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David J. Buch

March 03, 2023

For the former Olympic swimmer, see Nahum David Buch.

David Joseph Buch (born 1950) is an American musicologist.[1]

David J. Buch
Born1950 (age 72–73)
Detroit, Michigan
OccupationMusicologist
EducationPhD Northwestern University
SubjectMusicology, Mozart scholarship
Notable worksDer Stein der Weisen,
Magic Flutes and Enchanted Forests: The Supernatural in the Eighteenth-Century Musical Theater
Notable awardsDonald N. McKay Research Award

Life and career

Buch was born in Detroit and studied at the School of the Art Institute of Chicago and the Accademia Musicale Chigiana in Siena, Italy. He received his PhD in Music History from Northwestern University.

He had been Professor of Music at Wayne State University and Professor of Music History at the University of Northern Iowa (UNI), where he is Professor Emeritus. Buch was a visiting professor at the University of Chicago from 2008 until 2011. He has published numerous scholarly studies on a range of topics in music, having explored archives and libraries in many European cities.[2]

His research has received international attention[citation needed] owing to the discovery of new attributions to Mozart in Emanuel Schikaneder's collaborative opera Der Stein der Weisen oder Die Zauberinsel (Vienna, 1790). His study of the theatrical tradition in which Mozart's The Magic Flute originated has led him to new interpretations of the libretto, notably skepticism to the widely held view that The Magic Flute is specifically a Masonic opera (see Libretto of The Magic Flute).

In 1998 he was named UNI Distinguished Scholar and received the Donald N. McKay Research Award.[citation needed]

Buch plays the lute, viola da gamba and guitar.[citation needed] He has performed with the Chicago Symphony Orchestra under Claudio Abbado, and as guest soloist with the Eckstein String Quartet (principals of the CSO).[citation needed]

Selected bibliography

  • (1985) "Style brisé, style luthé, and the choses luthées", The Musical Quarterly 71: 52–67.
  • (1985) "The Influence of the Ballet de cour in the Genesis of the French Baroque Suite", Acta Musicologica 57: 94–109.
  • (1989) "The Coordination of Text, Illustration, and Music in a Seventeenth-Century Lute Manuscript: La Rhétorique des Dieux", Imago Musicae: International Yearbook of Musical Iconography.
  • (1992) "Fairy-Tale Literature and Die Zauberflöte,” Acta Musicologica 64: 30–49.
  • (1994) Dance Music from the Ballets de cour 1575–1651. Historical Commentary, Source Study, and Transcriptions from the Philidor Manuscripts. Stuyvesant, New York; Pendragon Press.
  • (1996) "The Sources of Dance Music for the Ballets de cour before Lully", Revue de musicologie [fr] 82: 314–31.
  • (1997) "Mozart and the Theater auf der Wieden: New attributions and perspectives", Cambridge Opera Journal 9: 195–232.
  • (1999) "On the Context of Mozart's Variations on the Aria, 'Ein Weib ist das herrlichste Ding auf der Welt', K.613", Mozart-Jahrbuch 1999: 71–80.
  • (2000) "Eighteenth-century Performing Materials from the Archive of the Theater an der Wien and Mozart's Die Zauberflöte,” The Musical Quarterly 84: 287–322.
  • (2001) "Der Stein der Weisen, Mozart, and collaborative Singspiels at Emanuel Schikaneder's Theater auf der Wieden", Mozart-Jahrbuch 2000: 91–126.
  • (2001) "Die Hauskomponisten am Theater auf der Wieden zur Zeit Mozarts (1798–1791)", Acta Mozartiana 48 1/4: 75–81.
  • (2002) "Newly-Identified Engravings of Scenes from Emanuel Schickaneder's Theater auf der Wieden, 1789–1790, in the Allmanach für Theaterfreunde", Maske und Kothurn 48: 351–376.
  • (2003) "Mozart's German Operas" (chapter 12), in The Cambridge Companion to Mozart, ed. Simon Keefe. Cambridge: 156–167.
  • (2003) "Così fan tutte, La scuola degli amanti and L'ecole des amans", Hudební veda 38/3–4 (Festschrift Tomislav Volek): 313–320.
  • (2004) "A Newly-Discovered Manuscript of Mozart's Die Zauberflöte from the Copy Shop of Emanuel Schikaneder's Theater auf der Wieden", Studia Musicologica 45: 269–279.
  • (2004) "Die Zauberflöte, Masonic Opera, and Other Fairy Tales", Acta Musicologica 76/2:193–219, debunking many alleged masonic allusions.
  • (2004) "The Don Juan Tradition, Eighteenth-Century Supernatural Theatre and Vincenzo Righini's Il convitato di pietra", Hudební veda 41/3–4: 295–302.
  • (2005) "Three Posthumous Reports Concerning Mozart in his Late Viennese Years", Eighteenth-Century Music 2:125–129.
  • (2007) with H. Worthen, "Ideology in Movement and a Movement in Ideology: The Deutsche Tanzfestspiele 1934 (9–16 December, Berlin)", Theatre Journal 59/2: 215–239.
  • (2008) Magic Flutes and Enchanted Forests: The Supernatural in the Eighteenth-Century Musical Theater (University of Chicago Press)
  • (2012) Representations of Jews in the Musical Theater of the Habsburg Empire 1788–1807 (Yuval Music Series 9), Jerusalem: The Jewish Music Research Centre.
  • (2012) "Placidus Partsch, die Liedersammlung für Kinder und Kinderfreunde und die letzten drei Lieder Mozarts", Acta Mozartiana 59/1: 5–24.
  • (2015) "Richard Strauss, Idomeneo and the Musical Mischling in the Third Reich", Richard Strauss-Jahrbuch 2014. Tutzing: Hans Schneider 2015: 67–84.
  • (2015) "Emanuel Schikaneder as Theater Composer, or Who Wrote Papageno's Melodies in Die Zauberflöte?" Divadelní revue 26/2: 160–167.
  • (2016) "Mozart's Bawdy Canons, Vulgarity, and Debauchery at the Wiednertheater", Eighteenth-Century Music 13/2:238–308.
  • (2017) "Wolfgang Amadeus Mozart" (annotated bibliography), in Oxford Bibliographies in Music, ed. Bruce Gustafson. New York: Online only.
  • (2020) "Concepción Gómez de Jacoby: Tárrega's Enigmatic Patron and Recuerdos de la Alhambra" Michael Lorenz (29 November)
  • (2021)"On the Need for a Scholarly Edition of Tárrega’s Complete Works." Soundboard Scholar 7, (1). https://digitalcommons.du.edu/sbs/vol7/iss1/2

