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Geetam

Geetam, (Sanskrit: गीतम्; gītaṃ) the simplest music form in Carnatic music, was created by Purandara Dasa in order to introduce talas with sāhityaṃ (lyrics).

Gītaṃ literally means "song" in Sanskrit.

Structure edit

A gītaṃ is a simple devotional melody song with same tempo throughout the song. There is no "anga" change, repetition and Sangati in gītaṃ. Gītaṃs usually have 10/12 avarthanams.

Though gītaṃs have no absolutely defined divisions of pallavi, anupallavi or charanas, they may be observed in some cases. Some gītaṃs contain sections rather than the defined divisions (pallavi etc.). They often have no sangatis or variations, with each swara taking one syllable of the sahitya. The gītaṃ is sung without repetition from the beginning to end. However most gītaṃs are concluded by repeating a portion of the opening part. Gītaṃs are set in medium tempo and contain no saṃgatis or variations and the flow of the music is natural. The theme of the sāhityaṃ (lyrics) is to praise God. Students learn these gītaṃs after attaining a course in the preliminary saraḷī svarās and alaṃkārās.

Types of gītaṃs edit

There are three types of gītaṃs in Carnatic music tradition:

  • Sāmānya gītaṃ: the simple song and it is also called sādhāraṇa gītaṃ or sancāri gītaṃ.
  • Lakshaṇa gītaṃ: the sāhityaṃ (lyrics), instead of praising God, enumerates in so many words, the lakshana of the raga, in which it is composed-giving among other details, its vakra svarā, graha, nysa, aṃśa svarā and its parent raga (mēḷakarta rāga). Most lakshaṇa gītaṃs have been composed by Purandara Dasa.[1]
  • Suladi gītaṃ:

Some well known gītaṃs edit

  1. Vara Vīṇā Mr̥dupāṇi (Sanskrit) in Mohanam Raga (Janya of 28th Mela Harikambhoji) - Rupaka Tala
  2. Śrī Gaṇanātha (Laṃbōdara) (Sanskrit) in Malahari Rāga (Janya of 15th Mela Mayamalavagowla) - Chathushruti Jati Rupaka Tala
  3. Analekara in Shuddha Saveri Raga (Janya of 29th Mela Sankarabharanam) - Tisra Jati Triputa Tala
  4. Kamala Jaḍala (Telugu) in Kalyani Rāga 65th Mēḷakarta Rāga)- Tisra Jati Triputa Tala

References edit

  1. ^ Royal Carpet: Glossary of Carnatic Terms G

External links edit

  • Sivakumar Carnatic Music Archive Geetam collection 16 January 2009 at the Wayback Machine
  • The Pulijalas

geetam, this, article, includes, list, general, references, lacks, sufficient, corresponding, inline, citations, please, help, improve, this, article, introducing, more, precise, citations, july, 2020, learn, when, remove, this, message, sanskrit, तम, gītaṃ, s. This article includes a list of general references but it lacks sufficient corresponding inline citations Please help to improve this article by introducing more precise citations July 2020 Learn how and when to remove this message Geetam Sanskrit ग तम gitaṃ the simplest music form in Carnatic music was created by Purandara Dasa in order to introduce talas with sahityaṃ lyrics Gitaṃ literally means song in Sanskrit Contents 1 Structure 2 Types of gitaṃs 3 Some well known gitaṃs 4 References 5 External linksStructure editA gitaṃ is a simple devotional melody song with same tempo throughout the song There is no anga change repetition and Sangati in gitaṃ Gitaṃs usually have 10 12 avarthanams Though gitaṃs have no absolutely defined divisions of pallavi anupallavi or charanas they may be observed in some cases Some gitaṃs contain sections rather than the defined divisions pallavi etc They often have no sangatis or variations with each swara taking one syllable of the sahitya The gitaṃ is sung without repetition from the beginning to end However most gitaṃs are concluded by repeating a portion of the opening part Gitaṃs are set in medium tempo and contain no saṃgatis or variations and the flow of the music is natural The theme of the sahityaṃ lyrics is to praise God Students learn these gitaṃs after attaining a course in the preliminary saraḷi svaras and alaṃkaras Types of gitaṃs editThere are three types of gitaṃs in Carnatic music tradition Samanya gitaṃ the simple song and it is also called sadharaṇa gitaṃ or sancari gitaṃ Lakshaṇa gitaṃ the sahityaṃ lyrics instead of praising God enumerates in so many words the lakshana of the raga in which it is composed giving among other details its vakra svara graha nysa aṃsa svara and its parent raga meḷakarta raga Most lakshaṇa gitaṃs have been composed by Purandara Dasa 1 Suladi gitaṃ Some well known gitaṃs editVara Viṇa Mr dupaṇi Sanskrit in Mohanam Raga Janya of 28th Mela Harikambhoji Rupaka Tala Sri Gaṇanatha Laṃbōdara Sanskrit in Malahari Raga Janya of 15th Mela Mayamalavagowla Chathushruti Jati Rupaka Tala Analekara in Shuddha Saveri Raga Janya of 29th Mela Sankarabharanam Tisra Jati Triputa Tala Kamala Jaḍala Telugu in Kalyani Raga 65th Meḷakarta Raga Tisra Jati Triputa TalaReferences edit Royal Carpet Glossary of Carnatic Terms GExternal links editSivakumar Carnatic Music Archive Geetam collection Archived 16 January 2009 at the Wayback Machine The Pulijalas Retrieved from https en wikipedia org w index php title Geetam amp oldid 1079609891, wikipedia, wiki, book, books, library,

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