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Ableton Live

Ableton Live is a digital audio workstation for macOS and Windows developed by the German company Ableton. In contrast to many other software sequencers, Ableton Live is designed to be an instrument for live performances as well as a tool for composing, recording, arranging, mixing, and mastering. It is also used by DJs, as it offers a suite of controls for beatmatching, crossfading, and other different effects used by turntablists, and was one of the first music applications to automatically beatmatch songs. Live is available directly from Ableton in three editions: Intro (with limited key features), Standard, and Suite.[3] Ableton also make a fourth version, Lite, with similar limitations to Intro. It is only available bundled with a range of music production hardware, including MIDI controllers and audio interfaces.[4]

Ableton Live
Developer(s)Ableton
Initial releaseOctober 30, 2001; 21 years ago (October 30, 2001)
Stable release
11.2.7[1] / 15 December 2022 (2022-12-15)
Written inC++
Operating systemWindows, macOS
TypeDigital audio workstation
LicenseProprietary[2]
Websitewww.ableton.com
A screenshot of Ableton Live 9 with a project open in session view

History

 
Ableton Live co-creator Robert Henke

Ableton Live was created by Gerhard Behles, Robert Henke and Bernd Roggendorf in the mid-1990s.[5] Henke left Ableton in 2016 to concentrate on Monolake.[5] Behles and Henke met while studying programming at the Technical University of Berlin, and wrote software in the music programming language Max to perform techno as their band Monolake. Henke and Behles identified a need in Berlin's electronic music scene for user-friendly software for live performances, and worked with local acts to develop it.[5] Though Live was not developed in Max, Max was used to prototype most of its features.[6]

Henke said later: "I think the feeling we had was [that] there was enough like-minded people in our closer community who could appreciate a product like this, and that it could work commercially. That gave us confidence to believe that a small company could actually survive on the market."[5] He said one of the first industry figures to recognise Live's potential was the Hollywood composer Hans Zimmer, who was impressed by Live's ability to change the tempo of a loop without altering its pitch.[5] Roggendorf, another programmer, joined Behles and Henke in the late 90s and helped them turn their Max patches into a general set of software for retail.[5] They released the first commercial version of Live on October 30, 2001.[7]

Unlike Pro Tools, which focuses on multitrack recording, the first version of Ableton Live was designed for performing with loops.[6] It offered sophisticated tools for triggering loops, playing samples and timestretching audio, and was immediately popular with electronic music producers.[6] Live's timestretching algorithm, known as "warping", was particularly notable and gave DJs greater control over mixing and beatmatching, smoothly blending tracks of different tempos.[6]

Live expanded to become a digital audio workstation (DAW) with a MIDI sequencer and support for virtual studio technology (VST).[6] In 2010, Ableton introduced Max for Live, enabling connectivity between Max and Live.[6] Live made it easier for musicians to use computers as instruments in live performance without programming their own software, influencing the rise of global festival culture in the 2000s.[5]

Major releases
Version Released
Live 1.0 30 October 2001
Live 2.0 22 December 2002[8]
Live 3 10 October 2003[9]
Live 4 28 July 2004[10]
Live 5 24 July 2005[11]
Live 6 29 September 2006[12]
Live 7 29 November 2007[13]
Live 8 2 April 2009[14][15]
Live 9 5 March 2013[16]
Live 10 6 February 2018
Live 11 23 February 2021[17]

Features

Views

Live's user interface is composed of two 'Views' – the Arrangement View and the Session View. Live utilizes audio sample or MIDI sequences, referred to as Clips, which are arranged to be played live (i.e. triggered) or played back in a pre-arranged order. MIDI triggers notes on Live's built in instruments, as well as third party VST instruments or external hardware.[18]

The Session View offers a grid-based representation of all of the Clips in a Live Set. These clips can be arranged into scenes which can then be triggered as a unit. For instance a drum, bass and guitar track might comprise a single scene. When moving on to the next scene, which may feature a synth bassline, the artist will trigger the scene, activating the clips for that scene.

The Arrangement View offers a horizontal music production timeline of Clips that is more similar to a traditional software sequencer interface. The Arrangement View is used for recording tracks from the session view and further manipulating their arrangement and effects. It is also used for manual MIDI sequencing.[19]

Instruments

The Intro version of Live includes four instruments (Impulse, Simpler, Instrument Rack, and Drum Rack) and the Standard version of Live additionally includes External Instrument, with users having the option to purchase additional instruments. By contrast, Live Suite includes all available instruments.

