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GodWeenSatan: The Oneness

GodWeenSatan: The Oneness is the debut studio album by American rock band Ween, released on November 16, 1990, by Twin/Tone Records.[2] The album introduces several key themes for the group, including their eclecticism, gonzo sense of humor, and their demon god/mascot, the Boognish.

GodWeenSatan: The Oneness
Studio album by
ReleasedNovember 16, 1990
Recorded1989
Studio
Genre
Length70:59
LabelTwin/Tone
ProducerAndrew Weiss
Ween chronology
GodWeenSatan: The Oneness
(1990)
The Pod
(1991)

Restless Records reissued the album on September 11, 2001, jokingly referring to it as the "25th anniversary edition", despite the album only being eleven years old at the time. The reissue featured digitally remastered sound, new packaging, and the inclusion of three bonus tracks—"Bumblebee Part 2", "Stacey", and "Hippy Smell"—integrated into the original album's playlist. The album contains several tracks that are long time staples of Ween's live performances, such as "You Fucked Up", "Fat Lenny", "Marble Tulip Juicy Tree", and "L.M.L.Y.P." The band performed the album in its entirety on September 14, 2001. The performance was subsequently released on the live album GodWeenSatan Live in 2016.

Background

Writing

The album was written and performed by Aaron Freeman and Mickey Melchiondo, who had been writing and recording music together five or six years earlier after they met in a middle school typing class at age 14.[3] The duo began creating tapes of their music shortly afterward, as Ween. The apparent earliest GodWeenSatan track, 'I Gots A Weasel,' first appeared on their 1985 'Ween WAD' EP in an extended form.[4]

Around 1986 Ween released their first album-length tape, 'The Crucial Squeegie Lip,' on Birdo'pray Records. This featured a short version of 'You Fucked Up.'[5]

On January 10, 1987, Ween played their earliest known live show at 'Weenstock,' a small event held in Freeman's basement. Around five months later, they began playing at more prominent venues, such as City Gardens, in Trenton, NJ.[6] Shortly afterward, Ween released their second album-length tape, Ween II (Axis: Bold As Boognish), which featured a slower version of 'Bumblebee.'[7]

In early 1989,[8] Ween played a show at Pranzatelli's Stereo and TV in Bound Brook. The show featured the earliest known versions of several GodWeenSatan songs. These included fully formed versions of 'Tick' & 'Licking the Palm For Guava,' shorter unfinished versions of 'LMLYP' & 'Nan,' and longer versions of 'Don't Laugh (I Love You)' & 'El Camino.'[9] A FM broadcast of Ween playing at The Rathskellar on April 18, 1989, showcases Ween performing exactly half of the album's tracks live. The recording notably features the earliest known performances of 'Never Squeal,' 'Up on the Hill,' 'Cold and Wet,' 'Common Bitch,'' 'Old Queen Cole,' 'Papa Zit,' 'Squelch the Weasel,' 'Wayne's Pet Youngin' & 'Fat Lenny.'[10]

Release

By the time the album was released in November of 1990,[2] the recordings were at least 11 months old, and the duo had already recorded their second album, The Pod. GodWeenSatan would be Ween's only release on Twin/Tone.

Critical reception

David Browne, writing for Entertainment Weekly, praised the album's silliness and frequently ranting nature, writing: "As it veers uncontrollably from the stupid to the unlistenable, God Ween Satan becomes the energizing sound of two street-corner nutjobs railing as best they can against the entire world. Equal opportunity for clever morons to punish the masses with the aid of modern recording equipment — it’s truly a wonderful thing."[12] Andrew Perry of Select wrote that Ween derived their "sonic dementia" from post-hardcore, but that the band's stylistic range was much wider, including parodies of bubblegum pop and lovers rock. He concluded that the "anarchic" album was "unrealistically varied and never boring. You won't have heard the like of this before".[16]

In a retrospective review, Pitchfork's Matt LeMay wrote: "Unafraid to say 'fuck' for no apparent reason, unafraid to rock out on cheesy metal riffs, and unafraid to pick to pieces just about every variety of music, Ween managed to capture the essence of their sound on their debut as well, if not better than, on any later album."[14] Uncut describe the album as containing pastiches of "anything on the rock planet", with Ween offending and delighting the listener "in equal measure".[19] Heather Phares of AllMusic described GodWeenSatan as "almost as eclectic and inspired" as Ween's subsequent albums, with a palpable sense of fun that makes it "more than just a promising debut".[11] Less favorable was Robert Christgau in The Village Voice, who quipped of "L.M.L.Y.P." that Ween "went on about pussy for nine minutes (good idea) in a Princey blues-minstrel drawl (bad one)".[20]

Track listing

All tracks written by Ween except "L.M.L.Y.P.," which contains a partial cover of "Shockadelica" and elements of "Alphabet St." (Prince).