Editions

  • (1990) Denis Gaultier, "La Rhétorique des dieux" (Recent Researches in the Music of the Baroque Era 62). Madison: A-R Editions, Inc. ISBN 0-89579-238-9.
  • (2002) with Manuela Jahrmärker (ed.) Schikaneders heroisch-komische Oper Der Stein der Weisen – Modell für Mozarts Zauberflöte. Kritische Ausgabe des Textbuches, (Hainholz Musikwissenschaft 5), Göttingen. ISBN 3932622464.
  • (2007) Der Stein der Weisen (full score), (Recent Researches in the Music of the Classic Era 76) Middleton. Wisconsin: A-R Editions. ISBN 0895796163.
  • (2010) Der wohltätige Derwisch oder Die Schellenkappe (Vienna, 1791). (full score and piano-vocal score; RRMCE 81). Middleton, Wis.: A-R Ed. ISBN 0-89579-668-6.
  • (2014) Franz Xaver Süßmayr, Der Spiegel von Arkadien (Vienna, 1794). (full score and piano-vocal score; RRMCE 93–94). Middleton, Wis.: A-R Ed. ISBN 0-89579-777-1.
  • (2014) Mozart, Wanhal, Henneberg, Müller, et al., Liedersammlung für Kinder und Kinderfreunde (Vienna 1791). RRMCE 95. Middleton, Wis., A-R Ed. ISBN 978-0-89579-791-9.
  • (2015) Two operas from the Series Die zween Anton. Part 1: Der dumme Gärtner aus dem Gebürge oder Die zween Anton (Vienna 1789). RRMCE 96. Middleton, Wis., A-R Ed. ISBN 978-0-89579-811-4.
  • (2016) Two operas from the Series Die zween Anton. Part 2: Die verdeckten Sachen (Vienna 1789). RRMCE 98. Middleton, Wisconsin, A-R Ed. ISBN 978-0-89579-824-4.

References

  1. ^ "David J. Buch". WorldCat. Retrieved September 15, 2012.
  2. ^ Don Hamilton (January 3, 1999). "David Buch's Big Score". Chicago Tribune. Retrieved January 12, 2020.