  • Impulse - a traditional drum triggering instrument which allows the user to define a kit of up to eight drum sounds, each based on a single sample. There are a number of effects available such as basic equalization, attack, decay, pitch shift, etc. Once the kit is defined, rhythms and beats are created through Live's MIDI sequencer.
  • Simpler - a basic sampling instrument. It functions using a single audio sample, applying simple effects, and envelopes, finally applying pitch transformations in the form of Granular synthesis. In this case, incoming MIDI does not trigger drums as it does in Impulse, but selects the final pitch of the sample, with C3 playing the sample at its original pitch.
  • Drum Rack - a sampler for drums. MIDI notes trigger individual "Simplers" so rather than triggering one sample at multiple pitches, individual samples are triggered at predefined pitches, as is suitable for MIDI drum programming. As is usual with Ableton almost anything can be drag dropped to or from the drum racks; for example, one can drop an audio clip or any MIDI device onto a drum rack note.
  • Instrument Rack - allows the user to combine multiple instruments and effects into a single device, allowing for split and layered sounds with customized macro controls.
  • Analog - simulates an analog synthesizer.
  • Bass - a monophonic virtual analog bass synthesizer.
  • Collision - a mallet percussion physical modelling synthesizer.
  • Drum Synths - 8 devices for creating drum and percussion sounds via synthesis.
  • Electric - an electric piano instrument.
  • Operator - an FM synthesizer.
  • Poli - a virtual analog synthesizer that combines subtractive and FM synthesis
  • Sampler - an enhanced sampler.
  • Tension - a string physical modelling synthesizer.
  • Wavetable - a wavetable synthesizer featuring two oscillators and re-mappable modulation sources.

Ableton also offers a selection of Add-on Sample Packs with which a user can expand the sound libraries for their instruments.

  • Session Drums - a collection of sampled drum kits.
  • Latin Percussion - a collection of sampled latin percussion hits and loops.
  • Essential Instruments Collection - a large collection of acoustic and electric instrument samples.
  • Orchestral Instrument Collection - a collection of four different orchestral libraries, which can be purchased individually or as a bundle: Orchestral Strings, Orchestral Brass, Orchestral Woodwinds and Orchestral Percussion. The Orchestral Instrument Collection is included upon purchase of Live Suite but must be downloaded separately.

[20]

Dedicated hardware instruments

Akai Professional makes the APC40 mk II, a MIDI controller designed to work solely with Ableton Live. A smaller version, the APC20, was released in 2010.[21] Though there are many MIDI controllers compatible with Live, these Akai units try to closely map the actual Ableton Live layout onto physical space. Novation Digital Music Systems has created the "Launchpad" which is a pad device that has been designed for use with Live. There are currently four different Launchpad models: Launchpad Mini, Launchpad X, Launchpad Pro, and Launchpad Control. Ableton has also released their own MIDI controller, the Push, which is the first pad-based controller that embraces scales and melody.[22] In November 2015, Ableton released an updated MIDI controller, the Push 2, along with Live 9.5.[23] Push 2, in terms of its design, features a new colorful display, improved buttons and pads, and a lighter frame.[24]

Effects

Most of Live's effects are already common effects in the digital signal processing world which have been adapted to fit Live's interface. They are tailored to suit Live's target audience – electronic musicians and DJs - but may also be used for other recording tasks such as processing a guitar rig. The effects featured in Ableton Live are grouped into two categories - MIDI effects and audio effects.

Audio effects MIDI effects
  • Amp
  • Audio Effect Rack
  • Auto Filter
  • Auto Pan
  • Beat Repeat
  • Cabinet
  • Channel EQ
  • Chorus
  • Color Limiter
  • Compressor
  • Convolution Reverb
  • Corpus
  • CV Clock In
  • CV Clock Out
  • CV Envelope Follower
  • CV Instrument
  • CV In
  • CV LFO
  • CV Shaper
  • CV Triggers
  • CV Utility
  • Delay
  • Drum Buss
  • Dynamic Tube
  • Echo
  • EQ Three
  • Erosion
  • Arpeggiator
  • Chord
  • Envelope
  • Envelope Follower
  • Expression Control
  • LFO
  • Melodic Steps
  • MIDI Monitor
  • MIDI Effect Rack
  • MPE Control
  • Note Echo
  • Note Length
  • Pitch
  • Random
  • Rotating Rhythm Generator
  • Scale
  • Shaper
  • Velocity

Live is also able to host VST plugins and, on the macOS version, Audio Unit plug-ins as well as Max for Live devices since Live 9.

