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Eloísa D'Herbil

February 13, 2023

Eloisa D'Herbil (also Eloisa D'Herbil de Silva, 27 December 1847 – 22 June 1943) was a Spanish pianist and composer. A child prodigy on the piano, by age seven, she had played before the heads of state in England and Spain. As a child, the press dubbed her "Chopin in skirts" and from a young age, she began composing musical pieces. Immigrating to Argentina in 1868, she continued to write music, becoming one of the first women to write tangos.

Eloísa D'Herbil
Born
Eloísa María Dolores Juana de la Santísima Trinidad d'Herbil

(1847-12-27)27 December 1847
Cádiz, Spain
Died22 June 1943(1943-06-22) (aged 95)
Buenos Aires, Argentina
NationalitySpain, Argentina
Other namesEloísa D'Herbil de Silva, Eloísa D. de Silva, Héloïse d’Herbil
Occupation(s)pianist, composer
Years active1853–1934
Known forOne of the first women to compose tangos

Early life

Eloísa María Dolores Juana de la Santísima Trinidad D'Herbil was born on 27 December 1847 in Cádiz, Spain[1][Notes 1] to the Raquel Angel de Cadia and Joseph D'Herbil.[3][Notes 2] She began her training before her fifth birthday[Notes 3] with the American pianist Louis Moreau Gottschalk and auditioned with the Hungarian composer and pianist Franz Liszt.[9] She would remain a devotée of both and often played their music in concert.[3][10] Liszt praised her ability to play Chopin, causing Viennese critics to dub the child prodigy as "Chopin in skirts".[9] By the age of six, she had played for Isabella II of Spain. The following year, she played for Queen Victoria and Prince Albert at Windsor Castle and in June of the same year, gave another concert in England in the Queen's Concert Rooms. Her performance was highly praised by the royals. It was noted that her portrait could be widely seen and that Luigi Fontana was sculpting a bust of the young virtuoso.[11]

In 1855, the Spanish poet Manuel José Quintana wrote a poem praising her talent,[12] which was his last lyric before his death.[13] Between 1855 and 1858, D'Herbil played an annual circuit in London, sponsored by patrons such as the Duchess of Sutherland, performing at various town halls and Buckingham Palace.[14][15][16][17] She would play again for Queen Isabella in 1857, 1860 and 1862[18] and received a set of jeweled earrings, as well as a magnificent medallion for various performances.[9] At times, she also performed with her brother Antonio or Arturo giving concerts with piano, harmonium, and violin.[19] By 1865, D’Herbil was publishing her own compositions, which showed exceptional talent.[9] In 1867, she was hired to play during the Carnival celebrations in Toledo at the Taller del Moro, which had been reopened a few months before as the "Elíseo Garden".[20]

Argentine career

Within a year, possibly due to the violence preceding the Glorious Revolution of 1868, D'Herbil moved to Argentina and continued her career.[9] She organized a charity concert for February 1868 at the Teatro Colón to benefit cholera victims.[3] By 1872, she styled her performances and published music such as La caridad es dios as Eloísa d 'Herbil de Romany,[9][21] though her husband's name was Guillermo Román.[22] D'Herbil de Romany performed in Teatro Victoria in Buenos Aires in July of that year playing a concerto by Gottschalk.[9] By October, she was performing at the Teatro Solis in Montevideo with the Italian Lyrical Company.[10] Two months later, on 4 December 1872 in Montevideo, she had her first child, Federico Román.[22] By 1 May 1873, the family were back in Buenos Aires.[22] In succession, D'Herbil de Romany had two more children Maria Raquel born on the 31 October 1874 and José Camilo, born on 16 February 1876.[23][Notes 4] Federico Silva served as godfather for all of her children.[22][23] D'Herbil began using the name Eloisa D. de Silva, sometime after the birth of her third child. Her last child, Maria Eloisa Silva was born on 6 April 1881 to she and Federico Silva.[26][27]

