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The Early Days of Kiss

The Early Days of Kiss (also referred to officially as the Club Tour) was a series of performances by American rock band, Kiss. During this time, Kiss hired Bill Aucoin as their manager, and were then signed to Casablanca Records.

Club Tour
Tour by Kiss
LocationUnited States
Start dateJanuary 30, 1973 (1973-01-30)
End dateJanuary 26, 1974 (1974-01-26)
No. of shows27 (29 scheduled)
Kiss concert chronology

History edit

The first Kiss performance took place on January 30, 1973, for an audience of fewer than ten people at the Popcorn Pub (renamed Coventry shortly afterward) in Queens.[1] The band were paid $50 for performing two sets that evening, following a cold-call Simmons had made to the venue, convincing them to hire the new band for a three-night stand.[2]

Our first show ever was at Coventry. Coventry was a study in contrasts. The first time we played there was nobody there. The last time we played there, you could barely get in the door.
—Paul Stanley[3]

When the band performed at the Daisy in Amityville,[1] Simmons recalled that it was "a drinking club, with cheap beer and a biker crowd",[4] while Stanley remembered the Daisy being "no better than the size of a living room".[5]

To give their performances a presence, the band would use fake Marshall amplifiers on stage with hollow cabinets to make the music seem louder than it was.[6]

From October to November, the band recorded their self-titled debut album, which was released on February 18, 1974. The December 22 show at Coventry in Queens is the earliest filmed live performance by Kiss as described in Kissology Volume 1 and Volume 3. During the New Year's Eve show at The Academy of Music in New York City as an opening act for Blue Öyster Cult, Simmons accidentally set his hair ablaze while performing his fire-breathing routine.[7]

For the last three shows of the tour, Stanley changed his makeup to "The Bandit" because Neil Bogart thought the Starchild character was "kind of swishy... kind of feminine" and that Stanley should be "more macho" onstage. As Stanley stated "I just came up with this Lone Ranger bandit, as it became known, and it lasted maybe a month. But I just went, 'You know what? My gig, my face, my makeup.' And I just went back to the Starchild. A lot of people believe that [the Bandit] came first, but it actually didn't."[8]

Reception edit

Fred Kirby of Variety who had attended the June and August performances, had given the band a positive review, citing that the band "outshine most of the others in clean, pulsating rock and roll, high in volume and excitement". He pointed out the unrelenting and solid set, as well as praising Gene as a 'theatrical plus'. Kirby concluded his review with stating that the music catches hold and never lets go. He would note that Kiss had drawn good crowds and were building a local following.[9]

Stanley Mises, a local New York Sunday News reviewer who attended the Coventry performances, cited that the show was more complex and the music was "loud, loud, loud" but fairly simple. He would state that the members looked like "Lance Loud on a nightmarish blender".[10]

Chris Charlesworth of Melody Maker, who attended the December 31, 1973 performance, praised the band's performance, music and costumes. He pointed out the music, saying it was "loud and heavy, simple riff-based rock and roll with a steady funky beat". Concluding his review, he noted the climax as "brash and spectacular" as well as pointing out the fire breathing incident during 'Firehouse'.[11]

A reviewer from Billboard who attended the January 26, 1974 performance at the Academy of Music, noted on the band's embrace to touring after having performed at various local clubs for a year. The show was given a positive review with their set cited as being ear shattering, as well as the heavy reliance on special effects.[12]

Setlist edit

Tour dates edit

Date City Country Venue Support Act(s)
January 30, 1973
2 sets
New York City United States Coventry
January 31, 1973
2 sets
February 1, 1973
2 sets
March 9, 1973
2 sets
Amityville The Daisy
March 10, 1973
2 sets
April 13, 1973
2 sets
April 14, 1973
2 sets
May 4, 1973 New York City Bleecker Street Loft Queen Elizabeth†
The Brats‡
May 26, 1973 Palisades Lamont Hall Bloontz‡
Rebillot Quintet‡
June 1, 1973 New York City Bleecker Street Loft The Brats†
June 8, 1973
2 sets
Amityville The Daisy
June 9, 1973
2 sets
June 15, 1973
2 sets
June 16, 1973
2 sets
July 13, 1973 New York City Crystal Ballroom The Brats†
Planets‡
August 10, 1973 Street Punk‡
Luger‡
August 17, 1973
2 sets
Amityville The Daisy
August 18, 1973
2 sets
August 24, 1973
2 sets
August 25, 1973
2 sets
August 31, 1973 New York City Coventry Wild Honey‡
The Dogs
September 1, 1973
September 2, 1973
December 21, 1973 Isis
Rags‡
City Slicker‡
December 22, 1973
December 23, 1973
December 31, 1973 Academy of Music Blue Öyster Cult
Iggy Pop
Teenage Lust‡
January 8, 1974 Village East
January 26, 1974 Academy of Music Fleetwood Mac
Silverhead

