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Alberto Cavos

January 01, 1970

In this name that follows Eastern Slavic naming customs, the patronymic is Katerinovich and the family name is Cavos.

Alberto Katerinovich Cavos[1] (Russian: Альберт Катеринович Кавос, romanized: Albert Katerinovich Kavos; January 3, 1801 [O.S. December 22, 1800] – June 3 [O.S. May 22] 1863)[1] was a Russian–Italian architect best known for his theatre designs, the builder of the Mariinsky Theatre in Saint Petersburg (1859–1860) and the Bolshoi Theatre in Moscow (1853–1856).

Alberto Cavos, by Dusi (1849)

Early years edit

Alberto Cavos was born in Saint Petersburg to Venetian opera composer Catterino Cavos (see Cavos family), and his wife, Camilla Baglioni, who had settled in Russia in 1798, after the fall of the Republic of Venice. Alberto Cavos was educated in the University of Padua and then returned to Russia to complete practical training in Carlo Rossi's workshop. His brother Giovanni (Ivan, 1805–1861) was trained in music and assisted his father in Saint Petersburg opera.

Bolshoi Theatre (Saint Petersburg) edit

In 1826 Cavos received his first commission – rebuilding of the former Bolshoi Kamenny Theatre (the Stone Theatre). Built by Antonio Rinaldi in 1770,[2] the theatre burnt down in 1811; restoration was interrupted by the death of its supervisor, Jean-François Thomas de Thomon, in 1813, and slowly dragged until 1818. Cavos dedicated ten years to this project; the theatre reopened as Saint Petersburg's main opera stage in 1836.[2] However, the art of opera found little attention at the court; operas by Russian composers were banned in 1843 and in 1846 the Russian opera company migrated to Moscow's Bolshoi Theatre,[3] built in the same period by Joseph Bové. Nevertheless, the theatre retained its Italian company and became a home stage for Marius Petipa ballet and operated until 1886, when it was rebuilt it into the Saint Petersburg Conservatory.

Mariinsky Theatre (Saint Petersburg) edit

 
Mariinsky Theatre.

In 1847–1848 Cavos designed and built a wooden Equestrian Circus Theatre in Saint Petersburg, on a square now known as Theatre Square. The Circus opened on January 20, 1849, and soon became a home stage for the Russian opera company that returned from Moscow in 1850. Nine years later, on January 26, 1859, the Circus burnt down; Alexander II ordered Cavos to rebuild the theatre "with all the improvements that had been needed to be made when the circus building was turned into a theatre.The Czar further orders that the Architect preserve the interior decoration as it used to be".[4] Cavos retained the Romanesque facade of the Circus, but completely redesigned the interiors, replacing the old circular arena with a horseshoe-shapes "Italian" opera hall. The new theatre opened in October 1860 as Imperial Mariinsky Theatre, named after Empress Maria Alexandrovna, and immediately became Saint Petersburg's principal opera stage.

Bolshoi Theatre (Moscow) edit

 
Bolshoi Theatre in Cavos times
 
Main hall of Bolshoi Theatre in Moscow

On March 11, 1853, Bolshoi Theatre in Moscow was destroyed by fire that left only exterior wall standing. Cavos secured the contract to rebuild the theatre and substantially expanded and altered Bove's original plan, creating Bolshoi as it was known before closing down for restoration in 2005.[5] Despite the economic downturn that accompanied the disastrous Crimean War, the work rushed through, especially after the death of tsar Nicholas I of Russia – according to Alexander Benois, to reopen the theatre in time for his successor's coronation.[5][6] Bolshoi indeed reopened in the presence of Alexander II of Russia on August 20, 1856, featuring a new grand hall for 2,150 spectators. In line with the eclecticism of the period, Cavos described his work as "making the auditorium as magnificent as possible and to produce a light effect, if possible, in the Renaissance style in combination with the Byzantine style. White colour, the bright crimson drapings, overstrewn with golden interior decoration of the boxes, different on each storey, the plaster arabesques and the main effect of the auditorium – its grand chandelier...".[5] Cavos retained a personal "architect's box" at the Bolshoi, which later passed to his descendants from the Benois family.[7]

Henry Sutherland Edwards, contemporary British journalist, praised Cavos as being "not only an architect, but also an acoustician, if we may use the term ... he understands what does not appear to be understood in London...".[8] According to Edwards, Cavos ridiculed the idea that acoustical properties of a building cannot be ensured by design; he deliberately designed, built and outfitted his theatres for sound. "It (the Bolshoi) is constructed as a musical instrument", commented Cavos.[8]

