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Emigre (magazine)

August 21, 2023

Emigre (ISSN 1045-3717) was a (mostly) quarterly magazine published from 1984 until 2005 in Berkeley, California, dedicated to visual communication, graphic design, typography, and design criticism. Produced by Rudy VanderLans (editor and art director) and Zuzana Licko (type designer and typesetter), Emigre was known for creating some of the very first digital layouts and typeface designs. Exposure to Licko's typefaces through the magazine lead to the creation of Emigre Fonts in 1985.[1]

Emigre
Issue 69
EditorRudy VanderLans
CategoriesGraphic Design, Typography, Type Design
Frequencyusually on a quarterly basis
Paid circulation2,500 – 3000
Unpaid circulation35,000 – 40,000
Total circulation69 issues
First issue1984
Final issue2005
CompanyEmigre Graphics
CountryUnited States
Based inBerkeley, California
LanguageEnglish
Websitewww.emigre.com/EMagView.php
ISSN1045-3717

History

Emigre was a graphic design magazine founded by fellow Dutchmen Marc Susan, Menno Meyjes, and Rudy VanderLans who met in San Francisco. The first four issues were edited by Susan and art directed by VanderLans, with Meyes mostly in an associate publisher role. By issue 6 (1986) Susan and Meyes had left, and all subsequent issues were edited and art directed by VanderLans. In 1985, VanderLans started incorporating the bitmap typefaces designed by Zuzana Licko in his layouts. Licko’s type designs became a prominent feature of the magazine for its entire run. By 1986, Emigre began selling commercial licenses of its digital fonts under the name Emigre Fonts.[2]

The magazine was always self-funded, initially through commercial design work performed by VanderLans and Licko under the name Emigre Graphics which became Emigre Fonts. Additional income came from sporadic advertisement sales and subscriptions. Later issues were funded primarily by licensing of digital typefaces.[2]

When the magazine began in 1984, it featured work by and topics important to émigré artists. The first eight issues were concerned with boundaries, international culture, travel accounts, and alienation (as the issues' titles suggest). These eight issues also incorporated a dynamic aesthetic that caught the attention of other designers.

As the publication grew in popularity (and sometimes notoriety) it gained collaborators. VanderLans invited guests such as Gail Swanlund, Anne Burdick, Andrew Blauvelt, and Experimental Jetset to edit dedicated issues, and readers began to recognize Jeffery Keedy, Kenneth FitzGerald, Lorraine Wild, and Diane Gromala as recurring contributors.

A notable content shift started with issue 9, which featured the art of Vaughan Oliver at 4AD. About this time, Emigre's articles began to explore contemporary design practice more intentionally, catalyzing the magazine as a kind of analog discussion forum. Later issues would be devoted to Cranbrook, the Macintosh, type design, and occasionally individual graphic designers. Increasingly, Emigre's content centered around design writing and critical essays.

Design discourse became primary to Emigre's publications by 1994, and the magazine transitioned in 1995 from its oversized layout to a text-friendlier format that debuted with issue 33. The magazine remained this size until issue 60, released in 2001. Issues 60–63 were accompanied by additional media: three compact discs (featuring the music of Honey Barbara, The Grassy Knoll and Scenic) and one DVD (Catfish, an experimental documentary film on the work of designer and performance artist Elliott Earls). In its fourth and final incarnation, the last six issues of Emigre (64–69) were co-published by Princeton Architectural Press as small softcover books. The last issue, The End, was published in 2005.