External links

  • . otsummerfest. Archived from the original on August 22, 2012. Retrieved September 14, 2012.
  • Edward Rothstein: "Not Even Mostly Mozart, but Clearly Some", The New York Times, June 12, 1997

March 03, 2023
david, buch, former, olympic, swimmer, nahum, david, buch, david, joseph, buch, born, 1950, american, musicologist, born1950, detroit, michiganoccupationmusicologisteducationphd, northwestern, universitysubjectmusicology, mozart, scholarshipnotable, worksder, . For the former Olympic swimmer see Nahum David Buch David Joseph Buch born 1950 is an American musicologist 1 David J BuchBorn1950 age 72 73 Detroit MichiganOccupationMusicologistEducationPhD Northwestern UniversitySubjectMusicology Mozart scholarshipNotable worksDer Stein der Weisen Magic Flutes and Enchanted Forests The Supernatural in the Eighteenth Century Musical TheaterNotable awardsDonald N McKay Research Award Contents 1 Life and career 2 Selected bibliography 3 Editions 4 References 5 External linksLife and career EditBuch was born in Detroit and studied at the School of the Art Institute of Chicago and the Accademia Musicale Chigiana in Siena Italy He received his PhD in Music History from Northwestern University He had been Professor of Music at Wayne State University and Professor of Music History at the University of Northern Iowa UNI where he is Professor Emeritus Buch was a visiting professor at the University of Chicago from 2008 until 2011 He has published numerous scholarly studies on a range of topics in music having explored archives and libraries in many European cities 2 His research has received international attention citation needed owing to the discovery of new attributions to Mozart in Emanuel Schikaneder s collaborative opera Der Stein der Weisen oder Die Zauberinsel Vienna 1790 His study of the theatrical tradition in which Mozart s The Magic Flute originated has led him to new interpretations of the libretto notably skepticism to the widely held view that The Magic Flute is specifically a Masonic opera see Libretto of The Magic Flute In 1998 he was named UNI Distinguished Scholar and received the Donald N McKay Research Award citation needed Buch plays the lute viola da gamba and guitar citation needed He has performed with the Chicago Symphony Orchestra under Claudio Abbado and as guest soloist with the Eckstein String Quartet principals of the CSO citation needed Selected bibliography Edit 1985 Style brise style luthe and the choses luthees The Musical Quarterly 71 52 67 1985 The Influence of the Ballet de cour in the Genesis of the French Baroque Suite Acta Musicologica 57 94 109 1989 The Coordination of Text Illustration and Music in a Seventeenth Century Lute Manuscript La Rhetorique des Dieux Imago Musicae International Yearbook of Musical Iconography 1992 Fairy Tale Literature and Die Zauberflote Acta Musicologica 64 30 49 1994 Dance Music from the Ballets de cour 1575 1651 Historical Commentary Source Study and Transcriptions from the Philidor Manuscripts Stuyvesant New York Pendragon Press 1996 The Sources of Dance Music for the Ballets de cour before Lully Revue de musicologie fr 82 314 31 1997 Mozart and the Theater auf der Wieden New attributions and perspectives Cambridge Opera Journal 9 195 232 1999 On the Context of Mozart s Variations on the Aria Ein Weib ist das herrlichste Ding auf der Welt K 613 Mozart Jahrbuch 1999 71 80 2000 Eighteenth century Performing Materials from the Archive of the Theater an der Wien and Mozart s Die Zauberflote The Musical Quarterly 84 287 322 2001 Der Stein der Weisen Mozart and collaborative Singspiels at Emanuel Schikaneder s Theater auf der Wieden Mozart Jahrbuch 2000 91 126 2001 Die Hauskomponisten am Theater auf der Wieden zur Zeit Mozarts 1798 1791 Acta Mozartiana 48 1 4 75 81 2002 Newly Identified Engravings of Scenes from Emanuel Schickaneder s Theater auf der Wieden 1789 1790 in the Allmanach fur Theaterfreunde Maske