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Red Beard

Red Beard (Japanese: 赤ひげ, Hepburn: Akahige) is a 1965 Japanese jidaigeki film co-written, edited, and directed by Akira Kurosawa, in his last collaboration with actor Toshiro Mifune.[7] Based on Shūgorō Yamamoto's 1959 short story collection, Akahige Shinryōtan,[1] the film takes place in Koishikawa, a district of Edo, towards the end of the Tokugawa period, and is about the relationship between a town doctor and his new trainee. Fyodor Dostoevsky's novel Humiliated and Insulted provided the source for a subplot about a young girl, Otoyo (Terumi Niki), who is rescued from a brothel.[8]

Red Beard
Theatrical release poster
Directed byAkira Kurosawa
Screenplay by
Based onAkahige Shinryōtan
by Shūgorō Yamamoto[1]
Produced by
Starring
Cinematography
Edited byAkira Kurosawa[2]
Music byMasaru Sato[1]
Production
companies
Distributed byToho[1]
Release dates
  • April 3, 1965 (1965-04-03) (roadshow)
  • April 24, 1965 (1965-04-24) (Japan)
Running time
185 minutes[1]
CountryJapan
LanguageJapanese
Budget¥200–300 million[3][4][5]
Box office¥400 million[6]
(Japan)

The film looks at the problem of social injustice and explores two of Kurosawa's favorite topics: humanism and existentialism. A few critics have noted the film to be reminiscent in some ways of Ikiru. It is Kurosawa's last black-and-white film. The film was a major box office success in Japan but is known for having caused a rift between Mifune and Kurosawa, with this being the final collaboration between them after working on 16 films together. The film was screened in competition at the 26th Venice International Film Festival. Toshiro Mifune won a Volpi Cup for Best Actor for his performance in the film.[9] It was also nominated for a Golden Globe for Best Foreign Language Film.[10]

Plot edit

The young and arrogant doctor Noboru Yasumoto, trained in a Dutch medical school in Nagasaki, aspires to the status of personal physician of the Shogunate, a position currently held by a close relative, and expects to progress through the privileged and insulated army structure of medical education. However, for Yasumoto's post-graduate medical training, he is assigned to a rural clinic under the guidance of Dr. Kyojō Niide, known as Akahige ("Red Beard"). Beneath a gruff exterior, Dr. Niide is a compassionate and wise clinic director.

Yasumoto is initially livid at his posting, believing that he has little to gain from working under Dr. Niide. He assumes that Niide is only interested in seeing Yasumoto's medical notes from Nagasaki, and he rebels against the clinic director. He refuses to see patients or to wear his uniform, disdains the food and spartan environment, and enters a forbidden garden where he meets "The Mantis," a mysterious patient that only Dr. Niide can treat. Meanwhile, we learn that Yasumoto's former fiancée, Chigusa, was unfaithful to him, ending their engagement, and generating a disdain in him for romantic relationships.

As Yasumoto struggles to come to terms with his situation, the film tells the story of a few of the clinic's patients. One of them is Rokusuke, a dying man whom Dr. Niide discerns is troubled by a secret misery that is only revealed when his desperately unhappy daughter shows up. Another is Sahachi, a well-loved man of the town known for his generosity to his neighbours, who has a tragic connection to his wife's corpse which is discovered after a landslide. After committing bigamy, she had him unknowingly kill her by asking that he "Hold me closer" when they were hugging while she surreptitiously held a knife to herself. Dr. Niide brings Yasumoto along to rescue a sick twelve-year-old girl, Otoyo, from a brothel (brutally fighting off a local gang of thugs to do so) and then assigns the girl to Yasumoto as his first patient. Through these experiences, Yasumoto begins to humble himself and open his eyes to the world around him.

When Yasumoto himself falls ill, Dr. Niide asks Otoyo to nurse him back to health, knowing that caring for Yasumoto will also be part of her own continued healing. Chigusa's younger sister, Masae, visits the clinic to check in on Yasumoto, telling him that his mother wants him to visit. Through his mother, Yasumoto learns that Chigusa now has a child with her new lover. Masae later makes a kimono for Otoyo, showing compassion that suggests she might be a good match for Yasumoto. Yasumoto's mother likes Masae and suggests marriage.

