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André Derain

André Derain (/dəˈræ̃/, French: [ɑ̃dʁe dəʁɛ̃]; 10 June 1880 – 8 September 1954) was a French artist, painter, sculptor and co-founder of Fauvism with Henri Matisse.[1]

André Derain
Derain in 1903
Born(1880-06-10)10 June 1880
Died8 September 1954(1954-09-08) (aged 74)
Garches, Hauts-de-Seine, Île-de-France, France
EducationAcadémie Camillo, Académie Julian
Known forPainting, sculpture
MovementFauvism

Life and career edit

Early years edit

Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 he began to study on his own, contrary to claims that meeting Vlaminck or Matisse began his efforts to paint, and occasionally went to the countryside with an old friend of Cézanne's, Father Jacomin along with his two sons.[2] In 1898, while studying to be an engineer at the Académie Camillo,[3] he attended painting classes under Eugène Carrière, and there met Matisse. In 1900, he met and shared a studio with Maurice de Vlaminck and together they began to paint scenes in the neighbourhood, but this was interrupted by military service at Commercy from September 1901 to 1904.[4] Following his release from service, Matisse persuaded Derain's parents to allow him to abandon his engineering career and devote himself solely to painting; subsequently Derain attended the Académie Julian.[5]

Fauvism edit

 
Le séchage des voiles (The Drying Sails), 1905, oil on canvas, 82 × 101 cm, Pushkin Museum, Moscow. Exhibited at the 1905 Salon d'Automne

Derain and Matisse worked together through the summer of 1905 in the Mediterranean village of Collioure and Derain completed the Mountains at Collioure painting.[6] Later that year they displayed their highly innovative paintings at the Salon d'Automne. The vivid, unnatural colors led the critic Louis Vauxcelles to derisively dub their works as les Fauves, or "the wild beasts", marking the start of the Fauvist movement.[7] In March 1906, the noted art dealer Ambroise Vollard sent Derain to London to produce a series of paintings with the city as subject. In 30 paintings (29 of which are still extant), Derain presented a portrait of London that was radically different from anything done by previous painters of the city such as Whistler or Monet. With bold colors and compositions, Derain painted multiple pictures of the Thames and Tower Bridge. These London paintings remain among his most popular work. Art critic T. G Rosenthal: "Not since Monet has anyone made London seem so fresh and yet remain quintessentially English. Some of his views of the Thames use the Pointillist technique of multiple dots, although by this time, because the dots have become much larger, it is rather more simply the separation of colours called Divisionism and it is peculiarly effective in conveying the fragmentation of colour in moving water in sunlight."[8]

 
Charing Cross Bridge, London, 1906, National Gallery of Art, Washington, D.C.
 
La jetée à L'Estaque, 1906, oil on canvas, 38 × 46 cm

In 1907 art dealer Daniel-Henry Kahnweiler purchased Derain's entire studio, granting Derain financial stability. He experimented with stone sculpture and moved to Montmartre to be near his friend Pablo Picasso and other noted artists. Fernande Olivier, Picasso's mistress at the time, described Derain[9] as:

Slim, elegant, with a lively colour and enamelled black hair. With an English chic, somewhat striking. Fancy waistcoats, ties in crude colours, red and green. Always a pipe in his mouth, phlegmatic, mocking, cold, an arguer.

At Montmartre, Derain began to shift from the brilliant Fauvist palette to more muted tones, showing the influence of Cubism and Paul Cézanne.[10] (According to Gertrude Stein, Derain may have been influenced by African sculpture before the Picasso.)[11] Derain supplied woodcuts in primitivist style for an edition of Guillaume Apollinaire's first book of prose, L'enchanteur pourrissant (1909). He displayed works at the Neue Künstlervereinigung in Munich in 1910,[12] in 1912 at the secessionist Der Blaue Reiter[13] and in 1913 at the seminal Armory Show in New York. He also illustrated a collection of poems by Max Jacob in 1912.

Towards a new classicism edit

At about this time Derain's work began overtly reflecting his study of the Old Masters. The role of color was reduced and forms became austere; the years 1911–1914 are sometimes referred to as his gothic period. In 1914 he was mobilized for military service in World War I and until his release in 1919 he would have little time for painting, although in 1916 he provided a set of illustrations for André Breton's first book, Mont de Piete.

After the war, Derain won new acclaim as a leader of the renewed classicism then ascendant. With the wildness of his Fauve years far behind, he was admired as an upholder of tradition.[14] In 1919 he designed the ballet La Boutique fantasque for Diaghilev, leader of the Ballets Russes.[15] A major success, it would lead to his creating many ballet designs.

