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Germano Facetti

Germano Facetti (5 May 1926 – 8 April 2006) was an Italian graphic designer who headed design at Penguin Books from 1962 to 1971.

Germano Facetti

Biography edit

Born in Milan, Facetti was arrested in 1943, age 17, for putting up anti-Fascist posters. He was deported to Mauthausen as a forced labourer, where he met the architect Ludovico Belgiojoso. At the end of the World War II, Belgiojoso invited Facetti to practice in his studio in Milan.[1]

He moved to London in the early 1950s where he took evening classes in typography at the Central School of Art & Design,[2] and participated in the seminal 1956 exhibition of pop art, This is Tomorrow, at the Whitechapel Gallery.

By the late 1950s he was art director at Aldus Books and working as an interior designer, working briefly in Paris. It was his interior for the Poetry Bookshop in Soho that inspired the director of Penguin, Allen Lane, to invite him to join as the art director in 1960. Facetti was instrumental in redesigning the Penguin line, introducing phototypesetting, the 'Marber grid', offset-litho printing and photography to their paperback covers.[3]

Facetti was also responsible for the black cover designs of the Penguin Classics series from 1963.[4] He recruited a number of leading designers of the day, and one of his important achievements for Penguin was to impose a consistently high standard of cover design.

In November 1971 Facetti traveled to Chile to collaborate in the formation of the School of Graphic Design at the Pontifical Catholic University of Valparaíso.

After leaving Penguin in 1972 Facetti worked for the publishing company Fabbri in Milan. He was invited to join the team by his friend and editorial director Giorgio Giulio Savorelli, with whom he had worked in the past. He collaborated with Chris Marker on the 1962 groundbreaking experimental new wave film, La jetée.

Publications edit

While at Penguin, Facetti wrote an account of his design philosophy, Identity kits: A Pictorial Survey of Visual Signals. It was published in 1967 and reprinted in 1971 and 2007.[5]

Death edit

Facetti died on 8 April 2006, aged 79.

References edit

  1. ^ Richard Hollis (2006-04-11). "Germano Facetti". The Guardian.
  2. ^ "Germano Facetti - Obituaries - News - The Independent". archive.is. 2012-07-11. Archived from the original on 2012-07-11. Retrieved 2019-05-29.
  3. ^ Rick Poynor (2006-04-12). "Underneath the covers". The Guardian.
  4. ^ Martin Yates, ed. (2006). The Penguin Companion. Penguin Collectors Society.
  5. ^ Phil Baines and Steve Hare, ed. (2007). Penguin by Designers. Penguin Collectors Society. pp. 29–48.

germano, facetti, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, removed, find, sources, news, newspapers, books, scholar, jstor, 2019, lea. This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Germano Facetti news newspapers books scholar JSTOR May 2019 Learn how and when to remove this message Germano Facetti 5 May 1926 8 April 2006 was an Italian graphic designer who headed design at Penguin Books from 1962 to 1971 Germano Facetti Contents 1 Biography 2 Publications 3 Death 4 ReferencesBiography editBorn in Milan Facetti was arrested in 1943 age 17 for putting up anti Fascist posters He was deported to Mauthausen as a forced labourer where he met the architect Ludovico Belgiojoso At the end of the World War II Belgiojoso invited Facetti to practice in his studio in Milan 1 He moved to London in the early 1950s where he took evening classes in typography at the Central School of Art amp Design 2 and participated in the seminal 1956 exhibition of pop art This is Tomorrow at the Whitechapel Gallery By the late 1950s he was art director at Aldus Books and working as an interior designer working briefly in Paris It was his interior for the Poetry Bookshop in Soho that inspired the director of Penguin Allen Lane to invite him to join as the art director in 1960 Facetti was instrumental in redesigning the Penguin line introducing phototypesetting the Marber grid offset litho printing and photography to their paperback covers 3 Facetti was also responsible for the black cover designs of the Penguin Classics series from 1963 4 He recruited a number of leading designers of the day and one of his important achievements for Penguin was to impose a consistently high standard of cover design In November 1971 Facetti traveled to Chile to collaborate in the formation of the School of Graphic Design at the Pontifical Catholic University of Valparaiso After leaving Penguin in 1972 Facetti worked for the publishing company Fabbri in Milan He was invited to join the team by his friend and editorial director Giorgio Giulio Savorelli with whom he had worked in the past He collaborated with Chris Marker on the 1962 groundbreaking experimental new wave film La jetee Publications editWhile at Penguin Facetti wrote an account of his design philosophy Identity kits A Pictorial Survey of Visual Signals It was published in 1967 and reprinted in 1971 and 2007 5 Death editFacetti died on 8 April 2006 aged 79 References edit Richard Hollis 2006 04 11 Germano Facetti The Guardian Germano Facetti Obituaries News The Independent archive is 2012 07 11 Archived from the original on 2012 07 11 Retrieved 2019 05 29 Rick Poynor 2006 04 12 Underneath the covers The Guardian Martin Yates ed 2006 The Penguin Companion Penguin Collectors Society Phil Baines and Steve Hare ed 2007 Penguin by Designers Penguin Collectors Society pp 29 48 Retrieved from https en wikipedia org w index php title Germano Facetti amp oldid 1216928932, wikipedia, wiki, book, books, library,

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