Yasumoto begins to understand the magnitude of cruelty and suffering around him, as well as his power to ease that suffering, and learns to regret his vanity and selfishness.

Later, when a local boy, Chôbu, is caught stealing food from the clinic, Otoyo shows him compassion and befriends him, passing on the compassion she received from Niide and Yasumoto. When the brothel's madam comes to the clinic to claim Otoyo and take her back to the brothel, the doctors and clinic staff refuse to let Otoyo go, and chase the madam away. When Chôbu and his destitute family try to escape their misery by taking poison together, the clinic doctors work to save them.

Yasumoto is offered the position of personal physician to the Shogunate he had so coveted. He agrees to marry Masae, but at the wedding announces that he will not accept the new position, but will stay at the clinic, turning down a comfortable and prestigious place in society to continue serving the poor alongside Dr. Niide.

Cast edit

Cast taken from The Criterion Collection.[11]

Production edit

Writing edit

After finishing High and Low (1963), director Akira Kurosawa accidentally picked up Shūgorō Yamamoto's 1959 novel Akahige Shinryōtan.[12] Although he initially believed it would make a good script for fellow director Hiromichi Horikawa, Kurosawa became so interested in it as he wrote, that he knew he would have to direct it himself.[12] Kurosawa completed writing the script for the film in early July 1963, which he co-wrote with screenwriters Masato Ide, Hideo Oguni, and Ryūzō Kikushima.[13] Kurosawa noted that the script was quite different from the book, specifically mentioning how the young girl main character was not in Yamamoto's novel. With this character, Kurosawa tried to show what Fyodor Dostoevsky showed using the character Nellie in Humiliated and Insulted.[12]

Filming edit

 
Kurosawa and Mifune taking a break on set during filming. This film would be the last collaboration between the two because of Kurosawa's increasingly long production schedules for his films, which required Mifune to turn down many other TV and movie offers.

Principal photography began on December 21, 1963,[14] and wrapped up two years later.[8][15] Kurosawa got sick twice during filming, while actors Toshiro Mifune and Yūzō Kayama fell ill once each.[12] Mifune would never again work with Kurosawa because the director's increasingly long production schedules required Mifune to turn down too many other TV and movie offers.[16] The set was intended to be as realistic and historically accurate as possible.[12] Film historian Donald Richie wrote that the main set was an entire town with back alleys and side streets, some of which were never even filmed. The materials used were actually about as old as they were supposed to be, with the tiled roofs taken from buildings more than a century old and all of the lumber taken from the oldest available farmhouses.[12] Costumes and props were "aged" for months before being used; the bedding (made in Tokugawa-period patterns) was actually slept in for up to half a year before shooting. The wood used for the main gate was over a hundred years old, and after filming, it was re-erected at the entrance to the theater that hosted Red Beard's premiere.[12]

Richie wrote that one could argue that Kurosawa "completely wasted his million yen set," as the main street is seen for only one minute (although its destruction was incorporated into the earthquake scene). Likewise, the scenes with the bridges and those in the elaborately constructed paddy are also rather brief. However, tourist bus companies did run tours through the set during the two years it took to make Red Beard.[12]

According to Stephen Prince's audio commentary on the Criterion Collection's 2002 DVD, the film was shot at an aspect ratio of 2.35:1, and was Kurosawa's first film to use a magnetic 4-track stereo soundtrack.[8]

Release edit

Toho was originally slated to release Red Beard during the New Year's holiday season, but it was delayed,[17] forcing producer Tomoyuki Tanaka to produce Ghidorah, the Three-Headed Monster, instead.[18] The film was eventually given a roadshow theatrical release in Japan by Toho on April 3, 1965, and was released throughout Japan on April 24, 1965.[1] The film earned ¥400 million,[6] with ¥361.59 million in distributor rental earnings,[19] making it was one of the highest-grossing Japanese films of 1965.[6] Toho International released the film to theaters in the United States with English subtitles in January 1966, and it was reissued by Frank Lee International in December 1968.[1] In 1978, the film received a theatrical release in France, and sold 200,402 tickets during its theatrical run.[20] The film was screened at the 72nd Venice International Film Festival in 2015.[21]