Emigre was one of the first publications to be designed on Macintosh computers, and their work heavily influenced other graphic designers in the early digital era. Its variety of layouts, use of guest designers, and opinionated articles broke away from traditional design practices, making Emigre leaders in Postmodern design and landing them squarely in the middle of controversy. They were equally lauded and criticized for this work. Licko's response that "You read best what you read most," to an interview question about the legibility of her experimental bitmap fonts published in issue 15 (1990) incited what would later be known as the "Legibility Wars."[3][4] Her statement indicated that fonts such as Helvetica and Times New Roman are not intrinsically legible but become so through repeated use, and it was not entirely well received. In 1991, the prominent New York designer Massimo Vignelli criticized Emigre's work, calling it "garbage" and "an aberration of culture" in an interview published by Print magazine. This brought much attention to their work and sealed Emigre's reputation as design radicals.[5] Six years later Licko and VanderLans were named AGIA medalists[6] and the San Francisco Museum of Modern Art staged a solo exhibition of Emigre's work. In 2007, the Museum of Modern Art (New York) exhibited all 69 issues of Emigre as part of the exhibition "Digitally Mastered."[7]

Formats

The magazine changed formats several times. It was originally published quarterly in a large format where each page measures 285 mm × 425 mm (slightly shorter than 11 × 17" or US ledger/tabloid size). Starting with issue 33, each page was about 8.5 × 11" (US letter size). It changed into a multimedia format (a booklet where each page was 133 × 210 mm, plus a CD or DVD) starting with issue 60. And finally, starting with issue 64, the magazine became a book format, published semi-annually, where each page measured 133 × 210 mm. The issues in the book format were co-published by Princeton Architectural Press.

  • Issues 1–32: US tabloid size, approximately 11 x 17 in (285 x 425 mm) — 32–40 pages
  • Issues 33–59: US letter size, 8.5 x 11 in (216 x 279 mm) — 64–80 pages
  • Issues 60–63: 5.25 x 8.25 in (133 x 210 mm) — 64-page booklet + CD or DVD in cardboard wallet
  • Issues 64–69: 5.25 x 8.25 in (133 x 210 mm) — 144 pages

Books

  • Emigre: Graphic Design into the Digital Realm, New York, NY: Van Nostrand Reinhold; John Wiley & Sons, 1993
  • Emigre: Rosbeek 43, Charles Nypels Award, 1998, Netherlands: Drukkerij Rosbeek, 1998
  • Emigre No.70, Selections from Emigre Magazine #1–#69, Berkeley, CA: Gingko Press, 2009
  • Departures: Five Milestone Font Families by Emigre, Berkeley, CA: Emigre, 2011
  • Emigre Fonts: Type Specimens 1986–2016, Berkeley, CA: Gingko Press, 2016

Emigre Music

Inspired by the flourishing DIY culture in music, and the success and growing reach of Emigre's publishing and mail order business, Emigre Music was launched in 1990. A total of 22 albums and compilations were released in CD and cassette formats. The final three CDs were included in issues of Emigre magazine.

Emigre Music Albums

  • Stephen Sheehan, Innocence At Will (1990)
  • Fact TwentyTwo, Energy, Work & Power (1990)
  • Every Good Boy, Social Graces (1990)
  • Binary Race, Fits And Starts (1991)
  • Basehead, Play With Toys (1991)
  • Supercollider, Supercollider (1991)
  • Fact TwentyTwo, The Biographic Humm (1991)
  • Ray Carmen, Nothing Personal (1991)
  • Every Good Boy, Baling Wire And Bubble Gum (1992)
  • Audioafterbirth, Commbine (1992)
  • Emigre Music Sampler No. 1 (1992)
  • Honey Barbara, Feedlotloophole (1993)
  • Supercollider, Dual (1993)
  • The Emigre Music Sampler No. 2 (1993)
  • Dreaming Out Loud: Emigre Music Sampler No. 3 (1994)
  • Itchy Pet, Dreaming Out Louder (1998)
  • Palm Desert (1999)
  • Cucamonga (2000)
  • Hard Sleeper, Dreaming Out Loudest (2000)
  • Honey Barbara, I-10 & W.AVE. (2001)
  • The Grassy Knoll, Happily Ever After (2002)
  • Scenic, The Acid Gospel Experience (2002)

Awards

Exhibitions

Solo exhibitions

  • Emigre Magazine: Selections from the Permanent Collection, Museum of Modern Art, San Francisco, 1997
  • Charles Nypels Prize, Jan van Eyck Academy, Maastricht, Netherlands, 1998
  • "Emigre in Istanbul2, Contemporary Art Center, Istanbul, Turkey, 1999
  • Emigre in Norfolk, Old Dominion University Gallery, Norfolk, Virginia, 2005
  • Emigre at Gallery 16", Gallery 16, San Francisco, 2010
  • "Emigre magazine: design, discourse and authorship", University of Reading, UK, 2017.