De Silva's first compositions were written for song or piano with verses written by other artists. These include such works as Rayo de luna (Moonbeam) with lyrics by Carlos Guido Spano and Los barqueros (The boatmen) with began composing pieces for singing, reciting and piano, such as "Moonbeam", with verses by Carlos Guido Spano, "Los barqueros", with words by Becker.[7] Between 1872 and 1885 she composed El Maco (The Prison), Y a mí qué (What do I care), Che no calotiés! (Hey, no stealing), and Por la calle Arenales (For Arenales Street), some of the first tangos to be written by a woman.[28] Like other women tango writers, she sometimes wrote under a pseudonym to protect her reputation. El Maco was published in 1904 under the name of Miguel J. Tornquist.[28][29] She wrote approximately 100 tangos, many after 1900, including Calote (Robbery), El mozo rubio (The Blond Boy), Evangélica (Evangelical), La multa (The Fine), Que sí que no (That's Yes That's No), Yo soy la rubia (I Am the Blond), among others.[7][3]

Between 1913 and 1914, the Boletín Oficial de la República Argentina listed numerous composition titles including, A mi bandera (To my flag), Becquerianas (Bécquer devotees), Brumas (Mists), Crisantema (chrysanthemum), En el baile (In the dance),[30] Ilusorias (Deceptions),[31] La Canción del ombú (The Song of the ombu tree),[32] La Caridad es Dios (Charity is God), Las Palomas (The Doves),[30] Rosas de otoño (Roses of Autumn),[33] and ¡Ultimo Adiós! (Final Goodbye).[30] In 1934, she composed the Himno del Congreso Eucarístico (Hymn of the Eucharistic Congress) and dedicated to Cardinal Pacelli, who would later be Pope Pius XII.[2]

Death and legacy

De Silva died on 22 June 1943 at her home in Buenos Aires.[3][Notes 5] In 2006, Silvia Miguens published a novel, La baronesa del tango (The Baroness of the Tango) based on the life of the composer.[35][2]

Notes

  1. ^ D'Herbil's date of birth varies widely in 20th-century records being shown as 22 January 1842,[2] 22 January 1846,[3] 1852 (in Cuba),[4] 19th-century dictionaries give the date as 27 December 1847.[1][5] and newspaper articles from the 1850s reporting her birth confirm the 1847–1848 period.[6]
  2. ^ Some sources state that her father was a French Baron and her mother was either a Portuguese Countess or her grandfather was an Italian Duke. Father's name in various sources is José, Josef, Joseph, and Giuseppe. Claims that her introduction to Argentina resulted because her father had estates in Cuba, managing a beef exporting business to Brazil and Argentina frequently appear in South American sources, but with no citations to source material.[3][7] Gesualdo makes a Cuban connection with her studying and giving concerts with Gottschalk in 1861 in Cuba and in 1868 in Buenos Aires.[7] However, according to The Grove Dictionary of American Music Gottschalk's biography for these engagements makes no mention of D'Herbil. His tour of Buenos Aires premiered in November 1867 and ended by February 1868.[8] Ricardo Ostuni notes that D'Herbil appeared at a charity recital at Teatro Colón in February 1868, but makes no mention of Gottschalk.[3] If the Glorious Revolution was the reason for D'Herbil's leaving Cádiz, as postulated by Consuelo Pérez Colodrero of the University of Granada, war did not begin until September 1868. Pérez Colodrero states that D'Herbil's father was the Baron of St. Thomas, but shows no sojourn in Cuba.[6]
  3. ^ Pérez Colodrero gives the date of her training as beginning in 1849.[9] Gottschalk's biography shows in that year he was in France and did not arrive in Spain until 1851.[8]
  4. ^ José was re-baptized with the name Mario José Camilo Silva in 1882.[24] The 1895 census confirms this is the same child as four children are named on the record and D'Herbil's answer to how many children she had given birth to is "four"; though she also stated she has been married to Federico Silva since 1873.[25]
  5. ^ On his blog entry, written in 2009, Ostuni notes that her obituary appeared in La Prensa on Thursday, 24 June 1943 at page 12.[34]