GodWeenSatan: The Oneness
No.TitleLength
1."You Fucked Up"1:37
2."Tick"1:53
3."I'm in the Mood to Move"1:16
4."I Gots a Weasel"1:22
5."Fat Lenny"2:07
6."Cold and Wet"1:12
7."Bumblebee"1:19
8."Bumblebee Part 2"1:23
9."Don't Laugh (I Love You)"2:49
10."Never Squeal"2:25
11."Up on the Hill"1:56
12."Wayne's Pet Youngin'"1:41
13."Nicole"9:20
14."Common Bitch"1:46
15."El Camino"2:17
16."Old Queen Cole"1:34
17."Stacey"1:58
18."Nan"2:55
19."Licking the Palm for Guava"1:07
20."Mushroom Festival in Hell"2:35
21."L.M.L.Y.P."8:48
22."Papa Zit"1:15
23."Hippy Smell"2:11
24."Old Man Thunder"0:23
25."Birthday Boy"3:31
26."Blackjack"4:36
27."Squelch the Weasel"3:11
28."Marble Tulip Juicy Tree"5:24
29."Puffy Cloud"2:40
Total length:1:16:31
  • "Bumblebee Part 2", "Stacey", and "Hippy Smell" do not appear on pressings of the album before 2001.

Personnel

Ween

Additional musicians

  • David Williams – backing vocals on "I'm in the Mood to Move"
  • Eddie Dingle – vocals on "Nan"
  • Andrew Weiss – bass guitar[citation needed]

Technical

  • Andrew Weiss – producer, mixing
  • Theo Van Rock – mixing
  • Greg Frey – engineer (drums)

References

  1. ^ Phares, Heather. "AllMusic Review by Heather Phares". allmusic.com. Retrieved 5 August 2020.
  2. ^ a b "God-Ween-Satan". twintone.com. Retrieved 2018-11-07.
  3. ^ "Ween FAQ | Frequently Asked Questions | Ween.Net". www.ween.net. Retrieved 2022-07-30.
  4. ^ ween - ween wad [reconstruction], 1985, retrieved 2022-07-30
  5. ^ Ween - The Crucial Squeegie Lip (1987), retrieved 2022-07-30
  6. ^ "Brownbase | Ween Setlists and Statistics | Shows". brownbase.org. Retrieved 2022-07-30.
  7. ^ Ween - Bumblebee, retrieved 2022-07-30
  8. ^ "Brownbase | Ween Setlists and Statistics | 1/2/1989 Bound Brook". brownbase.org. Retrieved 2022-07-30.
  9. ^ Ween - Instore at Pranzatellis (1989), retrieved 2022-07-30
  10. ^ "Brownbase | Ween Setlists and Statistics | 4/18/1989 Trenton". brownbase.org. Retrieved 2022-07-30.
  11. ^ a b Phares, Heather. "God Ween Satan – Ween". AllMusic. Retrieved October 31, 2018.
  12. ^ a b Browne, David (January 11, 1991). "God Ween Satan–The Oneness". Entertainment Weekly. Archived from the original on May 5, 2020. Retrieved May 6, 2020.
  13. ^ Stefano Ferreri. "Ween". OndaRock (in Italian).
  14. ^ a b LeMay, Matt (September 20, 2001). "Ween: God Ween Satan: The Oneness". Pitchfork. Retrieved February 3, 2016.
  15. ^ Sarig, Roni (2004). "Ween". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. pp. 864–65. ISBN 0-7432-0169-8.
  16. ^ a b Perry, Andrew (February 1991). "Ween: God Ween Satan". Select. No. 8. p. 75.
  17. ^ Sutton, Terri (1995). "Ween". In Weisbard, Eric; Marks, Craig (eds.). Spin Alternative Record Guide. Vintage Books. p. 431. ISBN 0-679-75574-8.
  18. ^ "Ween - GodWeenSatan: The Oneness (Album review 2) | Sputnikmusic".
  19. ^ a b . Uncut. No. 70. March 2003. p. 118. Archived from the original on 6 September 2005. Retrieved 26 November 2020.
  20. ^ a b Christgau, Robert. "Christgau's Consumer Guide". Retrieved December 5, 2020.