Working with audio clips

 
Sasha playing a DJ set using Ableton Live running on an iMac G5.

In addition to the instruments mentioned above, Live can work with samples. Live attempts to do beat analysis of the samples to find their meter, number of bars and the number of beats per minute. This makes it possible for Live to shift these samples to fit into loops that are tied into the piece's global tempo.

Additionally, Live's Time Warp feature can be used to either correct or adjust beat positions in the sample. By setting warp markers to a specific point in the sample, arbitrary points in the sample can be pegged to positions in the measure. For instance a drum beat that fell 250 ms after the midpoint in measure may be adjusted so that it will be played back precisely at the midpoint.

Some artists and online stores, such as The Covert Operators and Puremagnetik, now make available sample packs that are pre-adjusted, with tempo information and warp markers added. The audio files are accompanied with an "analysis file" in Live's native format (.asd files).[25][26]

Ableton Live also supports Audio To MIDI, which converts audio samples into a sequence of MIDI notes using three different conversion methods including conversion to Melody, Harmony, or Rhythm. Once finished, Live will create a new MIDI track containing the fresh MIDI notes along with an instrument to play back the notes. Audio to midi conversion is not always 100% accurate and may require the artist or producer to manually adjust some notes.[27] See Fourier transform.

Envelopes

Almost all of the parameters in Live can be automated by envelopes which may be drawn either on clips, in which case they will be used in every performance of that clip, or on the entire arrangement. The most obvious examples are volume and track panning, but envelopes are also used in Live to control parameters of audio devices such as the root note of a resonator or a filter's cutoff frequency. Clip envelopes may also be mapped to MIDI controls, which can also control parameters in real-time using sliders, faders and such. Using the global transport record function will also record changes made to these parameters, creating an envelope for them.

User interface

Much of Live's interface comes from being designed for use in live performance, as well as for production.[28] There are few pop up messages or dialogs. Portions of the interface are hidden and shown based on arrows which may be clicked to show or hide a certain segment (e.g. to hide the instrument/effect list or to show or hide the help box).

Live now supports latency compensation for plug-in and mixer automation.