Modern architects add a sober note: despite excellent acoustics, the Bolshoi suffered from poor build quality and poor planning of its public areas. The former may be in part blamed on local contractors, 16-month rush schedule and a modest budget of 900,000 roubles.[9] Ivan Rerberg, who restored Bolshoi in 1920–1932, bitterly commented on the architect's decision to close and fill with earth the original groundfloor galleries that housed cloakrooms before the 1853 fire.[9] Large spans of load-bearing brick walls were laid without mortar; weak foundations underneath, placed in the bend of subterranean Neglinnaya River, were shifting erratically since 19th century. By the end of the 20th century, salvaging Bolshoi required a complete replacement of foundations.[9]

Private life and legacy edit

In 1859 Cavos completed the rebuilding of Mikhaylovsky Theatre in Saint Petersburg. The architect's last work was a competition entry for the design of the Paris opera; according to Alexander Benois, his drafts were approved by Napoleon III of France[10] but when Cavos died, at Peterhof, the job was awarded to Charles Garnier.[6] Apart from theatres, Cavos is credited with design of dozens of buildings in Saint Petersburg and its suburbs. Most of these buildings were subsequently expanded and rebuilt, losing their original architectural trim.

The private life of Alberto Cavos and his family has been made public by his grandson, Alexander Benois. According to Benois, Cavos was overwhelmed by lucrative contracts and quickly made a fortune that allowed him, in addition to Saint Petersburg lifestyle, to keep a luxurious home on the Grand Canal in Venice and amass a vast collection of art there. After his death these treasures were brought to Saint Petersburg and split between his numerous heirs.[6]

Alberto's first wife, Aloysia Carolina (née Carobio), died of tuberculosis in 1835.[11][12] She and Alberto had four children. Alberto Cavos married Xenia, his second wife, when she was only 17; they had three children. However, his extramarital adventures destroyed the marriage; in the end, Alberto Cavos bequeathed his business interests to his new mistress, having nearly ruined his legitimate wife and children.[13] Among these children,

  • Caesar Cavos (1824–1883) also became a notable Saint Petersburg architect and businessman;
  • Constantin Cavos (1826–1890) was a diplomat in Imperial Russian service;
  • Camilla Cavos (1828–1891) married Nicholas Benois (then a junior partner of Alberto Cavos) and gave birth to nine siblings of the Benois family, including Albert Benois (1852–1936), Leon Benois (1856–1928), Alexander Benois (1870–1960) and Yekaterina Benois who married Eugene Lanceray (Sr.) and became the mother of Eugene Lanceray and Zinaida Serebriakova. Sir Peter Ustinov was Leon Benois's grandson.

Notes edit

 
Wikimedia Commons has media related to Albert Cavos.
  1. ^ a b Jaffé, Daniel (2022). Historical dictionary of Russian music (Second ed.). Lanham Boulder New York London: Rowman & Littlefield. p. 96. ISBN 9781538130087.
  2. ^ a b Fitzlyon, p. 253
  3. ^ Fitzlyon, p. 255
  4. ^ . Archived from the original on 2008-10-12. Retrieved 2009-03-21.
  5. ^ a b c Bereson, p. 123
  6. ^ a b c Benois, volume 1 chapter 5
  7. ^ Wachtel, p. 51
  8. ^ a b Edwards, p. 179
  9. ^ a b c Melnikova
  10. ^ Taruskin, p. 426
  11. ^ Benois, Alexandre. (1960). ""Memoirs", Vol. 1, London: Chatto & Windus
  12. ^ Amburger, Erik. "Erik-Amburger-Datenbank: Auslander im vorrevolutionaren Russland". Accessed January 26, 2012. http://88.217.241.77/amburger/index.php?id=1080321[permanent dead link]
  13. ^ Benois, volume 1 chapter 6

References edit

  • Benois, Alexander (1989). Zhizn khudozhnika (Жизнь художника) (in Russian). Moscow: Nauka. ISBN 5-02-012722-1.
  • Bereson, Ruth (2002). The Operatic State: Cultural Policy and the Opera House. Routledge. ISBN 0-415-27851-1.
  • Edwards, Henry Sutherland (1861). The Russians at Home. London: W.H. Allen and Co.
  • Fitzlyon, Kiryl; et al. (2003). The Companion Guide to St Petersburg. Companion Guides. ISBN 1-900639-40-8.
  • Melnikova, Irina (2006). "Bolshoy kush" (in Russian). Itogi, January 16, 2006, No. 3 (501).
  • Taruskin, Richard (1996). Stravinsky and the Russian traditions: a biography of the works through Mavra. Oxford University Press. ISBN 0-19-816250-2.
  • Wachtel, Andrew (1998). Petrushka: Sources and Contexts. Northwestern University Press. ISBN 0-8101-1566-2.