The 1920s marked the height of his success, as he was awarded the Carnegie Prize in 1928 for his Still-life with Dead Game and began to exhibit extensively abroad—in London, Berlin, Frankfurt, Düsseldorf, New York City and Cincinnati, Ohio.[9]

During the German occupation of France in World War II, Derain lived primarily in Paris and was much courted by the Germans because he represented the prestige of French culture. Derain accepted an invitation to make an official visit to Germany in 1941, and traveled with other French artists to Berlin to attend a Nazi exhibition of an officially endorsed artist, Arno Breker.[10] Derain's presence in Germany was used effectively by Nazi propaganda, and after the Liberation he was branded a collaborator and ostracized by many former supporters.[16]

A year before his death, he contracted an eye infection from which he never fully recovered. He died in Garches, Hauts-de-Seine, Île-de-France, France in 1954 when he was struck by a moving vehicle.[17]

Derain's London paintings were the subject of a major exhibition at the Courtauld Institute from 27 October 2005 to 22 January 2006.[18]

Gallery edit

Public collections edit

Among the public collections holding works by André Derain are:

Nazi-looted art edit

In 2020, a French court ordered that three paintings by Derain, Paysage à Cassis (ou Vue de Cassis), La Chapelle-sous-Crécy were restituted [19] and Pinède, Cassis should be restituted to the heirs of René Gimpel, from whom they had been looted during the Nazi occupation of France.[20] Gimpel's family had submitted the claim in 2013.[21] In 2023 Derain's Still Life With a Bottle was restituted to the heirs of Dane Reichsmann, who was murdered in Auschwitz with his wife.[22][23]

See also edit

References edit

  1. ^ Sabine, Rewald. "Fauvism". from Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. from the original on 14 December 2007. Retrieved 2007-12-17.
  2. ^ Diehl 1977, p.8
  3. ^ Cowling and Mundy 1990, p.92
  4. ^ Diehl 1977 p.14
  5. ^ "International Painting and Sculpture - Le Cavalier au cheval blanc". National Gallery of Australia. Retrieved 2007-12-17.
  6. ^ "Mountains at Collioure by André Derain at National Gallery of Art". Rolfes. Retrieved 1 July 2012.
  7. ^ "Gil Blas / dir. A. Dumont". Gallica. 1905-10-17. Retrieved 2020-06-27.
  8. ^ Tom Rosenthal, reviewing Derain's London paintings on show at the Courtauld Gallery, The Independent 4 December 2005
  9. ^ a b Clement 1994, p. 396
  10. ^ a b . Guggenheim Hermitage Museum. Archived from the original on 25 January 2008. Retrieved 2007-12-18.
  11. ^ Stein, Gertrude (November 2000). Stein, The Autobiography of Alice B. Toklas. Random House Publishing. ISBN 9780679641957.
  12. ^ Hamilton 1993, p. 207
  13. ^ Sotriffer 1972, p. 59
  14. ^ Cowling and Mundy 1990, pp. 92–93
  15. ^ . Archived from the original on 2011-08-08.{{cite web}}: CS1 maint: unfit URL (link)
  16. ^ Dorléac, Laurence Bertrand (2008). Art of the Defeat: France 1940-1944. Los Angeles: Getty Research Institute. pp. 83–87. ISBN 978-0-89236-891-4. Retrieved 14 February 2012.
  17. ^ "André Derain Biography". Namen der Kunst. Art Directory GmbH. Retrieved 2008-01-03.
  18. ^ Brettell, Richard R., Paul Hayes Tucker, and Natalie Henderson Lee (2009). The Robert Lehman Collection. III, III. New York, N.Y.: Metropolitan Museum of Art in association with Princeton University Press. p. 253. ISBN 9781588393494.
  19. ^ "Décision de restituer trois tableaux d'André Derain à la famille de René Gimpel". www.culture.gouv.fr (in French). Retrieved 2023-11-10.
  20. ^ "Marseille : un tableau du peintre fauviste Derain, butin des nazis, restitué à ses propriétaires". France 3 Provence-Alpes-Côte d'Azur (in French). 2021-01-28. Retrieved 2023-11-10.
  21. ^ Laborie, Aurore. "One family's battle to be reunited with art looted by the Nazis". lootedart.com. Retrieved 2023-11-10.
  22. ^ "In apparent first, Croatia restores looted art to grandson of Holocaust victim". www.lootedart.com. Retrieved 2023-11-10.
  23. ^ "La Croatie restitue plusieurs œuvres d'art spoliées au petit-fils d'une victime de la Shoah | Gazette Drouot". gazette-drouot.com (in French). 2023-09-28. Retrieved 2023-11-10.