References

Citations

  1. ^ a b Saldoni 1860, p. 112.
  2. ^ a b c Barreiro 2011.
  3. ^ a b c d e f g h Ostuni 2011.
  4. ^ Diario Hoy 2006.
  5. ^ Saldoni 1880, pp. 382–383.
  6. ^ a b Pérez Colodrero 2011, p. 1527.
  7. ^ a b c d Gesualdo 1992.
  8. ^ a b Lowens, Starr & Pruett 2013.
  9. ^ a b c d e f g h Pérez Colodrero 2011, p. 1528.
  10. ^ a b La Paz 1872, p. 2.
  11. ^ Revue et gazette musicale de Paris 1856, p. 203.
  12. ^ Quintana 1897, pp. 169–170.
  13. ^ La Cruz 1856, p. 701.
  14. ^ The Guardian 1855, p. 3.
  15. ^ The Observer 1856, p. 4.
  16. ^ The Guardian 1858, p. 3.
  17. ^ The Times 1858, p. 1.
  18. ^ Paulo Selvi 2014, p. 10.
  19. ^ De la Vieja Málaga 1868, pp. 25, 37.
  20. ^ de Mingo 2016.
  21. ^ Catálogo 2016.
  22. ^ a b c d Libro de Bautismos 1873, p. 250.
  23. ^ a b Libro de Bautismos 1876, pp. 642–643.
  24. ^ Libro de Bautismos & 2 September 1882, p. 250.
  25. ^ 2º Censo Nacional 1895, p. 143.
  26. ^ Libro de Bautismos & 28 August 1882, p. 530.
  27. ^ Cartões de Imigração 1948, p. 146.
  28. ^ a b Horvath 2006, p. 61.
  29. ^ Viladrich 2006, p. 280.
  30. ^ a b c Boletín Oficial 1913, p. 931.
  31. ^ Boletín Oficial 1913, p. 932.
  32. ^ Boletín Oficial & June 1914, p. 868.
  33. ^ Boletín Oficial & July 1914, p. 228.
  34. ^ Ostuni 2009.
  35. ^ & Miguens 2006.