und Kothurn 48 351 376 2003 Mozart s German Operas chapter 12 in The Cambridge Companion to Mozart ed Simon Keefe Cambridge 156 167 2003 Cosi fan tutte La scuola degli amanti and L ecole des amans Hudebni veda 38 3 4 Festschrift Tomislav Volek 313 320 2004 A Newly Discovered Manuscript of Mozart s Die Zauberflote from the Copy Shop of Emanuel Schikaneder s Theater auf der Wieden Studia Musicologica 45 269 279 2004 Die Zauberflote Masonic Opera and Other Fairy Tales Acta Musicologica 76 2 193 219 debunking many alleged masonic allusions 2004 The Don Juan Tradition Eighteenth Century Supernatural Theatre and Vincenzo Righini s Il convitato di pietra Hudebni veda 41 3 4 295 302 2005 Three Posthumous Reports Concerning Mozart in his Late Viennese Years Eighteenth Century Music 2 125 129 2007 with H Worthen Ideology in Movement and a Movement in Ideology The Deutsche Tanzfestspiele 1934 9 16 December Berlin Theatre Journal 59 2 215 239 2008 Magic Flutes and Enchanted Forests The Supernatural in the Eighteenth Century Musical Theater University of Chicago Press 2012 Representations of Jews in the Musical Theater of the Habsburg Empire 1788 1807 Yuval Music Series 9 Jerusalem The Jewish Music Research Centre 2012 Placidus Partsch die Liedersammlung fur Kinder und Kinderfreunde und die letzten drei Lieder Mozarts Acta Mozartiana 59 1 5 24 2015 Richard Strauss Idomeneo and the Musical Mischling in the Third Reich Richard Strauss Jahrbuch 2014 Tutzing Hans Schneider 2015 67 84 2015 Emanuel Schikaneder as Theater Composer or Who Wrote Papageno s Melodies in Die Zauberflote Divadelni revue 26 2 160 167 2016 Mozart s Bawdy Canons Vulgarity and Debauchery at the Wiednertheater Eighteenth Century Music 13 2 238 308 2017 Wolfgang Amadeus Mozart annotated bibliography in Oxford Bibliographies in Music ed Bruce Gustafson New York Online only 2020 Concepcion Gomez de Jacoby Tarrega s Enigmatic Patron and Recuerdos de la Alhambra Michael Lorenz 29 November 2021 On the Need for a Scholarly Edition of Tarrega s Complete Works Soundboard Scholar 7 1 https digitalcommons du edu sbs vol7 iss1 2Editions Edit 1990 Denis Gaultier La Rhetorique des dieux Recent Researches in the Music of the Baroque Era 62 Madison A R Editions Inc ISBN 0 89579 238 9 2002 with Manuela Jahrmarker ed Schikaneders heroisch komische OperDer Stein der Weisen Modell fur MozartsZauberflote Kritische Ausgabe des Textbuches Hainholz Musikwissenschaft 5 Gottingen ISBN 3932622464 2007 Der Stein der Weisen full score Recent Researches in the Music of the Classic Era 76 Middleton Wisconsin A R Editions ISBN 0895796163 2010 Der wohltatige Derwisch oder Die Schellenkappe Vienna 1791 full score and piano vocal score RRMCE 81 Middleton Wis A R Ed ISBN 0 89579 668 6 2014 Franz Xaver Sussmayr Der Spiegel von Arkadien Vienna 1794 full score and piano vocal score RRMCE 93 94 Middleton Wis A R Ed ISBN 0 89579 777 1 2014 Mozart Wanhal Henneberg Muller et al Liedersammlung fur Kinder und Kinderfreunde Vienna 1791 RRMCE 95 Middleton Wis A R Ed ISBN 978 0 89579 791 9 2015 Two operas from the Series Die zween Anton Part 1 Der dumme Gartner aus dem Geburge oder Die zween Anton Vienna 1789 RRMCE 96 Middleton Wis A R Ed ISBN 978 0 89579 811 4 2016 Two operas from the Series Die zween Anton Part 2 Die verdeckten Sachen Vienna 1789 RRMCE 98 Middleton Wisconsin A R Ed ISBN 978 0 89579 824 4 References Edit David J Buch WorldCat Retrieved September 15 2012 Don Hamilton January 3 1999 David Buch s Big Score Chicago Tribune Retrieved January 12 2020 External links Edit David J Buch otsummerfest Archived from the original on August 22 2012 Retrieved September 14 2012 Edward Rothstein Not Even Mostly Mozart but Clearly Some The New York Times June 12 1997Portals Biography Classical music Retrieved from https en wikipedia org w index php title David J Buch amp oldid 1072621291, wikipedia, wiki, book, books, library,

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