General exhibitions

Collections

  • Denver Art Museum holds a complete set of Emigre magazine in its permanent collection
  • Design Museum in London holds a complete set of Emigre magazine in its permanent collection
  • Letterform Archive holds the Emigre Archives in its permanent collection
  • Museum of Design, Zürich holds Emigre magazine issues in its permanent collection
  • Museum of Modern Art in New York holds a complete set of Emigre magazine, and five digital fonts from the Emigre Fonts library in its permanent collection
  • Museum of Modern Art in San Francisco holds a complete set of Emigre magazine in its permanent collection

See also

References

  1. ^ "Emigre: About". www.emigre.com. Retrieved 2021-03-22.
  2. ^ a b VanderLans, Rudy (1993). Emigre : graphic design into the digital realm. Zuzana Licko, Mary E. Gray, Jeffery Keedy. New York: Wiley. ISBN 0-471-28547-1. OCLC 43679755.
  3. ^ Kinross, Robin (2004). Modern typography : an essay in critical history (2nd ed.). London: Hyphen Press. ISBN 0-907259-18-9. OCLC 56603246.
  4. ^ "Lost—and Found—in Translation: The Legibility Wars of the '80s and '90s". PRINT. 2016-12-05. Retrieved 2021-03-22.
  5. ^ "Massimo Vignelli: Creator of Timeless Design and Fearless Critic of "Junk"". PRINT. 2014-05-28. Retrieved 2021-03-21.
  6. ^ Dooley, Michael (September 1, 1997). "Zuzana Licko and Rudy VanderLans". AIGA. Retrieved 2021-03-22.
  7. ^ "Digitally Mastered: Recent Acquisitions from the Museum's Collection | MoMA". The Museum of Modern Art. Retrieved 2021-03-21.
  8. ^ Friedman, Mildred S.; Giovannini, Joseph; Heller, Steven (1989). Graphic design in America : a visual language history. Internet Archive. Minneapolis : Walker Art Center ; New York : Abrams. pp. 237, 257. ISBN 978-0-8109-1036-2.
  9. ^ "Mixing Messages — ellenlupton". ellenlupton.com. Retrieved 2021-03-16.

Further reading

  • Bouvet, Michel, East Coast West Coast: Graphistes aux États-unis, Paris, France, Les Éditions Textuel, 2002. Essay on history of Emigre.
  • Dawson, Peter, The Field Guide to Typography: Typefaces in the Urban Landscape, New York, NY, Prestel, 2013. Interview with Rudy VanderLans & Zuzana Licko.
  • Eskilson, Stephen J., Graphic Design: A New History, London, UK, Laurence King Publishing, 2007. Essay on Emigre in chapter on “Postmodern Typography.”
  • Heller, Steven, Merz to Emigre and Beyond: Avant-Garde Magazine Design of the Twentieth Century. Phaidon, 2003.
  • Heller, Stephen, ed., Design Literacy: Understanding Graphic Design. New York, NY, Allworth Press with School of Visual Arts, 2014. Essay on Emigre in chapter on "Mass Media.”
  • Lupton, Ellen, Mixing Messages: Graphic Design in Contemporary Culture, New York, NY, Princeton Architectural Press, 1996. Short profile of Emigre and Zuzana Licko’s typefaces. Book published in conjunction with exhibit at Cooper-Hewitt National Design Museum.
  • McCarthy, Steven, The Designer as Author, Producer, Activist, Entrepreneur, Curator & Collaborator: New Models for Communicating, Amsterdam, Netherlands, BIS, 2013. Emigre referenced throughout, and short profile of Emigre in chapter on “Typographic Design Authorship.”
  • Meggs, Philip B., ed., A History of Graphic Design, New York, NY, John Wiley & Sons, 1998. Profile of Emigre in chapter on “Pioneers of Digital Graphic Design.”
  • Poynor, Rick, Design Without Boundaries: Visual Communication in Transition, London, UK, Booth-Clibborn Editions, 1998. Emigre referenced in essay “Cult of the Ugly,” and one essay, “Into the Digital Realm,” on Emigre.
  • Poynor, Rick, No More Rules: Graphic Design and Postmodernism, New Haven, CT, Yale University Press, 2003. Emigre referenced throughout.
  • Shaughnessy, Adrian, How to be a Graphic Designer, Without Losing Your Soul, London, UK, Laurence King Publishing, 2005. Interview with Rudy VanderLans

