom the mid 1980s Walters was accused of exploitative appropriation of Maori art by several critics both Maori and Pakeha European New Zealander 21 The discussion around Walters appropriation of Maori forms surfaced again in the early nineties when his work was included in the exhibition Headlands Thinking Through New Zealand Art in 1992 22 Personal life editWalters became a full time artist in 1966 and in 1971 was awarded a QEII Fellowship Recognised for his precise geometric abstraction he moved to Christchurch in 1976 Walters married Margaret Orbell 1934 2006 a scholar of Maori literature in 1963 23 Gordon Walters died on 5 November 1995 aged 76 References edit Museum of New Zealand Te Papa Tongarewa 2005 Treasures from the Museum of New Zealand Te Papa Tongarewa Te Papa Press p 66 ISBN 1 877385 12 3 Dunn Michael 2000 Walters Gordon Frederick Te Ara the Encyclopedia of New Zealand Retrieved 18 June 2019 Lummis Richard Winter 2000 Embryonic Ultra Modernism Walters Schoon and Turner in the 1940s Art New Zealand 95 88 91 98 Makaro by Gordon Walters Dunn Michael February 1978 The Enigma of Gordon Walters Art Art New Zealand 9 Bell Leonard Winter 1983 Putting the Record Straight Gordon Walters Art New Zealand 27 45 Dunn Michael March 1978 The Enigma of Gordon Walter s Art Art New Zealand 9 Walters Labels PDF Retrieved 17 December 2023 Philip Brendan Jon 16 January 2018 Difference and Repetition EyeContact Retrieved 17 December 2023 Hillary Sarah Campbell Katherine Carlisle Melanie Khanjian Herant Learner Tom Schilling Michael 2013 The early use of synthetic emulsion paints by New Zealand artists AICCM Bulletin 48 54 Hays Art Competition 1966 Retrieved 17 December 2023 Dunn Michael 1983 Dunn Gordon Walters Auckland City Art Gallery p 37 ISBN 0864631111 Abstract Paintings by Forty New Zealand Artists Retrieved 17 December 2023 Pound Francis 1994 The Spaces Between Pakeha Use of Maori Motifs in Modernist New Zealand Art Workshop Press p 221 ISBN 0958331219 Parihaka The Art of Passive Resistance Retrieved 17 December 2023 Gordon Walters Retrieved 17 December 2023 Gordon Walters Estate Retrieved 17 December 2023 Glorious Digital Retrieved 17 December 2023 Gordon Walters Te Whiti Retrieved 17 December 2023 Maheno Retrieved 18 December 2023 International Review Gordon Walters New Vision by Leonard Bell 6 December 2018 Headlands thinking through New Zealand art Robert Leonard Bernice Murphy Mary Barr John McCormack Cheryll Sotheran Cliff Whiting Museum of Contemporary Art National Art Gallery Queen Elizabeth II Arts Council of New Zealand Council for Maori and South Pacific Arts Australia Council Visual Arts Craft Board Sydney N S W The Museum 1992 pp 130 132 ISBN 1 875632 04 2 OCLC 30605052 a href Template Cite book html title Template Cite book cite book a CS1 maint others link Maho The painting Gordon Walters wouldn t sell 11 August 2018 External links editWorks by Gordon Walters at Te Papa Works by Gordon Walters at the Auckland Art Gallery Victoria University Gordon Walters Prints Design Christchurch Art Gallery Infosheet on Untitled 1985 pdf Christchurch Art Gallery Infosheet on Untitled Koru Series 1981 pdf Dunn Michael Gordon Frederick Walters Dictionary of New Zealand Biography Ministry for Culture and Heritage Retrieved 23 April 2017 Retrieved from https en wikipedia org w index php title Gordon Walters amp oldid 1190424901, wikipedia, wiki, book, books, library,

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