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Gilda dalla Rizza

Gilda Dalla Rizza (12 October 1892 – 5 July 1975) was an important Italian soprano.

Gilda Dalla Rizza.

Born in Verona, she made her operatic debut in Bologna (the Teatro Verdi) in 1912, as Charlotte in Werther. Especially acclaimed in the verismo repertory, she was regarded as being Giacomo Puccini's favorite soprano, creating Magda in his La rondine (1917). Although he composed the part of Minnie in La fanciulla del West for another soprano, when Puccini saw Dalla Rizza in the part, he said, "Behold, at last I have seen my Fanciulla".[1] She also gave the first European performances of his Suor Angelica and Gianni Schicchi, at Rome in 1919, in the presence of Victor Emmanuel III, King of Italy. He also had her in mind for Liù in Turandot, though her voice proved too heavy for the part of the young slave-girl by the time of the premiere.

Dalla Rizza appeared at the major theatres in Rome, Florence, Turin, São Paulo, Buenos Aires (Teatro Colón), Rio de Janeiro, Verona, Naples, Monte-Carlo, Bologna, Lima, Parma, Santiago, Barcelona, Amsterdam, etc. She never appeared in the United States.

Repertoire edit

Included in her repertoire were the soprano roles in La fanciulla del West, La forza del destino, Isabeau, Manon Lescaut, La bohème (as Mimì, opposite Enrico Caruso), La damnation de Faust, Lohengrin, Parisina, Mefistofele (with Feodor Chaliapin), Pagliacci, Iris (with Beniamino Gigli), Der Rosenkavalier (as Octavian, opposite Rosa Raïsa and Amelita Galli-Curci), Cavalleria rusticana, Le prince Igor, Andrea Chénier, Die Meistersinger, Tosca, Siberia, La rondine (with Tito Schipa), Lodoletta, Manon, Falstaff, Suor Angelica, Gianni Schicchi, L'amore dei tre re, Madama Butterfly, Otello, Francesca da Rimini, Il piccolo Marat (world premiere at Rome, 1921, with Hipólito Lázaro), Giulietta e Romeo (world premiere at Rome, 1922), Louise, La traviata, Thaïs, Fedora, Turandot (the title role), Luisa Miller, La vida breve, Adriana Lecouvreur, Arabella (the Italian premiere, 1936, conducted by Richard Strauss), etc. She also sang the soprano solo of Beethoven's Ninth Symphony.

La Scala and Covent Garden edit

At the Teatro alla Scala, from 1915 to 1934, the soprano appeared in Le prince Igor, Andrea Chénier, Isabeau, Siberia, Tosca (directed by Giovacchino Forzano), La traviata (conducted by Arturo Toscanini), Manon Lescaut, Falstaff (with Mariano Stabile), Louise, Francesca da Rimini (with Aureliano Pertile as Paolo), La fanciulla del West, L'amore dei tre re (conducted by Victor de Sabata), Madama Butterfly, La vida breve (Italian premiere, 1934), etc.

Dalla Rizza appeared, in 1920, at Covent Garden, in Manon Lescaut, Madama Butterfly, La bohème, Suor Angelica, Gianni Schicchi, and Tosca.

Farewell edit

 
Gilda Dalla Rizza on the cover of Ariel - Musical Culture Magazine

The singing-actress bade farewell to the stage in 1939, though she returned for a final Suor Angelica, at Vicenza in 1942.

In 1926, she married the tenor Agostino Capuzzo (who died in 1963), and, from 1939 to 1955, she taught at Venice's Conservatorio Benedetto Marcello. The prima donna died at Milan's Casa Verdi in 1975.

From 1913 to 1928, Dalla Rizza made several recordings, for Columbia and Fonotipia, of excerpts from Faust, I lombardi, La forza del destino, La traviata, Mefistofele, Otello, Andrea Chénier, Isabeau, Cavalleria rusticana, Madama Butterfly, Manon Lescaut, Gianni Schicchi, Tosca, and Manon. In 1931, for Columbia, she participated in the first recording of Fedora. She is heard in Volume II of EMI's The Record of Singing, in the excerpt from Isabeau.

The tenor Giacomo Lauri-Volpi wrote of her in Voci parallele (1955): "The voice, characterised by guttural and nasal inflexions, imperfect technically, responded to the demands made of it by the actress, who employed it rather to express the emotions than for purely musical effects."

Bibliography edit

  • Le grandi voci, edited by Rodolfo Celletti (with discography by Raffaele Vegeto), Istituto per la collaborazione culturale - Roma, 1964.
  • Gilda Dalla Rizza: Verismo e Bel Canto, by F.G. Rizzi, TC, 1964.
  • The Last Prima Donnas, by Lanfranco Rasponi, Alfred A. Knopf, 1982. ISBN 978-0-394-52153-4
  • Gilda Dalla Rizza: La cantante prediletta di Giacomo Puccini, by Paolo Badoer, Piovan Editore - Abano Terme, 1991.

References edit

  1. ^ Colin Kendell, 'The Complete Puccini' Amberley Publishing 2012.