Further reading edit

  • Clement, Russell (1994). Les Fauves: A Sourcebook. Greenwood Press. ISBN 0-313-28333-8.
  • Cowling, Elizabeth; Mundy, Jennifer (1990). On Classic Ground: Picasso, Léger, de Chirico and the New Classicism 1910–1930. London: Tate Gallery. ISBN 1-85437-043-X
  • Diehl, Gaston (1977). Derain. Crown Publishers, Inc. ISBN 0517037203.
  • Hamilton, George Heard (1993). Painting and Sculpture in Europe, 1880–1940. Yale University Press. ISBN 0300056494.
  • Sotriffer, Kristian (1972). Expressionism and Fauvism. McGraw-Hill. OCLC 1149407.

External links edit

  • André Derain at the National Gallery of Art
  • Works by or about André Derain at Internet Archive
  • Works by André Derain (public domain in Canada)
  • André Derain exhibition catalogs
  • Gelett Burgess, "The Wild Men of Paris, Matisse, Picasso and Les Fauves", 1910, Architectural Record
  • André Derain, Museums and Public Art Galleries Worldwide, Artcyclopedia
  • in American public collections, on the French Sculpture Census website  

andré, derain, derain, redirects, here, other, uses, derain, disambiguation, french, dʁe, dəʁɛ, june, 1880, september, 1954, french, artist, painter, sculptor, founder, fauvism, with, henri, matisse, derain, 1903born, 1880, june, 1880chatou, yvelines, Île, fra. Derain redirects here For other uses see Derain disambiguation Andre Derain d e ˈ r ae French ɑ dʁe deʁɛ 10 June 1880 8 September 1954 was a French artist painter sculptor and co founder of Fauvism with Henri Matisse 1 Andre DerainDerain in 1903Born 1880 06 10 10 June 1880Chatou Yvelines Ile de France FranceDied8 September 1954 1954 09 08 aged 74 Garches Hauts de Seine Ile de France FranceEducationAcademie Camillo Academie JulianKnown forPainting sculptureMovementFauvism Contents 1 Life and career 1 1 Early years 1 2 Fauvism 1 3 Towards a new classicism 2 Gallery 3 Public collections 4 Nazi looted art 5 See also 6 References 7 Further reading 8 External linksLife and career editEarly years edit Derain was born in 1880 in Chatou Yvelines Ile de France just outside Paris In 1895 he began to study on his own contrary to claims that meeting Vlaminck or Matisse began his efforts to paint and occasionally went to the countryside with an old friend of Cezanne s Father Jacomin along with his two sons 2 In 1898 while studying to be an engineer at the Academie Camillo 3 he attended painting classes under Eugene Carriere and there met Matisse In 1900 he met and shared a studio with Maurice de Vlaminck and together they began to paint scenes in the neighbourhood but this was interrupted by military service at Commercy from September 1901 to 1904 4 Following his release from service Matisse persuaded Derain s parents to allow him to abandon his engineering career and devote himself solely to painting subsequently Derain attended the Academie Julian 5 Fauvism edit nbsp Le sechage des voiles The Drying Sails 1905 oil on canvas 82 101 cm Pushkin Museum Moscow Exhibited at the 1905 Salon d Automne Derain and Matisse worked together through the summer of 1905 in the Mediterranean village of Collioure and Derain completed the Mountains at Collioure painting 6 Later that year they displayed their highly innovative paintings at the Salon d Automne The vivid unnatural colors led the critic Louis Vauxcelles to derisively dub their works as les Fauves or the wild beasts marking the start of the Fauvist movement 7 In March 1906 the noted art dealer Ambroise Vollard sent Derain to London to produce a series of paintings with the city as subject In 30 paintings 29 of which are still extant Derain presented a portrait of London that was radically different from anything done by previous painters of the city such as Whistler or Monet With bold colors and compositions Derain painted multiple pictures of the Thames and Tower Bridge These London paintings remain among his most popular work Art critic T G Rosenthal Not since Monet has anyone made London seem so fresh and yet remain quintessentially English Some of his views of the Thames use the Pointillist technique of multiple dots although by this time because the dots have become much larger it is rather more simply the separation of colours called Divisionism and it is peculiarly effective in conveying the fragmentation of colour in moving water in sunlight 8 nbsp Charing Cross Bridge London 1906 