A Song at Twilight is a play in two acts by Noël Coward. It is one of a trio of plays collectively titled Suite in Three Keys, all of which are set in the same suite in a luxury hotel in Switzerland. The play depicts an elderly writer confronted by his former mistress with facts about his past life that he would prefer to forget.
The original idea for A Song at Twilight was inspired by Lord David Cecil's biography of Max Beerbohm, in which Cecil described Constance Collier's late-life visit to Beerbohm at his home in Italy. Coward said, "I thought how funny this was. There was Max's old flame coming to visit him, but so much more vital still than him that she totally exhausted him in seconds."[1] Coward developed this by making his author a closeted homosexual, whose relations with women have been mainly for camouflage. Many people took the character to be based on Somerset Maugham,[2] and Coward's stage make up was thought to underline the point by its "curious" resemblance to Maugham.[1]
The play was first produced at the Queen's Theatre, London on 14 April 1966, directed by Vivian Matalon.[2]Suite in Three Keys was planned by Coward as his theatrical swan song: "I would like to act once more before I fold my bedraggled wings."[1] Coward's previous play, Waiting in the Wings (1960), had not been a critical success, but the climate of opinion had changed in the intervening six years, and Coward's works had undergone a period of rediscovery and re-evaluation, which Coward called "Dad's Renaissance". This had begun with a successful revival of Private Lives at the Hampstead Theatre and continued with a new production of Hay Fever at the National Theatre.[1] His co-stars in A Song at Twilight were Lilli Palmer (Carlotta), Irene Worth (Hilde) and Sean Barrett (Felix).[3]
Hilde Latymer, Sir Hugo's former secretary and for nearly twenty years his wife, discusses literary business by telephone. Hugo joins her and displays signs of nervousness at the impending arrival of Carlotta. He explains to Hilde that his affair with Carlotta "lasted exactly two years and we parted in a blaze of mutual acrimony". He does not know why she now wishes to see him again after so many years.
Carlotta arrives. Hilde introduces herself and leaves Carlotta alone with Hugo. Their reminiscences of old times together mix sentimental and waspish memories. The atmosphere becomes tense when Carlotta asks for Hugo's permission to reproduce some of his love letters to her in her forthcoming memoirs. He refuses, and she offers to return them to him, as they are no further use to her. However, she has in her possession other letters written by Hugo – to Perry Sheldon, whom she knew in his dying days, and who, she says, was "the only true love" of Hugo's life. Hugo admits that in the past he had "homosexual tendencies". Carlotta dismisses this, and tells him, "You're as queer as a coot and you have been all your life."[7] She reproaches him for his neglect of Perry, his former lover, and also for his pretence of heterosexuality which has made his novels and especially his autobiography dishonest.
Hilde returns. To Hugo's amazement she knows all about his affair with Perry, and she persuades Carlotta to return all the letters that Hugo wrote to him. Carlotta gives them to Hugo. In return, Hugo changes his mind about his letters to her, and gives his consent to their publication in her book. Hilde shows Carlotta out, and returns to find Hugo reading his old letters, "deeply moved... with a sigh [he] covers his eyes with a hand".
In his diary Coward wrote, "Well, the most incredible thing has happened. Not only has A Song at Twilight opened triumphantly, but the Press notices have on the whole been extremely good. Most particularly the Express and the Evening Standard. Fortunately the Sun struck a sour note... which convinced me that I hadn't entirely slipped."[8]The Times, noting the parallel with Maugham, praised both the play and the acting.[2] The critic of The Daily Mail said, "as the curtain fell last night I felt oddly elated, as if I had recaptured the flavour of an exclusive drink which one tasted when young but has never been mixed quite right since. I know the name of it now: not mannerism, not bravura, not histrionics, but style."[1]
Coward later said of Neil Simon's 1968 Plaza Suite, "Such a good idea having different plays all played in a hotel suite! I wonder where Neil Simon got it from?"[9]
^ abc"Noël Coward's Skeleton Feast", The Times, 15 April 1966, p. 16
^"A Song at Twilight", Theatricalia.com (1966). Retrieved 21 July 2020
^"Production of a Song at Twilight | Theatricalia".
^"A Song at Twilight", Theatricalia.com (1999). Retrieved 21 July 2020
^"Production of a Song at Twilight | Theatricalia".
