In 1933, branded a "degenerate artist" by the Nazi regime, he left Germany and went to Strasbourg, Brussels, Paris, and London. He first turned to twelve-tone technique with his Violin Concerto in 1937. From 1939 he lived in Switzerland, at first in Ascona and from 1964 in Zürich. Until he became a Swiss citizen in 1954, he was not allowed to work in Switzerland, and relied on the support of wealthy patrons and his wife, the writer Aline Valangin. During this time, he taught composition privately, was active in the ISCM, participated in Hermann Scherchen’s ‘Sessions d’études musicales et dramatiques’ in Strasbourg, and organized the International Twelve-Tone Music pre-conference in Osilina in 1949. His students include Erik Bergman, Tauno Marttinen, Maurice Karkoff, Rodolfo Holzmann, Robert Suter, Einojuhani Rautavaara, Rolf Liebermann and Hermann Meier. See: List of music students by teacher: T to Z#Wladimir Vogel.
Vogel composed a symphony, pieces for orchestra, string orchestra, wind ensemble, a concerto for violin and another for cello, works for choir, soloists and orchestra—the most important of which, called "drama-oratorios", are based on a synthesis of speech and song—and chamber-music works.
Drei Sprechlieder nach August Stramm for baritone and piano (1922)
Sinfonischer Vorgang for large orchestra (1922–23)
Wagadus Untergang durch die Eitelkeit, drama-oratorio (1930)
Sinfonia fugata for large orchestra (1930–1932)
Vier Etüden for large orchestra (1930–1932)
Variétude for piano (1931)
Rallye for orchestra (1932)
Violin Concerto (1937)
Thyl Claes, Parts I and II, drama-oratorio (1941–42 and 1943–45)
In memoriam, Two Sonnets by Roger Vuataz for contralto, viola, harp and timpani, VWV 42 (1947)
Jona ging doch nach Ninive, drama-oratorio (1957–58)
Meditazione sulla maschera di Modigliani, drama-oratorio (1960)
An die akademische Jugend (Notker Balbulus) for mixed choir a cappella (1962)
Worte (Hans Arp) for 2 speaking voices and strings (1962)
Flucht, drama-oratorio (1963–64)
Mondträume (Hans Arp), permutations and paraphrases after verses from Mondsand by Hans Arp for speaking choir a cappella (1965)
Hörformen I for orchestra (1967)
Hörformen II for orchestra (1967–69)
Gli spaziali drama-oratorio (1970–71)
Abschied for string orchestra (1973)
Vier Versionen einer Zwölftonfolge for piano (1973)
Meloformen for string orchestra (1974)
Hommage nach einer 6-Tonfolge von Hermann Jöhr for strings in variable scoring (1975)
Composition for chamber orchestra (1976)
In Signum IM for large orchestra (1976)
Verstrebungen for chamber orchestra (1977)
Kleine Hörformen for viola and piano, VWV 51 (1979)
Reigen for chamber orchestra (1981)
Humoreske, Paraphrasen über 2 Themen von Gottschalk and Tschaikowsky for large orchestra (1981)
Sound recordings of works of the composer from the archives of SRG SSR on Neo.Mx3
April 12, 2024
wladimir, vogel, wladimir, rudolfowitsch, vogel, february, february, 1896, june, 1984, swiss, composer, german, russian, descent, contents, life, compositions, selective, list, references, external, linkslife, editborn, moscow, vogel, first, studied, compositi. Wladimir Rudolfowitsch Vogel 17 February 29 February 1896 19 June 1984 was a Swiss composer of German and Russian descent Contents 1 Life 2 Compositions selective list 3 References 4 External linksLife editBorn in Moscow Vogel first studied composition in Moscow with Alexander Scriabin then between 1918 and 1924 with Heinz Tiessen and Ferruccio Busoni in Berlin where he subsequently taught 1929 33 at the Klindworth Scharwenka Conservatory He was close to the expressionist circle around Herwarth Walden and was active together with George Antheil Hanns Eisler Philipp Jarnach Stefan Wolpe and Kurt Weill in the music section of the November Group of Max Butting and Hans Heinz Stuckenschmidt In 1933 branded a degenerate artist by the Nazi regime he left Germany and went to Strasbourg Brussels Paris and London He first turned to twelve tone technique with his Violin Concerto in 1937 From 1939 he lived in Switzerland at first in Ascona and from 1964 in Zurich Until he became a Swiss citizen in 1954 he was not allowed to work in Switzerland and relied on the support of wealthy patrons and his wife the writer Aline Valangin During this time he taught composition privately was active in the ISCM participated in Hermann Scherchen s Sessions d etudes musicales et dramatiques in Strasbourg and organized the International Twelve Tone Music pre conference in Osilina in 1949 His students include Erik Bergman Tauno Marttinen Maurice Karkoff Rodolfo Holzmann Robert Suter Einojuhani Rautavaara Rolf Liebermann and Hermann Meier See List of music students by teacher T to Z Wladimir Vogel He died in Zurich Compositions selective list editVogel composed a symphony pieces for orchestra string orchestra wind ensemble a concerto for violin and another for cello works for choir soloists and orchestra the most important of which called drama oratorios are based on a synthesis of speech and song and chamber music works Drei Sprechlieder nach August Stramm for baritone and piano 1922 Sinfonischer Vorgang for large orchestra 1922 23 Wagadus Untergang durch die Eitelkeit drama oratorio 1930 Sinfonia fugata for large orchestra 1930 1932 Vier Etuden for large orchestra 1930 1932 Varietude for piano 1931 Rallye for orchestra 1932 Violin Concerto 1937 Thyl Claes Parts I and II drama oratorio 1941 42 and 1943 45 In memoriam Two Sonnets by Roger Vuataz for contralto viola harp and timpani VWV 42 1947 Jona ging doch nach Ninive drama oratorio 1957 58 Meditazione sulla maschera di Modigliani drama oratorio 1960 An die akademische Jugend Notker Balbulus for mixed choir a cappella 1962 Worte Hans Arp for 2 speaking voices and strings 1962 Flucht drama oratorio 1963 64 Mondtraume Hans Arp permutations and paraphrases after verses from Mondsand by Hans Arp for speaking choir a cappella 1965 Horformen I for orchestra 1967 Horformen II for orchestra 1967 69 Gli spaziali drama oratorio 1970 71 Abschied for string orchestra 1973 Vier Versionen einer Zwolftonfolge for piano 1973 Meloformen for string orchestra 1974 Hommage nach einer 6 Tonfolge von Hermann Johr for strings in variable scoring 1975 Composition for chamber orchestra 1976 In Signum IM for large orchestra 1976 Verstrebungen for chamber orchestra 1977 Kleine Horformen for viola and piano VWV 51 1979 Reigen for chamber orchestra 1981 Humoreske Paraphrasen uber 2 Themen von Gottschalk and Tschaikowsky for large orchestra 1981 Trio for three clarinets 1982 Klangexpressionen Bulgakov string quartet 1983 Colori e movimenti for orchestra 1983 References editThis article does not cite any sources Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Wladimir Vogel news newspapers books scholar JSTOR April 2015 Learn how and when to remove this template message External links editSound recordings of works of the composer from the archives of SRG SSR on Neo Mx3 Retrieved from https en wikipedia org w index php title Wladimir Vogel amp oldid 1174383241, wikipedia, wiki, book, books, library,
