Holy Family with St Catherine, 1552, ViennaConversion of St. PaulAndrija Medulić/Andrea Schiavone bust in Zadar, CroatiaThe Crowning with thorns, woodcut by Schiavone after a painting by Titian
Meldolla was born in the Venetian-ruled city of Zara in Dalmatia, now Zadar in Croatia,[a] the son of a garrison commander of a post nearby. Both of his parents came from the small town of Meldola, close to the city of Forlì in Romagna.[3] His father, Simon, had been employed as a constable in the Dalmatian city, and therefore moved there with his family from Romagna.[3] The Meldolla family continued to own property in Romagna until the early 16th century.[6]
He trained either in Zara or in Venice. Gian Paolo Lomazzo stated, in a book of 1584, that he was a pupil of Parmigianino, but this has been doubted. There are unproven claims that he trained with Bonifazio de Pitati. He worked in fresco, panel painting, and etching (teaching himself to etch by working initially from drawings by Parmigianino). By 1540, he was well enough established in Venice that Giorgio Vasari commissioned him a large battle picture (which the Florentine author mentions in his Lives). Although initially much influenced by Parmigianino and Italian Mannerism, "he was also a strikingly daring exponent of Venetian painting techniques", and ultimately combined both in his works, influencing Titian, Tintoretto, and Jacopo Bassano among others. His works "shocked some contemporaries and stimulated others". By the 1550s, he had achieved a new synthesis of Raphael and Titian's compositional elements with his own interest in atmosphere, effecting a "fusion of form with a dense atmosphere in a pictorial fabric whose elements tend to lose their separate indenties".
Sydney Joseph Freedberg describes Meldolla as well adapted to the Mannerist vocabulary, and says that while he was "able to invent a Venetian Maniera...he was strangely uncreative in the more ordinary workings of artistic invention."[7] Later in the 1550s, "occasionally, the sensibility – too receptive, almost feminine – that inclined Schiavone towards imitation brought him to the verge of echo of the larger personality" (Titian).[8] Other works have attributions disputed between him and Tintoretto. Few of his paintings are documented; this may be because, as Vasari states, he mostly worked for private clients.
Richardson also insists on his importance as an etcher: "In etching he was similarly innovative. His technique was unlike that of any contemporary: unsystematically he used dense webs of light, fine, multidirectional hatching to create a tonal continuum embracing form, light, shadow, and air. His etchings are the only real equivalent in printmaking of later 16th-century Venetian painting modes, and his technical experiments were emulated by 17th-century etchers such as Jacques Bellange, Giovanni Benedetto Castiglione and Rembrandt".
^Because of his birthplace, Lo Schiavone appears in Croatian literature and history of art exclusively as Andrija Medulić (derived from the Italian surname Meldola, or Meldolla,[2] itself from the city of origin of both of his parents, Meldola),[3] which is the Croatian version of his name. His Italian nickname, Schiavone, literally meant "Slav" in Old Italian. Schiavone usually indicated origins in parts of Croatia (Dalmatia or Istria) under the rule of the Republic of Venice; however, it was not necessarily an ethnonym, as with this word the Venetians scornfully referred to all the people born in Dalmatia and Istria arriving to Venice; i.e. including the Italians and Venetians themselves.[4] Indeed, in the case of Andre Meldolla, the nickname Schiavone is due to his geographical provenance, and was given to him after he returned to Italy.[5]
SourcesEdit
Freedberg, Sydney J. (1993). Pelican History of Art (ed.). Painting in Italy, 1500-1600. Penguin Books. pp. 532–534.
Richardson, Francis E. (1980). Andrea Schiavone. Oxford and New York: Oxford University Press.
Richardson, Francis E. the Encyclopedia of Italian Renaissance & Mannerist Art. pp. 1502–04 at 1503.
Further readingEdit
Zeri, F. & Gardner, E. (1973). Italian Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art, Venetian School. New York: The Metropolitan Museum of Art. ISBN0-87099-079-9. (see index; plates 56-57)
External linksEdit
Wikimedia Commons has media related to Andrea Schiavone.