External links

  • Emigre official site
  • Emigre Archives at Letterform Archive (all issues are available in full online)
  • Emigre Magazine Index created by Jessica Barness for The Goldstein Museum of Design
  • Emigre Fonts at Adobe Fonts

August 21, 2023
emigre, magazine, this, article, external, links, follow, wikipedia, policies, guidelines, please, improve, this, article, removing, excessive, inappropriate, external, links, converting, useful, links, where, appropriate, into, footnote, references, april, 20. This article s use of external links may not follow Wikipedia s policies or guidelines Please improve this article by removing excessive or inappropriate external links and converting useful links where appropriate into footnote references April 2022 Learn how and when to remove this template message Emigre ISSN 1045 3717 was a mostly quarterly magazine published from 1984 until 2005 in Berkeley California dedicated to visual communication graphic design typography and design criticism Produced by Rudy VanderLans editor and art director and Zuzana Licko type designer and typesetter Emigre was known for creating some of the very first digital layouts and typeface designs Exposure to Licko s typefaces through the magazine lead to the creation of Emigre Fonts in 1985 1 EmigreIssue 69EditorRudy VanderLansCategoriesGraphic Design Typography Type DesignFrequencyusually on a quarterly basisPaid circulation2 500 3000Unpaid circulation35 000 40 000Total circulation69 issuesFirst issue1984Final issue2005CompanyEmigre GraphicsCountryUnited StatesBased inBerkeley CaliforniaLanguageEnglishWebsitewww emigre com EMagView phpISSN1045 3717 Contents 1 History 2 Formats 3 Books 4 Emigre Music 5 Awards 6 Exhibitions 6 1 Solo exhibitions 6 2 General exhibitions 7 Collections 8 See also 9 References 10 Further reading 11 External linksHistory EditEmigre was a graphic design magazine founded by fellow Dutchmen Marc Susan Menno Meyjes and Rudy VanderLans who met in San Francisco The first four issues were edited by Susan and art directed by VanderLans with Meyes mostly in an associate publisher role By issue 6 1986 Susan and Meyes had left and all subsequent issues were edited and art directed by VanderLans In 1985 VanderLans started incorporating the bitmap typefaces designed by Zuzana Licko in his layouts Licko s type designs became a prominent feature of the magazine for its entire run By 1986 Emigre began selling commercial licenses of its digital fonts under the name Emigre Fonts 2 The magazine was always self funded initially through commercial design work performed by VanderLans and Licko under the name Emigre Graphics which became Emigre Fonts Additional income came from sporadic advertisement sales and subscriptions Later issues were funded primarily by licensing of digital typefaces 2 When the magazine began in 1984 it featured work by and topics important to emigre artists The first eight issues were concerned with boundaries international culture travel accounts and alienation as the issues titles suggest These eight issues also incorporated a dynamic aesthetic that caught the attention of other designers As the publication grew in popularity and sometimes notoriety it gained collaborators VanderLans invited guests such as Gail Swanlund Anne Burdick Andrew Blauvelt and Experimental Jetset to edit dedicated issues and readers began to recognize Jeffery Keedy Kenneth FitzGerald Lorraine Wild and Diane Gromala as recurring contributors A notable content shift started with issue 9 which featured the art of Vaughan Oliver at 4AD About this time Emigre s articles began to explore contemporary design practice more intentionally catalyzing the magazine as a kind of analog discussion forum Later issues would be devoted to Cranbrook the Macintosh type design and occasionally individual graphic designers Increasingly Emigre