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Don Quichotte auf der Hochzeit des Comacho

Don Quichotte auf der Hochzeit des Comacho (Don Quixote at Comacho's Wedding), TVWV 21:32, is a one-act comic serenata by Georg Philipp Telemann. The libretto by the student poet Daniel Schiebeler is based on chapter 20 of volume 2 of Cervantes's novel Don Quixote.[a] The opera premiered on 5 November 1761 in Hamburg. When first performed, it was given the title: Don Quichotte auf der Hochzeit des Comacho; later it was also known as Don Quixote der Löwenritter (Don Quixote, the Knight of the Lions).[1]

Don Quichotte auf der Hochzeit des Comacho
Serenata by Georg Philipp Telemann
The composer, c. 1745
TranslationDon Quixote at Comacho's Wedding
Other titleDon Quixote der Löwenritter
LibrettistDaniel Schiebeler
LanguageGerman
Based onChapter 20 of volume 2 of Cervantes's Don Quixote
Premiere
5 November 1761 (1761-11-05)
Konzertsaal auf dem Kamp, Hamburg

History edit

Miguel de Cervantes's novel El ingenioso hidalgo Don Quijote de la Mancha, published in 1605 and 1615, is part of mainstream World literature. The scene of the hero and his squire taking part in the wedding of Comacho was chosen by the poet Daniel Schiebeler (1741–1771) when he was a student aged 18[2][b] for the libretto of a Singspiel, entitled Basilio und Quiteria, which he offered to the composer Georg Philipp Telemann,[3] around 60 years his senior. Telemann was agreeable, but made substantial changes to the text.[2]

The opera premiered on 5 November 1761, when Telemann was 80 years old,[3] in a concert hall in Hamburg.[1]

Roles edit

  • Don Quichotte, a knight (bass)
  • Sancho Pansa, his squire (bass)
  • Pedrillo, a shepherd (soprano)
  • Grisostomo, a shepherd (soprano)
  • Quiteria, the bride (soprano)
  • Comacho, the bridegroom (alto)
  • Basilio, a shepherd (tenor)
  • Choir of shepherds (SATB)

Music edit

Telemann uses the story's occasions for humorous effects, including elements from the opera seria, to characterize the noble people, as well as folk music for the peasants.[4] Sancho Pansa is wittily portrayed, for example by "athletic leaps" in his recollection of earlier episode. The choruses often take instrumental and rhythmic ideas from Spanish folk music.[3][5] A reviewer notes:

In summary, here is a work which should have a wide appeal for its musical diversity, skilful characterization and captivating melodies. In works such as this, the tension between established and newly emerging ideas, musical and dramatic, is to the fore, underlining both Telemann's almost ceaseless interest in experimentation, and a seemingly ever-youthful curiosity which belies his advanced years.[3]

Recording and performance edit

The opera was recorded in 1994 by the Bremen vocal ensemble for ancient music La Stagione, conducted by Michael Schneider, with Raimund Nolte as Don Quichotte, Michael Schopper as Sancho Pansa, Silke Stapf as Pedrillo and Mechthild Bach as Grisostomo, among others.[3]

The opera was performed again on stage in Magdeburg, where Telemann's operas have been revived from 1929. It was played at the 16th Magdeburger Telemann-Festtage in March 2002, for the first time after almost 250 years.[6] It was performed again in 2006 by the Magdeburg Opera.[6][7] It was repeated in 2012 as part of the project Telemann für Schüler (Telemann for students), at schools and halls of Magdeburg. It was performed by the Ensemble Barock vokal of the Hochschule für Musik Mainz and the Neumeyer Consort, conducted by Felix Koch.[8]

Notes edit

  1. ^ The bridegroom's name in the novella is Camacho, but in this work it is Comacho.
  2. ^ His age is also given as 20 years, which is his age when it was premiered.[3]

References edit

  1. ^ a b The Cervantes Encyclopedia: L–Z, p. 659 Howard Mancing, 2004.
  2. ^ a b Esquival-Heinemann 2007, p. 250.
  3. ^ a b c d e f Anderson 1994.
  4. ^ Esquival-Heinemann 2007, pp. 251–52.
  5. ^ Esquival-Heinemann 2007, p. 252.
  6. ^ a b Telemann-Opern in Magdeburg – von 1929 bis heute
  7. ^ Don Quichotte auf der Hochzeit des Comacho / Comic-Opera – Singspiel von Georg Philipp Telemann Magdeburg Opera 2006
  8. ^ Telemann für Schüler 2012 2017-01-28 at the Wayback Machine (in German)

Sources edit

  • Anderson, Nicholas (1994). "Telemann Don Quichotte". Gramophone. Retrieved 24 June 2017.
  • Esquival-Heinemann, Bárbara P. (2007). "Don Quijote in der deutschsprachigen Oper". In Altenberg, Tilmann; Meyer-Minnemann, Klaus (eds.). Europäische Dimensionen des Don Quijote in Literatur, Kunst, Film und Musik (in German). pp. 235–261. doi:10.15460/hup.134.971. ISBN 978-3-937816-28-9.

