Alastair McAllister (born Mildura, 3 August 1942) is an Australian harpsichord builder known for his historical integrity, design and workmanship, and for producing modern copies of instruments that closely match their prototypes in sound and touch. At the age of 15, he became inspired by the Baroque after hearing the music of Domenico Scarlatti.[1] Working closely with his colleague, Mars McMillan, he founded Harpsichord Makers of Melbourne in 1967, in the inner-Melbourne suburb of Clifton Hill,[2] and by the early 1970s he had become a full-time harpsichord builder. McAllister and his colleagues have created instruments patterned after the work of Henri Hemsch, Burkhardt Schudi, Johannes Daniel Dulcken, the Ruckers family, Christian Zell and Johann Heinrich Harrass, among others, and he has trained or influenced Australian builders such as Marc Nobel, Andrew Bernard, Alan Todd, Jean-Louis Cocquillat, and Richard Schaumloeffel.
Alastair McAllister at work
McAllister has worked closely with the firm of Zuckermann Harpsichords International (Stonington, Connecticut, US), and with Hubbard Harpsichords, including a month-long residency in 1989 at the firm's headquarters in Waltham, Massachusetts. Since September 1986, he has carried out his craft from a studio within the Community Work Society Co-operative Ltd, alongside a group of heritage artisans in the Melbourne suburb of Preston.[3][4] McAllister has worked closely with leading Australian and New Zealand harpsichordists[5] as well as performers from Europe and the North America. These include Gustav Leonhardt, Ton Koopman, Bob van Asperen, Anthony Jennings, Peter Watchorn,[6]Christopher Hogwood, Roger Heagney,[7] Christiane Jaccotet, Colin Tilney, Davitt Moroney, and Bart van Oort. Since 1990, McAllister has served as the keyboard consultant to the Australian Brandenburg Orchestra,[8] and has built a two-manual French instrument for its artistic director, Paul Dyer.[9] McAllister harpsichords are owned by such ensembles as The Sydney Consort,[10] and harpsichordists Peter Watchorn, Paul Dyer, Elizabeth Anderson, and Roger Heagney.
A McAllister harpsichord, combined here with a pedal harpsichord (blue case) by Hubbard & Broekman
McAllister has been at the forefront of harpsichord research and, with Andrew Bernard, proposed a unified theory of harpsichord scaling and geometry that accounts for the diverse pitches for which harpsichords were designed, linking this information to surviving string gauges and tuning forks. He was the first to demonstrate that stringing the early 20th century Pleyel harpsichord with classical wire and installing quill or delrin plectra yields a significant improvement in quality.[11] In collaboration with Peter Watchorn, McAllister researched the surviving instruments by Hans Moermans "The Younger" of Antwerp, resulting in the creation of the first modern copies of his surviving 1642 double; one of these copies by McAllister is now owned by the Melbourne Recital Centre in the Southbank precinct.
In 2012, McAllister published three books; with Talking Harpsichords sharing his ruminations on a harpsichord-making career.[12]
BooksEdit
Talking Harpsichords (2012)
Snippets about John Bull (2012)
Sonnets and Sundries (2012)
NotesEdit
^Handmade musical gem from a Preston workshop", The Age, 19 January 2010
^PDF file from the University of Melbourne collections: "Meredith Moon, a former senior lecturer in the [University of Melbourne's] Faculty of Music [and] a pioneer of early instruments in Australia ... shared his knowledge of instrument building with a group of enthusiastic young harpsichord lovers: Mars McMillan, Alistair McAllister and Marc Nobel, who became known as the 'Clifton Hill School' of harpsichord makers."
^. Blogs.abc.net.au. 19 January 2010. Archived from the original on 25 March 2012. Retrieved 17 January 2012.
^"Plenty of bite in Anderson's Bach". Harpsichord.com.au. 12 September 1996. Retrieved 17 January 2012.
^. Musicaomnia.org. 25 October 2011. Archived from the original on 8 February 2012. Retrieved 17 January 2012.
^Category: Park Blog (1 January 2011). "Photo gallery, Roger Heagney". Rogerheagney.com. Archived from the original on 16 July 2012. Retrieved 17 January 2012.
^(PDF). Archived from the original (PDF) on 4 March 2012. Retrieved 17 January 2012.
^. Ext.cdu.edu.au. 14 February 2005. Archived from the original on 24 February 2012. Retrieved 17 January 2012.
^. Sydneyconsort.com.au. Archived from the original on 23 June 2010. Retrieved 17 January 2012.
^Peter Watchorn, Isolde Ahlgrimm, Vienna and the Early Music Revival, Ashgate, Burlington Vermont; Aldershot, UK; 2007, p. 106
^. Alastair McAllister Harpsichords website. Archived from the original on 3 February 2011. Retrieved 14 January 2013.