Bibliography

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  • de Mingo, Adolfo (6 March 2016). [The Baroness of the Tango in the Taller del Moro]. Toledo, Spain: La Tribuna de Toledo. Archived from the original on 7 March 2016. Retrieved 15 July 2017.
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  • Horvath, Ricardo (2006). Esos malditos tangos: apuntes para la otra historia (in Spanish). Buenos Aires, Argentina: Editorial Biblos. ISBN 978-950-786-549-7.
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  • Paulo Selvi, Isabel (2014). "La imagen de Isabel II a través de su inquietud por la música y su repercusión en la prensa" [The image of Isabel II through her concern for music and its repercussions in the press]. Quadrivium (in Spanish). Valencia, Spain: Associació Valenciana de Musicología (5). Retrieved 14 July 2017.
  • Pérez Colodrero, Consuelo (2011). De la Gaditana Eloísa D'herbil a la Almeriense Remedios Martínez Moreno: Siete Mujeres Andaluzas Dedicadas a la Música en la Época de la Restauración [From Cádiz's Eloísa D'Herbil to Almería's Remedios Martínez Moreno: Seven Andalusian Women Dedicated to Music in the Time of the Restoration] (PDF). 3rd Congreso Universitario Nacional Investigación y Género (in Spanish). Seville, Spain: Universidad de Sevilla. pp. 1523–1543. Retrieved 14 July 2017.
  • Quintana, Manuel Josef (1897). Gonzalez Rojas, F. (ed.). Obras Completas del Excmo, Señor D. Manuel Josef Quintana [Complete Works of the Honorable Mister Manuel Josef Quintana] (in Spanish). Madrid, Spain: Editorial de Felipe G. Rojas. pp. 169–170. OCLC 26901485.
  • Saldoni, Baltasar (1880). Diccionario biográfico-bibliográfico de efemérides de músicos españoles [Biographical-bibliographical dictionary of astrological birthdates of Spanish musicians] (in Spanish). Vol. 3. Madrid, Spain: Imprenta A. Perez Dubrull. OCLC 10036851.
  • Saldoni, Baltasar (1860). Efemérides de músicos españoles: así profesores como aficionados [Astrological birthdates of Spanish musicians: teachers as well as amateurs]. Madrid, Spain: Imprenta de la Esperanza. OCLC 434064259.
  • Viladrich, Anahí (2006). "Neither Virgins nor Whores: Tango Lyrics and Gender Representations in the Tango World" (PDF). The Journal of Popular Culture. Hoboken, New Jersey: Blackwell Publishing, Inc. 39 (2): 272–293. doi:10.1111/j.1540-5931.2006.00234.x. ISSN 0022-3840. Retrieved 15 July 2017.
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February 13, 2023
eloísa, herbil, eloisa, herbil, also, eloisa, herbil, silva, december, 1847, june, 1943, spanish, pianist, composer, child, prodigy, piano, seven, played, before, heads, state, england, spain, child, press, dubbed, chopin, skirts, from, young, began, composing. Eloisa D Herbil also Eloisa D Herbil de Silva 27 December 1847 22 June 1943 was a Spanish pianist and composer A child prodigy on the piano by age seven she had played before the heads of state in England and Spain As a child the press dubbed her Chopin in skirts and from a young age she began composing musical pieces Immigrating to Argentina in 1868 she continued to write music becoming one of the first women to write tangos Eloisa D HerbilBornEloisa Maria Dolores Juana de la Santisima Trinidad d Herbil 1847 12 27 27 December 1847Cadiz SpainDied22 June 1943 1943 06 22 aged 95 Buenos Aires ArgentinaNationalitySpain ArgentinaOther namesEloisa D Herbil de Silva Eloisa D de Silva Heloise d HerbilOccupation s pianist composerYears active1853 1934Known forOne of the first women to compose tangos Contents 1 Early life 2 Argentine career 3 Death and legacy 4 Notes 5 References 5 1 Citations 5 2 BibliographyEarly life EditEloisa Maria Dolores Juana de la Santisima Trinidad D Herbil was born on 27 December 1847 in Cadiz Spain 1 Notes 1 to the Raquel Angel de Cadia and Joseph D Herbil 3 Notes 2 She began her training before her fifth birthday Notes 3 with the American pianist Louis Moreau Gottschalk and auditioned with the Hungarian composer and pianist Franz Liszt 9 She would remain a devotee of both and often played their music in concert 3 10 Liszt praised her ability to play Chopin causing Viennese critics to dub the child prodigy as Chopin in skirts 9 By the age of six she had played for Isabella II of Spain The following year she played for Queen Victoria and Prince Albert at Windsor Castle and in June of the same year gave another concert in England in the Queen s Concert Rooms Her performance was highly praised by the royals It was noted that her portrait could be widely seen and that Luigi Fontana was sculpting a bust of the young virtuoso 11 In 1855 the Spanish poet Manuel Jose Quintana wrote a poem praising her talent 12 which was his last lyric