Support act key:

† Headliner
‡ Opening/supporting act

Personnel edit

References edit

Citations edit

  1. ^ a b Brod 2020, p. 18.
  2. ^ Wilkening, Matthew (January 30, 2016). "The Day Kiss Played Their First Show". Ultimate Classic Rock. Retrieved August 23, 2020.
  3. ^ (2019). End of the Road World Tour Program, p. 4.
  4. ^ Simmons, Gene (2001). Kiss and Make-up. New York: Crown Publishers. ISBN 978-1-4000-4523-5.
  5. ^ Faces Metal Muscle #1, Spring 1986
  6. ^ Weiss, Brett (2016). Encyclopedia of Kiss : Music, Personnel, Events and Related Subjects. Jefferson, North Carolina. p. 132. ISBN 9780786498024.{{cite book}}: CS1 maint: location missing publisher (link)
  7. ^ Gooch and Suhs, Kiss Alive Forever, p. 27.
  8. ^ Kielty, Martin (2023-12-21). "Why Paul Stanley Rejected Bandit Makeup After a Month". Ultimate Classic Rock. Retrieved 2024-03-22.
  9. ^ Kirby, Variety, August 22, 1973.
  10. ^ Stanley Mises, New York Sunday News, September 16, 1973
  11. ^ Charlesworth, Melody Maker, January 12, 1974
  12. ^ Taylor, Barry (February 9, 1974). "Talent in Action: Silverhead, Kiss". Billboard. Vol. 86, no. 6. Nielsen Business Media, Inc. p. 20. ISSN 0006-2510. Retrieved March 26, 2021.

Sources edit

  • Gooch, Curt; Suhs, Jeff (2002). Kiss Alive Forever: The Complete Touring History. New York: Billboard Books. ISBN 0-8230-8322-5.
  • Weiss, Brett (2016). Encyclopedia of Kiss: Music, Personnel, Events and Related Subjects. Jefferson, North Carolina: McFarland & Company, Inc. ISBN 9780786498024.
  • Brod, Doug (2020). They Just Seem A Little Weird: How Kiss, Cheap Trick, Aerosmith, and Starz Remade Rock and Roll (First ed.). New York, New York: Hachette Books. ISBN 978-0-306-84519-2.

