Wikipedia
16th Annual Grammy Awards
The 16th Annual Grammy Awards were held March 2, 1974, and were broadcast live on American television. They recognized accomplishments by musicians from the year 1973.[1][2]
| 16th Annual Grammy Awards | |
|---|---|
| Date | March 2, 1974 |
| Location | Hollywood Palladium, Los Angeles, California |
| Hosted by | Andy Williams |
| Most awards | Stevie Wonder (5) |
| Most nominations | Stevie Wonder (7) |
| Television/radio coverage | |
| Network | CBS |
| |
Award winners
- Record of the Year
- Joel Dorn (producer) & Roberta Flack for "Killing Me Softly With His Song"
- Album of the Year
- Stevie Wonder (producer & artist) for Innervisions (award presented by Cher and Telly Savalas)
- Song of the Year
- Charles Fox & Norman Gimbel (songwriters) for "Killing Me Softly With His Song" performed by Roberta Flack
- Best New Artist
Children's
- Best Recording for Children
- Joe Raposo (producer) for Sesame Street Live performed by the Sesame Street cast
Classical
- Best Classical Performance - Orchestra
- Pierre Boulez (conductor) & the New York Philharmonic for Bartók: Concerto for Orchestra
- Best Classical Vocal Soloist Performance
- Edward Downes (conductor), Leontyne Price & the New Philharmonia Orchestra for Puccini: Heroines
- Best Opera Recording
- Tom Mowrey (producer), Leonard Bernstein (conductor), Marilyn Horne, Tom Krause, Adriana Maliponte, James McCracken 7 the Metropolitan Opera Orchestra & Chorus for Bizet: Carmen
- Best Choral Performance, Classical (other than opera)
- André Previn (conductor), Arthur Oldham (choirmaster) & the London Symphony Orchestra & Chorus for Walton: Belshazzar's Feast
- Best Classical Performance Instrumental Soloist or Soloists (with orchestra)
- Georg Solti (conductor), Vladimir Ashkenazy & the Chicago Symphony Orchestra for Beethoven: Concerti (5) for Piano and Orchestra
- Best Classical Performance Instrumental Soloist or Soloists (without orchestra)
- Vladimir Horowitz for Horowitz Plays Scriabin
- Best Chamber Music Performance
- Gunther Schuller (conductor) & the New England Conservatory Ragtime Ensemble for Joplin: The Red Back Book
- Album of the Year, Classical
- Thomas Z. Shepard (producer), Pierre Boulez (conductor) & the New York Philharmonic for Bartók: Concerto for Orchestra
Comedy
Composing and arranging
- Best Instrumental Composition
- Gato Barbieri (composer) for "Last Tango in Paris" performed by various artists
- Album of Best Original Score Written for a Motion Picture or a Television Special
- Neil Diamond (composer) for Jonathan Livingston Seagull performed by various artists
- Best Instrumental Arrangement
- Quincy Jones (arranger) for "Summer in the City"
- Best Arrangement Accompanying Vocalist(s)
- George Martin (arranger) for "Live and Let Die" performed by Paul McCartney & Wings
Country
- Best Country Vocal Performance, Female
- Olivia Newton-John for "Let Me Be There"
- Best Country Vocal Performance, Male
- Best Country Vocal Performance by a Duo or Group
- Rita Coolidge & Kris Kristofferson for "From the Bottle to the Bottom"
- Best Country Instrumental Performance
- Steve Mandell & Eric Weissberg for "Dueling Banjos"
- Best Country Song
- Kenny O'Dell (songwriter) for "Behind Closed Doors" performed by Charlie Rich
Folk
Gospel
- Best Gospel Performance
- Blackwood Brothers for Release Me (From My Sin)
- Best Soul Gospel Performance
- Best Inspirational Performance
- The Bill Gaither Trio for Let's Just Praise the Lord
Jazz
- Best Jazz Performance by a Soloist
- Art Tatum for God Is in the House
- Best Jazz Performance by a Group
- Supersax for Supersax Plays Bird
- Best Jazz Performance by a Big Band
- Woody Herman for Giant Steps
Musical show
- Best Score From the Original Cast Show Album
- Stephen Sondheim (composer), Goddard Lieberson (producer) & the original cast (Glynis Johns, Len Cariou, Hermione Gingold, Victoria Mallory, Patricia Elliott & Teri Ralston) for A Little Night Music
Packaging and notes
- Best Album Package
- Wilkes & Braun (art director; Tom Wilkes and Craig Braun) for Tommy (rock opera) (1972 orchestral version) performed by the London Symphony Orchestra & Choir
- Best Album Notes
- Dan Morgenstern (notes writer) for God Is in the House performed by Art Tatum
- Best Album Notes - Classical
- Glenn Gould (notes writer) for Hindemith: Sonatas for Piano (Complete) performed by Glenn Gould
Pop
- Best Pop Vocal Performance, Female
- Best Pop Vocal Performance, Male
- Best Pop Vocal Performance by a Duo, Group or Chorus
- Best Pop Instrumental Performance
Production and engineering
- Best Engineered Recording, Non-Classical
- Malcolm Cecil & Robert Margouleff (engineers) for Innervisions performed by Stevie Wonder
- Best Classical Engineered Recording
- Edward (Bud) T. Graham, Ray Moore (engineers), Pierre Boulez (conductor) & the New York Philharmonic for Bartók: Concerto for Orchestra
R&B
- Best R&B Vocal Performance, Female
- Aretha Franklin for "Master of Eyes"
- Best R&B Vocal Performance, Male
- Stevie Wonder for "Superstition"
- Best R&B Vocal Performance by a Duo, Group or Chorus
- Best R&B Instrumental Performance
- Ramsey Lewis for "Hang On Sloopy"
- Best Rhythm & Blues Song
- Stevie Wonder (songwriter) for "Superstition"
Spoken
- Best Spoken Word Recording
- Richard Harris for Jonathan Livingston Seagull
References
External links
- The 16th Grammy Awards, at the Internet Movie Database