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Chaconne

October 17, 2023

This article is about the musical form. For the last movement of J. S. Bach's second violin partita, commonly referred to as "the Chaconne", see Partita for Violin No. 2 (Bach). For George Balanchine's 1976 ballet, see Chaconne (ballet).

A chaconne (/ʃəˈkɒn/ shə-KON, French: [ʃakɔn]; Spanish: chacona [tʃaˈkona]; Italian: ciaccona [tʃakˈkoːna]; earlier English: chacony)[1] is a type of musical composition often used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line (ground bass) which offers a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. It originates and was particularly popular in the Baroque era; a large number of Chaconnes exist from the 17th- and 18th- centuries.

The "Ciaccona" from Johann Sebastian Bach's Partita for Violin No. 2

The ground bass, if there is one, may typically descend stepwise from the tonic to the dominant pitch of the scale; the harmonies given to the upper parts may emphasize the circle of fifths or a derivative pattern thereof.

History Edit

Though it originally emerged during the late sixteenth century in Spanish culture, having reputedly been introduced from the New World, as a quick dance-song characterized by suggestive movements and mocking texts,[2] the chaconne by the early eighteenth century had evolved into a slow triple meter instrumental form.

Alex Ross describes the origins of the chacona as actually having been a sexily swirling dance that appeared in South America at the end of the sixteenth century and quickly spread to Europe. The dance became popular both in the elite courts and in the general population. "Un sarao de la chacona"[3] is one of the earliest known examples of a "chacona", written down by Spanish musician Juan Arañés.[4]

Outstanding examples of early baroque chaconnes are Monteverdi's "Zefiro torna" and "Es steh Gott auf" by Heinrich Schütz.[5]

One of the best known and most masterful and expressive examples of the chaconne is the final movement from the Violin Partita in D minor by Johann Sebastian Bach. This 256-measure chaconne takes a plaintive four-bar phrase through a continuous kaleidoscope of musical expression in both major and minor modes. However, recently it has been proposed that Bach's "Ciaccona" (he used the Italian form of the name, rather than the French "Chaconne") is really cast in the form of a French theatrical dance known as the "passacaille",[clarification needed] although it also incorporates Italian and German style features as well.[6]

After the Baroque period, the chaconne fell into decline during the 19th century, though the 32 Variations in C minor by Beethoven suggest its continuing influence. However, the form saw a very substantial revival during the 20th century, with more than two dozen composers contributing examples (see below).

Chaconne and passacaglia Edit

The chaconne has been understood by some nineteenth and early twentieth-century theorists to be a set of variations on a harmonic progression, as opposed to a set of variations on a melodic bass pattern (to which is assigned the term passacaglia),[7] while other theorists of the same period make the distinction the other way around.[8] In actual usage in music history, the term "chaconne" has not been so clearly distinguished from passacaglia as regards the way the given piece of music is constructed, and "modern attempts to arrive at a clear distinction are arbitrary and historically unfounded."[9] In fact, the two genres were sometimes combined in a single composition, as in the Cento partite sopra passacagli, from Toccate d’intavolatura di cimbalo et organo, partite di diverse arie ... (1637), by Girolamo Frescobaldi, and the first suite of Les Nations (1726) as well as in the Pièces de Violes (1728) by François Couperin.[10]

Frescobaldi, who was probably the first composer to treat the chaconne and passacaglia comparatively, usually (but not always) sets the former in major key, with two compound triple-beat groups per variation, giving his chaconne a more propulsive forward motion than his passacaglia, which usually has four simple triple-beat groups per variation.[11] Both are usually in triple meter, begin on the second beat of the bar, and have a theme of four measures (or a close multiple thereof). (In more recent times the chaconne, like the passacaglia, need not be in 3
4 time; see, for instance, Francesco Tristano Schlimé's Chaconne/Ground Bass, where every section is built on seven-beats patterns)