January 01, 1970
alberto, cavos, this, name, that, follows, eastern, slavic, naming, customs, patronymic, katerinovich, family, name, cavos, alberto, katerinovich, cavos, russian, Альберт, Катеринович, Кавос, romanized, albert, katerinovich, kavos, january, 1801, december, 180. In this name that follows Eastern Slavic naming customs the patronymic is Katerinovich and the family name is Cavos Alberto Katerinovich Cavos 1 Russian Albert Katerinovich Kavos romanized Albert Katerinovich Kavos January 3 1801 O S December 22 1800 June 3 O S May 22 1863 1 was a Russian Italian architect best known for his theatre designs the builder of the Mariinsky Theatre in Saint Petersburg 1859 1860 and the Bolshoi Theatre in Moscow 1853 1856 Alberto Cavos by Dusi 1849 Contents 1 Early years 2 Bolshoi Theatre Saint Petersburg 3 Mariinsky Theatre Saint Petersburg 4 Bolshoi Theatre Moscow 5 Private life and legacy 6 Notes 7 ReferencesEarly years editAlberto Cavos was born in Saint Petersburg to Venetian opera composer Catterino Cavos see Cavos family and his wife Camilla Baglioni who had settled in Russia in 1798 after the fall of the Republic of Venice Alberto Cavos was educated in the University of Padua and then returned to Russia to complete practical training in Carlo Rossi s workshop His brother Giovanni Ivan 1805 1861 was trained in music and assisted his father in Saint Petersburg opera Bolshoi Theatre Saint Petersburg editIn 1826 Cavos received his first commission rebuilding of the former Bolshoi Kamenny Theatre the Stone Theatre Built by Antonio Rinaldi in 1770 2 the theatre burnt down in 1811 restoration was interrupted by the death of its supervisor Jean Francois Thomas de Thomon in 1813 and slowly dragged until 1818 Cavos dedicated ten years to this project the theatre reopened as Saint Petersburg s main opera stage in 1836 2 However the art of opera found little attention at the court operas by Russian composers were banned in 1843 and in 1846 the Russian opera company migrated to Moscow s Bolshoi Theatre 3 built in the same period by Joseph Bove Nevertheless the theatre retained its Italian company and became a home stage for Marius Petipa ballet and operated until 1886 when it was rebuilt it into the Saint Petersburg Conservatory Mariinsky Theatre Saint Petersburg edit nbsp Mariinsky Theatre In 1847 1848 Cavos designed and built a wooden Equestrian Circus Theatre in Saint Petersburg on a square now known as Theatre Square The Circus opened on January 20 1849 and soon became a home stage for the Russian opera company that returned from Moscow in 1850 Nine years later on January 26 1859 the Circus burnt down Alexander II ordered Cavos to rebuild the theatre with all the improvements that had been needed to be made when the circus building was turned into a theatre The Czar further orders that the Architect preserve the interior decoration as it used to be 4 Cavos retained the Romanesque facade of the Circus but completely redesigned the interiors replacing the old circular arena with a horseshoe shapes Italian opera hall The new theatre opened in October 1860 as Imperial Mariinsky Theatre named after Empress Maria Alexandrovna and immediately became Saint Petersburg s principal opera stage Bolshoi Theatre Moscow edit nbsp Bolshoi Theatre in Cavos times nbsp Main hall of Bolshoi Theatre in Moscow On March 11 1853 Bolshoi Theatre in Moscow was destroyed by fire that left only exterior wall standing Cavos secured the contract to rebuild the theatre and substantially expanded and altered Bove s original plan creating Bolshoi as it was known before closing down for restoration in 2005 5 Despite the economic downturn that accompanied the disastrous Crimean War the work rushed through especially after the death of tsar Nicholas I of Russia according to Alexander Benois to reopen the theatre in time for his successor s coronation 5 6 Bolshoi indeed reopened in the presence of Alexander II of Russia on August 20 1856 featuring a new grand hall for 2 150 spectators In line with the eclecticism of the period Cavos described his work as making the auditorium as magnificent as possible and to produce a light effect if possible in the Renaissance style in combination with the Byzantine style White colour the bright crimson drapings overstrewn with golden interior decoration of the boxes different on each storey the plaster arabesques and the main effect of the auditorium its grand chandelier 5 Cavos retained a personal architect s box at the Bolshoi which later passed to his descendants from the Benois family 7 Henry Sutherland Edwards contemporary British journalist praised Cavos as being not only an architect but also an acoustician