Jeffery Keedy, born 1957, is an American graphic designer, type designer, writer and educator. He is notable as an essayist and contributor to books and periodicals on graphic design. He is also notable for the design of Keedy Sans, a typeface acquired in the permanent collection of the Museum of Modern Art in 2011. [1]
A 1985 graduate of the Cranbrook Academy of Art, Keedy has been teaching design at the California Institute of the Arts (CalArts) since his graduation.[2] Keedy was also a frequent contributor to Emigre magazine throughout the twenty years of its publication. His designs and essays have been published in Eye, I.D., Emigre, Critique, Idea, Adbusters, Looking Closer One and Two, Faces on the Edge: Type in the Digital Age, New Design: Los Angeles and The Education of a Graphic Designer.[citation needed]
His typeface Keedy Sans, designed in 1989, is distributed through Emigre Fonts.[3] “Jeffery Keedy described his design of Hard Times as an “ironic commentary” on classic typefaces. Whether the font was truly ironic—its name conjures up not only a typeface but also Charles Dickens and the Great Depression—or just the result of someone goofing around with Fontographer is immaterial. Either way, Keedy’s alteration of Times New Roman—hacking off and reassembling serifs and other parts—encouraged a whole slew of typographic mutilations in the 1990s (including fonts “designed” for advertising campaigns for Putnam Investments and Air France).” Juan Pablo Mejía (2011).[4] In the mid 1980s he was a proponent of the view that design should be looked at as a cultural practice connected to themes of popular culture than a problem solving one.[5]
Graphic Design in the Postmodern Era, Emigre 47: Relocating Design, edited by Rudy VanderLans, 1998. [1] (Full text available online. [2])
The Rules of Typography According to (Crackpots) Experts, Eye, No. 11, Vol. 3, edited by Rick Poynor, Wordsearch Ltd, London, 1993.
ReferencesEdit
^"Jeffery Keedy. Keedy Sans. 1991 | MoMA". The Museum of Modern Art. Retrieved 2019-06-10.
^"Jeff Keedy". CalArts School of Art. Retrieved 2019-06-10.
^Rick Poynor (1998). Design without boundaries: visual communication in transition. Booth-Clibborn. p. 48. ISBN9781861540065. Retrieved 29 March 2012.
^Mejía, Juan (8 August 2011). "Hard Times". El Monocromo. Retrieved 29 April 2022.
^Rick Poynor (31 October 2003). No more rules: graphic design and postmodernism. Laurence King Publishing. p. 53. ISBN978-1-85669-229-8. Retrieved 29 March 2012.
jeffery, keedy, born, 1957, american, graphic, designer, type, designer, writer, educator, notable, essayist, contributor, books, periodicals, graphic, design, also, notable, design, keedy, sans, typeface, acquired, permanent, collection, museum, modern, 2011,. Jeffery Keedy born 1957 is an American graphic designer type designer writer and educator He is notable as an essayist and contributor to books and periodicals on graphic design He is also notable for the design of Keedy Sans a typeface acquired in the permanent collection of the Museum of Modern Art in 2011 1 Contents 1 Biography 2 Books 3 Articles 4 References 5 External links 6 See alsoBiography EditA 1985 graduate of the Cranbrook Academy of Art Keedy has been teaching design at the California Institute of the Arts CalArts since his graduation 2 Keedy was also a frequent contributor to Emigre magazine throughout the twenty years of its publication His designs and essays have been published in Eye I D Emigre Critique Idea Adbusters Looking Closer One and Two Faces on the Edge Type in the Digital Age New Design Los Angeles and The Education of a Graphic Designer citation needed His typeface Keedy Sans designed in 1989 is distributed through Emigre Fonts 3 Jeffery Keedy described his design of Hard Times as an ironic commentary on classic typefaces Whether the font was truly ironic its name conjures up not only a typeface but also Charles Dickens and the Great Depression or just the result of someone goofing around with Fontographer is immaterial Either way Keedy s alteration of Times New Roman hacking off and reassembling serifs and other parts encouraged a whole slew of typographic mutilations in the 1990s including fonts designed for advertising campaigns for Putnam Investments and Air France Juan Pablo Mejia 2011 4 In the mid 1980s he was a proponent of the view that design should be looked at as a cultural practice connected to themes of popular culture than a problem solving one 5 Books EditWith Rudy VanderLans Zuzana Licko Mary E Gray Emigre Graphic Design into the Digital Realm Van Nostrand Reinhold 1993 ISBN 978 0442013806 Articles EditGraphic Design in the Postmodern Era Emigre 47 Relocating Design edited by Rudy VanderLans 1998 1 Full text available online 2 The Rules of Typography According to Crackpots Experts Eye No 11 Vol 3 edited by Rick Poynor Wordsearch Ltd London 1993 References Edit Jeffery Keedy Keedy Sans 1991 MoMA The Museum of Modern Art Retrieved 2019 06 10 Jeff Keedy CalArts School of Art Retrieved 2019 06 10 Rick Poynor 1998 Design without boundaries visual communication in transition Booth Clibborn p 48 ISBN 9781861540065 Retrieved 29 March 2012 Mejia Juan 8 August 2011 Hard Times El Monocromo Retrieved 29 April 2022 Rick Poynor 31 October 2003 No more rules graphic design and postmodernism Laurence King Publishing p 53 ISBN 978 1 85669 229 8 Retrieved 29 March 2012 External links EditShort CalArts bio Short Emigre bio Keedy Sans at Emigre FontsSee also EditFirst Things First 2000 manifesto Emigre 51 First Things First 1999 3 Retrieved from https en wikipedia org w index php title Jeffery Keedy amp oldid 1177278520, wikipedia, wiki, book, books, library,