Examples Edit

17th century Edit

Main article: List of 17th-century Chaconnes
  • Francesca Caccini (1587 – c.1641): Ciaccona
  • Antonio Bertali (1605–1669): Ciaccona in C major for violin and continuo (undated)
  • Heinrich Ignaz Franz Biber (1644–1704): Ciacona in D major for violin and basso continuo (undated); another in the Partita no. 3 in A major for seven string instruments, from Harmonia artificioso-ariosa (written 1696)
  • Dieterich Buxtehude (c. 1638–1707): Prelude, fugue, and chaconne in C Major (BuxWV 137), chaconne in C minor (BuxWV 159), and chaconne in E minor (BuxWV 160); all for organ (probably 1690s)
  • Maurizio Cazzati (1616–1678): Ciaccona a tre con il suo balletto for two violins and violone, from Correnti, balletti, galiarde a 3 è 4 (1659)
  • Marc-Antoine Charpentier (1643–1704): Chaconne from the opera Les arts florissants (1685); another from the opera David et Jonathas (1688); another from the opera Médée (1694)
  • Arcangelo Corelli (1653–1713): Chaconne in G major in the Sonata op. 2, no. 12, from the Sonate da camera a tre: doi violini, e violone o cembalo (1685)
  • Girolamo Frescobaldi (1583–1643): Four ciaccone (in F major, A minor, G major, A minor again) for harpsichord from Toccate d’intavolatura di cimbalo et organo, partite di diverse arie . . . (1637)
  • Jean-Nicolas Geoffroy (1633–1694): Eighteen chaconnes for harpsichord, all unpublished in the composer's lifetime, perhaps the most chaconnes written by any known 17th-, 18th-, or 19th-century composer
  • Jean-Baptiste Lully (1632–1687): Chaconne from the opera Phaëton (1683); another from the opera Roland (1685); another from the opera Acis et Galatée (1686)
  • Marin Marais (1656–1728): Chaconne in G major for two violas da gamba and continuo, no. 47 from the Pièces de violes, premier livre (1686–89)
  • Tarquinio Merula (1594/95–1665): "Su la cetra amorosa," aria in ciaccona for soprano and instrumental accompaniment, from Madrigali et altre musiche concertate (1633)
  • Girolamo Montesardo (dates unknown): Chaconne bass line in three keys (G major, C major, F major) for guitar, from Nuova inventione d'intavolatura (1606), perhaps the first written chaconne
  • Claudio Monteverdi (1567–1643): "Zefiro torna," ciaccona for two tenors and instrumental accompaniment, from Scherzi musicali cioè arie et madrigali (1632)
  • Johann Pachelbel (1653–1706): Two chaconnes (in C major, D major) for organ, from Hexachordum Apollinis (1699); four more (in D major, D minor, F major, F minor) for organ (undated)
  • Henry Purcell (1659–1695): Chaconne from the semi-opera Prophetess, or The History of Dioclesian (1690); two more from the semi-opera King Arthur, or The British Worthy (1691); another from the semi-opera The Fairy-Queen (1692)
  • Robert de Visée (1655–1732/33): Two chaconnes (in F major, G major) for guitar from Livre de guittarre, dédié au roi (1682); another in G minor, from Livre de pieces pour la guittarre, dédié au roi (1686)