See also

References

  1. ^ "Live 11 Release Notes". Retrieved 16 August 2021.
  2. ^ "Ableton Live End Use License Agreement". from the original on August 19, 2014. Retrieved August 18, 2014.
  3. ^ "Live comes in three editions: Intro, Standard and Suite. They share common features, but Standard and Suite have additional features, instruments, effects, and Packs". Ableton. Retrieved 23 February 2021.
  4. ^ "Ableton Live 11 Lite is a fresh and easy way to write, record, produce and perform your own songs. It comes with many hardware products for free. Your license will never expire". Ableton. Retrieved 8 January 2022.
  5. ^ a b c d e f g Slater, Maya-Roisin (28 November 2021). "The untold story of Ableton Live—the program that transformed electronic music performance forever". Vice. Retrieved 2022-08-05.
  6. ^ a b c d e f Musicpublished, Future (2011-01-13). "A brief history of Ableton Live". MusicRadar. Retrieved 2022-08-05.
  7. ^ Battino, David; Richards, Kelli (2005). The Art of Digital Music. San Francisco, CA: Backbeat Books. p. 3. ISBN 0-87930-830-3.
  8. ^ Sasso, Len. "Ableton Live 2.0". Electronic Musician. Future Publishing Limited Quay House. Retrieved 8 August 2019.
  9. ^ Anderton, Craig. "Ableton Live 3.0". Electronic Musician. Future Publishing Limited Quay House. Retrieved 8 August 2019.
  10. ^ Sasso, Len. "Ableton Live 4.0". Electronic Musician. Future Publishing Limited Quay House. Retrieved 8 August 2019.
  11. ^ Sasso, Len. "Ableton Live 5". Electronic Musician. Future Music Publishing Quay House. Retrieved 9 August 2019.
  12. ^ Sasso, Len. "Ableton Live 6.0.1". Electronic Musician. Future Publishing Limited Quay House. Retrieved 9 August 2019.
  13. ^ Anderton, Craig. "Ableton Live 7". Electronic Musician. Future Publishing Limited Quay House. Retrieved 9 August 2019.
  14. ^ Rothwell, Nick. "Ableton Live Suite 8". Sound On Sound. SOS Publications Group. Retrieved 8 August 2019.
  15. ^ "Ableton Live 8". MusicRadar. Future Plc. 5 May 2009. Retrieved 8 August 2019.
  16. ^ Rothwell, Nick. "Ableton Live 9 & Push". Sound On Sound. SOS Publications Group. Retrieved 13 August 2019.
  17. ^ "Live 11 – coming February 23, 2021 | Ableton". www.ableton.com. Retrieved 2022-08-12.
  18. ^ Musicpublished, Future (2021-10-28). "The history of Ableton Live in 10 key updates". MusicRadar. Retrieved 2022-07-05.
  19. ^ "A brief history of Ableton Live". Future Music. Future Music Publishing Quay House. 13 January 2011. Retrieved 13 August 2019.
  20. ^ "Live 10 comes in three editions: Intro, Standard and Suite. They share common features, but Standard and Suite have additional features, instruments, effects, and Packs". Ableton.com. Retrieved 18 May 2020.
  21. ^ The MusicRadar team (2010-01-14). "NAMM 2010: Akai APC20 Ableton Live controller announced". MusicRadar. Retrieved 2021-12-20.
  22. ^ "Using Push — Ableton Reference Manual Version 10 - Ableton". www.ableton.com. from the original on 2014-11-10.
  23. ^ "RA News: Ableton unveils Push 2 and Live 9.5". from the original on 2017-10-23. Retrieved 2017-06-27. Resident Advisor News: Ableton unveils Push 2 and Live 9.5
  24. ^ "Create music with Ableton Push | Ableton". www.ableton.com. Retrieved 2021-02-04.
  25. ^ "The Covert Operators - Ableton Live Packs". from the original on 2011-08-07. Retrieved 2011-08-05.
  26. ^ "Puremagnetik". from the original on 16 December 2008. Retrieved 2008-12-17.
  27. ^ "Hands-on with Ableton Live 9: Audio to MIDI". MusicRadar. 27 February 2013. from the original on 2016-03-03. Retrieved 2016-02-23.
  28. ^ Tusa, Scott. . O'Reilly Digital Media. Archived from the original on 2009-04-09. Retrieved 2009-04-19. This user-friendly program was designed for live performances by musicians who wanted to use the recording studio like a musical instrument. As performers and recording engineers, they felt stymied by the non-real-time nature of typical audio programs, so they wrote their own.