^Coward had second thoughts about this line, and in the printed text he changed it to "You've been homosexual all your life and you know it." See Hoare, Philip, "As Mr. Britannia, Coward Waived the Rules", The New York Times, 12 December 1999; and Coward, p. 410
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A Song at Twilight is a play in two acts by Noel Coward It is one of a trio of plays collectively titled Suite in Three Keys all of which are set in the same suite in a luxury hotel in Switzerland The play depicts an elderly writer confronted by his former mistress with facts about his past life that he would prefer to forget Noel Coward and Lilli Palmer in the original production of A Song at TwilightFirst produced in London in 1966 the play is one of Coward s last works for the stage Contents 1 Background and productions 2 Plot 3 Roles and original cast 4 Critical reception 5 ReferencesBackground and productions EditThe original idea for A Song at Twilight was inspired by Lord David Cecil s biography of Max Beerbohm in which Cecil described Constance Collier s late life visit to Beerbohm at his home in Italy Coward said I thought how funny this was There was Max s old flame coming to visit him but so much more vital still than him that she totally exhausted him in seconds 1 Coward developed this by making his author a closeted homosexual whose relations with women have been mainly for camouflage Many people took the character to be based on Somerset Maugham 2 and Coward s stage make up was thought to underline the point by its curious resemblance to Maugham 1 The play was first produced at the Queen s Theatre London on 14 April 1966 directed by Vivian Matalon 2 Suite in Three Keys was planned by Coward as his theatrical swan song I would like to act once more before I fold my bedraggled wings 1 Coward s previous play Waiting in the Wings 1960 had not been a critical success but the climate of opinion had changed in the intervening six years and Coward s works had undergone a period of rediscovery and re evaluation which Coward called Dad s Renaissance This had begun with a successful revival of Private Lives at the Hampstead Theatre and continued with a new production of Hay Fever at the National Theatre 1 His co stars in A Song at Twilight were Lilli Palmer Carlotta Irene Worth Hilde and Sean Barrett Felix 3 The play was revived in 1999 for Coward s centennial in a production at the Gielgud Theatre directed by Sheridan Morley The cast included Vanessa Redgrave as Carlotta Kika Markham as Hilde Corin Redgrave as Hugo and Matthew Bose as Felix 4 The play then went on a UK tour in 2009 directed by Nikolai Foster with Peter Egan as Hugo Belinda Lang as Carlotta Kerry Peers as Hilde and Daniel Bayle as Felix 5 and another in 2019 directed by Stephen Unwin with Simon Callow as Hugo Jane Asher as Carlotta Jessica Turner as Hilde and Ash Rizi as Felix 6 Plot EditHilde Latymer Sir Hugo s former secretary and for nearly twenty years his wife discusses literary business by telephone Hugo joins her and displays signs of nervousness at the impending arrival of Carlotta He explains to Hilde that his affair with Carlotta lasted exactly two years and we parted in a blaze of mutual acrimony He does not know why she now wishes to see him again after so many years Carlotta arrives Hilde introduces herself and leaves Carlotta alone with Hugo Their reminiscences of old times together mix sentimental and waspish memories The atmosphere becomes tense when Carlotta asks for Hugo s permission to reproduce some of his love letters to her in her forthcoming memoirs He refuses and she offers to return them to him as they are no further use to her However she has in her possession other letters written by Hugo to Perry Sheldon whom she knew in his dying days and who she says was the only true love of Hugo s life Hugo admits that in the past he had homosexual tendencies Carlotta dismisses this and tells him You re as queer as a coot and you have been all your life 7 She reproaches him for his neglect of Perry his former lover and also for his pretence of heterosexuality which has made his novels and especially his autobiography dishonest Hilde returns To Hugo s amazement she knows all about his affair with Perry and she persuades Carlotta to return all the letters that Hugo wrote to him Carlotta gives them to Hugo In return Hugo changes his mind about his letters to her and gives his consent to their publication in her book Hilde shows Carlotta out and returns to find Hugo reading his old letters deeply moved with a sigh he covers his eyes with a hand Roles and original cast EditHilde Latymer Irene Worth Felix a waiter Sean Barrett Hugo Latymer Noel Coward Carlotta Gray Lilli PalmerCritical reception EditIn his diary Coward wrote Well the most incredible thing has happened Not only has A Song at Twilight opened triumphantly but the Press notices have on the whole been extremely good Most particularly the Express and the Evening Standard Fortunately the Sun struck a sour note which convinced me that I hadn t entirely slipped 8 The Times noting the parallel with Maugham praised both the play and the acting 2 The critic of The Daily Mail said as the curtain fell last night I felt oddly elated as if I had recaptured the flavour of an exclusive drink which one tasted when young but has never been mixed quite right since I know the name of it now not mannerism not bravura not histrionics but style 1 Coward later said of Neil Simon s 1968 Plaza Suite Such a good idea having different plays all played in a hotel suite I wonder where Neil Simon got it from 9 References EditNotes a b c d e Coward introduction unnumbered page a b c Noel Coward s Skeleton Feast The Times 15 April 1966 p 16 A Song at Twilight Theatricalia com 1966 Retrieved 21 July 2020 Production of a Song at Twilight Theatricalia A Song at Twilight Theatricalia com 1999 Retrieved 21 July 2020 Production of a Song at Twilight Theatricalia Coward had second thoughts about this line and in the printed text he changed it to You ve been homosexual all your life and you know it See Hoare Philip As Mr Britannia Coward Waived the Rules The New York Times 12 December 1999 and Coward p 410 Payn p 629 Payn p 676 BibliographyCoward Noel Plays Five Introduction by Sheridan Morley Methuen 1994 ISBN 0 413 51740 3 Payn Graham and Sheridan Morley ed The Noel Coward Diaries Papermac 1982 ISBN 0 333 34883 4 Retrieved from https en wikipedia org w index php title A Song at Twilight amp oldid 1147956918, wikipedia, wiki, book, books, library,