18th century Edit

Main article: List of 18th-century Chaconnes
  • Johann Sebastian Bach (1685–1750): Chaconne, fifth movement of Partita no. 2 in D minor for solo violin (1720)
  • Luigi Boccherini (1743–1805): "Chaconne that represents Hell . . . in imitation of the one by M. Gluck," finale to Symphony in D minor, op. 12, no. 4 (1771)
  • Joseph Bodin de Boismortier (1689–1755): Chaconne in A major for two cellos, from Neuf petites sonates et chaconne (1737); another in G major, from the opera Daphnis et Chloé (1747)
  • François Couperin (1668–1733): "La Favorite," chaconne, ninth movement in Ordre 3ème in C minor for harpsichord, from Pièces de clavecin, premier livre (1713)
  • Antoine Forqueray (1671–1745): Chaconne "La Buisson", from Pieces de viole avec basse continue (1747)
  • Christoph Willibald Gluck (1714–1787): Chaconne in the opera Orfeo ed Euridice (1762); the same chaconne also in the opera Iphigénie en Aulide (1774); a different chaconne in the opera Armide (1777)
  • George Frideric Handel (1685–1759): Chaconne in G major and 21 variations for harpsichord (written 1705–17, published 1733); another in G major and 62 variations for organ (written 1703–06, published 1733)
  • Marin Marais (1656–1728): Chaconne, eighth movement in Suite 3 in F major; another, final movement in Suite in A major; both for viola da gamba and continuo, from Pièces de viole, quatrième livre (1717)
  • Jean-Philippe Rameau (1683–1764): chaconne in D minor from the opera-ballet Les Indes galantes (1735); another in D minor from the opera-ballet Les fêtes d'Hébé (1739); another in A major from the comic opera Platée (1745)
  • Georg Philipp Telemann (1681–1767): "Lilliputian Chaconne," second movement of "Gulliver's Travels," Intrada-Suite in D major for 2 violins, from Der getreue Musikmeister (1728–29)
  • Tommaso Vitali (1663–1745): Chaconne in G minor for violin and piano (c. 1710–1730)
  • Antonio Vivaldi (1678–1741): Ciaccona, third movement of Concerto in G minor for flute, oboe, violin, bassoon, strings (c. 1720)
  • Sylvius Leopold Weiss (1687–1750): Chaconne, eleventh movement in Sonata 1; another, ninth movement in Sonata 2; another, seventh movement in Sonata 10; another, seventh movement in Sonata 12; all for lute (all undated)

19th century Edit

20th century Edit

21st century Edit

References Edit

  1. ^ Chaconne, naxos.com
  2. ^ Alexander Silbiger, "Chaconne," The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie and J. Tyrrell (London: Macmillan, 2001).
  3. ^ "Un sarao de la chacona" translates as A chacona soirée and is also known as "Chacona: A la vida bona". Lyrics with English translation here: Juan Arañés, ‘¡A la vida bona!’, chacona a4 from Libro segundo de tonos y villancicos (Rome: Giovanni Battista Robletti, 1624).
  4. ^ "Alex Ross: The Rest Is Noise". Alex Ross: The Rest Is Noise.
  5. ^ Gerald Drebes: "Schütz, Monteverdi und die 'Vollkommenheit der Musik' – 'Es steh Gott auf' aus den Symphoniae sacrae II (1647)". In: Schütz-Jahrbuch, volume 14, 1992, pp. 25–55 2016-03-03 at the Wayback Machine.
  6. ^ Raymond Erickson, "Toward a 21st-Century Interpretation of Bach's Ciaccona for Solo Violin, BWV 1004/5," The American Bach Society Newsletter, Spring 2003
  7. ^ Percy Goetschius, The Larger Forms of Musical Composition: An Exhaustive Explanation of the Variations, Rondos, and Sonata Designs, for the General Student of Musical Analysis, and for the Special Student of Structural Composition ([New York]: G. Schirmer, 1915), 29 and 40.
  8. ^ Lucas, Clarence Lucas, 1908. The Story of Musical Form (The Music Story Series, edited by Frederick J. Crowest. London: The Walter Scott Publishing Co., Ltd.; New York: Charles Scribner’s Sons, 1908), 203.
  9. ^ Manfred Bukofzer, Music in the Baroque Era (New York: Norton, 1947), 42.
  10. ^ Alexander Silbiger, "Passacaglia and Ciaccona: Genre Pairing and Ambiguity from Frescobaldi to Couperin 2008-05-15 at the Wayback Machine," Journal of Seventeenth-Century Music 2, no. 1 (1996).
  11. ^ Alexander Silbiger, "Chaconne" The New Grove Dictionary of Music and Musicians, ed. S. Sadie and J. Tyrrell (London: Macmillan, 2001).
  12. ^ Budd Udell, "Standard Works for Band: Gustav Holst's First Suite in E♭ Major for Military Band." Music Educators Journal 69, no. 4 (1982) page 28. (JSTOR subscription access) – Pam Hurry, Mark Phillips, and Mark Richards, [1] (Oxford: Heinemann Educational Publishers, 2001. ISBN 0-435-81258-0) p. 238. – Clarence Lucas, The Story of Musical Form (The Music Story Series, edited by Frederick J. Crowest. London: The Walter Scott Publishing Co., Ltd.; New York: Charles Scribner’s Sons, 1908) page 203.