External links edit

  • Gilda Dalla Rizza in an excerpt from La traviata (1928) on YouTube.
  • Gilda Dalla Rizza in an excerpt from Tosca (1928) on YouTube.
  • The Gilda Dalla Rizza Appreciation Society [1].

gilda, dalla, rizza, gilda, dalla, rizza, october, 1892, july, 1975, important, italian, soprano, gilda, dalla, rizza, born, verona, made, operatic, debut, bologna, teatro, verdi, 1912, charlotte, werther, especially, acclaimed, verismo, repertory, regarded, b. Gilda Dalla Rizza 12 October 1892 5 July 1975 was an important Italian soprano Gilda Dalla Rizza Born in Verona she made her operatic debut in Bologna the Teatro Verdi in 1912 as Charlotte in Werther Especially acclaimed in the verismo repertory she was regarded as being Giacomo Puccini s favorite soprano creating Magda in his La rondine 1917 Although he composed the part of Minnie in La fanciulla del West for another soprano when Puccini saw Dalla Rizza in the part he said Behold at last I have seen my Fanciulla 1 She also gave the first European performances of his Suor Angelica and Gianni Schicchi at Rome in 1919 in the presence of Victor Emmanuel III King of Italy He also had her in mind for Liu in Turandot though her voice proved too heavy for the part of the young slave girl by the time of the premiere Dalla Rizza appeared at the major theatres in Rome Florence Turin Sao Paulo Buenos Aires Teatro Colon Rio de Janeiro Verona Naples Monte Carlo Bologna Lima Parma Santiago Barcelona Amsterdam etc She never appeared in the United States Contents 1 Repertoire 2 La Scala and Covent Garden 3 Farewell 4 Bibliography 5 References 6 External linksRepertoire editIncluded in her repertoire were the soprano roles in La fanciulla del West La forza del destino Isabeau Manon Lescaut La boheme as Mimi opposite Enrico Caruso La damnation de Faust Lohengrin Parisina Mefistofele with Feodor Chaliapin Pagliacci Iris with Beniamino Gigli Der Rosenkavalier as Octavian opposite Rosa Raisa and Amelita Galli Curci Cavalleria rusticana Le prince Igor Andrea Chenier Die Meistersinger Tosca Siberia La rondine with Tito Schipa Lodoletta Manon Falstaff Suor Angelica Gianni Schicchi L amore dei tre re Madama Butterfly Otello Francesca da Rimini Il piccolo Marat world premiere at Rome 1921 with Hipolito Lazaro Giulietta e Romeo world premiere at Rome 1922 Louise La traviata Thais Fedora Turandot the title role Luisa Miller La vida breve Adriana Lecouvreur Arabella the Italian premiere 1936 conducted by Richard Strauss etc She also sang the soprano solo of Beethoven s Ninth Symphony La Scala and Covent Garden editAt the Teatro alla Scala from 1915 to 1934 the soprano appeared in Le prince Igor Andrea Chenier Isabeau Siberia Tosca directed by Giovacchino Forzano La traviata conducted by Arturo Toscanini Manon Lescaut Falstaff with Mariano Stabile Louise Francesca da Rimini with Aureliano Pertile as Paolo La fanciulla del West L amore dei tre re conducted by Victor de Sabata Madama Butterfly La vida breve Italian premiere 1934 etc Dalla Rizza appeared in 1920 at Covent Garden in Manon Lescaut Madama Butterfly La boheme Suor Angelica Gianni Schicchi and Tosca Farewell edit nbsp Gilda Dalla Rizza on the cover of Ariel Musical Culture MagazineThe singing actress bade farewell to the stage in 1939 though she returned for a final Suor Angelica at Vicenza in 1942 In 1926 she married the tenor Agostino Capuzzo who died in 1963 and from 1939 to 1955 she taught at Venice s Conservatorio Benedetto Marcello The prima donna died at Milan s Casa Verdi in 1975 From 1913 to 1928 Dalla Rizza made several recordings for Columbia and Fonotipia of excerpts from Faust I lombardi La forza del destino La traviata Mefistofele Otello Andrea Chenier Isabeau Cavalleria rusticana Madama Butterfly Manon Lescaut Gianni Schicchi Tosca and Manon In 1931 for Columbia she participated in the first recording of Fedora She is heard in Volume II of EMI s The Record of Singing in the excerpt from Isabeau The tenor Giacomo Lauri Volpi wrote of her in Voci parallele 1955 The voice characterised by guttural and nasal inflexions imperfect technically responded to the demands made of it by the actress who employed it rather to express the emotions than for purely musical effects Bibliography editLe grandi voci edited by Rodolfo Celletti with discography by Raffaele Vegeto Istituto per la collaborazione culturale Roma 1964 Gilda Dalla Rizza Verismo e Bel Canto by F G Rizzi TC 1964 The Last Prima Donnas by Lanfranco Rasponi Alfred A Knopf 1982 ISBN 978 0 394 52153 4 Gilda Dalla Rizza La cantante prediletta di Giacomo Puccini by Paolo Badoer Piovan Editore Abano Terme 1991 References edit Colin Kendell The Complete Puccini Amberley Publishing 2012 External links editGilda Dalla Rizza in an excerpt from La traviata 1928 on YouTube Gilda Dalla Rizza in an excerpt from Tosca 1928 on YouTube The Gilda Dalla Rizza Appreciation Society 1 Retrieved from https en wikipedia org w index php title Gilda dalla Rizza amp oldid 1184983262, wikipedia, wiki, book, books, library,

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