s content centered around design writing and critical essays Design discourse became primary to Emigre s publications by 1994 and the magazine transitioned in 1995 from its oversized layout to a text friendlier format that debuted with issue 33 The magazine remained this size until issue 60 released in 2001 Issues 60 63 were accompanied by additional media three compact discs featuring the music of Honey Barbara The Grassy Knoll and Scenic and one DVD Catfish an experimental documentary film on the work of designer and performance artist Elliott Earls In its fourth and final incarnation the last six issues of Emigre 64 69 were co published by Princeton Architectural Press as small softcover books The last issue The End was published in 2005 Emigre was one of the first publications to be designed on Macintosh computers and their work heavily influenced other graphic designers in the early digital era Its variety of layouts use of guest designers and opinionated articles broke away from traditional design practices making Emigre leaders in Postmodern design and landing them squarely in the middle of controversy They were equally lauded and criticized for this work Licko s response that You read best what you read most to an interview question about the legibility of her experimental bitmap fonts published in issue 15 1990 incited what would later be known as the Legibility Wars 3 4 Her statement indicated that fonts such as Helvetica and Times New Roman are not intrinsically legible but become so through repeated use and it was not entirely well received In 1991 the prominent New York designer Massimo Vignelli criticized Emigre s work calling it garbage and an aberration of culture in an interview published by Print magazine This brought much attention to their work and sealed Emigre s reputation as design radicals 5 Six years later Licko and VanderLans were named AGIA medalists 6 and the San Francisco Museum of Modern Art staged a solo exhibition of Emigre s work In 2007 the Museum of Modern Art New York exhibited all 69 issues of Emigre as part of the exhibition Digitally Mastered 7 Formats EditThe magazine changed formats several times It was originally published quarterly in a large format where each page measures 285 mm 425 mm slightly shorter than 11 17 or US ledger tabloid size Starting with issue 33 each page was about 8 5 11 US letter size It changed into a multimedia format a booklet where each page was 133 210 mm plus a CD or DVD starting with issue 60 And finally starting with issue 64 the magazine became a book format published semi annually where each page measured 133 210 mm The issues in the book format were co published by Princeton Architectural Press Issues 1 32 US tabloid size approximately 11 x 17 in 285 x 425 mm 32 40 pages Issues 33 59 US letter size 8 5 x 11 in 216 x 279 mm 64 80 pages Issues 60 63 5 25 x 8 25 in 133 x 210 mm 64 page booklet CD or DVD in cardboard wallet Issues 64 69 5 25 x 8 25 in 133 x 210 mm 144 pagesBooks EditEmigre Graphic Design into the Digital Realm New York NY Van Nostrand Reinhold John Wiley amp Sons 1993 Emigre Rosbeek 43 Charles Nypels Award 1998 Netherlands Drukkerij Rosbeek 1998 Emigre No 70 Selections from Emigre Magazine 1 69 Berkeley CA Gingko Press 2009 Departures Five Milestone Font Families by Emigre Berkeley CA Emigre 2011 Emigre Fonts Type Specimens 1986 2016 Berkeley CA Gingko Press 2016Emigre Music EditInspired by the flourishing DIY culture in music and the success and growing reach of Emigre s publishing and mail order business Emigre Music was launched in 1990 A total of 22 albums and compilations were released in CD and cassette formats The final three CDs were included in issues of Emigre magazine Emigre Music Albums Stephen Sheehan Innocence At Will 1990 Fact TwentyTwo Energy Work amp Power 1990 Every Good Boy Social Graces 1990 Binary Race Fits