External links Edit

  Media related to Chaconnes at Wikimedia Commons

  • Ciaccona Book trailer
  • Passacaglias and Chaconnes for Lute

October 17, 2023
chaconne, this, article, about, musical, form, last, movement, bach, second, violin, partita, commonly, referred, partita, violin, bach, george, balanchine, 1976, ballet, ballet, chaconne, shə, french, ʃakɔn, spanish, chacona, tʃaˈkona, italian, ciaccona, tʃak. This article is about the musical form For the last movement of J S Bach s second violin partita commonly referred to as the Chaconne see Partita for Violin No 2 Bach For George Balanchine s 1976 ballet see Chaconne ballet A chaconne ʃ e ˈ k ɒ n she KON French ʃakɔn Spanish chacona tʃaˈkona Italian ciaccona tʃakˈkoːna earlier English chacony 1 is a type of musical composition often used as a vehicle for variation on a repeated short harmonic progression often involving a fairly short repetitive bass line ground bass which offers a compositional outline for variation decoration figuration and melodic invention In this it closely resembles the passacaglia It originates and was particularly popular in the Baroque era a large number of Chaconnes exist from the 17th and 18th centuries The Ciaccona from Johann Sebastian Bach s Partita for Violin No 2The ground bass if there is one may typically descend stepwise from the tonic to the dominant pitch of the scale the harmonies given to the upper parts may emphasize the circle of fifths or a derivative pattern thereof Contents 1 History 2 Chaconne and passacaglia 3 Examples 3 1 17th century 3 2 18th century 3 3 19th century 3 4 20th century 3 5 21st century 4 References 5 External linksHistory EditThough it originally emerged during the late sixteenth century in Spanish culture having reputedly been introduced from the New World as a quick dance song characterized by suggestive movements and mocking texts 2 the chaconne by the early eighteenth century had evolved into a slow triple meter instrumental form Alex Ross describes the origins of the chacona as actually having been a sexily swirling dance that appeared in South America at the end of the sixteenth century and quickly spread to Europe The dance became popular both in the elite courts and in the general population Un sarao de la chacona 3 is one of the earliest known examples of a chacona written down by Spanish musician Juan Aranes 4 Outstanding examples of early baroque chaconnes are Monteverdi s Zefiro torna and Es steh Gott auf by Heinrich Schutz 5 One of the best known and most masterful and expressive examples of the chaconne is the final movement from the Violin Partita in D minor by Johann Sebastian Bach This 256 measure chaconne takes a plaintive four bar phrase through a continuous kaleidoscope of musical expression in both major and minor modes However recently it has been proposed that Bach s Ciaccona he used the Italian form of the name rather than the French Chaconne is really cast in the form of a French theatrical dance known as the passacaille clarification needed although it also incorporates Italian and German style features as well 6 After the Baroque period the chaconne fell into decline during the 19th century though the 32 Variations in C minor by Beethoven suggest its continuing influence However the form saw a very substantial revival during the 20th century with more than two dozen composers contributing examples see below Chaconne and passacaglia EditThe chaconne has been understood by some nineteenth and early twentieth century theorists to be a set of variations on a harmonic progression as opposed to a set of variations on a melodic bass pattern to which is assigned the term passacaglia 7 while other theorists of the same period make the distinction the other way around 8 In actual usage in music history the term chaconne has not been so clearly distinguished from passacaglia as regards the way the given piece of music is constructed and modern attempts to arrive at a clear distinction are arbitrary and historically unfounded 9 In fact the two genres were sometimes