The Chaturdandiprakashika (IAST: Caturdaṇḍīprakāśikā; "The Illuminator of the Four Pillars of Music") is a Sanskrit treatise written by the musicologist Venkatamakhin in the mid-17th century. It introduced a theoretical melakarta system to classify and organise ragas in the Carnatic music tradition of India. In the 20th-century, this system would form the basis of the thaat system that is used in Hindustani classical music today. Some portions of the Chaturdandiprakashika are now lost.
Description
In Carnatic music, a mela is a scale of svaras in ascending order in a melodic unit forms the basis and gives birth to ragas. While the concept of melas is said to have been introduced by Vidyaranya in the 14th century, and a number of other musicologists before Venkatamakhin had expounded on the subject, there was a lack of a standard work that systematically classified the ragas of classical music. Vijayaraghava Nayak (r. 1633–1673) commissioned Venkatamakhin to prepare such a treatise which led to the creation of the Chaturdandiprakashika.[1] The title translates to "the illuminator of the four pillars" (of music).[2] It alludes to a system of four divisions of composition, namely ālāpa (rhythmically free exposition of a raga), ṭhāya (melodic inflection), gīta (vocal composition in a raga) and prabandha (a compositional structure).[3] The work led to the creation of the melakarta system of classification and the formulation of the 72 mela (or parent) ragas that are the foundation of the classical music of South India today.[4][2]
In the early 20th-century, Vishnu Narayan Bhatkhande, a musicologist from Bombay, chanced upon the Chaturdandiprakashika and used its melakarta system as the basis for the thaat system that is currently used to organise and classify ragas in Hindustani classical music.[5]
"South Asian arts - Music". Encyclopedia Britannica. Retrieved 5 September 2018.
Katz, Jonathon (2001). "Veṅkaṭamakhin". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.48134. (subscription or UK public library membership required)
"Mela System". The Oxford Encyclopaedia of the Music of India. Retrieved 7 September 2018.
"Venkaṭamakhi". The Oxford Encyclopaedia of the Music of India. Retrieved 7 September 2018.
Powers, Harold S. (2001). "Bhatkhande, Vishnu Narayan". Grove Music Online. Oxford University Press. doi:10.1093/gmo/9781561592630.article.03008.
August 21, 2023
chaturdandiprakashika, iast, caturdaṇḍīprakāśikā, illuminator, four, pillars, music, sanskrit, treatise, written, musicologist, venkatamakhin, 17th, century, introduced, theoretical, melakarta, system, classify, organise, ragas, carnatic, music, tradition, ind. The Chaturdandiprakashika IAST Caturdaṇḍiprakasika The Illuminator of the Four Pillars of Music is a Sanskrit treatise written by the musicologist Venkatamakhin in the mid 17th century It introduced a theoretical melakarta system to classify and organise ragas in the Carnatic music tradition of India In the 20th century this system would form the basis of the thaat system that is used in Hindustani classical music today Some portions of the Chaturdandiprakashika are now lost Description EditIn Carnatic music a mela is a scale of svaras in ascending order in a melodic unit forms the basis and gives birth to ragas While the concept of melas is said to have been introduced by Vidyaranya in the 14th century and a number of other musicologists before Venkatamakhin had expounded on the subject there was a lack of a standard work that systematically classified the ragas of classical music Vijayaraghava Nayak r 1633 1673 commissioned Venkatamakhin to prepare such a treatise which led to the creation of the Chaturdandiprakashika 1 The title translates to the illuminator of the four pillars of music 2 It alludes to a system of four divisions of composition namely alapa rhythmically free exposition of a raga ṭhaya melodic inflection gita vocal composition in a raga and prabandha a compositional structure 3 The work led to the creation of the melakarta system of classification and the formulation of the 72 mela or parent ragas that are the foundation of the classical music of South India today 4 2 In the early 20th century Vishnu Narayan Bhatkhande a musicologist from Bombay chanced upon the Chaturdandiprakashika and used its melakarta system as the basis for the thaat system that is currently used to organise and classify ragas in Hindustani classical music 5 Some portions of the treatise are now lost 3 Notes Edit OEMVenkatamakhi a b Britannica a b Katz 2001 OEMMela Powers 2001 References Edit South Asian arts Music Encyclopedia Britannica Retrieved 5 September 2018 Katz Jonathon 2001 Veṅkaṭamakhin Grove Music Online Oxford Oxford University Press doi 10 1093 gmo 9781561592630 article 48134 subscription or UK public library membership required Mela System The Oxford Encyclopaedia of the Music of India Retrieved 7 September 2018 Venkaṭamakhi The Oxford Encyclopaedia of the Music of India Retrieved 7 September 2018 Powers Harold S 2001 Bhatkhande Vishnu Narayan Grove Music Online Oxford University Press doi 10 1093 gmo 9781561592630 article 03008 Retrieved from https en wikipedia org w index php title Chaturdandiprakashika amp oldid 1149284694, wikipedia, wiki, book, books, library,
