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Air (music)

An air (Italian: aria; also ayr, ayre in French) is a song-like vocal or instrumental composition. The term can also be applied to the interchangeable melodies of folk songs and ballads. It is a variant of the musical song form often referred to (in opera, cantata and oratorio) as aria.

English lute ayres

Lute airs were first produced in the royal court of England toward the end of the 16th century and enjoyed considerable popularity until the 1620s. Probably based on Italian monody and French air de cour, they were solo songs, occasionally with more (usually three) parts, accompanied on a lute.[1] (p. 306). Their popularity began with the publication of John Dowland's (1563–1626) First Booke of Songs or Ayres (1597). His most famous airs include "Come again", "Flow, my tears", "I saw my Lady weepe", and "In darkness let me dwell".[1] The genre was further developed by Thomas Campion (1567–1620) whose Books of Airs (1601) (co-written with Philip Rosseter) contains over 100 lute songs and was reprinted four times in the 1610s.[2] Although this printing boom died out in the 1620s, ayres continued to be written and performed and were often incorporated into court masques.[1] (p. 309).

Baroque and classical airs

By the 18th century, composers wrote airs for instrumental ensembles without a voice. These were song-like, lyrical pieces, often movements in a larger composition. Johann Sebastian Bach composed two of the best-known airs: the second movement of his Suite No. 3 in D major, BWV 1068, which August Wilhelmj arranged for violin and piano as Air on the G String; and the theme of his Goldberg Variations, BWV 988, the Air present also in Partitas BWV 825–830 harpsichord. The fifth movement of George Frideric Handel's Suite in F Major, HWV 348, part of Handel's Water Music collection, is another frequently performed air.

See also

Notes

  1. ^ a b c G. J. Buelow, History of Baroque Music: Music in the 17th and First Half of the 18th Centuries, Indiana University Press, 2004
  2. ^ C. MacClintock, Readings in the history of music in performance, Indiana University Press, 1982, p. 194.

music, bach, 1068, orchestral, suites, bach, popular, arrangements, 1068, string, french, musical, french, band, italian, aria, also, ayre, french, song, like, vocal, instrumental, composition, term, also, applied, interchangeable, melodies, folk, songs, balla. For Bach s BWV 1068 see Orchestral Suites Bach For popular arrangements of BWV 1068 see Air on the G String For the French musical duo see Air French band An air Italian aria also ayr ayre in French is a song like vocal or instrumental composition The term can also be applied to the interchangeable melodies of folk songs and ballads It is a variant of the musical song form often referred to in opera cantata and oratorio as aria Contents 1 English lute ayres 2 Baroque and classical airs 3 See also 4 NotesEnglish lute ayres EditLute airs were first produced in the royal court of England toward the end of the 16th century and enjoyed considerable popularity until the 1620s Probably based on Italian monody and French air de cour they were solo songs occasionally with more usually three parts accompanied on a lute 1 p 306 Their popularity began with the publication of John Dowland s 1563 1626 First Booke of Songs or Ayres 1597 His most famous airs include Come again Flow my tears I saw my Lady weepe and In darkness let me dwell 1 The genre was further developed by Thomas Campion 1567 1620 whose Books of Airs 1601 co written with Philip Rosseter contains over 100 lute songs and was reprinted four times in the 1610s 2 Although this printing boom died out in the 1620s ayres continued to be written and performed and were often incorporated into court masques 1 p 309 Baroque and classical airs EditBy the 18th century composers wrote airs for instrumental ensembles without a voice These were song like lyrical pieces often movements in a larger composition Johann Sebastian Bach composed two of the best known airs the second movement of his Suite No 3 in D major BWV 1068 which August Wilhelmj arranged for violin and piano as Air on the G String and the theme of his Goldberg Variations BWV 988 the Air present also in Partitas BWV 825 830 harpsichord The fifth movement of George Frideric Handel s Suite in F Major HWV 348 part of Handel s Water Music collection is another frequently performed air See also EditAria Orchestral Suites Bach Air on the G StringNotes Edit a b c G J Buelow History of Baroque Music Music in the 17th and First Half of the 18th Centuries Indiana University Press 2004 C MacClintock Readings in the history of music in performance Indiana University Press 1982 p 194 Retrieved from https en wikipedia org w index php title Air music amp oldid 1100873875, wikipedia, wiki, book, books, library,

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