National Gallery of Art Washington D C nbsp La jetee a L Estaque 1906 oil on canvas 38 46 cm In 1907 art dealer Daniel Henry Kahnweiler purchased Derain s entire studio granting Derain financial stability He experimented with stone sculpture and moved to Montmartre to be near his friend Pablo Picasso and other noted artists Fernande Olivier Picasso s mistress at the time described Derain 9 as Slim elegant with a lively colour and enamelled black hair With an English chic somewhat striking Fancy waistcoats ties in crude colours red and green Always a pipe in his mouth phlegmatic mocking cold an arguer At Montmartre Derain began to shift from the brilliant Fauvist palette to more muted tones showing the influence of Cubism and Paul Cezanne 10 According to Gertrude Stein Derain may have been influenced by African sculpture before the Picasso 11 Derain supplied woodcuts in primitivist style for an edition of Guillaume Apollinaire s first book of prose L enchanteur pourrissant 1909 He displayed works at the Neue Kunstlervereinigung in Munich in 1910 12 in 1912 at the secessionist Der Blaue Reiter 13 and in 1913 at the seminal Armory Show in New York He also illustrated a collection of poems by Max Jacob in 1912 Towards a new classicism edit See also Return to order At about this time Derain s work began overtly reflecting his study of the Old Masters The role of color was reduced and forms became austere the years 1911 1914 are sometimes referred to as his gothic period In 1914 he was mobilized for military service in World War I and until his release in 1919 he would have little time for painting although in 1916 he provided a set of illustrations for Andre Breton s first book Mont de Piete After the war Derain won new acclaim as a leader of the renewed classicism then ascendant With the wildness of his Fauve years far behind he was admired as an upholder of tradition 14 In 1919 he designed the ballet La Boutique fantasque for Diaghilev leader of the Ballets Russes 15 A major success it would lead to his creating many ballet designs The 1920s marked the height of his success as he was awarded the Carnegie Prize in 1928 for his Still life with Dead Game and began to exhibit extensively abroad in London Berlin Frankfurt Dusseldorf New York City and Cincinnati Ohio 9 During the German occupation of France in World War II Derain lived primarily in Paris and was much courted by the Germans because he represented the prestige of French culture Derain accepted an invitation to make an official visit to Germany in 1941 and traveled with other French artists to Berlin to attend a Nazi exhibition of an officially endorsed artist Arno Breker 10 Derain s presence in Germany was used effectively by Nazi propaganda and after the Liberation he was branded a collaborator and ostracized by many former supporters 16 A year before his death he contracted an eye infection from which he never fully recovered He died in Garches Hauts de Seine Ile de France France in 1954 when he was struck by a moving vehicle 17 Derain s London paintings were the subject of a major exhibition at the Courtauld Institute from 27 October 2005 to 22 January 2006 18 Gallery edit nbsp Self portrait in studio c 1903 oil on canvas 42 2 34 6 cm National Gallery of Australia nbsp Pinede a Cassis Landscape 1907 oil on canvas 54 65 cm Musee Cantini Marseille nbsp Paysage a Cassis 1907 oil on canvas 54 64 cm Musee d art moderne de Troyes nbsp Landscape in Provence Paysage de Provence c 1908 oil on canvas 32 2 40 6 cm Brooklyn Museum Brooklyn nbsp Baigneuses Esquisse c 1908 oil on canvas 38 46 cm Musee d Art Moderne de la Ville de Paris nbsp View of Cagnes 1910 oil on canvas Museum Folkwang Essen Germany nbsp La Table The Table 1911 oil on canvas 96 5 131 1 cm Metropolitan Museum of Art New York nbsp The Last Supper 1911 oil on canvas 227 3 288 3 cm Art Institute of Chicago nbsp Window on the Park La Fenetre sur le parc 1912 oil on canvas 130 8 89 5 cm Museum of Modern Art nbsp Nature morte Still Life 1912 oil on canvas 100 5 118 cm The State Hermitage Museum Saint Petersburg Russia Reproduced in Du Cubisme 1912 nbsp Le Samedi 1913 14 oil on canvas 181 228 cm Pushkin Museum Moscow nbsp Portrait of a Girl in Black 1913 Hermitage Museum nbsp Portrait of a Man with a Newspaper 1911 1914 Hermitage Museum nbsp Nu debout 1907 Automne limestone 95 x 33 x 17 