combined in a single composition as in the Cento partite sopra passacagli from Toccate d intavolatura di cimbalo et organo partite di diverse arie 1637 by Girolamo Frescobaldi and the first suite of Les Nations 1726 as well as in the Pieces de Violes 1728 by Francois Couperin 10 Frescobaldi who was probably the first composer to treat the chaconne and passacaglia comparatively usually but not always sets the former in major key with two compound triple beat groups per variation giving his chaconne a more propulsive forward motion than his passacaglia which usually has four simple triple beat groups per variation 11 Both are usually in triple meter begin on the second beat of the bar and have a theme of four measures or a close multiple thereof In more recent times the chaconne like the passacaglia need not be in 34 time see for instance Francesco Tristano Schlime s Chaconne Ground Bass where every section is built on seven beats patterns Examples Edit17th century Edit Main article List of 17th century Chaconnes Francesca Caccini 1587 c 1641 Ciaccona Antonio Bertali 1605 1669 Ciaccona in C major for violin and continuo undated Heinrich Ignaz Franz Biber 1644 1704 Ciacona in D major for violin and basso continuo undated another in the Partita no 3 in A major for seven string instruments from Harmonia artificioso ariosa written 1696 Dieterich Buxtehude c 1638 1707 Prelude fugue and chaconne in C Major BuxWV 137 chaconne in C minor BuxWV 159 and chaconne in E minor BuxWV 160 all for organ probably 1690s Maurizio Cazzati 1616 1678 Ciaccona a tre con il suo balletto for two violins and violone from Correnti balletti galiarde a 3 e 4 1659 Marc Antoine Charpentier 1643 1704 Chaconne from the opera Les arts florissants 1685 another from the opera David et Jonathas 1688 another from the opera Medee 1694 Arcangelo Corelli 1653 1713 Chaconne in G major in the Sonata op 2 no 12 from the Sonate da camera a tre doi violini e violone o cembalo 1685 Girolamo Frescobaldi 1583 1643 Four ciaccone in F major A minor G major A minor again for harpsichord from Toccate d intavolatura di cimbalo et organo partite di diverse arie 1637 Jean Nicolas Geoffroy 1633 1694 Eighteen chaconnes for harpsichord all unpublished in the composer s lifetime perhaps the most chaconnes written by any known 17th 18th or 19th century composer Jean Baptiste Lully 1632 1687 Chaconne from the opera Phaeton 1683 another from the opera Roland 1685 another from the opera Acis et Galatee 1686 Marin Marais 1656 1728 Chaconne in G major for two violas da gamba and continuo no 47 from the Pieces de violes premier livre 1686 89 Tarquinio Merula 1594 95 1665 Su la cetra amorosa aria in ciaccona for soprano and instrumental accompaniment from Madrigali et altre musiche concertate 1633 Girolamo Montesardo dates unknown Chaconne bass line in three keys G major C major F major for guitar from Nuova inventione d intavolatura 1606 perhaps the first written chaconne Claudio Monteverdi 1567 1643 Zefiro torna ciaccona for two tenors and instrumental accompaniment from Scherzi musicali cioe arie et madrigali 1632 Johann Pachelbel 1653 1706 Two chaconnes in C major D major for organ from Hexachordum Apollinis 1699 four more in D major D minor F major F minor for organ undated Henry Purcell 1659 1695 Chaconne from the semi opera Prophetess or The History of Dioclesian 1690 two more from the semi opera King Arthur or The British Worthy 1691 another from the semi opera The Fairy Queen 1692 Robert de Visee 1655 1732 33 Two chaconnes in F major G major for guitar from Livre de guittarre dedie au roi 1682 another in G minor from Livre de pieces pour la guittarre dedie au roi 1686 18th century Edit Main article List of 18th century Chaconnes Johann Sebastian Bach 1685 1750 Chaconne fifth movement of Partita no 2 in D minor for solo violin 1720 Luigi Boccherini 1743 1805 Chaconne that represents Hell in imitation of the one by M Gluck finale to Symphony in D minor op 12 no 4 1771 Joseph Bodin de Boismortier 1689 1755 Chaconne in A major for two cellos from Neuf petites