if we may use the term he understands what does not appear to be understood in London 8 According to Edwards Cavos ridiculed the idea that acoustical properties of a building cannot be ensured by design he deliberately designed built and outfitted his theatres for sound It the Bolshoi is constructed as a musical instrument commented Cavos 8 Modern architects add a sober note despite excellent acoustics the Bolshoi suffered from poor build quality and poor planning of its public areas The former may be in part blamed on local contractors 16 month rush schedule and a modest budget of 900 000 roubles 9 Ivan Rerberg who restored Bolshoi in 1920 1932 bitterly commented on the architect s decision to close and fill with earth the original groundfloor galleries that housed cloakrooms before the 1853 fire 9 Large spans of load bearing brick walls were laid without mortar weak foundations underneath placed in the bend of subterranean Neglinnaya River were shifting erratically since 19th century By the end of the 20th century salvaging Bolshoi required a complete replacement of foundations 9 Private life and legacy editIn 1859 Cavos completed the rebuilding of Mikhaylovsky Theatre in Saint Petersburg The architect s last work was a competition entry for the design of the Paris opera according to Alexander Benois his drafts were approved by Napoleon III of France 10 but when Cavos died at Peterhof the job was awarded to Charles Garnier 6 Apart from theatres Cavos is credited with design of dozens of buildings in Saint Petersburg and its suburbs Most of these buildings were subsequently expanded and rebuilt losing their original architectural trim The private life of Alberto Cavos and his family has been made public by his grandson Alexander Benois According to Benois Cavos was overwhelmed by lucrative contracts and quickly made a fortune that allowed him in addition to Saint Petersburg lifestyle to keep a luxurious home on the Grand Canal in Venice and amass a vast collection of art there After his death these treasures were brought to Saint Petersburg and split between his numerous heirs 6 Alberto s first wife Aloysia Carolina nee Carobio died of tuberculosis in 1835 11 12 She and Alberto had four children Alberto Cavos married Xenia his second wife when she was only 17 they had three children However his extramarital adventures destroyed the marriage in the end Alberto Cavos bequeathed his business interests to his new mistress having nearly ruined his legitimate wife and children 13 Among these children Caesar Cavos 1824 1883 also became a notable Saint Petersburg architect and businessman Constantin Cavos 1826 1890 was a diplomat in Imperial Russian service Camilla Cavos 1828 1891 married Nicholas Benois then a junior partner of Alberto Cavos and gave birth to nine siblings of the Benois family including Albert Benois 1852 1936 Leon Benois 1856 1928 Alexander Benois 1870 1960 and Yekaterina Benois who married Eugene Lanceray Sr and became the mother of Eugene Lanceray and Zinaida Serebriakova Sir Peter Ustinov was Leon Benois s grandson Notes edit nbsp Wikimedia Commons has media related to Albert Cavos a b Jaffe Daniel 2022 Historical dictionary of Russian music Second ed Lanham Boulder New York London Rowman amp Littlefield p 96 ISBN 9781538130087 a b Fitzlyon p 253 Fitzlyon p 255 Mariinsky theatre at Decca Classics Archived from the original on 2008 10 12 Retrieved 2009 03 21 a b c Bereson p 123 a b c Benois volume 1 chapter 5 Wachtel p 51 a b Edwards p 179 a b c Melnikova Taruskin p 426 Benois Alexandre 1960 Memoirs Vol 1 London Chatto amp Windus Amburger Erik Erik Amburger Datenbank Auslander im vorrevolutionaren Russland Accessed January 26 2012 http 88 217 241 77 amburger index php id 1080321 permanent dead link Benois volume 1 chapter 6References editBenois Alexander 1989 Zhizn khudozhnika Zhizn hudozhnika in Russian Moscow Nauka ISBN 5 02 012722 1 Bereson Ruth 2002 The Operatic State Cultural Policy and the Opera House Routledge ISBN 0 415 27851 1 Edwards Henry Sutherland 1861 The Russians at Home London W H Allen and Co Fitzlyon Kiryl et al 2003 The Companion Guide to St Petersburg Companion Guides ISBN 1 900639 40 8 Melnikova Irina 2006 Bolshoy kush in Russian Itogi January 16 2006 No 3 501 Taruskin Richard 1996 Stravinsky and the Russian traditions a biography of the works through Mavra Oxford University Press ISBN 0 19 816250 2 Wachtel Andrew 1998 Petrushka Sources and Contexts Northwestern University Press ISBN 0 8101 1566 2 Retrieved from https en wikipedia org w index php title Alberto Cavos amp oldid 1162551059, wikipedia, wiki, book, books, library,

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