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Climb Ev'ry Mountain

"Climb Ev'ry Mountain" is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. It is sung at the close of the first act by the Mother Abbess. It is themed as an inspirational piece, to encourage people to take every step toward attaining their dreams.

Background

This song shares inspirational overtones with the song "You'll Never Walk Alone" from Carousel. They are both sung by the female mentor characters in the shows, and are used to give strength to the protagonists in the story, and both are given powerful reprises at the end of their respective shows. As Oscar Hammerstein II was writing the lyrics, it developed its own inspirational overtones along the lines of an earlier Hammerstein song, "There's a Hill Beyond a Hill". He felt that the metaphors of climbing mountains and fording streams better fitted Maria's quest for her spiritual compass.[1] The muse behind the song was Sister Gregory, the head of Drama at Rosary College in Illinois. The letters that she sent to Hammerstein and to Mary Martin, the first Maria von Trapp on Broadway, described the parallels between a nun's choice for a religious life and the choices that humans must make to find their purpose and direction in life. When she read the manuscript of the lyrics, she confessed that it "drove [her] to the Chapel" because the lyrics conveyed a "yearning that … ordinary souls feel but cannot communicate."[2]

Although this song has parallels with "You'll Never Walk Alone," the song shares musical similarities with the song "Something Wonderful" from The King and I. Both songs are played at a similar broad tempo, and both songs have accompaniments punctuated by heavy chords in the orchestral score.

The song has often been sung by operatically trained voices in professional stage productions. In the original Broadway production it was sung by Patricia Neway, in the original London production it was sung by Constance Shacklock, and in the original Australian production it was sung by Rosina Raisbeck.

In the original stage play, the Mother Abbess sings the song at the end of the first act. When Ernest Lehman wrote the screenplay for the film adaptation, he shifted the scene so that this song would be the first major song of the second act. When Robert Wise and his film crew were filming this scene, Peggy Wood had some reservations about the words, which she felt were too "pretentious."[3] In addition to that, while Peggy herself was an accomplished singer earlier in her career, the song was simply too difficult for her to perform at that age. As a result, her singing voice is dubbed by Margery MacKay, the wife of composer, music director and pianist Harper MacKay, as Wood was not able to sing the high notes of the song. Rodgers wrote the piece in the key of C, with a modulation towards the end of the piece into the key of D flat, making the last note that the Mother Abbess sings an A flat (Ab5), though in the film it was sung a tone lower.[4]

With the popularity of the stage play it would seem Peggy Wood was not alone. Given the range of the piece and the average age of the actor playing Mother Abbess, the oldest character in the story, the song has proven daunting for many actresses over the years.[5]

In addition, due to the long instrumental introduction of the song, Wood was repeatedly unable to catch the first word lip synching to McKay's playback. So they filmed the beginning part of her performance in silhouette against the wall of the set for the Mother Abbess' office with her back to camera. [6] As director Robert Wise reports, once the vocal had begun, she had no problem matching the performance. Reviewing the dailies later, everybody thought it looked as if the Mother Abbess was receiving divine guidance and so the performance was kept as it was.

Other versions

"Climb Ev'ry Mountain"
 
Single by Shirley Bassey
from the album Shirley Bassey
B-side"Reach for the Stars"
ReleasedJuly 1960
Recorded1959
Length3:10
LabelColumbia
Songwriter(s)Rodgers and Hammerstein
Shirley Bassey singles chronology
"You'll Never Know"
(1961)
"Climb Ev'ry Mountain"
(1960)
"I'll Get By"
(1961)

References

  1. ^ Maslon, Laurence (2006). The Sound of Music Companion. London: Pavilion Books.
  2. ^ Fordin, Hugh (1995). Getting to Know Him: A Biography of Oscar Hammerstein II. New York: Da Capo Press.
  3. ^ Hirsch, Julia Antopol Hirsch (1993). The Sound of Music: The Making of America's Favourite Movie. Chicago: Contemporary Books.
  4. ^ Marc Craenen (2010-08-02), Sound of Music - Climb every mountain, retrieved 2018-06-05[dead YouTube link]
  5. ^ "'The Sound of Music': We rank every song". EW.com. Retrieved 2018-06-05.
  6. ^ Matessino, Michael (1994). The Sound of Music: From Fact to Phenomenon. Hollywood: 20th Century Fox.
  7. ^ Official Charts Company - "Climb Ev'ry Mountain", UK chart run
  8. ^ "Soria Moria". Discogs.com. Retrieved 5 December 2014.
  9. ^ "I Dreamed A Dream – Songs of Broadway". ABC. Retrieved 14 June 2013.