External links edit

  • Libretto (1779), Berlin State Library
  • Bernd Baselt (ed.): Don Quichotte auf der Hochzeit des Comacho: Comic opera-serenata in one act (score) A-R Editions 1991

quichotte, hochzeit, comacho, quixote, comacho, wedding, tvwv, comic, serenata, georg, philipp, telemann, libretto, student, poet, daniel, schiebeler, based, chapter, volume, cervantes, novel, quixote, opera, premiered, november, 1761, hamburg, when, first, pe. Don Quichotte auf der Hochzeit des Comacho Don Quixote at Comacho s Wedding TVWV 21 32 is a one act comic serenata by Georg Philipp Telemann The libretto by the student poet Daniel Schiebeler is based on chapter 20 of volume 2 of Cervantes s novel Don Quixote a The opera premiered on 5 November 1761 in Hamburg When first performed it was given the title Don Quichotte auf der Hochzeit des Comacho later it was also known as Don Quixote der Lowenritter Don Quixote the Knight of the Lions 1 Don Quichotte auf der Hochzeit des ComachoSerenata by Georg Philipp TelemannThe composer c 1745TranslationDon Quixote at Comacho s WeddingOther titleDon Quixote der LowenritterLibrettistDaniel SchiebelerLanguageGermanBased onChapter 20 of volume 2 of Cervantes s Don QuixotePremiere5 November 1761 1761 11 05 Konzertsaal auf dem Kamp Hamburg Contents 1 History 2 Roles 3 Music 4 Recording and performance 5 Notes 6 References 6 1 Sources 7 External linksHistory editMiguel de Cervantes s novel El ingenioso hidalgo Don Quijote de la Mancha published in 1605 and 1615 is part of mainstream World literature The scene of the hero and his squire taking part in the wedding of Comacho was chosen by the poet Daniel Schiebeler 1741 1771 when he was a student aged 18 2 b for the libretto of a Singspiel entitled Basilio und Quiteria which he offered to the composer Georg Philipp Telemann 3 around 60 years his senior Telemann was agreeable but made substantial changes to the text 2 The opera premiered on 5 November 1761 when Telemann was 80 years old 3 in a concert hall in Hamburg 1 Roles editDon Quichotte a knight bass Sancho Pansa his squire bass Pedrillo a shepherd soprano Grisostomo a shepherd soprano Quiteria the bride soprano Comacho the bridegroom alto Basilio a shepherd tenor Choir of shepherds SATB Music editTelemann uses the story s occasions for humorous effects including elements from the opera seria to characterize the noble people as well as folk music for the peasants 4 Sancho Pansa is wittily portrayed for example by athletic leaps in his recollection of earlier episode The choruses often take instrumental and rhythmic ideas from Spanish folk music 3 5 A reviewer notes In summary here is a work which should have a wide appeal for its musical diversity skilful characterization and captivating melodies In works such as this the tension between established and newly emerging ideas musical and dramatic is to the fore underlining both Telemann s almost ceaseless interest in experimentation and a seemingly ever youthful curiosity which belies his advanced years 3 Recording and performance editThe opera was recorded in 1994 by the Bremen vocal ensemble for ancient music La Stagione conducted by Michael Schneider with Raimund Nolte as Don Quichotte Michael Schopper as Sancho Pansa Silke Stapf as Pedrillo and Mechthild Bach as Grisostomo among others 3 The opera was performed again on stage in Magdeburg where Telemann s operas have been revived from 1929 It was played at the 16th Magdeburger Telemann Festtage in March 2002 for the first time after almost 250 years 6 It was performed again in 2006 by the Magdeburg Opera 6 7 It was repeated in 2012 as part of the project Telemann fur Schuler Telemann for students at schools and halls of Magdeburg It was performed by the Ensemble Barock vokal of the Hochschule fur Musik Mainz and the Neumeyer Consort conducted by Felix Koch 8 Notes edit The bridegroom s name in the novella is Camacho but in this work it is Comacho His age is also given as 20 years which is his age when it was premiered 3 References edit a b The Cervantes Encyclopedia L Z p 659 Howard Mancing 2004 a b Esquival Heinemann 2007 p 250 a b c d e f Anderson 1994 Esquival Heinemann 2007 pp 251 52 Esquival Heinemann 2007 p 252 a b Telemann Opern in Magdeburg von 1929 bis heute Don Quichotte auf der Hochzeit des Comacho Comic Opera Singspiel von Georg Philipp Telemann Magdeburg Opera 2006 Telemann fur Schuler 2012 Archived 2017 01 28 at the Wayback Machine in German Sources edit Anderson Nicholas 1994 Telemann Don Quichotte Gramophone Retrieved 24 June 2017 Esquival Heinemann Barbara P 2007 Don Quijote in der deutschsprachigen Oper In Altenberg Tilmann Meyer Minnemann Klaus eds Europaische Dimensionen des Don Quijote in Literatur Kunst Film und Musik in German pp 235 261 doi 10 15460 hup 134 971 ISBN 978 3 937816 28 9 External links editLibretto 1779 Berlin State Library Bernd Baselt ed Don Quichotte auf der Hochzeit des Comacho Comic opera serenata in one act score A R Editions 1991 Portal nbsp Opera Retrieved from https en wikipedia org w index php title Don Quichotte auf der Hochzeit des Comacho amp oldid 1204952931, wikipedia, wiki, book, books, library,

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