In 1992, the film was released in the United States on LaserDisc by The Criterion Collection, and on VHS by Media Home Entertainment.[22] The Criterion Collection released the film on DVD in the United States on July 16, 2002.[23] Toho released the film on DVD in Japan on November 21, 2002 and reissued it on February 18, 2015.[24] In 2003, BFI released 'Red Beard' on a Region 2 DVD, with English subtitles. Their copy comes in a box with extensive sleeve notes. In 2014, Madman Entertainment distributed the film on DVD in Region 4.[25]

Reception edit

Critical reception edit

On the review aggregator website Rotten Tomatoes, 75% of 16 critics' reviews are positive, with an average rating of 7.50/10.[26] The film has a score of 4.2/5 on Eiga.com, based on 41 reviews, with 56% of reviewers giving it a 5/5.[27]

The film opened to highly positive reviews in Japan, with many calling it Kurosawa's magnum opus, and winning the Best Film award by the Japanese film magazine Kinema Junpo.[28][29] However, the film received a mixed response from Western audiences; while it was a box-office success in Japan, it failed commercially abroad.[30]

Roger Ebert gave the film four stars in a review dated December 26, 1969, writing "Akira Kurosawa's Red Beard is assembled with the complexity and depth of a good 19th–century novel, and it's a pleasure, in a time of stylishly fragmented films, to watch a director taking the time to fully develop his characters."[31] Michael Sragow of The New Yorker wrote "This 1965 film, the last of Akira Kurosawa's collaboration with Toshiro Mifune, is often derided as a soap opera. But the story of a grizzled nineteenth-century doctor nicknamed Red Beard (Mifune) and his green physician (Yuzo Kayama) who learns human medical values from him — is actually a masterpiece."[7]

In his 2015 Movie Guide, Leonard Maltin gave the film two and a half stars, calling it an "unoriginal drama is also way overlong [sic]."[32]

Accolades edit

Award Year Category Recipient(s) Result Ref(s)
Venice International Film Festival Awards 1965 Golden Lion Nominated [29]
Volpi Cup for Best Actor Toshiro Mifune Won [9]
San Giorgio Prize Won [29]
International Catholic Film Secretariat Award Won
Golden Globe Awards 1965 Best Foreign Language Film Nominated [10]
Moscow International Film Festival Awards 1965 Soviet Filmmakers Alliance Award Won [29]
Blue Ribbon Awards 1965 Best Picture Won [33]
Best Actor Toshiro Mifune Won
Supporting Actress Terumi Niki Won
Silver Frames Awards 1967 Foreign Film Actor Award Toshiro Mifune Won [29]
Mainichi Film Awards 1980 Japan Film Awards Won
Starring Actor Award Toshiro Mifune Won
Kinema Junpo Awards 1980 Japan Film Director Award Akira Kurosawa Won