sonates et chaconne 1737 another in G major from the opera Daphnis et Chloe 1747 Francois Couperin 1668 1733 La Favorite chaconne ninth movement in Ordre 3eme in C minor for harpsichord from Pieces de clavecin premier livre 1713 Antoine Forqueray 1671 1745 Chaconne La Buisson from Pieces de viole avec basse continue 1747 Christoph Willibald Gluck 1714 1787 Chaconne in the opera Orfeo ed Euridice 1762 the same chaconne also in the opera Iphigenie en Aulide 1774 a different chaconne in the opera Armide 1777 George Frideric Handel 1685 1759 Chaconne in G major and 21 variations for harpsichord written 1705 17 published 1733 another in G major and 62 variations for organ written 1703 06 published 1733 Marin Marais 1656 1728 Chaconne eighth movement in Suite 3 in F major another final movement in Suite in A major both for viola da gamba and continuo from Pieces de viole quatrieme livre 1717 Jean Philippe Rameau 1683 1764 chaconne in D minor from the opera ballet Les Indes galantes 1735 another in D minor from the opera ballet Les fetes d Hebe 1739 another in A major from the comic opera Platee 1745 Georg Philipp Telemann 1681 1767 Lilliputian Chaconne second movement of Gulliver s Travels Intrada Suite in D major for 2 violins from Der getreue Musikmeister 1728 29 Tommaso Vitali 1663 1745 Chaconne in G minor for violin and piano c 1710 1730 Antonio Vivaldi 1678 1741 Ciaccona third movement of Concerto in G minor for flute oboe violin bassoon strings c 1720 Sylvius Leopold Weiss 1687 1750 Chaconne eleventh movement in Sonata 1 another ninth movement in Sonata 2 another seventh movement in Sonata 10 another seventh movement in Sonata 12 all for lute all undated 19th century Edit Johannes Brahms Symphony No 4 in E minor Op 98 finale Franz Liszt Chaconne from Sarabande und Chaconne aus dem Singspiel Almira S 181 1879 Heinrich Reimann Ciacona in F minor op 32 for organ20th century Edit John Adams second movement Chaconne Body Through Which the Dream Flows from Violin Concerto 1993 Malcolm Arnold second movement Chaconne from Recorder Sonatina Op 41 1953 Malcolm Arnold second movement Chaconne Andante con moto from Quintet For Brass Op 73 1961 Bela Bartok first movement Tempo di ciaccona from the Sonata for violin solo 1944 Howard Blake Chaconne from Lifecycle sequence of 24 piano solos 1975 Benjamin Britten Chacony third movement of the String Quartet No 2 in C 1945 Benjamin Britten Ciaccona fifth movement of the Cello Suite No 2 1967 Mario Castelnuovo Tedesco El Sueno de la Razon Produce Monstruos from 24 Caprichos de Goya Op 195 John Corigliano The Red Violin Chaconne for violin and orchestra John Corigliano Chaconne 3rd movement of Symphony No 1 Giulio s Song 1990 Johann Nepomuk David Chaconne in A minor for organ 1933 Johann Nepomuk David Nun komm der Heiden Heiland kleine Chaconne on Nun komm der Heiden Heiland for organ Robert Davidson Chaconne for orchestra 1994 Norman Dello Joio Variations Chaconne and Finale for orchestra David Diamond Chaconne for violin and piano 1951 Cornelis Dopper Ciaconna gotica 1920 Marcel Dupre Triptyque op 51 Chaconne Musette Dithyrambe for organ Jean Francaix Chaconne for harp and string orchestra 1976 Gunnar de Frumerie Chaconne op 8 for piano 1932 Philip Glass Echorus for two violins and string orchestra 1995 Philip Glass Symphony No 3 third movement 1995 Philip Glass Violin Concerto No 1 second movement 1987 Alexander Goehr Chaconne for organ 1985 Sofia Gubaidulina Chaconne for piano 1962 Lou Harrison Suite for Violin and American Gamelan 1974 Hans Werner Henze Il Vitalino raddoppiato ciaccona per violino soloista e orchestra da camera 1977 Hans Werner Henze Concerto for Double Bass third movement 1966 Heinz Holliger Chaconne for solo cello 1975 Gustav Holst Chaconne from First Suite in E flat major for Military Band according to one writer technically a passacaglia but according to others technically a chaconne 12 Arthur Honegger Chaconne de l imperatrice from the film music for Napoleon 1926 27 Ernst Krenek Toccata und Chaconne uber den Choral Ja ich glaub an Jesum