And Starts 1991 Basehead Play With Toys 1991 Supercollider Supercollider 1991 Fact TwentyTwo The Biographic Humm 1991 Ray Carmen Nothing Personal 1991 Every Good Boy Baling Wire And Bubble Gum 1992 Audioafterbirth Commbine 1992 Emigre Music Sampler No 1 1992 Honey Barbara Feedlotloophole 1993 Supercollider Dual 1993 The Emigre Music Sampler No 2 1993 Dreaming Out Loud Emigre Music Sampler No 3 1994 Itchy Pet Dreaming Out Louder 1998 Palm Desert 1999 Cucamonga 2000 Hard Sleeper Dreaming Out Loudest 2000 Honey Barbara I 10 amp W AVE 2001 The Grassy Knoll Happily Ever After 2002 Scenic The Acid Gospel Experience 2002 Awards EditThis section does not cite any sources Please help improve this section by adding citations to reliable sources Unsourced material may be challenged and removed April 2022 Learn how and when to remove this template message MacUser Desktop Publisher of the Year Award 1986 Chrysler Award for Innovation in Design 1994 Publish Magazine Impact Awards 1996 American Institute of Graphic Arts Gold Medal Award 1997 Charles Nypels Award for Excellence in Typography 1998 Honorary members of the Society of Typographic Arts Chicago 2010 Society of Typographic Aficionados Annual Typography Award 2013 29th New York Type Directors Club Medal 2016Exhibitions EditSolo exhibitions Edit Emigre Magazine Selections from the Permanent Collection Museum of Modern Art San Francisco 1997 Charles Nypels Prize Jan van Eyck Academy Maastricht Netherlands 1998 Emigre in Istanbul2 Contemporary Art Center Istanbul Turkey 1999 Emigre in Norfolk Old Dominion University Gallery Norfolk Virginia 2005 Emigre at Gallery 16 Gallery 16 San Francisco 2010 Emigre magazine design discourse and authorship University of Reading UK 2017 General exhibitions Edit Pacific Wave California Graphic Design Museo Fortuny Venice Italy 1987 Graphic Design in America 8 Walker Art Center Minneapolis 1989 Mixing Messages Graphic Design in Contemporary Culture 9 Cooper Hewitt National Design Museum 1996 Designer as Author Voices and Visions Northern Kentucky University 1996 Design Culture Now National Design Triennial Cooper Hewitt National Design Museum 2000 East Coast West Coast at Centre du Graphisme Echirolles France 2002 D Day le design aujourd hui at Centre Pompidou Paris 2005 Digitally Mastered MoMA New York 2007 Quick Quick Slow Experimentadesign Lisboa 2009 Berardo Collection Museum Lisbon Portugal 2009 featured Emigre magazine issues10 24 Typographic Tables Museum of Modern and Contemporary Art Bolzano Italy 2011 Deep Surface Contemporary Ornament and Pattern Contemporary Art Museum Raleigh 2011 Graphic Design Now in Production Walker Art Center Minneapolis 2011 featured Emigre No 70 The Look Back Issue and Base 900 Postmodernism Style and Subversion 1970 1990 Victoria amp Albert Museum London 2011 Standard Deviations MoMA New York 2011 featured 23 digital typefaces for its permanent collection including five Emigre font families Jeffery Keedy s Keedy Sans Jonathan Barnbrook s Mason Serif Barry Deck s Template Gothic Zuzana Licko s Oakland renamed Lo Res in 2001 and P Scott Makela s Dead History Work from California 25th International Biennial of Graphic Design Brno Czech Republic 2012 Revolution Evolution College for Creative Studies Detroit 2014 Typeface to Interface Museum of Modern Art San Francisco 2016 California Graphic Design 1975 95 Los Angeles County Museum of Art Los Angeles 2018 Between the Lines Typography in LACMA s Collection Los Angeles County Museum of Art Los Angeles 2019Collections EditThis section needs additional citations for verification Please help improve this article by adding citations to reliable sources in this section Unsourced material may be challenged and removed April 2022 Learn how and when to remove this template message Denver Art Museum holds a complete set of Emigre magazine in its permanent collection Design