early, days, kiss, also, referred, officially, club, tour, series, performances, american, rock, band, kiss, during, this, time, kiss, hired, bill, aucoin, their, manager, were, then, signed, casablanca, records, club, tourtour, kisslocationunited, statesstart. The Early Days of Kiss also referred to officially as the Club Tour was a series of performances by American rock band Kiss During this time Kiss hired Bill Aucoin as their manager and were then signed to Casablanca Records Club TourTour by KissLocationUnited StatesStart dateJanuary 30 1973 1973 01 30 End dateJanuary 26 1974 1974 01 26 No of shows27 29 scheduled Kiss concert chronologyClub Tour 1973 1974 Kiss Tour 1974 Contents 1 History 2 Reception 3 Setlist 4 Tour dates 5 Personnel 6 References 6 1 Citations 6 2 SourcesHistory editThe first Kiss performance took place on January 30 1973 for an audience of fewer than ten people at the Popcorn Pub renamed Coventry shortly afterward in Queens 1 The band were paid 50 for performing two sets that evening following a cold call Simmons had made to the venue convincing them to hire the new band for a three night stand 2 Our first show ever was at Coventry Coventry was a study in contrasts The first time we played there was nobody there The last time we played there you could barely get in the door Paul Stanley 3 When the band performed at the Daisy in Amityville 1 Simmons recalled that it was a drinking club with cheap beer and a biker crowd 4 while Stanley remembered the Daisy being no better than the size of a living room 5 To give their performances a presence the band would use fake Marshall amplifiers on stage with hollow cabinets to make the music seem louder than it was 6 From October to November the band recorded their self titled debut album which was released on February 18 1974 The December 22 show at Coventry in Queens is the earliest filmed live performance by Kiss as described in Kissology Volume 1 and Volume 3 During the New Year s Eve show at The Academy of Music in New York City as an opening act for Blue Oyster Cult Simmons accidentally set his hair ablaze while performing his fire breathing routine 7 For the last three shows of the tour Stanley changed his makeup to The Bandit because Neil Bogart thought the Starchild character was kind of swishy kind of feminine and that Stanley should be more macho onstage As Stanley stated I just came up with this Lone Ranger bandit as it became known and it lasted maybe a month But I just went You know what My gig my face my makeup And I just went back to the Starchild A lot of people believe that the Bandit came first but it actually didn t 8 Reception editFred Kirby of Variety who had attended the June and August performances had given the band a positive review citing that the band outshine most of the others in clean pulsating rock and roll high in volume and excitement He pointed out the unrelenting and solid set as well as praising Gene as a theatrical plus Kirby concluded his review with stating that the music catches hold and never lets go He would note that Kiss had drawn good crowds and were building a local following 9 Stanley Mises a local New York Sunday News reviewer who attended the Coventry performances cited that the show was more complex and the music was loud loud loud but fairly simple He would state that the members looked like Lance Loud on a nightmarish blender 10 Chris Charlesworth of Melody Maker who attended the December 31 1973 performance praised the band s performance music and costumes He pointed out the music saying it was loud and heavy simple riff based rock and roll with a steady funky beat Concluding his review he noted the climax as brash and spectacular as well as pointing out the fire breathing incident during Firehouse 11 A reviewer from Billboard who attended the January 26 1974 performance at the Academy of Music noted on the band s embrace to touring after having performed at various local clubs for a year The show was given a positive review with their set cited as being ear shattering as well as the heavy reliance on special effects 12 Setlist editSongs Played Overall Deuce Cold Gin Nothin to Lose Strutter Watchin You Love Her All I Can She Firehouse Keep Me Waiting Wicked Lester cover Want You Beside Me Life in the Woods Wicked Lester cover Simple Type Wicked Lester cover Baby Let Me Go Let Me Go Rock N Roll Sunday Driver Let Me Know Acrobat Love Theme from Kiss 100 000 Years Black Diamond Encore Go Now The Moody Blues cover Typical Setlist Deuce Cold Gin Nothin to Lose Strutter Watchin You Love Her All I Can She Firehouse Simple Type Wicked Lester cover Baby Let Me Go Let Me Go Rock N Roll Sunday Driver Let Me Know 100 000 Years Black Diamond Tour dates editDate City Country Venue Support Act s January 30 19732 sets New York City United States Coventry January 31 19732 setsFebruary 1 19732 setsMarch 9 19732 sets Amityville The DaisyMarch 10 19732 setsApril 13 19732 setsApril 14 19732 setsMay 4 1973 New York City Bleecker Street Loft Queen Elizabeth The Brats May 26 1973 Palisades Lamont Hall Bloontz Rebillot Quintet June 1 1973 New York City Bleecker Street Loft The Brats June 8 19732 sets Amityville The Daisy June 9 19732 setsJune 15 19732 setsJune 16 19732 setsJuly 13 1973 New York City Crystal Ballroom The Brats Planets August 10 1973 Street Punk Luger August 17 19732 sets Amityville The Daisy August 18 19732 setsAugust 24 19732 setsAugust 25 19732 setsAugust 31 1973 New York City Coventry Wild Honey The Dogs September 1 1973September 2 1973 December 21 1973 Isis Rags City Slicker December 22 1973December 23 1973 December 31 1973 Academy of Music Blue Oyster Cult Iggy Pop Teenage Lust January 8 1974 Village East January 26 1974 Academy of Music Fleetwood Mac Silverhead Support act key Headliner Opening supporting actPersonnel editPaul Stanley vocals rhythm guitar Gene Simmons vocals bass Peter Criss drums vocals Ace Frehley lead guitar backing vocalsReferences editCitations edit a b Brod 2020 p 18 Wilkening Matthew January 30 2016 The Day Kiss Played Their First Show Ultimate Classic Rock Retrieved August 23 2020 2019 End of the Road World Tour Program p 4 Simmons Gene 2001 Kiss and Make up New York Crown Publishers ISBN 978 1 4000 4523 5 Faces Metal Muscle 1 Spring 1986 Weiss Brett 2016 Encyclopedia of Kiss Music Personnel Events and Related Subjects Jefferson North Carolina p 132 ISBN 9780786498024 a href Template Cite book html title Template Cite book cite book a CS1 maint location missing publisher link Gooch and Suhs Kiss Alive Forever p 27 Kielty Martin 2023 12 21 Why Paul Stanley Rejected Bandit Makeup After a Month Ultimate Classic Rock Retrieved 2024 03 22 Kirby Variety August 22 1973 Stanley Mises New York Sunday News September 16 1973 Charlesworth Melody Maker January 12 1974 Taylor Barry February 9 1974 Talent in Action Silverhead Kiss Billboard Vol 86 no 6 Nielsen Business Media Inc p 20 ISSN 0006 2510 Retrieved March 26 2021 Sources edit Gooch Curt Suhs Jeff 2002 Kiss Alive Forever The Complete Touring History New York Billboard Books ISBN 0 8230 8322 5 Weiss Brett 2016 Encyclopedia of Kiss Music Personnel Events and Related Subjects Jefferson North Carolina McFarland amp Company Inc ISBN 9780786498024 Brod Doug 2020 They Just Seem A Little Weird How Kiss Cheap Trick Aerosmith and Starz Remade Rock and Roll First ed New York New York Hachette Books ISBN 978 0 306 84519 2 Retrieved from https en wikipedia org w index php title The Early Days of Kiss amp oldid 1215173852, wikipedia, wiki, book, books, library,

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