References edit

  1. ^ a b c d e f g h i j k l m n o p q Galbraith IV 2008, p. 219.
  2. ^ Nollen 2019, p. 238.
  3. ^ Tsuzuki 1980, p. 291.
  4. ^ Kinema Junpo 1986, p. 51.
  5. ^ Kawade Shobō Shinsha 1998, p. 71.
  6. ^ a b c Ryfle & Godziszewski 2017, p. 218.
  7. ^ a b Sragow, Michael. "Red Beard". The New Yorker. from the original on March 2, 2022. Retrieved April 23, 2022.
  8. ^ a b c Prince, Stephen (2002). Red Beard Audio Commentary (DVD). The Criterion Collection.
  9. ^ a b "Redbeard". fiff.ch. Fribourg International Film Festival. from the original on April 25, 2022. Retrieved April 25, 2022.
  10. ^ a b "Red Beard". Golden Globes. Golden Globe Awards. from the original on April 21, 2021. Retrieved April 24, 2022.
  11. ^ "Red Beard". The Criterion Collection. from the original on November 24, 2020. Retrieved April 22, 2022.
  12. ^ a b c d e f g h Richie, Donald (November 19, 1989). "Red Beard". The Criterion Collection. from the original on April 19, 2021. Retrieved November 28, 2020.
  13. ^ Galbraith IV 2002, p. 374.
  14. ^ Galbraith IV 2002, p. 379.
  15. ^ Tsuzuki 2010, p. 337.
  16. ^ Conrad 2022, p. 175.
  17. ^ Ryfle & Godziszewski 2017, p. 215.
  18. ^ Kalat 2007, p. 74.
  19. ^ Kinema Junpo 2012, p. 220.
  20. ^ "Akahige (1978)". JP's Box-Office (in French). from the original on April 12, 2022. Retrieved April 12, 2022.
  21. ^ Maunula, Vili (July 20, 2015). "Restored Red Beard shown at Venice Film Festival". akirakurosawa.info. from the original on June 14, 2021. Retrieved April 24, 2022.
  22. ^ "黒澤明監督作品/LDジャケット特集". LD, DVD, & Blu-ray Gallery (in Japanese). from the original on May 9, 2020. Retrieved April 24, 2022.
  23. ^ "Red Beard". criterionforum.org. The Criterion Collection. from the original on April 25, 2022. Retrieved April 24, 2022.
  24. ^ "赤ひげ : DVD・ブルーレイ". Eiga.com (in Japanese). Kakaku.com. from the original on July 8, 2019. Retrieved April 24, 2022.
  25. ^ "Red Beard". Madman Entertainment NZ. Madman Entertainment. from the original on May 5, 2022. Retrieved May 5, 2022.
  26. ^ "Red Beard". Rotten Tomatoes. Fandango Media. from the original on March 4, 2022. Retrieved April 24, 2022.
  27. ^ "赤ひげ : 作品情報". Eiga.com (in Japanese). Kakaku.com. from the original on April 12, 2022. Retrieved April 24, 2022.
  28. ^ Kinema Junpo 2012, p. 588.
  29. ^ a b c d e . Toho (in Japanese). Archived from the original on March 31, 2016. Retrieved April 22, 2022.
  30. ^ Maunula, Vili (April 3, 2015). "50 years ago today: Akira Kurosawa's Red Beard released". akirakurosawa.info. from the original on June 14, 2021. Retrieved January 8, 2020.
  31. ^ Ebert, Roger (December 26, 1969). "Red Beard". RogerEbert.com. from the original on March 2, 2022. Retrieved January 8, 2020.
  32. ^ Maltin 2014, p. 1162.
  33. ^ . Cinema Hochi (in Japanese). Archived from the original on February 7, 2009. Retrieved April 24, 2022.