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For other uses see Oneness disambiguation GodWeenSatan The Oneness is the debut studio album by American rock band Ween released on November 16 1990 by Twin Tone Records 2 The album introduces several key themes for the group including their eclecticism gonzo sense of humor and their demon god mascot the Boognish GodWeenSatan The OnenessStudio album by WeenReleasedNovember 16 1990Recorded1989StudioZion House of Flesh Graphic Sound Andrew Weiss s Living Room citation needed GenrePunk rock heavy metal 1 comedy rock experimental rock slacker rock funkLength70 59LabelTwin ToneProducerAndrew WeissWeen chronologyGodWeenSatan The Oneness 1990 The Pod 1991 Restless Records reissued the album on September 11 2001 jokingly referring to it as the 25th anniversary edition despite the album only being eleven years old at the time The reissue featured digitally remastered sound new packaging and the inclusion of three bonus tracks Bumblebee Part 2 Stacey and Hippy Smell integrated into the original album s playlist The album contains several tracks that are long time staples of Ween s live performances such as You Fucked Up Fat Lenny Marble Tulip Juicy Tree and L M L Y P The band performed the album in its entirety on September 14 2001 The performance was subsequently released on the live album GodWeenSatan Live in 2016 Contents 1 Background 1 1 Writing 1 2 Release 2 Critical reception 3 Track listing 4 Personnel 5 ReferencesBackground EditWriting Edit The album was written and performed by Aaron Freeman and Mickey Melchiondo who had been writing and recording music together five or six years earlier after they met in a middle school typing class at age 14 3 The duo began creating tapes of their music shortly afterward as Ween The apparent earliest GodWeenSatan track I Gots A Weasel first appeared on their 1985 Ween WAD EP in an extended form 4 Around 1986 Ween released their first album length tape The Crucial Squeegie Lip on Birdo pray Records This featured a short version of You Fucked Up 5 On January 10 1987 Ween played their earliest known live show at Weenstock a small event held in Freeman s basement Around five months later they began playing at more prominent venues such as City Gardens in Trenton NJ 6 Shortly afterward Ween released their second album length tape Ween II Axis Bold As Boognish which featured a slower version of Bumblebee 7 In early 1989 8 Ween played a show at Pranzatelli s Stereo and TV in Bound Brook The show featured the earliest known versions of several GodWeenSatan songs These included fully formed versions of Tick amp Licking the Palm For Guava shorter unfinished versions of LMLYP amp Nan and longer versions of Don t Laugh I Love You amp El Camino 9 A FM broadcast of Ween playing at The Rathskellar on April 18 1989 showcases Ween performing exactly half of the album s tracks live The recording notably features the earliest known performances of Never Squeal Up on the Hill Cold and Wet Common Bitch Old Queen Cole Papa Zit Squelch the Weasel Wayne s Pet Youngin amp Fat Lenny 10 Release Edit By the time the album was released in November of 1990 2 the recordings were at least 11 months old and the duo had already recorded their second album The Pod GodWeenSatan would be Ween s only release on Twin Tone Critical reception EditProfessional ratingsReview scoresSourceRatingAllMusic 11 Entertainment WeeklyB 12 OndaRock7 10 13 Pitchfork9 6 10 14 The Rolling Stone Album Guide 15 Select4 5 16 Spin Alternative Record Guide7 10 17 Sputnikmusic4 0 5 18 Uncut 19 The Village Voice 20 David Browne writing for Entertainment Weekly praised the album s silliness and frequently ranting nature writing As it veers uncontrollably from the stupid to the unlistenable God Ween Satan becomes the energizing sound of two street corner nutjobs railing as best they can against the entire world Equal opportunity for clever morons to punish the masses with the aid of modern recording equipment it s truly a wonderful thing 12 Andrew Perry of Select wrote that Ween derived their sonic dementia from post hardcore