before his death 13 Between 1855 and 1858 D Herbil played an annual circuit in London sponsored by patrons such as the Duchess of Sutherland performing at various town halls and Buckingham Palace 14 15 16 17 She would play again for Queen Isabella in 1857 1860 and 1862 18 and received a set of jeweled earrings as well as a magnificent medallion for various performances 9 At times she also performed with her brother Antonio or Arturo giving concerts with piano harmonium and violin 19 By 1865 D Herbil was publishing her own compositions which showed exceptional talent 9 In 1867 she was hired to play during the Carnival celebrations in Toledo at the Taller del Moro which had been reopened a few months before as the Eliseo Garden 20 Argentine career EditWithin a year possibly due to the violence preceding the Glorious Revolution of 1868 D Herbil moved to Argentina and continued her career 9 She organized a charity concert for February 1868 at the Teatro Colon to benefit cholera victims 3 By 1872 she styled her performances and published music such as La caridad es dios as Eloisa d Herbil de Romany 9 21 though her husband s name was Guillermo Roman 22 D Herbil de Romany performed in Teatro Victoria in Buenos Aires in July of that year playing a concerto by Gottschalk 9 By October she was performing at the Teatro Solis in Montevideo with the Italian Lyrical Company 10 Two months later on 4 December 1872 in Montevideo she had her first child Federico Roman 22 By 1 May 1873 the family were back in Buenos Aires 22 In succession D Herbil de Romany had two more children Maria Raquel born on the 31 October 1874 and Jose Camilo born on 16 February 1876 23 Notes 4 Federico Silva served as godfather for all of her children 22 23 D Herbil began using the name Eloisa D de Silva sometime after the birth of her third child Her last child Maria Eloisa Silva was born on 6 April 1881 to she and Federico Silva 26 27 De Silva s first compositions were written for song or piano with verses written by other artists These include such works as Rayo de luna Moonbeam with lyrics by Carlos Guido Spano and Los barqueros The boatmen with began composing pieces for singing reciting and piano such as Moonbeam with verses by Carlos Guido Spano Los barqueros with words by Becker 7 Between 1872 and 1885 she composed El Maco The Prison Y a mi que What do I care Che no caloties Hey no stealing and Por la calle Arenales For Arenales Street some of the first tangos to be written by a woman 28 Like other women tango writers she sometimes wrote under a pseudonym to protect her reputation El Maco was published in 1904 under the name of Miguel J Tornquist 28 29 She wrote approximately 100 tangos many after 1900 including Calote Robbery El mozo rubio The Blond Boy Evangelica Evangelical La multa The Fine Que si que no That s Yes That s No Yo soy la rubia I Am the Blond among others 7 3 Between 1913 and 1914 the Boletin Oficial de la Republica Argentina listed numerous composition titles including A mi bandera To my flag Becquerianas Becquer devotees Brumas Mists Crisantema chrysanthemum En el baile In the dance 30 Ilusorias Deceptions 31 La Cancion del ombu The Song of the ombu tree 32 La Caridad es Dios Charity is God Las Palomas The Doves 30 Rosas de otono Roses of Autumn 33 and Ultimo Adios Final Goodbye 30 In 1934 she composed the Himno del Congreso Eucaristico Hymn of the Eucharistic Congress and dedicated to Cardinal Pacelli who would later be Pope Pius XII 2 Death and legacy EditDe Silva died on 22 June 1943 at her home in Buenos Aires 3 Notes 5 In 2006 Silvia Miguens published a novel La baronesa del tango The Baroness of the Tango based on the life of the composer 35 2 Notes Edit D Herbil s date of birth varies widely in 20th century records being shown as 22 January 1842 2 22 January 1846 3 1852 in Cuba 4 19th century dictionaries give the date as 27 December 1847 1 5 and newspaper articles from the 1850s reporting her birth confirm the 1847 1848 period 6 Some sources state that her father was a French Baron and her mother was either a Portuguese Countess or her grandfather was an Italian Duke Father s name in various sources is Jose Josef Joseph and Giuseppe Claims that her introduction to Argentina resulted because her father had estates in Cuba managing a beef exporting business to Brazil and Argentina frequently appear in South American sources but with no citations to source material 3 7 Gesualdo makes a Cuban connection with her studying and giving concerts with Gottschalk in 1861 in Cuba and in 1868 in Buenos Aires 7 However according to The Grove Dictionary of American Music Gottschalk s biography for these engagements makes no mention of D Herbil His tour of Buenos Aires