Sources edit

External links edit

beard, other, uses, disambiguation, japanese, 赤ひげ, hepburn, akahige, 1965, japanese, jidaigeki, film, written, edited, directed, akira, kurosawa, last, collaboration, with, actor, toshiro, mifune, based, shūgorō, yamamoto, 1959, short, story, collection, akahi. For other uses see Red Beard disambiguation Red Beard Japanese 赤ひげ Hepburn Akahige is a 1965 Japanese jidaigeki film co written edited and directed by Akira Kurosawa in his last collaboration with actor Toshiro Mifune 7 Based on Shugorō Yamamoto s 1959 short story collection Akahige Shinryōtan 1 the film takes place in Koishikawa a district of Edo towards the end of the Tokugawa period and is about the relationship between a town doctor and his new trainee Fyodor Dostoevsky s novel Humiliated and Insulted provided the source for a subplot about a young girl Otoyo Terumi Niki who is rescued from a brothel 8 Red BeardTheatrical release posterDirected byAkira KurosawaScreenplay byMasato Ide 1 Hideo Oguni 1 Ryuzō Kikushima 1 Akira Kurosawa 1 Based onAkahige Shinryōtanby Shugorō Yamamoto 1 Produced byTomoyuki Tanaka 1 Ryuzō Kikushima 1 StarringToshiro Mifune Yuzō Kayama Reiko Dan Kyōko Kagawa Akemi Negishi Miyuki Kuwano Tsutomu Yamazaki Takashi ShimuraCinematographyAsakazu Nakai 1 Takao Saito 1 Edited byAkira Kurosawa 2 Music byMasaru Sato 1 ProductioncompaniesKurosawa Productions 1 Toho 1 Distributed byToho 1 Release datesApril 3 1965 1965 04 03 roadshow April 24 1965 1965 04 24 Japan Running time185 minutes 1 CountryJapanLanguageJapaneseBudget 200 300 million 3 4 5 Box office 400 million 6 Japan The film looks at the problem of social injustice and explores two of Kurosawa s favorite topics humanism and existentialism A few critics have noted the film to be reminiscent in some ways of Ikiru It is Kurosawa s last black and white film The film was a major box office success in Japan but is known for having caused a rift between Mifune and Kurosawa with this being the final collaboration between them after working on 16 films together The film was screened in competition at the 26th Venice International Film Festival Toshiro Mifune won a Volpi Cup for Best Actor for his performance in the film 9 It was also nominated for a Golden Globe for Best Foreign Language Film 10 Contents 1 Plot 2 Cast 3 Production 3 1 Writing 3 2 Filming 4 Release 5 Reception 5 1 Critical reception 5 2 Accolades 6 References 6 1 Sources 7 External linksPlot editThe young and arrogant doctor Noboru Yasumoto trained in a Dutch medical school in Nagasaki aspires to the status of personal physician of the Shogunate a position currently held by a close relative and expects to progress through the privileged and insulated army structure of medical education However for Yasumoto s post graduate medical training he is assigned to a rural clinic under the guidance of Dr Kyojō Niide known as Akahige Red Beard Beneath a gruff exterior Dr Niide is a compassionate and wise clinic director Yasumoto is initially livid at his posting believing that he has little to gain from working under Dr Niide He assumes that Niide is only interested in seeing Yasumoto s medical notes from Nagasaki and he rebels against the clinic director He refuses to see patients or to wear his uniform disdains the food and spartan environment and enters a forbidden garden where he meets The Mantis a mysterious patient that only Dr Niide can treat Meanwhile we learn that Yasumoto s former fiancee Chigusa was unfaithful to him ending their engagement and generating a disdain in him for romantic relationships As Yasumoto struggles to come to terms with his situation the film tells the story of a few of the clinic s patients One of them is Rokusuke a dying man whom Dr Niide discerns is troubled by a secret misery that is only revealed when his desperately unhappy daughter shows up Another is Sahachi a well loved man of the town known for his generosity to his neighbours who has a tragic connection to his wife s corpse which is discovered after a landslide After committing bigamy she had him unknowingly kill her by asking that he Hold me closer when they were hugging while she surreptitiously held a knife to herself Dr Niide brings Yasumoto along to rescue a sick twelve year old girl Otoyo from a brothel brutally