External links

  • Ableton's official website

ableton, live, this, article, multiple, issues, please, help, improve, discuss, these, issues, talk, page, learn, when, remove, these, template, messages, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding, . This article has multiple issues Please help improve it or discuss these issues on the talk page Learn how and when to remove these template messages This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Ableton Live news newspapers books scholar JSTOR June 2019 Learn how and when to remove this template message Some of this article s listed sources may not be reliable Please help this article by looking for better more reliable sources Unreliable citations may be challenged or deleted June 2019 Learn how and when to remove this template message Learn how and when to remove this template message Ableton Live is a digital audio workstation for macOS and Windows developed by the German company Ableton In contrast to many other software sequencers Ableton Live is designed to be an instrument for live performances as well as a tool for composing recording arranging mixing and mastering It is also used by DJs as it offers a suite of controls for beatmatching crossfading and other different effects used by turntablists and was one of the first music applications to automatically beatmatch songs Live is available directly from Ableton in three editions Intro with limited key features Standard and Suite 3 Ableton also make a fourth version Lite with similar limitations to Intro It is only available bundled with a range of music production hardware including MIDI controllers and audio interfaces 4 Ableton LiveDeveloper s AbletonInitial releaseOctober 30 2001 21 years ago October 30 2001 Stable release11 2 7 1 15 December 2022 2022 12 15 Written inC Operating systemWindows macOSTypeDigital audio workstationLicenseProprietary 2 Websitewww ableton comA screenshot of Ableton Live 9 with a project open in session view Contents 1 History 2 Features 2 1 Views 2 2 Instruments 2 3 Dedicated hardware instruments 2 4 Effects 2 5 Working with audio clips 2 6 Envelopes 2 7 User interface 3 See also 4 References 5 External linksHistory Edit Ableton Live co creator Robert Henke Ableton Live was created by Gerhard Behles Robert Henke and Bernd Roggendorf in the mid 1990s 5 Henke left Ableton in 2016 to concentrate on Monolake 5 Behles and Henke met while studying programming at the Technical University of Berlin and wrote software in the music programming language Max to perform techno as their band Monolake Henke and Behles identified a need in Berlin s electronic music scene for user friendly software for live performances and worked with local acts to develop it 5 Though Live was not developed in Max Max was used to prototype most of its features 6 Henke said later I think the feeling we had was that there was enough like minded people in our closer community who could appreciate a product like this and that it could work commercially That gave us confidence to believe that a small company could actually survive on the market 5 He said one of the first industry figures to recognise Live s potential was the Hollywood composer Hans Zimmer who was impressed by Live s ability to change the tempo of a loop without altering its pitch 5 Roggendorf another programmer joined Behles and Henke in the late 90s and helped them turn their Max patches into a general set of software for retail 5 They released the first commercial version of Live on October 30 2001 7 Unlike Pro Tools which focuses on multitrack recording the first version of Ableton Live was designed for performing with loops 6 It offered sophisticated tools for triggering loops playing samples and timestretching audio and was immediately popular with electronic music producers 6 Live s timestretching algorithm known as warping was particularly notable and gave DJs greater control over mixing and beatmatching smoothly blending tracks of different tempos 6 Live expanded to become a digital audio workstation DAW with a MIDI sequencer and support for virtual studio technology VST 6 In 2010 Ableton introduced Max for Live enabling connectivity between Max and Live 6 Live made it easier for musicians to use computers as instruments in live performance without programming their own software influencing the rise of global festival culture in the 2000s 5 Major releases Version ReleasedLive 1 0 30 October 2001Live 2 0 22 December 2002 8 Live 3 10 October 2003 9 Live 4 28 July 2004 10 Live 5 24 July 2005 11 Live 6 29 September 2006 12 Live 7 29 November 2007 13 Live 8 2 April 2009 14 15 Live 9 5 March 2013 16 Live 10 6 February 2018Live 11 23 February 2021 17 Features EditViews Edit Live s user interface is composed of two Views the Arrangement View and the Session View Live utilizes audio sample or MIDI sequences referred to as Clips which are arranged to be played live i e triggered or played back in a pre arranged order MIDI triggers notes on Live s built in instruments as well as third party VST instruments or external hardware 18 The Session View offers a grid based representation of all of the Clips in a Live Set These clips can be arranged into scenes which can then be triggered as a unit For instance a drum bass and guitar track might comprise a single scene When moving on to the next scene which may feature a synth bassline the artist will trigger the scene activating the clips for that scene The Arrangement View offers a horizontal music production timeline of Clips that is more similar to a traditional software sequencer interface The Arrangement View is used for recording tracks from the session view and further manipulating their arrangement and effects It is also used for manual MIDI sequencing 19 Instruments