Birmingham Museum & Art Gallery - Biography of Andrea Schiavone
Andrea Schiavone, The J. Paul Getty Museum
October 16, 2023
andrea, schiavone, italian, footballer, footballer, andrea, meldolla, croatian, andrija, medulić, also, known, andrea, schiavone, 1510, 1563, italian, renaissance, painter, etcher, born, dalmatia, republic, venice, present, croatia, parents, from, emilia, roma. For the Italian footballer see Andrea Schiavone footballer Andrea Meldolla Croatian Andrija Medulic also known as Andrea Schiavone or Andrea Lo Schiavone c 1510 15 1563 was an Italian Renaissance painter and etcher born in Dalmatia in the Republic of Venice present day Croatia to parents from Emilia Romagna active mainly in the city of Venice 1 His style combined Mannerist elements a relative rarity in Venice with much influence from the mainstream of Venetian painting especially Titian Holy Family with St Catherine 1552 ViennaConversion of St PaulAndrija Medulic Andrea Schiavone bust in Zadar CroatiaThe Crowning with thorns woodcut by Schiavone after a painting by Titian Contents 1 Biography 2 References 3 Notes 4 Sources 5 Further reading 6 External linksBiography EditMeldolla was born in the Venetian ruled city of Zara in Dalmatia now Zadar in Croatia a the son of a garrison commander of a post nearby Both of his parents came from the small town of Meldola close to the city of Forli in Romagna 3 His father Simon had been employed as a constable in the Dalmatian city and therefore moved there with his family from Romagna 3 The Meldolla family continued to own property in Romagna until the early 16th century 6 He trained either in Zara or in Venice Gian Paolo Lomazzo stated in a book of 1584 that he was a pupil of Parmigianino but this has been doubted There are unproven claims that he trained with Bonifazio de Pitati He worked in fresco panel painting and etching teaching himself to etch by working initially from drawings by Parmigianino By 1540 he was well enough established in Venice that Giorgio Vasari commissioned him a large battle picture which the Florentine author mentions in his Lives Although initially much influenced by Parmigianino and Italian Mannerism he was also a strikingly daring exponent of Venetian painting techniques and ultimately combined both in his works influencing Titian Tintoretto and Jacopo Bassano among others His works shocked some contemporaries and stimulated others By the 1550s he had achieved a new synthesis of Raphael and Titian s compositional elements with his own interest in atmosphere effecting a fusion of form with a dense atmosphere in a pictorial fabric whose elements tend to lose their separate indenties Sydney Joseph Freedberg describes Meldolla as well adapted to the Mannerist vocabulary and says that while he was able to invent a Venetian Maniera he was strangely uncreative in the more ordinary workings of artistic invention 7 Later in the 1550s occasionally the sensibility too receptive almost feminine that inclined Schiavone towards imitation brought him to the verge of echo of the larger personality Titian 8 Other works have attributions disputed between him and Tintoretto Few of his paintings are documented this may be because as Vasari states he mostly worked for private clients Richardson also insists on his importance as an etcher In etching he was similarly innovative His technique was unlike that of any contemporary unsystematically he used dense webs of light fine multidirectional hatching to create a tonal continuum embracing form light shadow and air His etchings are the only real equivalent in printmaking of later 16th century Venetian painting modes and his technical experiments were emulated by 17th century etchers such as Jacques Bellange Giovanni Benedetto Castiglione and Rembrandt Meldolla died in Venice in 1553 References Edit Schiavone Andrea The Oxford Dictionary of Art Web 27 Apr 2011 Dudan Alessandro 1922 La Dalmazia nell arte italiana venti secoli di civilta Treves p 451 a b c Bortolotti Luca MELDOLLA Andrea Treccani Del Lungo Isidoro 1886 Archivio storico per Trieste l Istria e il Trentino v 3 p 226 Bortolotti Luca MELDOLLA Andrea detto lo Schiavone Treccani Richardson Francis L 1980 Andrea Schiavone Clarendon Press p 6 ISBN 9780198173328 Freedberg 534 Freedberg 534Notes Edit Because of his birthplace Lo Schiavone appears in Croatian literature and history of art exclusively as Andrija Medulic derived from the Italian surname Meldola or Meldolla 2 itself from the city of origin of both of his parents Meldola 3 which is the Croatian version of his name His Italian nickname Schiavone literally meant Slav in Old Italian Schiavone usually indicated origins in parts of Croatia Dalmatia or Istria under the rule of the Republic of Venice however it was not necessarily an ethnonym as with this word the Venetians scornfully referred to all the people born in Dalmatia and Istria arriving to Venice i e including the Italians and Venetians themselves 4 Indeed in the case of Andre Meldolla the nickname Schiavone is due to his geographical provenance and was given to him after he returned to Italy 5 Sources EditFreedberg Sydney J 1993 Pelican History of Art ed Painting in Italy 1500 1600 Penguin Books pp 532 534 Richardson Francis E 1980 Andrea Schiavone Oxford and New York Oxford University Press Richardson Francis E the Encyclopedia of Italian Renaissance amp Mannerist Art pp 1502 04 at 1503 Further reading EditZeri F amp Gardner E 1973 Italian Paintings A Catalogue of the Collection of The Metropolitan Museum of Art Venetian School New York The Metropolitan Museum of Art ISBN 0 87099 079 9 see index plates 56 57 External links Edit nbsp Wikimedia Commons has media related to Andrea Schiavone nbsp Wikisource has the text of a 1920 Encyclopedia Americana article about Andrea Schiavone Birmingham Museum amp Art Gallery Biography of Andrea Schiavone Andrea Schiavone The J Paul Getty Museum Giorgio Vasari s Lives of the Artists Retrieved from https en wikipedia org w index php title Andrea Schiavone amp oldid 1145370084, wikipedia, wiki, book, books, library,