fighting off a local gang of thugs to do so and then assigns the girl to Yasumoto as his first patient Through these experiences Yasumoto begins to humble himself and open his eyes to the world around him When Yasumoto himself falls ill Dr Niide asks Otoyo to nurse him back to health knowing that caring for Yasumoto will also be part of her own continued healing Chigusa s younger sister Masae visits the clinic to check in on Yasumoto telling him that his mother wants him to visit Through his mother Yasumoto learns that Chigusa now has a child with her new lover Masae later makes a kimono for Otoyo showing compassion that suggests she might be a good match for Yasumoto Yasumoto s mother likes Masae and suggests marriage Yasumoto begins to understand the magnitude of cruelty and suffering around him as well as his power to ease that suffering and learns to regret his vanity and selfishness Later when a local boy Chobu is caught stealing food from the clinic Otoyo shows him compassion and befriends him passing on the compassion she received from Niide and Yasumoto When the brothel s madam comes to the clinic to claim Otoyo and take her back to the brothel the doctors and clinic staff refuse to let Otoyo go and chase the madam away When Chobu and his destitute family try to escape their misery by taking poison together the clinic doctors work to save them Yasumoto is offered the position of personal physician to the Shogunate he had so coveted He agrees to marry Masae but at the wedding announces that he will not accept the new position but will stay at the clinic turning down a comfortable and prestigious place in society to continue serving the poor alongside Dr Niide Cast editToshiro Mifune as Dr Kyojō Niide also known as Red Beard a rough tempered yet charitable town doctor and martial artist Yuzō Kayama as Dr Noboru Yasumoto Tsutomu Yamazaki as Sahachi Reiko Dan as Osugi a servant Miyuki Kuwano as Onaka Kyōko Kagawa as The Mantis a madwoman Tatsuyoshi Ehara as Genzo Tsugawa Terumi Niki as Otoyo Akemi Negishi as Okuni Yoshitaka Zushi as Chobu Yoshio Tsuchiya as Dr Handayu Mori Eijirō Tōno as Goheiji Takashi Shimura as Tokubei Izumiya Chishu Ryu as Noboru s father Kinuyo Tanaka as Noboru s mother Kōji Mitsui as Heikichi Haruko Sugimura as Kin the madam of a local brothel Cast taken from The Criterion Collection 11 Production editWriting edit After finishing High and Low 1963 director Akira Kurosawa accidentally picked up Shugorō Yamamoto s 1959 novel Akahige Shinryōtan 12 Although he initially believed it would make a good script for fellow director Hiromichi Horikawa Kurosawa became so interested in it as he wrote that he knew he would have to direct it himself 12 Kurosawa completed writing the script for the film in early July 1963 which he co wrote with screenwriters Masato Ide Hideo Oguni and Ryuzō Kikushima 13 Kurosawa noted that the script was quite different from the book specifically mentioning how the young girl main character was not in Yamamoto s novel With this character Kurosawa tried to show what Fyodor Dostoevsky showed using the character Nellie in Humiliated and Insulted 12 Filming edit nbsp Kurosawa and Mifune taking a break on set during filming This film would be the last collaboration between the two because of Kurosawa s increasingly long production schedules for his films which required Mifune to turn down many other TV and movie offers Principal photography began on December 21 1963 14 and wrapped up two years later 8 15 Kurosawa got sick twice during filming while actors Toshiro Mifune and Yuzō Kayama fell ill once each 12 Mifune would never again work with Kurosawa because the director s increasingly long production schedules required Mifune to turn down too many other TV and movie offers 16 The set was intended to be as realistic and historically accurate as possible 12 Film historian Donald Richie wrote that the main set was an entire town with back alleys and side streets some of which were never even filmed The materials used were actually about as old as they were supposed to be with the tiled roofs taken from buildings more than a century old and all of the lumber taken from the oldest available farmhouses 12 Costumes and props were aged for months before being used the bedding made in Tokugawa period