premiered in November 1867 and ended by February 1868 8 Ricardo Ostuni notes that D Herbil appeared at a charity recital at Teatro Colon in February 1868 but makes no mention of Gottschalk 3 If the Glorious Revolution was the reason for D Herbil s leaving Cadiz as postulated by Consuelo Perez Colodrero of the University of Granada war did not begin until September 1868 Perez Colodrero states that D Herbil s father was the Baron of St Thomas but shows no sojourn in Cuba 6 Perez Colodrero gives the date of her training as beginning in 1849 9 Gottschalk s biography shows in that year he was in France and did not arrive in Spain until 1851 8 Jose was re baptized with the name Mario Jose Camilo Silva in 1882 24 The 1895 census confirms this is the same child as four children are named on the record and D Herbil s answer to how many children she had given birth to is four though she also stated she has been married to Federico Silva since 1873 25 On his blog entry written in 2009 Ostuni notes that her obituary appeared in La Prensa on Thursday 24 June 1943 at page 12 34 References EditCitations Edit a b Saldoni 1860 p 112 a b c Barreiro 2011 a b c d e f g h Ostuni 2011 Diario Hoy 2006 Saldoni 1880 pp 382 383 a b Perez Colodrero 2011 p 1527 a b c d Gesualdo 1992 a b Lowens Starr amp Pruett 2013 a b c d e f g h Perez Colodrero 2011 p 1528 a b La Paz 1872 p 2 Revue et gazette musicale de Paris 1856 p 203 Quintana 1897 pp 169 170 La Cruz 1856 p 701 The Guardian 1855 p 3 The Observer 1856 p 4 The Guardian 1858 p 3 The Times 1858 p 1 Paulo Selvi 2014 p 10 De la Vieja Malaga 1868 pp 25 37 de Mingo 2016 Catalogo 2016 a b c d Libro de Bautismos 1873 p 250 a b Libro de Bautismos 1876 pp 642 643 Libro de Bautismos amp 2 September 1882 p 250 2º Censo Nacional 1895 p 143 Libro de Bautismos amp 28 August 1882 p 530 Cartoes de Imigracao 1948 p 146 a b Horvath 2006 p 61 Viladrich 2006 p 280 a b c Boletin Oficial 1913 p 931 Boletin Oficial 1913 p 932 Boletin Oficial amp June 1914 p 868 Boletin Oficial amp July 1914 p 228 Ostuni 2009 amp Miguens 2006 Bibliography Edit Barreiro Javier 20 October 2011 Herbil de Silva Baronesa Eloisa Javier Barreiro in Spanish Buenos Aires Argentina Archived from the original on 21 December 2016 Retrieved 14 July 2017 Self published but with citations to source materials a href Template Cite web html title Template Cite web cite web a CS1 maint postscript link de Mingo Adolfo 6 March 2016 La baronesa del Tango en el Taller del Mor The Baroness of the Tango in the Taller del Moro Toledo Spain La Tribuna de Toledo Archived from the original on 7 March 2016 Retrieved 15 July 2017 Gesualdo Vicente November 1992 Eloisa D Herbil de Silva el Chopin con faldas Eloisa de Silva the first woman composer of tangos Todo es Historia in Spanish Buenos Aires Argentina Todo es Historia Inc 304 ISSN 0040 8611 Archived from the original on 26 June 2017 Retrieved 14 July 2017 via Todo Tango Horvath Ricardo 2006 Esos malditos tangos apuntes para la otra historia in Spanish Buenos Aires Argentina Editorial Biblos ISBN 978 950 786 549 7 Lowens Irving Starr S Frederick Pruett Laura Moore 2013 Gottschalk Louis Moreau b New Orleans LA 8 May 1829 d Tijuca Brazil 18 Dec 1869 In Garrett Charles Hiroshi ed The Grove dictionary of American music Second ed New York Oxford University Press ISBN 978 0 195 31428 1 via Oxford University Press s Reference Online subscription required Miguens Silvia 2006 La baronesa del tango Buenos Aires Argentina Editorial Sudamericana ISBN 978 9 500 72738 9 Ostuni Ricardo 22 November 2011 La baronesa del tango The baroness of tango in Spanish Buenos Aires Argentina InfoNews Archived from the original on 14 July 2017 Retrieved 14 July 2017 Ostuni Ricardo 13 July 2009 Musicos Cultos que se Acercaron al Tango Cult Musicians that Approached the Tango Buenos Aires historia poesia musica y lenguaje in Spanish Buenos Aires Argentina Ricardo Ostuni Archived from the original on 15 July 2017 Retrieved 15 July 2017 Paulo Selvi Isabel 2014 La imagen de Isabel II a traves de su inquietud por la musica y su repercusion en la prensa The image of Isabel II through her concern for music and its repercussions in the press Quadrivium in Spanish Valencia Spain Associacio Valenciana de Musicologia 5 Retrieved 14 July 2017 Perez Colodrero Consuelo 2011 De la Gaditana Eloisa D herbil a la Almeriense Remedios Martinez Moreno Siete Mujeres Andaluzas Dedicadas a la Musica en la Epoca de la Restauracion From Cadiz s Eloisa D Herbil to Almeria s Remedios Martinez Moreno Seven Andalusian Women Dedicated to Music in the Time of the Restoration PDF 3rd Congreso Universitario Nacional Investigacion y Genero in Spanish Seville Spain Universidad de Sevilla pp 1523 1543 