External linksEdit
Photographs of a construction process in McAllister's workshop, accessed 19 May 2010
August 29, 2023
alastair, mcallister, born, mildura, august, 1942, australian, harpsichord, builder, known, historical, integrity, design, workmanship, producing, modern, copies, instruments, that, closely, match, their, prototypes, sound, touch, became, inspired, baroque, af. Alastair McAllister born Mildura 3 August 1942 is an Australian harpsichord builder known for his historical integrity design and workmanship and for producing modern copies of instruments that closely match their prototypes in sound and touch At the age of 15 he became inspired by the Baroque after hearing the music of Domenico Scarlatti 1 Working closely with his colleague Mars McMillan he founded Harpsichord Makers of Melbourne in 1967 in the inner Melbourne suburb of Clifton Hill 2 and by the early 1970s he had become a full time harpsichord builder McAllister and his colleagues have created instruments patterned after the work of Henri Hemsch Burkhardt Schudi Johannes Daniel Dulcken the Ruckers family Christian Zell and Johann Heinrich Harrass among others and he has trained or influenced Australian builders such as Marc Nobel Andrew Bernard Alan Todd Jean Louis Cocquillat and Richard Schaumloeffel Alastair McAllister at workMcAllister has worked closely with the firm of Zuckermann Harpsichords International Stonington Connecticut US and with Hubbard Harpsichords including a month long residency in 1989 at the firm s headquarters in Waltham Massachusetts Since September 1986 he has carried out his craft from a studio within the Community Work Society Co operative Ltd alongside a group of heritage artisans in the Melbourne suburb of Preston 3 4 McAllister has worked closely with leading Australian and New Zealand harpsichordists 5 as well as performers from Europe and the North America These include Gustav Leonhardt Ton Koopman Bob van Asperen Anthony Jennings Peter Watchorn 6 Christopher Hogwood Roger Heagney 7 Christiane Jaccotet Colin Tilney Davitt Moroney and Bart van Oort Since 1990 McAllister has served as the keyboard consultant to the Australian Brandenburg Orchestra 8 and has built a two manual French instrument for its artistic director Paul Dyer 9 McAllister harpsichords are owned by such ensembles as The Sydney Consort 10 and harpsichordists Peter Watchorn Paul Dyer Elizabeth Anderson and Roger Heagney A McAllister harpsichord combined here with a pedal harpsichord blue case by Hubbard amp BroekmanMcAllister has been at the forefront of harpsichord research and with Andrew Bernard proposed a unified theory of harpsichord scaling and geometry that accounts for the diverse pitches for which harpsichords were designed linking this information to surviving string gauges and tuning forks He was the first to demonstrate that stringing the early 20th century Pleyel harpsichord with classical wire and installing quill or delrin plectra yields a significant improvement in quality 11 In collaboration with Peter Watchorn McAllister researched the surviving instruments by Hans Moermans The Younger of Antwerp resulting in the creation of the first modern copies of his surviving 1642 double one of these copies by McAllister is now owned by the Melbourne Recital Centre in the Southbank precinct In 2012 McAllister published three books with Talking Harpsichords sharing his ruminations on a harpsichord making career 12 Books EditTalking Harpsichords 2012 Snippets about John Bull 2012 Sonnets and Sundries 2012 Notes Edit Handmade musical gem from a Preston workshop The Age 19 January 2010 PDF file from the University of Melbourne collections Meredith Moon a former senior lecturer in the University of Melbourne s Faculty of Music and a pioneer of early instruments in Australia shared his knowledge of instrument building with a group of enthusiastic young harpsichord lovers Mars McMillan Alistair McAllister and Marc Nobel who became known as the Clifton Hill School of harpsichord makers Worco website accessed 19 May 2010 ABC Radio interview Blogs abc net au 19 January 2010 Archived from the original on 25 March 2012 Retrieved 17 January 2012 Plenty of bite in Anderson s Bach Harpsichord com au 12 September 1996 Retrieved 17 January 2012 Musica Omnia web page Musicaomnia org 25 October 2011 Archived from the original on 8 February 2012 Retrieved 17 January 2012 Category Park Blog 1 January 2011 Photo gallery Roger Heagney Rogerheagney com Archived from the original on 16 July 2012 Retrieved 17 January 2012 PDF file ABC Classics The four seasons PDF Archived from the original PDF on 4 March 2012 Retrieved 17 January 2012 Our harpsichord hits a high note Ext cdu edu au 14 February 2005 Archived from the original on 24 February 2012 Retrieved 17 January 2012 Monika Kornel harpsichordist Sydneyconsort com au Archived from the original on 23 June 2010 Retrieved 17 January 2012 Peter Watchorn Isolde Ahlgrimm Vienna and the Early Music Revival Ashgate Burlington Vermont Aldershot UK 2007 p 106 Alastair McAllister Harpsichords Alastair McAllister Harpsichords website Archived from the original on 3 February 2011 Retrieved 14 January 2013 External links EditPhotographs of a construction process in McAllister s workshop accessed 19 May 2010 Retrieved from https en wikipedia org w index php title Alastair McAllister amp oldid 1159012482, wikipedia, wiki, book, books, library,