Museum in London holds a complete set of Emigre magazine in its permanent collection Letterform Archive holds the Emigre Archives in its permanent collection Museum of Design Zurich holds Emigre magazine issues in its permanent collection Museum of Modern Art in New York holds a complete set of Emigre magazine and five digital fonts from the Emigre Fonts library in its permanent collection Museum of Modern Art in San Francisco holds a complete set of Emigre magazine in its permanent collectionSee also EditEye magazine Print magazine Communication Arts Graphis Inc Visible LanguageReferences Edit Emigre About www emigre com Retrieved 2021 03 22 a b VanderLans Rudy 1993 Emigre graphic design into the digital realm Zuzana Licko Mary E Gray Jeffery Keedy New York Wiley ISBN 0 471 28547 1 OCLC 43679755 Kinross Robin 2004 Modern typography an essay in critical history 2nd ed London Hyphen Press ISBN 0 907259 18 9 OCLC 56603246 Lost and Found in Translation The Legibility Wars of the 80s and 90s PRINT 2016 12 05 Retrieved 2021 03 22 Massimo Vignelli Creator of Timeless Design and Fearless Critic of Junk PRINT 2014 05 28 Retrieved 2021 03 21 Dooley Michael September 1 1997 Zuzana Licko and Rudy VanderLans AIGA Retrieved 2021 03 22 Digitally Mastered Recent Acquisitions from the Museum s Collection MoMA The Museum of Modern Art Retrieved 2021 03 21 Friedman Mildred S Giovannini Joseph Heller Steven 1989 Graphic design in America a visual language history Internet Archive Minneapolis Walker Art Center New York Abrams pp 237 257 ISBN 978 0 8109 1036 2 Mixing Messages ellenlupton ellenlupton com Retrieved 2021 03 16 Further reading EditBouvet Michel East Coast West Coast Graphistes aux Etats unis Paris France Les Editions Textuel 2002 Essay on history of Emigre Dawson Peter The Field Guide to Typography Typefaces in the Urban Landscape New York NY Prestel 2013 Interview with Rudy VanderLans amp Zuzana Licko Eskilson Stephen J Graphic Design A New History London UK Laurence King Publishing 2007 Essay on Emigre in chapter on Postmodern Typography Heller Steven Merz to Emigre and Beyond Avant Garde Magazine Design of the Twentieth Century Phaidon 2003 Heller Stephen ed Design Literacy Understanding Graphic Design New York NY Allworth Press with School of Visual Arts 2014 Essay on Emigre in chapter on Mass Media Lupton Ellen Mixing Messages Graphic Design in Contemporary Culture New York NY Princeton Architectural Press 1996 Short profile of Emigre and Zuzana Licko s typefaces Book published in conjunction with exhibit at Cooper Hewitt National Design Museum McCarthy Steven The Designer as Author Producer Activist Entrepreneur Curator amp Collaborator New Models for Communicating Amsterdam Netherlands BIS 2013 Emigre referenced throughout and short profile of Emigre in chapter on Typographic Design Authorship Meggs Philip B ed A History of Graphic Design New York NY John Wiley amp Sons 1998 Profile of Emigre in chapter on Pioneers of Digital Graphic Design Poynor Rick Design Without Boundaries Visual Communication in Transition London UK Booth Clibborn Editions 1998 Emigre referenced in essay Cult of the Ugly and one essay Into the Digital Realm on Emigre Poynor Rick No More Rules Graphic Design and Postmodernism New Haven CT Yale University Press 2003 Emigre referenced throughout Shaughnessy Adrian How to be a Graphic Designer Without Losing Your Soul London UK Laurence King Publishing 2005 Interview with Rudy VanderLansExternal links EditEmigre official site Emigre Archives at Letterform Archive all issues are available in full online Emigre Magazine Index created by Jessica Barness for The Goldstein Museum of Design Emigre Fonts at Adobe Fonts Retrieved from https en wikipedia org w index php title Emigre magazine amp oldid 1134321592, wikipedia, wiki, book, books, library,

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