cm Musee National d Art Moderne nbsp Photograph of Derain published in Gelett Burgess The Wild Men of Paris Architectural Record May 1910 Sculpture Nu debout Standing Woman 1907Public collections editAmong the public collections holding works by Andre Derain are Museum of Fine Arts Ghent Gent Museum de Fundatie Zwolle NetherlandsNazi looted art editIn 2020 a French court ordered that three paintings by Derain Paysage a Cassis ou Vue de Cassis La Chapelle sous Crecy were restituted 19 and Pinede Cassis should be restituted to the heirs of Rene Gimpel from whom they had been looted during the Nazi occupation of France 20 Gimpel s family had submitted the claim in 2013 21 In 2023 Derain s Still Life With a Bottle was restituted to the heirs of Dane Reichsmann who was murdered in Auschwitz with his wife 22 23 See also editThe Pool of LondonReferences edit Sabine Rewald Fauvism from Timeline of Art History New York The Metropolitan Museum of Art 2000 Archived from the original on 14 December 2007 Retrieved 2007 12 17 Diehl 1977 p 8 Cowling and Mundy 1990 p 92 Diehl 1977 p 14 International Painting and Sculpture Le Cavalier au cheval blanc National Gallery of Australia Retrieved 2007 12 17 Mountains at Collioure by Andre Derain at National Gallery of Art Rolfes Retrieved 1 July 2012 Gil Blas dir A Dumont Gallica 1905 10 17 Retrieved 2020 06 27 Tom Rosenthal reviewing Derain s London paintings on show at the Courtauld Gallery The Independent 4 December 2005 a b Clement 1994 p 396 a b Works on View Andre Derain Guggenheim Hermitage Museum Archived from the original on 25 January 2008 Retrieved 2007 12 18 Stein Gertrude November 2000 Stein The Autobiography of Alice B Toklas Random House Publishing ISBN 9780679641957 Hamilton 1993 p 207 Sotriffer 1972 p 59 Cowling and Mundy 1990 pp 92 93 Australia Dancing leaps into Trove Archived from the original on 2011 08 08 a href Template Cite web html title Template Cite web cite web a CS1 maint unfit URL link Dorleac Laurence Bertrand 2008 Art of the Defeat France 1940 1944 Los Angeles Getty Research Institute pp 83 87 ISBN 978 0 89236 891 4 Retrieved 14 February 2012 Andre Derain Biography Namen der Kunst Art Directory GmbH Retrieved 2008 01 03 Brettell Richard R Paul Hayes Tucker and Natalie Henderson Lee 2009 The Robert Lehman Collection III III New York N Y Metropolitan Museum of Art in association with Princeton University Press p 253 ISBN 9781588393494 Decision de restituer trois tableaux d Andre Derain a la famille de Rene Gimpel www culture gouv fr in French Retrieved 2023 11 10 Marseille un tableau du peintre fauviste Derain butin des nazis restitue a ses proprietaires France 3 Provence Alpes Cote d Azur in French 2021 01 28 Retrieved 2023 11 10 Laborie Aurore One family s battle to be reunited with art looted by the Nazis lootedart com Retrieved 2023 11 10 In apparent first Croatia restores looted art to grandson of Holocaust victim www lootedart com Retrieved 2023 11 10 La Croatie restitue plusieurs œuvres d art spoliees au petit fils d une victime de la Shoah Gazette Drouot gazette drouot com in French 2023 09 28 Retrieved 2023 11 10 Further reading editClement Russell 1994 Les Fauves A Sourcebook Greenwood Press ISBN 0 313 28333 8 Cowling Elizabeth Mundy Jennifer 1990 On Classic Ground Picasso Leger de Chirico and the New Classicism 1910 1930 London Tate Gallery ISBN 1 85437 043 X Diehl Gaston 1977 Derain Crown Publishers Inc ISBN 0517037203 Hamilton George Heard 1993 Painting and Sculpture in Europe 1880 1940 Yale University Press ISBN 0300056494 Sotriffer Kristian 1972 Expressionism and Fauvism McGraw Hill OCLC 1149407 External links edit nbsp Wikimedia Commons has media related to Andre Derain nbsp Wikiquote has quotations related to Andre Derain Andre Derain at the National Gallery of Art Works by or about Andre Derain at Internet Archive Works by Andre Derain public domain in Canada Andre Derain exhibition catalogs Gelett Burgess The Wild Men of Paris Matisse Picasso and Les Fauves 1910 Architectural Record Andre Derain Museums and Public Art Galleries Worldwide Artcyclopedia Andre Derain in American public collections on the French Sculpture Census website nbsp Retrieved from https en wikipedia org w index php title Andre Derain amp oldid 1218338069, wikipedia, wiki, book, books, library,

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