Edit The Intro version of Live includes four instruments Impulse Simpler Instrument Rack and Drum Rack and the Standard version of Live additionally includes External Instrument with users having the option to purchase additional instruments By contrast Live Suite includes all available instruments Impulse a traditional drum triggering instrument which allows the user to define a kit of up to eight drum sounds each based on a single sample There are a number of effects available such as basic equalization attack decay pitch shift etc Once the kit is defined rhythms and beats are created through Live s MIDI sequencer Simpler a basic sampling instrument It functions using a single audio sample applying simple effects and envelopes finally applying pitch transformations in the form of Granular synthesis In this case incoming MIDI does not trigger drums as it does in Impulse but selects the final pitch of the sample with C3 playing the sample at its original pitch Drum Rack a sampler for drums MIDI notes trigger individual Simplers so rather than triggering one sample at multiple pitches individual samples are triggered at predefined pitches as is suitable for MIDI drum programming As is usual with Ableton almost anything can be drag dropped to or from the drum racks for example one can drop an audio clip or any MIDI device onto a drum rack note Instrument Rack allows the user to combine multiple instruments and effects into a single device allowing for split and layered sounds with customized macro controls Analog simulates an analog synthesizer Bass a monophonic virtual analog bass synthesizer Collision a mallet percussion physical modelling synthesizer Drum Synths 8 devices for creating drum and percussion sounds via synthesis Electric an electric piano instrument Operator an FM synthesizer Poli a virtual analog synthesizer that combines subtractive and FM synthesis Sampler an enhanced sampler Tension a string physical modelling synthesizer Wavetable a wavetable synthesizer featuring two oscillators and re mappable modulation sources Ableton also offers a selection of Add on Sample Packs with which a user can expand the sound libraries for their instruments Session Drums a collection of sampled drum kits Latin Percussion a collection of sampled latin percussion hits and loops Essential Instruments Collection a large collection of acoustic and electric instrument samples Orchestral Instrument Collection a collection of four different orchestral libraries which can be purchased individually or as a bundle Orchestral Strings Orchestral Brass Orchestral Woodwinds and Orchestral Percussion The Orchestral Instrument Collection is included upon purchase of Live Suite but must be downloaded separately 20 Dedicated hardware instruments Edit Akai Professional makes the APC40 mk II a MIDI controller designed to work solely with Ableton Live A smaller version the APC20 was released in 2010 21 Though there are many MIDI controllers compatible with Live these Akai units try to closely map the actual Ableton Live layout onto physical space Novation Digital Music Systems has created the Launchpad which is a pad device that has been designed for use with Live There are currently four different Launchpad models Launchpad Mini Launchpad X Launchpad Pro and Launchpad Control Ableton has also released their own MIDI controller the Push which is the first pad based controller that embraces scales and melody 22 In November 2015 Ableton released an updated MIDI controller the Push 2 along with Live 9 5 23 Push 2 in terms of its design features a new colorful display improved buttons and pads and a lighter frame 24 Effects Edit Most of Live s effects are already common effects in the digital signal processing world which have been adapted to fit Live s interface They are tailored to suit Live s target audience electronic musicians and DJs but may also be used for other recording tasks such as processing a guitar rig The effects featured in Ableton Live are grouped into two categories MIDI effects and audio effects Audio effects MIDI effectsAmp Audio Effect Rack Auto Filter Auto Pan Beat Repeat Cabinet Channel EQ Chorus Color Limiter Compressor Convolution Reverb Corpus CV Clock In CV Clock Out CV Envelope Follower CV Instrument CV In CV LFO CV Shaper CV Triggers CV Utility Delay Drum Buss Dynamic Tube Echo EQ Three Erosion External Audio Effect Filter Delay Flanger Frequency Shifter Gate Gated Delay Glue Compressor Grain Delay Limiter Looper Pedal Pitch Hack Re Enveloper Spectral Blur Spectral Time Surround Panner Multiband Dynamics Overdrive Resonators Spectrum Phaser Redux Reverb Saturator Tuner Utility Vinyl Distortion Vocoder Arpeggiator Chord Envelope Envelope Follower Expression Control LFO Melodic Steps MIDI Monitor MIDI Effect Rack MPE Control Note Echo Note Length Pitch Random Rotating Rhythm Generator Scale Shaper VelocityLive is also able to host VST plugins and on the macOS version Audio Unit plug ins as well as Max for Live devices since Live 9 Working with audio clips Edit Sasha playing a DJ set using Ableton Live running on an iMac G5 In addition to the instruments mentioned above Live can work with samples Live attempts to do beat analysis of the samples to find their meter number of bars and the number of beats per minute This makes it possible for Live to shift these samples to fit into loops that are tied into the piece s global tempo Additionally Live s Time Warp feature can be used to either correct or adjust beat positions in the sample By setting warp markers to a specific point in the sample arbitrary points in the sample can be pegged to positions in the measure For instance a drum beat that fell 250 ms after the midpoint in measure may be adjusted so that it will be played back precisely at