but that the band s stylistic range was much wider including parodies of bubblegum pop and lovers rock He concluded that the anarchic album was unrealistically varied and never boring You won t have heard the like of this before 16 In a retrospective review Pitchfork s Matt LeMay wrote Unafraid to say fuck for no apparent reason unafraid to rock out on cheesy metal riffs and unafraid to pick to pieces just about every variety of music Ween managed to capture the essence of their sound on their debut as well if not better than on any later album 14 Uncut describe the album as containing pastiches of anything on the rock planet with Ween offending and delighting the listener in equal measure 19 Heather Phares of AllMusic described GodWeenSatan as almost as eclectic and inspired as Ween s subsequent albums with a palpable sense of fun that makes it more than just a promising debut 11 Less favorable was Robert Christgau in The Village Voice who quipped of L M L Y P that Ween went on about pussy for nine minutes good idea in a Princey blues minstrel drawl bad one 20 Track listing EditAll tracks written by Ween except L M L Y P which contains a partial cover of Shockadelica and elements of Alphabet St Prince GodWeenSatan The OnenessNo TitleLength1 You Fucked Up 1 372 Tick 1 533 I m in the Mood to Move 1 164 I Gots a Weasel 1 225 Fat Lenny 2 076 Cold and Wet 1 127 Bumblebee 1 198 Bumblebee Part 2 1 239 Don t Laugh I Love You 2 4910 Never Squeal 2 2511 Up on the Hill 1 5612 Wayne s Pet Youngin 1 4113 Nicole 9 2014 Common Bitch 1 4615 El Camino 2 1716 Old Queen Cole 1 3417 Stacey 1 5818 Nan 2 5519 Licking the Palm for Guava 1 0720 Mushroom Festival in Hell 2 3521 L M L Y P 8 4822 Papa Zit 1 1523 Hippy Smell 2 1124 Old Man Thunder 0 2325 Birthday Boy 3 3126 Blackjack 4 3627 Squelch the Weasel 3 1128 Marble Tulip Juicy Tree 5 2429 Puffy Cloud 2 40Total length 1 16 31 Bumblebee Part 2 Stacey and Hippy Smell do not appear on pressings of the album before 2001 Personnel EditWeen Gene Ween Dean WeenAdditional musicians David Williams backing vocals on I m in the Mood to Move Eddie Dingle vocals on Nan Andrew Weiss bass guitar citation needed Technical Andrew Weiss producer mixing Theo Van Rock mixing Greg Frey engineer drums References Edit Phares Heather AllMusic Review by Heather Phares allmusic com Retrieved 5 August 2020 a b God Ween Satan twintone com Retrieved 2018 11 07 Ween FAQ Frequently Asked Questions Ween Net www ween net Retrieved 2022 07 30 ween ween wad reconstruction 1985 retrieved 2022 07 30 Ween The Crucial Squeegie Lip 1987 retrieved 2022 07 30 Brownbase Ween Setlists and Statistics Shows brownbase org Retrieved 2022 07 30 Ween Bumblebee retrieved 2022 07 30 Brownbase Ween Setlists and Statistics 1 2 1989 Bound Brook brownbase org Retrieved 2022 07 30 Ween Instore at Pranzatellis 1989 retrieved 2022 07 30 Brownbase Ween Setlists and Statistics 4 18 1989 Trenton brownbase org Retrieved 2022 07 30 a b Phares Heather God Ween Satan Ween AllMusic Retrieved October 31 2018 a b Browne David January 11 1991 God Ween Satan The Oneness Entertainment Weekly Archived from the original on May 5 2020 Retrieved May 6 2020 Stefano Ferreri Ween OndaRock in Italian a b LeMay Matt September 20 2001 Ween God Ween Satan The Oneness Pitchfork Retrieved February 3 2016 Sarig Roni 2004 Ween In Brackett Nathan Hoard Christian eds The New Rolling Stone Album Guide 4th ed Simon amp Schuster pp 864 65 ISBN 0 7432 0169 8 a b Perry Andrew February 1991 Ween God Ween Satan Select No 8 p 75 Sutton Terri 1995 Ween In Weisbard Eric Marks Craig eds Spin Alternative Record Guide Vintage Books p 431 ISBN 0 679 75574 8 Ween GodWeenSatan The Oneness Album review 2 Sputnikmusic a b Ween God Ween Satan The Oneness Uncut No 70 March 2003 p 118 Archived from the original on 6 September 2005 Retrieved 26 November 2020 a b Christgau Robert Christgau s Consumer Guide Retrieved December 5 2020 Retrieved from https en wikipedia org w index php title GodWeenSatan The Oneness amp oldid 1132847893, wikipedia, wiki, book, books, library,

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