patterns was actually slept in for up to half a year before shooting The wood used for the main gate was over a hundred years old and after filming it was re erected at the entrance to the theater that hosted Red Beard s premiere 12 Richie wrote that one could argue that Kurosawa completely wasted his million yen set as the main street is seen for only one minute although its destruction was incorporated into the earthquake scene Likewise the scenes with the bridges and those in the elaborately constructed paddy are also rather brief However tourist bus companies did run tours through the set during the two years it took to make Red Beard 12 According to Stephen Prince s audio commentary on the Criterion Collection s 2002 DVD the film was shot at an aspect ratio of 2 35 1 and was Kurosawa s first film to use a magnetic 4 track stereo soundtrack 8 Release editToho was originally slated to release Red Beard during the New Year s holiday season but it was delayed 17 forcing producer Tomoyuki Tanaka to produce Ghidorah the Three Headed Monster instead 18 The film was eventually given a roadshow theatrical release in Japan by Toho on April 3 1965 and was released throughout Japan on April 24 1965 1 The film earned 400 million 6 with 361 59 million in distributor rental earnings 19 making it was one of the highest grossing Japanese films of 1965 6 Toho International released the film to theaters in the United States with English subtitles in January 1966 and it was reissued by Frank Lee International in December 1968 1 In 1978 the film received a theatrical release in France and sold 200 402 tickets during its theatrical run 20 The film was screened at the 72nd Venice International Film Festival in 2015 21 In 1992 the film was released in the United States on LaserDisc by The Criterion Collection and on VHS by Media Home Entertainment 22 The Criterion Collection released the film on DVD in the United States on July 16 2002 23 Toho released the film on DVD in Japan on November 21 2002 and reissued it on February 18 2015 24 In 2003 BFI released Red Beard on a Region 2 DVD with English subtitles Their copy comes in a box with extensive sleeve notes In 2014 Madman Entertainment distributed the film on DVD in Region 4 25 Reception editCritical reception edit On the review aggregator website Rotten Tomatoes 75 of 16 critics reviews are positive with an average rating of 7 50 10 26 The film has a score of 4 2 5 on Eiga com based on 41 reviews with 56 of reviewers giving it a 5 5 27 The film opened to highly positive reviews in Japan with many calling it Kurosawa s magnum opus and winning the Best Film award by the Japanese film magazine Kinema Junpo 28 29 However the film received a mixed response from Western audiences while it was a box office success in Japan it failed commercially abroad 30 Roger Ebert gave the film four stars in a review dated December 26 1969 writing Akira Kurosawa s Red Beard is assembled with the complexity and depth of a good 19th century novel and it s a pleasure in a time of stylishly fragmented films to watch a director taking the time to fully develop his characters 31 Michael Sragow of The New Yorker wrote This 1965 film the last of Akira Kurosawa s collaboration with Toshiro Mifune is often derided as a soap opera But the story of a grizzled nineteenth century doctor nicknamed Red Beard Mifune and his green physician Yuzo Kayama who learns human medical values from him is actually a masterpiece 7 In his 2015 Movie Guide Leonard Maltin gave the film two and a half stars calling it an unoriginal drama is also way overlong sic 32 Accolades edit Award Year Category Recipient s Result Ref s Venice International Film Festival Awards 1965 Golden Lion Nominated 29 Volpi Cup for Best Actor Toshiro Mifune Won 9 San Giorgio Prize Won 29 International Catholic Film Secretariat Award Won Golden Globe Awards 1965 Best Foreign Language Film Nominated 10 Moscow International Film Festival Awards 1965 Soviet Filmmakers Alliance Award Won 29 Blue Ribbon Awards 1965 Best Picture Won 33 Best Actor Toshiro Mifune Won Supporting Actress Terumi Niki Won Silver Frames Awards 1967 Foreign Film Actor Award Toshiro Mifune Won 29 Mainichi Film Awards 1980 Japan Film Awards Won Starring Actor Award Toshiro Mifune Won Kinema Junpo Awards 1980 