the midpoint Some artists and online stores such as The Covert Operators and Puremagnetik now make available sample packs that are pre adjusted with tempo information and warp markers added The audio files are accompanied with an analysis file in Live s native format asd files 25 26 Ableton Live also supports Audio To MIDI which converts audio samples into a sequence of MIDI notes using three different conversion methods including conversion to Melody Harmony or Rhythm Once finished Live will create a new MIDI track containing the fresh MIDI notes along with an instrument to play back the notes Audio to midi conversion is not always 100 accurate and may require the artist or producer to manually adjust some notes 27 See Fourier transform Envelopes Edit Almost all of the parameters in Live can be automated by envelopes which may be drawn either on clips in which case they will be used in every performance of that clip or on the entire arrangement The most obvious examples are volume and track panning but envelopes are also used in Live to control parameters of audio devices such as the root note of a resonator or a filter s cutoff frequency Clip envelopes may also be mapped to MIDI controls which can also control parameters in real time using sliders faders and such Using the global transport record function will also record changes made to these parameters creating an envelope for them User interface Edit Much of Live s interface comes from being designed for use in live performance as well as for production 28 There are few pop up messages or dialogs Portions of the interface are hidden and shown based on arrows which may be clicked to show or hide a certain segment e g to hide the instrument effect list or to show or hide the help box Live now supports latency compensation for plug in and mixer automation See also Edit Music portalCategory Ableton Live users List of music softwareReferences Edit Live 11 Release Notes Retrieved 16 August 2021 Ableton Live End Use License Agreement Archived from the original on August 19 2014 Retrieved August 18 2014 Live comes in three editions Intro Standard and Suite They share common features but Standard and Suite have additional features instruments effects and Packs Ableton Retrieved 23 February 2021 Ableton Live 11 Lite is a fresh and easy way to write record produce and perform your own songs It comes with many hardware products for free Your license will never expire Ableton Retrieved 8 January 2022 a b c d e f g Slater Maya Roisin 28 November 2021 The untold story of Ableton Live the program that transformed electronic music performance forever Vice Retrieved 2022 08 05 a b c d e f Musicpublished Future 2011 01 13 A brief history of Ableton Live MusicRadar Retrieved 2022 08 05 Battino David Richards Kelli 2005 The Art of Digital Music San Francisco CA Backbeat Books p 3 ISBN 0 87930 830 3 Sasso Len Ableton Live 2 0 Electronic Musician Future Publishing Limited Quay House Retrieved 8 August 2019 Anderton Craig Ableton Live 3 0 Electronic Musician Future Publishing Limited Quay House Retrieved 8 August 2019 Sasso Len Ableton Live 4 0 Electronic Musician Future Publishing Limited Quay House Retrieved 8 August 2019 Sasso Len Ableton Live 5 Electronic Musician Future Music Publishing Quay House Retrieved 9 August 2019 Sasso Len Ableton Live 6 0 1 Electronic Musician Future Publishing Limited Quay House Retrieved 9 August 2019 Anderton Craig Ableton Live 7 Electronic Musician Future Publishing Limited Quay House Retrieved 9 August 2019 Rothwell Nick Ableton Live Suite 8 Sound On Sound SOS Publications Group Retrieved 8 August 2019 Ableton Live 8 MusicRadar Future Plc 5 May 2009 Retrieved 8 August 2019 Rothwell Nick Ableton Live 9 amp Push Sound On Sound SOS Publications Group Retrieved 13 August 2019 Live 11 coming February 23 2021 Ableton www ableton com Retrieved 2022 08 12 Musicpublished Future 2021 10 28 The history of Ableton Live in 10 key updates MusicRadar Retrieved 2022 07 05 A brief history of Ableton Live Future Music Future Music Publishing Quay House 13 January 2011 Retrieved 13 August 2019 Live 10 comes in three editions Intro Standard and Suite They share common features but Standard and Suite have additional features instruments effects and Packs Ableton com Retrieved 18 May 2020 The MusicRadar team 2010 01 14 NAMM 2010 Akai APC20 Ableton Live controller announced MusicRadar Retrieved 2021 12 20 Using Push Ableton Reference Manual Version 10 Ableton www ableton com Archived from the original on 2014 11 10 RA News Ableton unveils Push 2 and Live 9 5 Archived from the original on 2017 10 23 Retrieved 2017 06 27 Resident Advisor News Ableton unveils Push 2 and Live 9 5 Create music with Ableton Push Ableton www ableton com Retrieved 2021 02 04 The Covert Operators Ableton Live Packs Archived from the original on 2011 08 07 Retrieved 2011 08 05 Puremagnetik Archived from the original on 16 December 2008 Retrieved 2008 12 17 Hands on with Ableton Live 9 Audio to MIDI MusicRadar 27 February 2013 Archived from the original on 2016 03 03 Retrieved 2016 02 23 Tusa Scott Getting Started with Ableton Live O Reilly Digital Media Archived from the original on 2009 04 09 Retrieved 2009 04 19 This user friendly program was designed for live performances by musicians who wanted to use the recording studio like a musical instrument As performers and recording engineers they felt stymied by the non real time nature of typical audio programs so they wrote their own External links EditAbleton s official website Ableton Live how to database Free Ableton Courses for Ableton Live users Retrieved from https en wikipedia org w index php title Ableton Live amp oldid 1132314691, wikipedia, wiki, book, books, library,

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