Retrieved 14 July 2017 Quintana Manuel Josef 1897 Gonzalez Rojas F ed Obras Completas del Excmo Senor D Manuel Josef Quintana Complete Works of the Honorable Mister Manuel Josef Quintana in Spanish Madrid Spain Editorial de Felipe G Rojas pp 169 170 OCLC 26901485 Saldoni Baltasar 1880 Diccionario biografico bibliografico de efemerides de musicos espanoles Biographical bibliographical dictionary of astrological birthdates of Spanish musicians in Spanish Vol 3 Madrid Spain Imprenta A Perez Dubrull OCLC 10036851 Saldoni Baltasar 1860 Efemerides de musicos espanoles asi profesores como aficionados Astrological birthdates of Spanish musicians teachers as well as amateurs Madrid Spain Imprenta de la Esperanza OCLC 434064259 Viladrich Anahi 2006 Neither Virgins nor Whores Tango Lyrics and Gender Representations in the Tango World PDF The Journal of Popular Culture Hoboken New Jersey Blackwell Publishing Inc 39 2 272 293 doi 10 1111 j 1540 5931 2006 00234 x ISSN 0022 3840 Retrieved 15 July 2017 2º Censo Nacional Buenos Aires Seccion 15 2nd National Census Buenos Aires Section 15 FamilySearch in Spanish Buenos Aires Argentina Archivos Nacionales 1895 p 142 Film 004162520 Retrieved 15 July 2017 Biblioteca Nacional National Library Boletin Oficial de la Republica Argentina in Spanish Buenos Aires Argentina De La Republica Argentina XXI 5888 18 August 1913 Retrieved 15 July 2017 Biblioteca Nacional National Library Boletin Oficial de la Republica Argentina in Spanish Buenos Aires Argentina De La Republica Argentina XXII 6130 13 June 1914 Retrieved 15 July 2017 Biblioteca Nacional National Library Boletin Oficial de la Republica Argentina in Spanish Buenos Aires Argentina De La Republica Argentina XXII 6153 13 July 1914 Retrieved 15 July 2017 Buckingham Palace The Observer London England 15 June 1856 p 4 Retrieved 15 July 2017 via Newspapers com Cartoes de Imigracao Maria Eloisa Silva D Herbil Immigration Cards Maria Eloisa Silva D Herbil FamilySearch in Portuguese Rio de Janeiro Brazil Arquivo Nacional 6 July 1948 p 146 Film 004873025 Retrieved 15 July 2017 Catalogo de partituras del CDM Catalog of scores of the CDM CDM Uruguay in Spanish Montevideo Uruguay Centro Nacional de Documentacion Musical Lauro Ayestaran 2016 Retrieved 15 July 2017 Ano 1868 De la Vieja Malaga 1867 1875 in Spanish Malaga Spain not noted 1868 Retrieved 14 July 2017 Funerales del Celebre Poeta e Historiador Quintana Funeral of the Celebrated Poet and Historian Quintana La Cruz in Spanish Mexico City Mexico J M Andrade y F Escalante 4 1 701 702 25 December 1856 Retrieved 14 July 2017 La cubana que se convirtio en la baronesa del tango PDF in Spanish La Plata Argentina Diario Hoy 30 June 2006 p 7 Archived from the original PDF on 14 July 2017 Retrieved 14 July 2017 Libro de Bautismos de la Parroquia Federico Roman Book of Baptisms of the Parish Federico Roman FamilySearch in Spanish Buenos Aires Argentina Registros parroquiales Catolicas 1737 1977 1 May 1873 p 250 Film 004096886 Retrieved 15 July 2017 Libro de Bautismos de la Parroquia Maria Eloisa Silva Book of Baptisms of the Parish Federico Roman FamilySearch in Spanish Buenos Aires Argentina Registros parroquiales Catolicas 1737 1977 28 August 1882 p 530 Film 004095523 Retrieved 15 July 2017 Libro de Bautismos de la Parroquia Maria Raquel Roman and Jose Camilo Roman Book of Baptisms of the Parish Maria Raquel Roman and Jose Camilo Roman FamilySearch in Spanish Buenos Aires Argentina Registros parroquiales Catolicas 1737 1977 30 October 1876 pp 642 643 Film 004097353 Retrieved 15 July 2017 Libro de Bautismos de la Parroquia Mario Jose Camilo Silva Book of Baptisms of the Parish Mario Jose Camilo Silva FamilySearch in Spanish Buenos Aires Argentina Registros parroquiales Catolicas 1737 1977 2 September 1882 p 539 Film 004095523 Retrieved 15 July 2017 Record is damaged but date of birth 16 and 1876 are clearly legible a href Template Cite web html title Template Cite web cite web a CS1 maint postscript link M Baetens Concert The Guardian London England 16 November 1855 p 3 Retrieved 15 July 2017 via Newspapers com Monday Evening Concerts The Guardian London England 23 February 1858 p 3 Retrieved 15 July 2017 via Newspapers com Nouvelles New Revue et gazette musicale de Paris in French Paris France Au Bureau de Journal 23 202 203 1856 Retrieved 14 July 2017 Teatro Solis PDF in Spanish No 452 Montevideo Uruguay La Paz 8 October 1872 p 2 Retrieved 15 July 2017 untitled The Times London England 19 May 1858 p 1 Retrieved 15 July 2017 via Newspapers com Retrieved from https en wikipedia org w index php title Eloisa D 27Herbil amp oldid 1096437439, wikipedia, wiki, book, books, library,

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