climb, mountain, 1971, album, same, name, judith, durham, album, show, tune, from, 1959, rodgers, hammerstein, musical, sound, music, sung, close, first, mother, abbess, themed, inspirational, piece, encourage, people, take, every, step, toward, attaining, the. For the 1971 album of the same name by Judith Durham see Climb Ev ry Mountain album Climb Ev ry Mountain is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music It is sung at the close of the first act by the Mother Abbess It is themed as an inspirational piece to encourage people to take every step toward attaining their dreams Climb Ev ry Mountain SongReleased1959GenreShow tuneComposer s Richard RodgersLyricist s Oscar Hammerstein IIBackground EditThis song shares inspirational overtones with the song You ll Never Walk Alone from Carousel They are both sung by the female mentor characters in the shows and are used to give strength to the protagonists in the story and both are given powerful reprises at the end of their respective shows As Oscar Hammerstein II was writing the lyrics it developed its own inspirational overtones along the lines of an earlier Hammerstein song There s a Hill Beyond a Hill He felt that the metaphors of climbing mountains and fording streams better fitted Maria s quest for her spiritual compass 1 The muse behind the song was Sister Gregory the head of Drama at Rosary College in Illinois The letters that she sent to Hammerstein and to Mary Martin the first Maria von Trapp on Broadway described the parallels between a nun s choice for a religious life and the choices that humans must make to find their purpose and direction in life When she read the manuscript of the lyrics she confessed that it drove her to the Chapel because the lyrics conveyed a yearning that ordinary souls feel but cannot communicate 2 Although this song has parallels with You ll Never Walk Alone the song shares musical similarities with the song Something Wonderful from The King and I Both songs are played at a similar broad tempo and both songs have accompaniments punctuated by heavy chords in the orchestral score The song has often been sung by operatically trained voices in professional stage productions In the original Broadway production it was sung by Patricia Neway in the original London production it was sung by Constance Shacklock and in the original Australian production it was sung by Rosina Raisbeck In the original stage play the Mother Abbess sings the song at the end of the first act When Ernest Lehman wrote the screenplay for the film adaptation he shifted the scene so that this song would be the first major song of the second act When Robert Wise and his film crew were filming this scene Peggy Wood had some reservations about the words which she felt were too pretentious 3 In addition to that while Peggy herself was an accomplished singer earlier in her career the song was simply too difficult for her to perform at that age As a result her singing voice is dubbed by Margery MacKay the wife of composer music director and pianist Harper MacKay as Wood was not able to sing the high notes of the song Rodgers wrote the piece in the key of C with a modulation towards the end of the piece into the key of D flat making the last note that the Mother Abbess sings an A flat Ab5 though in the film it was sung a tone lower 4 With the popularity of the stage play it would seem Peggy Wood was not alone Given the range of the piece and the average age of the actor playing Mother Abbess the oldest character in the story the song has proven daunting for many actresses over the years 5 In addition due to the long instrumental introduction of the song Wood was repeatedly unable to catch the first word lip synching to McKay s playback So they filmed the beginning part of her performance in silhouette against the wall of the set for the Mother Abbess office with her back to camera 6 As director Robert Wise reports once the vocal had begun she had no problem matching the performance Reviewing the dailies later everybody thought it looked as if the Mother Abbess was receiving divine guidance and so the performance was kept as it was Other versions EditThis section needs additional citations for verification Please help improve this article by adding citations to reliable sources in this section Unsourced material may be challenged and removed December 2015 Learn how and when to remove this template message Climb Ev ry Mountain Single by Shirley Basseyfrom the album Shirley BasseyB side Reach for the Stars ReleasedJuly 1960Recorded1959Length3 10LabelColumbiaSongwriter s Rodgers and HammersteinShirley Bassey singles chronology You ll Never Know 1961 Climb Ev ry Mountain 1960 I ll Get By 1961 1959 Tony Bennett had a minor hit single No 74 of the song 1960 Andy Williams on his album The Village of St Bernadette 1990 The Fleetwoods on their album The Best of The Fleetwoods 1961 Welsh singer Shirley Bassey as part of a double A sided single with Reach for the Stars which reached 1 in the UK and remained on the charts for 18 weeks 7 1971 Judith Durham recorded and released a version as the first single from her album Climb Ev ry Mountain 1984 Tammy Wynette performed the song at the Summer Olympics 1989 Sissel Kyrkjebo sang a Norwegian version Se Over Fjellet on the album Soria Moria 8 1992 Alex Burrall s version in the movie The Jacksons An American Dream portraying Michael Jackson 6 8 years of age at a school pageant show 2000 Christina Aguilera on her concert DVD My Reflection 2003 Guy Sebastian s interpretation on Australian Idol season 1 when he performed it on the 1960s theme night recorded it for the B side of his 1 single All I Need Is You 2013 Australian operatic mezzo soprano Jacqui Dark for ABC Classics as part of a compilation album I Dreamed a Dream The Hit Songs of Broadway 9 2015 Jordan Smith on the season nine finale of The Voice 2016 Barbra Streisand recorded the song as a duet with Jamie Foxx for her 2016 album Encore Movie Partners Sing Broadway 2019 John Owen Jones recorded a version of the song on his 2019 album Spotlight References Edit Maslon Laurence 2006 The Sound of Music Companion London Pavilion Books Fordin Hugh 1995 Getting to Know Him A Biography of Oscar Hammerstein II New York Da Capo Press Hirsch Julia Antopol Hirsch 1993 The Sound of Music The Making of America s Favourite Movie Chicago Contemporary Books Marc Craenen 2010 08 02 Sound of Music Climb every mountain retrieved 2018 06 05 dead YouTube link The Sound of Music We rank every song EW com Retrieved 2018 06 05 Matessino Michael 1994 The Sound of Music From Fact to Phenomenon Hollywood 20th Century Fox Official Charts Company Climb Ev ry Mountain UK chart run Soria Moria Discogs com Retrieved 5 December 2014 I Dreamed A Dream Songs of Broadway ABC Retrieved 14 June 2013 Retrieved from https en wikipedia org w index php title Climb Ev 27ry Mountain amp oldid 1117719047, wikipedia, wiki, book, books, library,

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