Christum op 13 for piano Gyorgy Ligeti Hungarian Rock Chaconne for harpsichord Douglas Lilburn Chaconne for Piano 1946 Frank Martin Chaconne for cello and piano 1931 Carl Nielsen Chaconne op 32 for piano 1916 17 Henri Pousseur Chaconne for solo violin Knudage Riisager Chaconne op 50 for orchestra Poul Ruders Chaconne for solo guitar Franz Schmidt Chaconne in C minor for organ 1925 Arranged for orchestra transposed to D minor in 1931 Reginald Smith Brindle Chaconne and Interludes The Instruments of Peace III for two guitars Leo Sowerby Chaconne for tuba and piano 1938 Leo Sowerby Canon Chacony amp Fugue for organ 1948 David Van Vactor Fantasia Chaconne and Allegro for orchestra Stefan Wolpe Dance in Form of a Chaconne for piano 1941 Michiru Yamane Chaconne in C moll for organ 1996 Bernd Alois Zimmermann opera Die Soldaten 1965 Act 1 Scene 2 Ciacona 1 Act 2 Scene 2 Capriccio Corale e Ciacona II Act 4 Scene 2 Ciacona III 21st century Edit Paulo Galvao Chacoinas 2 in A minor for baroque guitar Jennifer Higdon Chaconni second movement from her violin concerto 2008 Krzysztof Penderecki Ciaccona in memoria Giovanni Paolo II per archi for string orchestra from Polish Requiem added in 2005 Francesco Tristano Schlime Chaconne Ground Bass for piano 1997 2004 2012 Roman Turovsky Chaconnes in C major C minor and D minor for baroque lute Simon Andrews Chaconne 2nd movement of Symphony No 1 For the heart is an organ of fire 2013 Marc Andre Dalbavie Ciaccona for orchestra 2002 Paulo Ugoletti Ciaccona per pianoforte Michael Blake French Suite for piano first dance 1994 Michael Blake Kora for harp 2009 Enhypen with their song Chaconne 2023 References Edit Chaconne naxos com Alexander Silbiger Chaconne The New Grove Dictionary of Music and Musicians ed Stanley Sadie and J Tyrrell London Macmillan 2001 Un sarao de la chacona translates as A chacona soiree and is also known as Chacona A la vida bona Lyrics with English translation here Juan Aranes A la vida bona chacona a4 from Libro segundo de tonos y villancicos Rome Giovanni Battista Robletti 1624 Alex Ross The Rest Is Noise Alex Ross The Rest Is Noise Gerald Drebes Schutz Monteverdi und die Vollkommenheit der Musik Es steh Gott auf aus den Symphoniae sacrae II 1647 In Schutz Jahrbuch volume 14 1992 pp 25 55 Archived 2016 03 03 at the Wayback Machine Raymond Erickson Toward a 21st Century Interpretation of Bach s Ciaccona for Solo Violin BWV 1004 5 The American Bach Society Newsletter Spring 2003 Percy Goetschius The Larger Forms of Musical Composition An Exhaustive Explanation of the Variations Rondos and Sonata Designs for the General Student of Musical Analysis and for the Special Student of Structural Composition New York G Schirmer 1915 29 and 40 Lucas Clarence Lucas 1908 The Story of Musical Form The Music Story Series edited by Frederick J Crowest London The Walter Scott Publishing Co Ltd New York Charles Scribner s Sons 1908 203 Manfred Bukofzer Music in the Baroque Era New York Norton 1947 42 Alexander Silbiger Passacaglia and Ciaccona Genre Pairing and Ambiguity from Frescobaldi to Couperin Archived 2008 05 15 at the Wayback Machine Journal of Seventeenth Century Music 2 no 1 1996 Alexander Silbiger Chaconne The New Grove Dictionary of Music and Musicians ed S Sadie and J Tyrrell London Macmillan 2001 Budd Udell Standard Works for Band Gustav Holst s First Suite in E Major for Military Band Music Educators Journal 69 no 4 1982 page 28 JSTOR subscription access Pam Hurry Mark Phillips and Mark Richards 1 Oxford Heinemann Educational Publishers 2001 ISBN 0 435 81258 0 p 238 Clarence Lucas The Story of Musical Form The Music Story Series edited by Frederick J Crowest London The Walter Scott Publishing Co Ltd New York Charles Scribner s Sons 1908 page 203 External links Edit nbsp Media related to Chaconnes at Wikimedia Commons Ciaccona Book trailer Passacaglias and Chaconnes for Lute Retrieved from https en wikipedia org w index php title Chaconne amp oldid 1178805897, wikipedia, wiki, book, books, library,

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