Japan Film Director Award Akira Kurosawa WonReferences edit a b c d e f g h i j k l m n o p q Galbraith IV 2008 p 219 Nollen 2019 p 238 Tsuzuki 1980 p 291 Kinema Junpo 1986 p 51 Kawade Shobō Shinsha 1998 p 71 a b c Ryfle amp Godziszewski 2017 p 218 a b Sragow Michael Red Beard The New Yorker Archived from the original on March 2 2022 Retrieved April 23 2022 a b c Prince Stephen 2002 Red Beard Audio Commentary DVD The Criterion Collection a b Redbeard fiff ch Fribourg International Film Festival Archived from the original on April 25 2022 Retrieved April 25 2022 a b Red Beard Golden Globes Golden Globe Awards Archived from the original on April 21 2021 Retrieved April 24 2022 Red Beard The Criterion Collection Archived from the original on November 24 2020 Retrieved April 22 2022 a b c d e f g h Richie Donald November 19 1989 Red Beard The Criterion Collection Archived from the original on April 19 2021 Retrieved November 28 2020 Galbraith IV 2002 p 374 Galbraith IV 2002 p 379 Tsuzuki 2010 p 337 Conrad 2022 p 175 Ryfle amp Godziszewski 2017 p 215 Kalat 2007 p 74 Kinema Junpo 2012 p 220 Akahige 1978 JP s Box Office in French Archived from the original on April 12 2022 Retrieved April 12 2022 Maunula Vili July 20 2015 Restored Red Beard shown at Venice Film Festival akirakurosawa info Archived from the original on June 14 2021 Retrieved April 24 2022 黒澤明監督作品 LDジャケット特集 LD DVD amp Blu ray Gallery in Japanese Archived from the original on May 9 2020 Retrieved April 24 2022 Red Beard criterionforum org The Criterion Collection Archived from the original on April 25 2022 Retrieved April 24 2022 赤ひげ DVD ブルーレイ Eiga com in Japanese Kakaku com Archived from the original on July 8 2019 Retrieved April 24 2022 Red Beard Madman Entertainment NZ Madman Entertainment Archived from the original on May 5 2022 Retrieved May 5 2022 Red Beard Rotten Tomatoes Fandango Media Archived from the original on March 4 2022 Retrieved April 24 2022 赤ひげ 作品情報 Eiga com in Japanese Kakaku com Archived from the original on April 12 2022 Retrieved April 24 2022 Kinema Junpo 2012 p 588 a b c d e 赤ひげ Toho in Japanese Archived from the original on March 31 2016 Retrieved April 22 2022 Maunula Vili April 3 2015 50 years ago today Akira Kurosawa s Red Beard released akirakurosawa info Archived from the original on June 14 2021 Retrieved January 8 2020 Ebert Roger December 26 1969 Red Beard RogerEbert com Archived from the original on March 2 2022 Retrieved January 8 2020 Maltin 2014 p 1162 ブルーリボン賞ヒストリー Cinema Hochi in Japanese Archived from the original on February 7 2009 Retrieved April 24 2022 Sources edit Conrad David A 2022 Akira Kurosawa and Modern Japan McFarland amp Company ISBN 978 1476686745 Galbraith IV Stuart 2002 The Emperor and the Wolf The Lives and Films of Akira Kurosawa and Toshiro Mifune Faber and Faber Inc ISBN 978 0 571 19982 2 Galbraith IV Stuart 2008 The Toho Studios Story A History and Complete Filmography Scarecrow Press ISBN 9781461673743 Kalat David 2007 A Critical History and Filmography of Toho s Godzilla Series McFarland amp Company ISBN 978 0786430994 Akira Kurosawa in Japanese Kawade Shobō Shinsha December 1998 ISBN 9784309975672 Kinema Junpo Best Ten 85th Complete History 1924 2011 Kinema Junpo in Japanese Kinema Junposha May 17 2012 ISBN 9784873767550 Kinema Junpo Issues 935 938 Kinema Junpo in Japanese Kinema Junposha 1986 Maltin Leonard September 2 2014 Leonard Maltin s 2015 Movie Guide New York Penguin Group ISBN 978 0451468499 Nollen Scott Allen March 14 2019 Takashi Shimura Chameleon of Japanese Cinema McFarland amp Company ISBN 978 1 4766 3569 9 Ryfle Steve Godziszewski Ed 2017 Ishiro Honda A Life in Film from Godzilla to Kurosawa Wesleyan University Press ISBN 9780819570871 Tsuzuki Masaaki 2010 The Complete Works and Life of Akira Kurosawa in Japanese Iwanami Shoten ISBN 9784487804344 Tsuzuki Masaaki 1980 To Live The World of Akira Kurosawa in Japanese Marujusha ASIN B000J840BS External links editRed Beard at IMDb nbsp Red Beard at AllMovie Red Beard at the TCM Movie Database Red Beard in Japanese at the Japanese Movie Database Red Beard at Rotten Tomatoes Retrieved from https en wikipedia org w index php title Red Beard amp oldid 1217317999, wikipedia, wiki, book, books, library,

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